Laboratories

Total Page:16

File Type:pdf, Size:1020Kb

Laboratories Disclaimer Please note this list is not comprehensive, and also may not include some specialist laboratories. Unconfirmed offline entries have also been removed in this edition Although every effort has otherwise been made to ensure accuracy of information, no liability is assumed for any errors, or information that may change after publication E&OE www.filmadvocacy.org (To add entries or notify corrections, please see end of list) Motion Picture Film – Laboratories – International Argentina ARCO IRIS Super 8mm http://www.arcoirissuper8.com.ar/shop/index.asp Balcarce 773 3ro Buenos Aires 1064 Tel.: 4361-0910 / 15-5228-9574 arcoirissuper8 (at) arcoirissuper8 (dot) com (dot) ar CINECOLOR LAB (Cinecolor Argentina) http://www.grupochilefilms.cl/cc_argentina/?mod=index http://www.grupochilefilms.cl/cc_argentina/?mod=servicios San Lorenzo 3845 Olivos, Buenos Aires Codigo Postal: B1636ERU Tel.: +54 (11) 5299.2400 cinecolorlab (at) cinecolor (dot) com (dot) ar Australia Nanolab http://www.nanolab.com.au/ 36 Grant St Daylesford Victoria 3460 Tel.: (+61) 400 748 864 http://www.nanolab.com.au/contact.htm Neglab 107 Bath Rd Kirrawee NSW 2232 Tel.: +61 (0) 409 928 117 (Contact: Werner Winkelmann) w (dot) winkelmann (dot) 48 (at) gmail (dot) com Austria LISTO Videofilm GmbH http://www.listo.at/ http://www.listo.at/filmlab00.html Gumpendorferstrasse 132 1060 Vienna Tel.: +43 1 596 15 15 Fax: +43 1 596 15 15 40 office (at) listo (dot) at SYNCHRO Film, Video & Audio GmbH http://www.synchrofilm.com/de/news/ http://www.synchrofilm.com/de/analogue-cinema/analogue-cinema-intro/ http://www.synchrofilm.com/de/team-facility/facility/ Schottenfeldgasse 14 1070 Vienna Tel.: +43 (1) 524 93 10-0 Fax: +43 (1) 524 93 10-20 office (at) synchrofilm (dot) com Belarus Belarusfilm http://www.belarusfilm.by/en/studio/about/ http://www.belarusfilm.by/en/studio/units/55/ The Republican Unitary Enterprise National Film Studio - Belarusfilm 98, Nezavisimosti Ave Minsk, 220114 Tel.: +375 (17) 267 10 02 / 267 15 05 Fax: +375 (17) 267 31 32 http://www.belarusfilm.by/en/contacts/ Belgium DeJonghe Film Postproduction http://www.postproduction.be/en/ http://www.postproduction.be/en/?page_id=35 Diksmuidekaai 4 8500 Kortrijk Tel.: +32 56 350 710 Fax: +32 56 350 780 info (at) postproduction (dot) be Studio Gamma http://studiogamma.be/index_en.php rue Delcour, 86 4470 Saint-Georges http://studiogamma.be/contact_en.php Studio L'Equipe http://www.studio-equipe.fr/ http://www.studio-equipe.fr/film-lab 6-8 L. Mommaerts av 1140 Brussels Tel.: +32 2 745 48 00 http://www.studio-equipe.fr/meet-our-team#contact_picture Belgium Brazil Teleimage (Casablanca) http://www.teleimage.com.br/index_en.htm Av República do Líbano 390 SP São Paulo Tel.: +55 (11) 3889 2600 monica (at) cbsp (dot) com (dot) br CINECOLOR BRASIL LAB http://www.grupochilefilms.cl/cc_brasil/?mod=index http://www.grupochilefilms.cl/cc_brasil/?mod=servicios Alameda Amazonas 798 Alphaville - Barueri, São Paulo Codigo Postal: 06454-070 Tel.: +55 (11) 2078.3600 info (at) cinecolor (dot) com (dot) br LABOCINE http://www.labocine.com.br/ http://www.labocine.com.br/index_lab.html Boulevard 28 de Setembro 168 - Rio de Janeiro Brasil 20551 031 Phone +55 (21) 3257-2002 Fax +55 (21) 3257-2000 sac (at) labocine (dot) com (dot) br Canada Film Alberta Studio http://www.filmalberta.com/content.php http://www.filmalberta.com/id/625 5305 Allard Way Edmonton Alberta T6H 5X8 Tel.: 780.777.7778 (Contact: Sam Osman) Fax: 780.469.5081 Film Rescue International http://www.filmrescue.com/ 500 Grand Ave Box 428 Indian Head, SK S0G2K0 Tel.: 1-800-329-8988 mail (at) filmrescue (dot) com THE LOCAL LAB Film Services Ltd. http://members.shaw.ca/locallab/ #6 3800 19th Street NE Calgary, AB T2E 6V2 Phone / Fax (403) 277-3092 locallab (at) shaw (dot) ca Niagara Custom Lab http://www.niagaracustomlab.com/ Services Digital to Film 182A St. ’Ave. Toronto Ontario M6H 4A1 Tel.: (416) 504-3927 Vision Globale http://www.visionglobale.com/ 80, rue Queen, Bureau 301 Montreal, Qc H3C 2N5 Tel.: +1 514.879.0020 (Toll-Free 1.800.667.7690) Fax: +1 514.879.0047 e-sales (at) visionglobale (dot) com Canada Chile Cinecolor Chile (Chilefilms) http://www.grupochilefilms.cl/cc_chile/?mod=contacto http://www.grupochilefilms.cl/cc_chile/?mod=servicios La Capitan•a 1.200 Las Condes Santiago C‚digo Postal: 7580243 Tel.: +56 (2) 2337.1200 info (at) Cinecolor (dot) cl China Chang Chun Film Studio http://www.cfs-cn.com/ Hong Qing Street No. 1118 Changchun City Ji Lin Province 130021 Tel.: +86 431 85915785 85953528 (at) 163 (dot) com Pearl River Film Group No. 352 Xingangzhong Road Guangzhou City Guangdong Province 510311 Tel.: +86 (0) 20 3431 8704 Fax: +86 (0) 20 3431 8584 Colombia Cinecolor Colombia http://www.grupochilefilms.cl/cc_colombia/?mod=index http://www.grupochilefilms.cl/cc_colombia/?mod=servicios CINECOLOR LAB Calle 80 Km.1,8 Costado Sur Parque Empresarial Soko, Edificio A Bogotƒ C‚digo Postal: B1636ERU Tel.: +54 (11) 5299.2400 info (at) cinecolor (dot) com (dot) co Czech Republic Barrandov Studios http://www.barrandov.cz/ http://www.barrandov.cz/clanek/filmove-laboratore/ řžnƒm. 322/5 152 00 Praha 5 č Č28172469 ČCZ28172469 Tel.: +420 267 072 812 Fax: +420 267 073 766 filmlabs (at) barrandov (dot) cz Tel.: +420 267 072 447 (Pavel Jelen, Manager) Mobile: +420 602 782 329 pjelen (at) barrandov (dot) cz Bonton Ateli†ry Zl•n a.s. http://www.ateliery.cz/ http://www.ateliery.cz/film-laboratories.html Filmovƒ 176 760 01 Zl•n (Head of Laboratories: ššč) Tel.: +420 577 592 470 ales (dot) bosticka (at) bonton (dot) cz Českƒ televize http://www.ceskatelevize.cz/ http://www.ceskatelevize.cz/vse-o-ct/technika/filmova-laborator-a-jeji-reference/ Kavci Hory Praha 4 140 00 Tel.: 00420 2 6113 5014 Czech Republic Egypt Studio Masr http://www.studiomasr.com/Home-E.html http://www.studiomasr.com/Home-E-2.html Elixir Artistic Services (Private Free Zone Area) 15 Studio Masr St., El-Maryouteya 12111 Giza Fax: + (202) 3742 9772 info (at) studiomasr (dot) com Finland A. Alhosen Elokuvalaboratorio http://www.alhoslab.fi/ http://www.alhoslab.fi/english.html FinninmŠenkatu 4 L 101 33710 Tampere alhonen (at) alhoslab (dot) fi (Contact: Antti Alhonen) France B-Mac http://www.b-mac.com/index.php http://www.b-mac.com/services.php 15 Rue Forest Paris 75018 Tel.: +33 (0) 1-44-70-17-30 Fax: +33 (0) 1-44-70-17-99 contact (at) b-mac (dot) fr Color-City Image http://www.colorcity.fr/ http://colorcity.fr/content/6-presentation 55, avenue Joffre 