RAVAN PRESS Here Are Some of Our Titles: Lots More to Come
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Translation of African Literature: a German Model? Jean-Pierre Richard
Translation of African Literature: A German Model? Jean-Pierre Richard To cite this version: Jean-Pierre Richard. Translation of African Literature: A German Model?. IFAS Working Paper Series / Les Cahiers de l’ IFAS, 2005, 6, p. 39-44. hal-00797996 HAL Id: hal-00797996 https://hal.archives-ouvertes.fr/hal-00797996 Submitted on 7 Mar 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Les Nouveaux Cahiers de l´IFAS IFAS Working Paper Series Translation - Transnation 1994 – 2004 Dix ans d´echanges littéraires entre l´Afrique du Sud et la France Ten years of literary exchange between South Africa and France Numéro special Rassemblé et dirigé par Jean-Pierre RICHARD, Université Paris 7, en collaboration avec Denise GODWIN, rédactrice de l´AFSSA Special issue collated and edited by Jean-Pierre RICHARD, University of Paris 7, in collaboration with AFSSA editor, Denise GODWIN N0 6, August 2005 Translation – Transnation 1994-2004 Ten years of literary exchange between South Africa and France Dix ans d’échanges littéraires entre l’Afrique du Sud et la France To Sello Duiker and Phaswane Mpe Contents – Sommaire Preface – Préface The authors – Les auteurs About translation – Etudes L’autre source : le rôle des traducteurs dans le transfert en français de la littérature sud-africaine par J.-P. -
Expert's Views on the Dilemmas of African Writers
EXPERTS’ VIEWS ON THE DILEMMAS OF AFRICAN WRITERS: CONTRIBUTIONS, CHALLENGES AND PROSPECTS By Sarah Kaddu Abstract African writers have faced the “dilemma syndrome” in the execution of their mission. They have faced not only “bed of roses” but also “the bed of thorns”. On one hand, African writers such as Chinua Achebe have made a fortune from royalties from his African Writers’ Series (AWS) and others such as Wole Soyinka, Ben Okri and Naruddin Farah have depended on prestigious book prizes. On the other hand, some African writers have also, according to Larson (2001), faced various challenges: running bankrupt, political and social persecution, business sabotage, loss of life or escaping catastrophe by “hair breadth”. Nevertheless, the African writers have persisted with either success or agony. Against this backdrop, this paper examines the experts’ views on the contributions of African writers to the extending of national and international frontiers in publishing as well as the attendant handicaps before proposing strategies for overcoming the challenges encountered. The specific objectives are to establish some of the works published by the African writers; determine the contribution of the works published by African writers to in terms of political, economic, and cultural illumination; examine the challenges encountered in the publishing process of the African writers’ works; and, predict trends in the future of the African writers’ series. The study findings illuminate on the contributions to political, social, gender, cultural re-awakening and documentation, poetry and literature, growth of the book trade and publishing industry/employment in addition to major challenges encountered. The study entailed extensive analysis of literature, interviews with experts on African writings from the Uganda Christian University and Makerere University, and African Writers Trust; focus group discussions with publishers, and a few selected African writers, and a review of the selected pioneering publications of African writers. -
Hayashi Fumiko: the Writer and Her Works
University at Albany, State University of New York Scholars Archive East Asian Studies Faculty Scholarship East Asian Studies 1994 Hayashi Fumiko: The Writer and Her Works Susanna Fessler PhD University at Albany, State University of New York, [email protected] Follow this and additional works at: https://scholarsarchive.library.albany.edu/eas_fac_scholar Part of the Japanese Studies Commons Recommended Citation Fessler, Susanna PhD, "Hayashi Fumiko: The Writer and Her Works" (1994). East Asian Studies Faculty Scholarship. 13. https://scholarsarchive.library.albany.edu/eas_fac_scholar/13 This Dissertation is brought to you for free and open access by the East Asian Studies at Scholars Archive. It has been accepted for inclusion in East Asian Studies Faculty Scholarship by an authorized administrator of Scholars Archive. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. Hie quality of this reproduction is dependent upon the qualify of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Palm Springs