93800 Epinay-sur-Seine Tel.: +33 (0) 1 48 41 21 89 Fax: +33 (0) 1 48 41 38 03 colorcity (at) orange (dot) fr Digimage LE LAB http://www.digimage-cinema.com/ http://www.digimage-cinema.com/diglab/index.php 1 quai Gabriel P†ri 94340 Joinville-le-Pont Tel.: +33 (0) 1 55 58 35 30 (Contact: Eric Cordier) eric (dot) cordier (at) digimage-france (dot) com SUPER 8 FRANCE http://www.super8france.com/ 18 rue des D†port†s Place Chanzy 59280 Armenti‹res Tel : +33 (0)972 32 32 49 contact (at) super8france (dot) com http://www.facebook.super8france.com/ Germany Andec Filmtechnik http://www.andecfilm.de/en/e_start.htm Hasenheide 9 D – 10967 Berlin Tel.: (+49) (0)30 691 7036 Fax: (+49) (0)30 693 0321 service (at) andecfilm (dot) de ARRI Group http://www.arri.de/ T•rkenstraŽe 89 80799 Munich Tel.: +49 (0)89 3809 0 Fax: +49 (0)89 3809 1244 webmaster (at) arri (dot) de Film 16 – Helmut Rings Filmproduktion http://www.film16.de/ Zilzkreuz 20 53604 Bad Honnef – Rottbitze Tel. / Fax: (+49) - (0)2224 - 9020655 info (at) film16 (dot) de Kahl Film & TV e.K. http://www.kahlfilm.de/ Postfach 1560 50305 Br•hl Germany http://www.kahlfilm.de/content.php?nav=5 TF CineNova GmbH http://www.taunusfilm.net/en/ Unter den Eichen 5 65195 Wiesbaden Tel.: (+49) (0) 611-531-236 Fax: (+49) (0) 611-531-241 info (at) taunusfilm (dot) net Wittner Cinetec GmbH & Co. KG http://www.wittner-kinotechnik.de/home.php http://www.wittner-kinotechnik.de/katalog/04_filmm/filmentw.php 22949 Ammersbek B•ro Hamburg Postfach 652249 22373 Hamburg http://www.wittner-kinotechnik.de/kontakt/index.html Germany Greece Sklavis Filmlab http://www.sklavis-filmlab.gr/index_en.htm http://www.sklavis-filmlab.gr/services_en.htm Zoodochou Pigis 69 106 81 Athens Tel.: (+30) 210 3836350 / 210 3804306 Fax: (+30) 210 3841381 sklavis (at) otenet (dot) gr Hong Kong Mandarin Laboratory ’Ltd Flat 204, 2/F, Shiu Fat Industrial Building 139-141 Wai Yip Street Kwun Tong, Kowloon Tel.: (852) 2763 1188 Fax: (852) 2343 0357 conly (at) mandlab (dot) imsbiz (dot) com (dot) hk Shaw Studios http://www.shawstudios.hk/services.htm 201 Wan Po Road Tseung Kwan O Kowloon Tel.: (852) 3123-1111 Fax: (852) 2623-9899 ssinfo (at) shawstudios (dot) hk Union Film Laboratory Ltd Flat B6, 2/F, Po Teck Mansion 27 Chi Kiang Street To Kwa Wan, Kowloon Tel.: (852) 2333 0157 Fax: (852) 2765 8358 unionfilmlab (at) yahoo (dot) com (dot) hk Hungary FocusFox Studio (FocusFox Cinelab) http://www.focusfox.com/ ű‘t 141 1021 Budapest Tel.: +36 1 391 0700 Fax: +36 1 391 0709 focusfox (at) focusfox (dot) hu Tel.: +36 30 552 1231 (’va Szilli, Laboratory Manager / Kodak Sales) eva (dot) szilli (at) focusfox (dot) hu Magyar Filmlabor http://www.filmlab.hu/en/ http://www.filmlab.hu/en/services/analogue http://www.filmlab.hu/en/services/analogue/positive_prints Budakeszi ‘t. 51 Budapest 1021 Tel.: +36 (1) 391-0500 Fax: +36 (1) 394-3968 labor (at) Filmlab (dot) hu India Filmlab India http://www.filmlabindia.com/ http://www.filmlabindia.com/services/film-processing-and-subtitles/ 27 Walbhat Road Goregaon East Mumbai 400 063 Tel.: +91 (0)22 4033 3456 Fax: +91 (0)22 4033 3400 info (at) filmlabindia (dot) com GEMINI Industries & Imaging Ltd http://geminiindia.in/laboratory-and-post-production/?cat=services%film-laboratory 28, New Bangaru Colony K.K.
Recommended publications
  • SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN the LINES by Olga Klimova Specialist Degree, Belarusian State University
    SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES by Olga Klimova Specialist degree, Belarusian State University, 2001 Master of Arts, Brock University, 2005 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Olga Klimova It was defended on May 06, 2013 and approved by David J. Birnbaum, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Lucy Fischer, Distinguished Professor, Department of English, University of Pittsburgh Vladimir Padunov, Associate Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Aleksandr Prokhorov, Associate Professor, Department of Modern Languages and Literatures, College of William and Mary, Virginia Dissertation Advisor: Nancy Condee, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh ii Copyright © by Olga Klimova 2013 iii SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES Olga Klimova, PhD University of Pittsburgh, 2013 The central argument of my dissertation emerges from the idea that genre cinema, exemplified by youth films, became a safe outlet for Soviet filmmakers’ creative energy during the period of so-called “developed socialism.” A growing interest in youth culture and cinema at the time was ignited by a need to express dissatisfaction with the political and social order in the country under the condition of intensified censorship. I analyze different visual and narrative strategies developed by the directors of youth cinema during the Brezhnev period as mechanisms for circumventing ideological control over cultural production.
    [Show full text]
  • Content Report $0/5&/5 3&1035 $0
    $*4$C0/5&/5ONTENT$C0/5&/53R3&1035EPORT&1035 $C 3FWJFXPGBVEJPWJTVBMDPOUFOUQSPEVDUJPOBOEEJTUSJCVUJPOJOUI¥¸¾ÅÇÄŹÅÈɼÀÇÒÄÁ·ÆÇÅ¿¾¹Å»Èɹ·¿»¿ÈÉÇ¿¸ÊÍ¿¿·Ê»¿Å¹¿¾Ê·ÂÓÄźОбзор новостей рынка производства и дистрибуции аудиовизуальногF$*4DPVOUSJFTÅÁÅÄɼÄÉ·о контента Media«»¥М¡ЕДИ ResourcesА ©Рª¬©ª´ЕСУРСЫ ¥МManagement¦¥¦«ЕНЕДЖМЕНТ Í¾»É¹ÄØ ØÆ»¹ÉØ №2 1 April, 2011 §¡¢£¡¥ÇºÁµÂÃÁºÅµfocus ¦ ££¥«DearÆÀ÷Ãź¹µ¿Ë½ colleagues½ ƹÐÁ˾ÄÕƹØйÊËÕŹ˾ÉÁ¹Äǻʾ¼Ç½ÆØÑƾ¼Ç¬¿¾It¬¿¾ is our »» ȾɻԾȾɻԾ great pleasure ½ÆÁ½ÆÁ ÆǻǼÇÆÇ»Ç¼Ç to present ¼Ç½¹¼Ç½¹ ƹŠƹŠtoday ɾ½¹ÃÏÁÁɾ½¹Ã the secÏÁÁ- ˾ÎÆÁÃǦǾÊÄÁ¿¾¼Ç»ÇÉÁËÕÇùоÊË»¾ÊǨ¾É»ÔÂdramatically–¨¾É»Ô ÆÇžÉÆÇÅ¾É it become $POUFOU$POUFOU 3FQPSUstronger3FQPSU »ÔÎǽÁË»ÔÎǽÁË in terms »» of ùÆÌÆà ¹ÆÌpurÆ- RКe¢£§§¥ ±¢°ИНОТЕ v i v a l АТРo f a АЛЬНЫ n i m a tЙ i o n ÆÇžɹ$POUFOU3FQPSU ÊɹÀÌÊ˹ÄÇÈÇÆØËÆÇ ÐËÇ»Åond$POUFOU issue3FQPSU ÈÇÊ»ØҾƹ of CIS:ÊɹÀÌ ContentÊ˹ÄÇ Ë¾Ä¾»ÁÀÁÇÆÆÇÅÌ Report.ÈÇÆØËÆÇ ThankÐËÇ» ÈÉǽ¹Ã you forÅ ½¾É¿¹Ë¾ÄÕÆǼǪ˹ÉǼǦǻǼǼǽ¹ ÃÇËÇÉÔ ƹÃÇƾÏËÇ À¹chaseªË¹ÉÇ¼Ç abilities,¦Ç»Ç¼Ç more ƹÈÇÄƾÆÁؼǽ¹ interestingÃÇËÇÉÔ Á ƹÃÇƾÏËÇ ÊÅÔÊĹin terms ÈÉÇÁÀof coÀ¹- £g¥°¢£РЫН e£ n ¥RОe§ ¢ ±¢ Кin В ¨R УuК s¥¢Р s АИН i a aЕ n£: d £ ÑÆÌÈɾ¿½¾»Ê¾¼ÇÖËÇÀ¹Å¾ËÆÇÁÀÃÇÄÁоÊË»¹»Ê¾ÅԺ̽¾ÅÌʾɽÆÇÁƾÌÊ˹ÆÆÇËÉ̽ÁËÕÊØ ¹your»Ê¾ÅÔ kindºÌ½¾Å repliesÌʾɽÆÇ and registrationsÁƾÌÊ˹ÆÆÇ ËÉ̽ÁËÕÊØfor free trials.