PALM SPRINGS Screenplay by Andy Siara Party Over Here 1635 N. Cahuenga Blvd. 4th Floor Los Angeles, CA 90028 Limelight 662 N Sepulveda Boulevard Suite 300 Production Draft Los Angeles, CA 90049 4/6/19 PRODUCTION DRAFT 4-6-19 1. Demis Roussos’ “Forever and Ever” starts us off... 1 EXT. CALIFORNIA DESERT - DAY 1 We’re LOW TO THE GROUND, panning across the landscape, until we land on A TORTOISE, an imposing prehistoric beast from this angle. Three healed SCARS mar its shell. A MASSIVE EARTHQUAKE HITS. A CRACK splinters in the earth’s crust, directly toward the tortoise, ORANGE LIGHT bursts up -- CUT TO: 2 EXT. DESERT DIRT ROAD - DUSK 2 A PERFECTLY CLEAR NIGHT SKY. Full moon, every constellation. We PAN DOWN to a MOONLIT DESERT DIRT ROAD, LANDING ON: A solitary figure dressed in swim trunks and a Hawaiian shirt trudging up the road. This is NYLES. He takes a beer from his pocket and drinks as he reaches the top of a hill, where another source of LIGHT illuminates his face. He gazes out with a look of recognition -- and resignation: A LARGE ESTATE at the end of the road. Strands of twinkling lights extend down a dirt driveway packed with hybrid cars. Nyles continues toward the estate, passing a SIGN: “Tala & Abe’s Wedding - November 9,” stenciled on driftwood in white Futura font. Nyles SLAPS it down as he passes. NYLES Nooooooovember ninth. PRE-LAP the sound of LAUGHTER FROM A CROWD -- 3 EXT. CALMADA ESTATE - BACKYARD - NIGHT 3 A Pinterest board come to life: Under an intricately designed web of lights fixed to palm trees, FIFTY WEDDING GUESTS of all ages and dressed in all sorts of hip, eclectic attire sit at tables assembled around a DANCE FLOOR, where MISTY (28, a bridesmaid with face gems) is giving a drawn-out speech -- MISTY .. -
World War Ii Internment Camp Survivors
WORLD WAR II INTERNMENT CAMP SURVIVORS: THE STORIES AND LIFE EXPERIENCES OF JAPANESE AMERICAN WOMEN Precious Vida Yamaguchi A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Radhika Gajjala, Ph.D., Advisor Sherlon Pack-Brown, Ph.D. Graduate Faculty Representative Lynda D. Dixon, Ph.D. Lousia Ha, Ph.D. Ellen Gorsevski, Ph.D. © 2010 Precious Vida Yamaguchi All Rights Reserved iii ABSTRACT Radhika Gajjala, Advisor On February 19, 1942, President Franklin D. Roosevelt’s Executive Order 9066 required all people of Japanese ancestry in America (one-eighth of Japanese blood or more), living on the west coast to be relocated into internment camps. Over 120,000 people were forced to leave their homes, businesses, and all their belongings except for one suitcase and were placed in barbed-wire internment camps patrolled by armed police. This study looks at narratives, stories, and experiences of Japanese American women who experienced the World War II internment camps through an anti-colonial theoretical framework and ethnographic methods. The use of ethnographic methods and interviews with the generation of Japanese American women who experienced part of their lives in the United State World War II internment camps explores how it affected their lives during and after World War II. The researcher of this study hopes to learn how Japanese American women reflect upon and describe their lives before, during, and after the internment camps, document the narratives of the Japanese American women who were imprisoned in the internment camps, and research how their experiences have been told to their children and grandchildren. -
Claim No. Anne Giwa-Amu Claimant
/,., . Claim No. Anne Giwa-Amu Claimant -and- Chimamanda Ngozi Adichie 1St Defendant ~Iarper Collins Publishers Ltd 2°~ Defendant ~,I..Y „~ S sS/~ ,q ~P+ '~a¢raa Pt~RTICULARS OF CLAIM m y e ~~NTY G~~ 1)The Claimant is a qualified Solicitor and obtained her LL.B degree from the London School of Economics and Political Science (LSE). The Claimant lived in Nigeria from 1961 — 1974. She is a UK resident and the author of the literary novel `SADE'/'SADE United We Stand'. 2) In 1993, the Claimant started writing the literary novel now entitled SADE which was based on her own knowledge and experiences in Nigeria. Over many years, the Claimant had carried out extensive research, visited the Red Cross Centre at Guilford and interviewed a number of people, including Dr Patrick Ediomi Davis (Paddy Davies) who had worked for the Biafran Propaganda Secretariat. Paddy Davies obtained a degree of Doctor of Philosophy (Ph.D) on the use of propaganda in civil war focusing on the Biafran experience. The Claimant collated and interpreted material and compiled the sequence of events in SADE exerting a substantial amount of skill, labour and judgement. 3)Between 1994-1995, the Claimant sent a copy of her manuscript to the 2"d Defendant along with other publishing houses. Although Heinemann UK accepted Sade for 1 ~... publication under the African Writers' Series they failed to publish. Chinua Achebe was one of the founding editors of the African Writers' Series which had been established to promote black African literature. The novel was also accepted for publication by Longman UK who also failed to publish following to a policy decision not to publish Nigerian literature due to a lack of market. -
University of Cape Town (UCT) in Terms of the Non-Exclusive License Granted to UCT by the Author
Matter, Metaphor and Meaning: The Precariousness of the Reality Value of the Representational Status of Zwelethu Mthethwa’s Photography Name: Abel Mputing Date: 17 July 2015 A dissertation submitted for the Degree of Master of Arts in Fine Art, Faculty of Arts, UCT. UniversitySupervisor: of Dr. RaelCape Salley Town 1 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Contents Acknowledgements Abstract An Overview Chapter One: Introduction 5 Chapter Two: Image-Making: A Kinship with Painting 18 Chapter Three: A Veiled Portrait: Making The Familiar Strange 27 Chapter Four: The Emancipation of the Objective Specificity of the Black Body in Portraiture 39 Chapter Five: Photographic Abstractionism 53 Chapter Six: Photography After the End of Documentary Realism: A Leap into An Imaginative Criticism 61 Reference List 67 Image List 73 Declaration: This work has not been previously submitted in whole or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in this dissertation from the work, or works of other people has been attributed, and has been cited and referenced. 2 Acknowledgement I am grateful to the Michaelis School of Fine Art for, along with its financial support, accepting my enrolment to the degree of Master of Arts in Fine Art. -
Dedicated to the Needs of the Music/Rec Albums
DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15). -
Flora Nwapa (Nwakuche), Novelist, Short Story and Children's
,--- . ' / FLOiiA NWAPA (13 Janua~~ 1931~ I /J (..;.fa.:.t.-S Gay Wilentz \~t ,~:;· East Carolina University ',_ ... .,,..,.,.,.., 1-- I' ··- -- ,.:~- ....~- , -iJ • - • ' .... _ !., {"' ,.._., .t l ft+----,# .,. (',... - "', -77 --- /' ue,G ,..,..._:., L-.': ~ . -.... '!l'· - 1 iJI ~ ~1-:, ::;.- t ·,:,, z-2.J/ -- -__,__ . BOO~S: Efuru ___ LLo.n~on: Heinemann,._ 1966); Idu (London: Heinemann£ dt~cc-.f10 it ... r~ (' ., --;··,.: ·:;:·;:.~ ~,,-,{~ J ~, I 6~c ¼. s L.P -.:,~~--~'--~~~--~ -crifiJ. a fi.,_e;(· -' ~ <J ~., ~ - . r.--'71 { 1970); This is Lagos (Enugu: Ni9eria:- Nwamife, 19·;1); Never Again ~/1' /\ (Enugu: Nwamife, 1975; Washington, D.C.: Three Continents Press, U.S. distribution); Wives at war (Enugu: Tana Press, 1980; - . A Washington, D.C.: Three Continents Press, U.S. distribution); One 1s Enough (Enugu: Tana Press, 1981); Washington, D.C.: Three London, 1972); ~~~~x_~ateE (Enugu: Tana Press, 1979; Washington, D.C.: Three Continents Press, U.S. distri bution); The Advent ures ,:::1 () .,. Ct. of Deke (Enugu: Tana Press, 1980); Journey to Space (Enugu: 'P-a1're ·. ., ' 't. \ rt.v.l~r~ '-;~,_a"/n r. I \ 12&0ss-, 1980); The Miracle Kittens ( Enugu: Tana Press, 1980). J / - '"'"--- I\- -------- - -- -- --------------- - ---- ------ -- . .. - · ---------· - - --- Flora Nwapa (Nwakuche), novelist, short story and children's book writer, publisher, is best known as Nigeria's first woman nove l ist and the first African woman writer to publish a nove l in Eng lish (Eturu 1966). Although early crit i cs of African 1 literature did not recognize the significance of her work, Nwapa now is widely praised for her ability to adapt the English language to capture the flavor of the Igbo idiom. Nwapa brings 0 "1 a fresh perspective ca. -
File Download
Fashioning the Modern African Poet Nathan Suhr-Sytsma, Emory University Book Title: Poetry, Print, and the Making of Postcolonial Literature Publisher: Cambridge University Press Publication Place: New York, NY Publication Date: 2017-07-31 Type of Work: Chapter | Final Publisher PDF Permanent URL: https://pid.emory.edu/ark:/25593/s9wnq Final published version: http://dx.doi.org/10.1017/9781316711422 Copyright information: This material has been published in Poetry, Print, and the Making of Postcolonial Literature by Nathan Suhr-Sytsma. This version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. © Nathan Suhr-Sytsma 2017. Accessed September 25, 2021 6:50 PM EDT chapter 3 Fashioning the Modern African Poet DEAD: Christopher Okigbo, circa 37, member of Mbari and Black Orpheus Committees, publisher, poet ; killed in battle at Akwebe in September 1967 on the Nsukka sector of the war in Nigeria fighting on the secessionist side ...1 So began the first issue of Black Orpheus to appear after the departure of its founding editor, Ulli Beier, from Nigeria. Half a year had passed since the start of the civil war between Biafran and federal Nigerian forces, and this brief notice bears signs of the time’s polarized politics. The editors, J. P. Clark and Abiola Irele, proceed to announce “the poem opening on the opposite page”–more accurately, the sequence of poems, Path of Thunder – as “the ‘last testament’ known of this truly Nigerian character,” reclaiming Christopher Okigbo from Biafra for Nigeria at the same time as they honor his writing. -