    [Show full text]
  • RAFA 2015.Pdf
    www.mkrf.ru RAFA is Russian animated film association. RAFA represents the interests of the Russian animation industry and helps to create favorable conditions for the effective development of anima ­­tion in Russia and worldwide. RAFA represents the interests of animation studios of all sizes, as well as individual flmmakers working in animation, including indep endent directors, production designers, animators etc. The association also includes organizations which are involved in animation: TV networks with an interest in animation,distribution companies and Internet companies, that is, all organizations whose business is related to the field of animation and who are interested in joining forces. • If you need to communicate with any Russian studio, organization or animator, • If you need assistance in participation in festivals and film markets in Russia, • If you need to organize the presentation of your services to Russian partners, • If you need talents and studios for co-production JUST CONTACT RAFA! RAFA is proud to present opportunity of Russian animation to you. Today RAFA is 40 best Russian studios that able for cooperation with you and 200 animators, composers, producers etc that would like to join your team. 4 5 CONTENTS RAFA 3 OPENING WORD 7 RUSSIAN ANIMATION TODAY 8 STUDIOS 10 SHORTS 180 ALPHABETICAL LIST 200 ON THE CATALOG WORKED 203 6 7 Dear friends, Russian Animated Film Association offers you the fourth edition of a catalogue of current animated films. In the new release, you will find information on all latest releases in the Russian animated film industry in 2014 and early in 2015. The new catalogue fundamentally differs from its predecessors.
    [Show full text]
  • Moldova Country Situation
    PREFACE This regional study on the Situation of and challenges in the region and in Cinema and the Audiovisual Industries individual countries. in the Eastern Partnership (EaP) Region is part of the project ‘Short term high The study has been implemented by quality studies to support activities the study team under the leadership of under the Eastern Partnership – Mr Terry Sandell who was supported on HiQSTEP, EuropeAid/132574/C/SER/ data collection by Ms Maria Mirzoyan Multi’, carried out by an international (Armenia), Mr Jahangir Selimkhanov consortium under the leadership of (Azerbaijan), Mr Anton Sidarenka Kantor Management Consultants to (Belarus), Ms Lana Ghvinjilia (Georgia), support the activities of Platform 4 Mr Ion Bunduchi (Moldova) and Ms `Contacts between people`. Julia Sinkevych (Ukraine). In the context of Creative Europe and Overall supervision of the study has of the EaP Platform 4 Work Programme been carried out by Przemysław this mapping study was supposed to Musiałkowski, Team Leader of the enhance the EaP countries knowledge HiQSTEP Project. of the regional context in which their industries operate and of the situation Sincere thanks go to the national in other countries. It was also supposed stakeholders in the Eastern Partnership to help the European Commission Countries who provided information to structure the discussions under in interviews and responses to Platform 4 and readjust its actions questionnaires. to better address the actual needs July 2015 TABLE OF CONTENTS Objectives . 2 Study background . .2 Current practices of the Eastern Partnership Audiovisual Industries . 3 Cinema and Film: Priority Areas in All the EaP Countries . 3 Dealing with the Past and Common Needs and Themes .
    [Show full text]
  • Mediaobrazovanie) Media Education (M Ediaobrazovanie
    Media Education (Mediaobrazovanie) Has been issued since 2005. ISSN 1994–4160. E–ISSN 1994–4195 2020, 60(1). Issued 4 times a year EDITORIAL BOARD Alexander Fedorov (Editor in Chief ), Prof., Ed.D., Rostov State University of Economics (Russia) Imre Szíjártó (Deputy Editor– in– Chief), PhD., Prof., Eszterházy Károly Fõiskola, Department of Film and Media Studies. Eger (Hungary) Ben Bachmair, Ph.D., Prof. i.r. Kassel University (Germany), Honorary Prof. of University of London (UK) Oleg Baranov, Ph.D., Prof., former Prof. of Tver State University Elena Bondarenko, Ph.D., docent of Russian Institute of Cinematography (VGIK), Moscow (Russia) David Buckingham, Ph.D., Prof., Loughborough University (United Kingdom) Emma Camarero, Ph.D., Department of Communication Studies, Universidad Loyola Andalucía (Spain) Irina Chelysheva, Ph.D., Assoc. Prof., Anton Chekhov Taganrog Institute (Russia) Alexei Demidov, head of ICO “Information for All”, Moscow (Russia) Svetlana Gudilina, Ph.D., Russian Academy of Education, Moscow (Russia) Tessa Jolls, President and CEO, Center for Media Literacy (USA) Nikolai Khilko, Ph.D., Omsk State University (Russia) Natalia Kirillova, Ph.D., Prof., Ural State University, Yekaterinburg (Russia) Sergei Korkonosenko, Ph.D., Prof., faculty of journalism, St– Petersburg State University (Russia) Alexander Korochensky, Ph.D., Prof., faculty of journalism, Belgorod State University (Russia) W. James Potter, Ph.D., Prof., University of California at Santa Barbara (USA) Robyn Quin, Ph.D., Prof., Curtin University, Bentley, WA (Australia) Alexander Sharikov, Ph.D., Prof. The Higher School of Economics, Moscow (Russia) Vladimir Sobkin, Acad., Ph.D., Prof., Head of Sociology Research Center, Moscow (Russia) Kathleen Tyner, Assoc. Prof., Department of Radio– Television– Film, The University of Texas at Austin (USA) Svetlana Urazova, PhD., Assoc.