Welcome, We Have Been Archiving This Data for Research and Preservation of These Early Discs. ALL MP3 Files Can Be Sent to You B
Welcome, To our MP3 archive section. These listings are recordings taken from early 78 & 45 rpm records. We have been archiving this data for research and preservation of these early discs. ALL MP3 files can be sent to you by email - $2.00 per song Scroll until you locate what you would like to have sent to you, via email. If you don't use Paypal you can send payment to us at: RECORDSMITH, 2803 IRISDALE AVE RICHMOND, VA 23228 Order by ARTIST & TITLE [email protected] S.O.S. Band - Finest, The 1983 S.O.S. Band - Just Be Good To Me 1984 S.O.S. Band - Just The Way You Like It 1980 S.O.S. Band - Take Your Time (Do It Right) 1983 S.O.S. Band - Tell Me If You Still Care 1999 S.O.S. Band with UWF All-Stars - Girls Night Out S.O.U.L. - On Top Of The World 1992 S.O.U.L. S.Y.S.T.E.M. with M. Visage - It's Gonna Be A Love. 1995 Saadiq, Raphael - Ask Of You 1999 Saadiq, Raphael with Q-Tip - Get Involved 1981 Sad Cafe - La-Di-Da 1979 Sad Cafe - Run Home Girl 1996 Sadat X - Hang 'Em High 1937 Saddle Tramps - Hot As I Am 1937 (Voc 3708) Saddler, Janice & Jammers - My Baby's Coming Home To Stay 1993 Sade - Kiss Of Life 1986 Sade - Never As Good As The First Time 1992 Sade - No Ordinary Love 1988 Sade - Paradise 1985 Sade - Smooth Operator 1985 Sade - Sweetest Taboo, The 1985 Sade - Your Love Is King Sadina - It Comes And Goes 1966 Sadler, Barry - A Team 1966 Sadler, Barry - Ballad Of The Green Berets 1960 Safaris - Girl With The Story In Her Eyes 1960 Safaris - Image Of A Girl 1963 Safaris - Kick Out 1988 Sa-Fire - Boy, I've Been Told 1989 Sa-Fire - Gonna Make it 1989 Sa-Fire - I Will Survive 1991 Sa-Fire - Made Up My Mind 1989 Sa-Fire - Thinking Of You 1983 Saga - Flyer, The 1982 Saga - On The Loose 1983 Saga - Wind Him Up 1994 Sagat - (Funk Dat) 1977 Sager, Carol Bayer - I'd Rather Leave While I'm In Love 1977 1981 Sager, Carol Bayer - Stronger Than Before 1977 Sager, Carol Bayer - You're Moving Out Today 1969 Sagittarius - In My Room 1967 Sagittarius - My World Fell Down 1969 Sagittarius (feat. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of the Liberal Arts CONNECTING NORTH AND SUB-SAHARAN AFRICA THROUGH LITERATURE, FILM, AND MUSIC A Dissertation in Comparative Literature by Ziad Bentahar © 2009 Ziad Bentahar Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 ii The dissertation of Ziad Bentahar was reviewed and approved* by the following: Thomas A. Hale Edwin Erle Sparks Professor of African, French, and Comparative Literature Dissertation Advisor Chair of Committee Thomas O. Beebee Distinguished Professor of Comparative Literature and German Reiko Tachibana Associate Professor of Comparative Literature, Japanese, and Asian Studies Gabeba Baderoon Assistant Professor of Women‘s Studies and African and African American Studies, and affiliate faculty member of Comparative Literature Jonathan E. Brockopp Associate Professor of History and Religious Studies Mildred Mortimer Professor of French, University of Colorado at Boulder Special Member Caroline D. Eckhardt Professor of Comparative Literature and English Head of the Department of Comparative Literature *Signatures are on file in the Graduate School iii ABSTRACT An unresolved issue in African literary studies is whether North and sub-Saharan Africa are disconnected from one another, or whether they share elements that can further our understanding of the cultures from which they emerge. Since the mid-twentieth century, due to growing interest in Islam and the Arab world on the global scene, the Arab side of North African identity has been given paramount recognition. More often than not, North Africa is considered part of the Middle East rather than an integral member of an African community, although in spite of shifting political winds in recent years, the literatures that have emerged from North Africa have been firmly embedded in African literary traditions since antiquity, and share strong links with their sub-Saharan counterparts.