    [Show full text]
  • ARTIGOS • LIVRE Imagens De Muçulmanos E Budistas Nos Filmes
    ARTIGOS • LIVRE Imagens de Muçulmanos e budistas nos filmes soviéticos sobre a Segunda Guerra (1950 -89) Moisés Wagner Franciscon * Dennison de Oliveira † Resumo A URSS, apesar de oficialmente ateia e possuir a maioria de sua população sem uma crença religiosa, possuía importantes minorias adeptas de algum credo. Ancorados em sua diversidade demográfica, muçulmanos e budistas representavam uma importante fatia dessa minoria. Ao contrário dos ortodoxos eslavos, esses grupos não eram considerados confiáveis pelo regime duplamente: como não eslavos e integrantes de cultos vistos como perigosamente reacionárias e explosivos. O cinema bélico costuma ser importante vetor de ideias nacionalistas ou pró- regime. No caso soviético, esse gênero cinematográfico portava as impressões oficiais sobre ambos os credos – apesar das ambiguidades de alguns diretores. A sócio-história cinematográfica de Marc Ferro permite uma melhor compreensão das relações do poder político e diplomático dos diferentes grupos da sociedade e do filme de guerra na União Soviética. Sua concepção de cinema como produto social com mensagens latentes e lapsos conscientes ou inconscientes mostram um quadro mais complexo do que o de uma estrutura de poder piramidal que suprimiria sentimentos religiosos na sociedade. Os filmes de guerra selecionados (14 filmes produzidos entre 1950-89) são ambientados na Segunda Guerra e possuem como protagonistas ou coadjuvantes personagens caracterizados como membros das populações de tradição muçulmana ou budista dentro das fronteiras soviéticas, ou filmes produzidos por diretores e estúdios localizados nas repúblicas associadas com estas religiões. Palavras -chave: História social do cinema, filme de guerra, religião, União Soviética. Abstrac t The USSR, although officially atheist and possessing the majority of its population without a religious belief, possessed important minorities adhering to some creed.
    [Show full text]
  • Cultural Developments in Belarus: There Are a Lot Of
    Vilnius, Lithuania Issue 2(12), March 2010 THE BRIGHT SIDE OF BELARUS Let’s admit it, little is said about good things that Considering the topics of the articles mentioned take place in Belarus. So rarely we hear anything above, cultural life in Belarus is the sphere experi- positive about this country that one might even encing an upturn: new ideas are appreciated, art wonder – is there a bright side of Belarus? After experiments are feasible and international coopera- receiving a good few of articles, I have no doubts tion is productive. that yes, there is. Here we publish the articles that looked at the positive aspects of life in Belarus from As Olga Tomashevskaya puts it in her contribu- original, seldom discussed point of view. Aliaksei tion, economic and political life in Belarus does Shota’s contribution overviews cultural develop- not flounder either. We see the bright side here ments in 2009 presenting new trends in Belarusian in changing mentality, the coming of a positive cinematography and music, uprise of new art spaces estimation of private entrepreneurship. and media platforms created to talk about as well All three authors end their pieces by expressing as promote Belarusian art. their wish that good aspects of life in Belarus would Ekaterina Glod in turn goes deeper in analysing new endure, develop and push their way into other tendencies in Belarusian cinema. The film festival spheres. I join the contributors of the current issue Listapad could be a touchstone when assessing the by encouraging to find and to contribute to good quality of Belarusian cinematography and when things in Belarus.
    [Show full text]
  • Soviet Jews in World War II Fighting, Witnessing, Remembering Borderlines: Russian and East-European Studies
    SOVIET JEWS IN WORLD WAR II Fighting, Witnessing, RemembeRing Borderlines: Russian and East-European Studies Series Editor – Maxim Shrayer (Boston College) SOVIET JEWS IN WORLD WAR II Fighting, Witnessing, RemembeRing Edited by haRRiet muRav and gennady estRaikh Boston 2014 Library of Congress Cataloging-in-Publication Data: A catalog record for this book is available from the Library of Congress. Copyright © 2014 Academic Studies Press All rights reserved ISBN 978-1-61811-313-9 (hardback) ISBN 978-1-61811-314-6 (electronic) ISBN 978-1-61811-391-7 (paperback) Cover design by Ivan Grave Published by Academic Studies Press in 2014 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www. academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Table of Contents Acknowledgments .......................................................
    [Show full text]
  • Dear Friends! on Behalf of Ministry of Culture of the Russian Federation I
    ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ –ÓÒÒËÈÒÍÓÈ On behalf of Ministry of Culture of the Russian ‘‰‡ˆËË ÔÓÁ‰‡‚Ρ˛ ‚‡Ò Ò Ì‡˜‡ÎÓÏ ‡·ÓÚ˚ Federation I would like to congratulate you all on 19-„Ó ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ the opening of the 19-th Open Russian Film "üËÌÓÚ‡‚". Festival "Kinotavr". ‘ÂÒÚË‚‡Î¸ ‚ —Ó˜Ë ‚Ò„‰‡ ·˚Î Ò‡Ï˚Ï ˇÍËÏ, The Festival in Sochi has always been the most Ò‡Ï˚Ï ÓÊˉ‡ÂÏ˚Ï, Ò‡Ï˚Ï Î˛·ËÏ˚Ï vivid, most anticipated, most admired and most Ô‡Á‰ÌËÍÓÏ Ë ÒÓ·˚ÚËÂÏ Ì‡ˆËÓ̇θÌÓ„Ó ÍËÌÓ. celebrated event for national cinema. But it is Œ‰Ì‡ÍÓ ËÏÂÌÌÓ ÚÂÔ¸, ̇ ‚ÓÎÌ ‡Òˆ‚ÂÚ‡ only now when domestic film industry is ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÓËÒÍÛÒÒÚ‚‡, "üËÌÓÚ‡‚" blooming, "Kinotavr" has become the main ÒÚ‡ÌÓ‚ËÚÒˇ „·‚ÌÓÈ ÔÓÙÂÒÒËÓ̇θÌÓÈ professional platform for the first-night showings, Ô·ÚÙÓÏÓÈ ‰Îˇ ÔÂϸÂÌ˚ı ÔÓÒÏÓÚÓ‚, meetings and discussions for all creative ‚ÒÚ˜ Ë ‰ËÒÍÛÒÒËÈ ‚ÒÂı Ú‚Ó˜ÂÒÍËı ÔÓÍÓÎÂÌËÈ generations of Russian cinematographers. ÓÒÒËÈÒÍËı ÍËÌÂχÚÓ„‡ÙËÒÚÓ‚. Participation in festival's programme is already an ”˜‡ÒÚË ‚ ÍÓÌÍÛÒÌÓÈ ÔÓ„‡ÏÏ "üËÌÓÚ‡‚‡" achievement, already success for every creative Ò‡ÏÓ ÔÓ Ò· ˇ‚ΡÂÚÒˇ ÛÒÔÂıÓÏ ‰Îˇ ÒÓÁ‰‡ÚÂÎÂÈ person in our film industry. To win at "Kinotavr" ͇ʉÓÈ ËÁ ‚˚·‡ÌÌ˚ı ÎÂÌÚ. œÓ·Â‰‡ ̇ beyond doubt means to receive the best ever proof "üËÌÓÚ‡‚Â" ÒÚ‡ÌÓ‚ËÚÒˇ ·ÂÒÒÔÓÌ˚Ï of innovation and craftsmanship and excellence.
    [Show full text]
  • Hiqstep AV Report Final Approved
    DG NEAR — Directorate - General for Neighbourhood and Enlargement Negotia- tions Short term high quality studies to support activities under the Eastern Partnership HiQSTEP THE SITUATION OF CINEMA AND THE AUDIOVISUAL INDUSTRIES IN THE EASTERN PARTNERSHIP COUNTRIES REGIONAL REPORT Final version 28. 07.2015 This report has been prepared by the KANTOR Management Consultants - led Consortium. The findings, conclusions and interpretations expressed in this document are those of the Consortium alone and should in no way be taken to reflect the policies or opinions of the European Commis- sion. Preface This regional study on the Situation of Cinema and the Audiovisual Industries in the Eastern Part- nership (EaP) Region is part of the project ‘Short term high quality studies to support activities under the Eastern Partnership – HiQSTEP, EuropeAid/132574/C/SER/Multi’, carried out by an international consortium under the leadership of Kantor Management Consultants to support the activities of Platform 4 `Contacts between people`. In the context of Creative Europe and of the EaP Platform 4 Work Programme this mapping study was supposed to enhance the EaP countries knowledge of the regional context in which their industries operate and of the situation in other countries. It was also supposed to help the Euro- pean Commission to structure the discussions under Platform 4 and readjust its actions to better address the actual needs and challenges in the region and in individual countries. The study has been implemented by the study team under the leadership of Mr Terry Sandell who was supported on data collection by Ms Maria Mirzoyan (Armenia), Mr Jahangir Selimkhanov (Azerbaijan), Mr Anton Sidarenka (Belarus), Ms Lana Ghvinjilia (Georgia), Mr Ion Bunduchi (Moldova) and Ms Julia Sinkevych (Ukraine).
    [Show full text]
  • Владимир Малышев / Vladimir Malyshev
    История международных History of VGIK International Владимир Малышев / Vladimir Malyshev киношкол ВГИКа Summer Schools Президент Международной Летней Киношколы, Во ВГИКе уже становится традицией ежегодное про- It has become a tradition at VGIK to hold annual Interna- заслуженный работник культуры Российской ведение международных летних киношкол. Основная tional Summer Schools. Their main purpose is to establish цель Международной летней киношколы ВГИК состоит academic and artistic contacts with the students of film Федерации, доктор искусствоведения, Академик РАО, в установлении учебных и творческих связей со and drama schools from European countries and CIS, ac- лауреат Гос. премии РФ / студентами школ кино и театра стран Европы и СНГ, quaintance with the life and culture of the participating The President of the VGIK International Summer School, ознакомлении с жизнью и культурой стран-участников, countries as well as creating visual images by students Honored Worker of Culture of the Russian а также создании визуальных образов студентами from different countries during summer training. киношкол разных стран в процессе летнего обучения. Federation, Doctor of Fine Arts, Academic RAE, Laureate of the The 1st Summer Film School – July, 2009, The City of Svetl- 1-я Летняя киношкола – июль 2009 г, г. Светлогорск ogorsk (was devoted to the 90th VGIK anniversary). State Prize of RF (приурочена к 90-летию ВГИК) The 2nd Summer Film School - August, 2010, the City of Россия / Russia 2-я Летняя киношкола — август 2010г, г. Азов. З-я Летняя киношкола — июль 2011г, г. Казань. Azov. Ректор ВГИК / VGIK Rector 4-я Летняя киношкола — июль 2012г, г. Ярославль. The 3rd Summer Film School — July, 2011, the City of Kazan.
    [Show full text]
  • Crystal Swan (2018) Follows the Path of Evelina, a Young Woman Who Dreams of Moving to Chicago and Pursuing Her Passion for Music
    Thursday, June 25, 2020 / 4:00 PM - 5:00 PM Postscreening discussion via Zoom with director Darya Zhuk Set in the immediate aftermath of Belarus’s independence, Crystal Swan (2018) follows the path of Evelina, a young woman who dreams of moving to Chicago and pursuing her passion for music. Obtaining a US visa proves a difficult endeavor, however. Determined to leave the country, Evelina debates buying a letter of employment from the black market. Depicting a nation anticipating a brighter future and a heroine insistent on making her own destiny, Crystal Swan explores vital questions of self and belonging. Director Darya Zhuk will join moderator Hannah Garibaldi (Film and Media Studies, UCSB) for a virtual discussion of her debut feature film. Two days before the event, registered attendees will receive a link enabling them to screen the film in advance. CWC Global Media are global by nature; they express culture just as much as they transcend borders. The CWC Global series is dedicated to showcasing media from around the world. This series features screenings and events that place UCSB in conversation with international media makers and global contexts across our deeply connected world. Director Darya Zhuk Belarus-born director Darya Zhuk discovered filmmaking while studying Economics at Harvard. After working as a business analyst at HBO, she earned her MFA degree with honors from Columbia University with a concentration in Directing. Her debut feature film Crystal Swan was the nation of Belarus’s first entry to the Oscars for Best Foreign Language Film in 22 years. Crystal Swan opened the prestigious Karlovy Vary “East of the West” competition and won many prizes including Grand Prix at Odessa Film Festival, Grand Prix at Tbilisi International Film Festival, FIPRESCI at Bratislava IFF, and Youth Jury Award at Cork Film Festival.
    [Show full text]