WRF Newsletter 174 July 2011
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University of Huddersfield Repository
University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context. -
The Titfield Thunderbolt and the Camerton Branch'
Wells Railway Fraternity The guest speaker at our meeting at Wells Town Hall on 8th February was Simon Castens and his subject was 'The Titfield Thunderbolt and the Camerton Branch'. After a computer hitch had been overcome we settled down to an evening of pure nostalgia. Simon began with a brief outline of the history of the branch line which linked Camerton with the Avon Valley at Limpley Stoke. The line was partly built on the route of the old Somerset Coal Canal and opened in 1910. It was destined to have a fairly short life of just under a half century, ending shortly after Camerton Colliery closed in 1950 - the other major colliery served by the line, at Dunkerton, had stopped working earlier, in the 1930s. The line was then used by the BR Bridge Department for storage and the rails were finally lifted in 1958. Simon pointed out that when Ealing Studios decided to make the film 'The Titfield Thunderbolt', the Talyllyn Railway was the only enthusiast-run line anywhere and speculation has taken place as to whether the little Welsh railway was the inspiration for Tibby Clarke's story. There can be little doubt that the film served as encouragement for the movement which has resulted in today's preserved and heritage railway tourist industry. With the help of old photographs of the line and stills from the film, Simon then spoke of the making of the film in July and August 1952. The station at Monkton Combe served as that of the fictional village of Titfield, the name being a composite of Titsey and Limpsfield, two adjoining villages in Surrey. -
Syd Pearson | BFI Syd Pearson
23/11/2020 Syd Pearson | BFI Syd Pearson Save 0 Filmography Show less 1971 Creatures the World Forgot Special Effects 1969 Desert Journey Special Effects 1969 Autokill Special Effects 1966 The Heroes of Telemark [Special Effects] 1965 The Secret of Blood Island Special Effects 1965 The Brigand of Kandahar Special Effects 1964 The Long Ships Special Effects 1964 The Gorgon Special Effects 1962 In Search of the Castaways Special Effects 1960 The Brides of Dracula Special Effects 1959 Too Many Crooks [Special Processes] 1959 North West Frontier Special Effects 1959 The Hound of the Baskervilles Special Effects 1959 Ferry to Hong Kong Special Effects 1958 Dracula Special Effects 1957 The Steel Bayonet Special Effects 1957 Campbell's Kingdom Special Effects 1956 The Ladykillers Special Effects 1956 House of Secrets Special Processes (uncredited) 1956 Reach for the Sky Models (uncredited) 1955 Out of the Clouds Special Effects 1955 The Ship That Died of Shame Special Effects 1955 The Night My Number Came Up Special Effects 1955 Touch and Go Special Effects 1954 The Love Lottery Special Effects 1954 The 'Maggie' Special Effects https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 1/2 23/11/2020 Syd Pearson | BFI 1953 The Cruel Sea Special Effects 1953 The Titfield Thunderbolt Special Effects 1952 His Excellency Special Effects 1952 Mandy [Special Effects] 1952 I Believe in You Special Effects (uncredited) 1952 The Gentle Gunman Special Effects 1952 Secret People Special Effects 1951 Pool of London Special Effects 1951 The Man in the White Suit Special Effects 1951 The Lavender Hill Mob Special Effects 1950 Cage of Gold Special Effects 1950 Dance Hall Special Effects 1950 The Magnet Special Effects 1949 Kind Hearts and Coronets Special Effects 1949 Train of Events Special Effects 1949 Whisky Galore! Special Effects 1948 Scott of the Antarctic Special Effects 1947 The October Man [Stage Effects] [Model Miniatures] 1947 Black Narcissus [Synthetic Pictorial Effects] https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 2/2. -
Consumerism and Alienation in 1950S Comedies Dave Rolinson
‘If they want culture, they pay’: consumerism and alienation in 1950s comedies dave rolinson F British comedy assimilated into the academic canon, there are many which have fallen into obscurity, rein- forcing the alleged disposability of the form. One of the highest-profile casualties is The Horse’s Mouth (Ronald Neame, 1958), which was justly celebrated at the time for Alec Guinness’s performance as aggressively anti- social artist Gulley Jimson, but has since suffered from the critical neglect regarding Neame’s work. It is true that the film dilutes the complex themes of Joyce Cary’s novel with broad comedy, and its removal of darker plot points – not least Jimson’s death – reinforces complaints grounded in fidelity criticism that ‘beside the novel it looks very small’.1 However, acknowledging the dispersal of authorship inherent in adaptation and judging the film in its own right, The Horse’s Mouth is an intriguing oddity which proves that there is more to British comedy films of the 1950s than meets the eye. Neame’s assured direction exploits Arthur Ibbetson’s gorgeous colour photography, Guinness’s performance and the art of John Bratby to succeed where the novel partly failed to show how the artist ‘expresses himself in colour rather than words’.2 In particular, The Horse’s Mouth is a fascinating starting point for a discussion of 1950s comedy, because of its treatment of the genre’s defining themes: consensus and its breakdown through the alienating individualism of consumerism. It shares key characteristics with such ‘canonical’ Ealing comedies as The Lavender Hill Mob (Charles Crichton, 1951) and The Man in the White Suit (Alexander Mackendrick, 1951). -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Sheppard 202003722 Thesis WREO.Pdf
Transports of Delight: Pastoral, Nostalgia and Railway Travel in Post-WWII Genre Fiction Samuel John Sheppard MA by Research University of York English and Related Literature November 2020 Abstract In the mid-twentieth century, Britain’s railways underwent a range of significant developments. A transport network that, in many ways, had not changed substantially since the Edwardian period, was transformed by events such as widespread route closures, a diesel revolution, and the growing popularity of private motoring. This paper aims to examine how the significance of railways in British literature of this period changed as a result, with particular focus upon two areas of genre fiction: crime and detective fiction, and children’s literature. I am particularly concerned with the ideals of heritage and preservation which emerged in Britain in the 1950s and 1960s, and how these encouraged the presentation of railways in a more sentimental light than had previously been seen. Most importantly, the paper examines in depth the genre fiction of the mid-twentieth century, seeking to identify the ways in which the work of authors such as Agatha Christie, Enid Blyton, and the Reverend Wilbert Awdry displays a continuity with, and nostalgia for, the interwar and Edwardian periods. 2 List of Contents Abstract Page 2 List of Contents Page 3 Acknowledgments Page 4 Declaration Page 5 Introduction Page 6 Chapter 1: Page 17 Nostalgia, Anxiety and Transport in Detective Fiction Chapter 2: Page 39 Train Travel, Heritage and Adult Anxiety in Children’s Literature Conclusion Page 62 Works Cited Page 68 3 Acknowledgments I would like to thank my MA supervisors, Dr Nicoletta Asciuto and Dr James Williams, for the support and feedback which they have provided throughout my MA study. -
Charles Crichton Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Charles Crichton 电影 串行 (大全) The Correct Way to https://zh.listvote.com/lists/film/movies/the-correct-way-to-kill-27877449/actors Kill The Day After https://zh.listvote.com/lists/film/movies/the-day-after-tomorrow-7729151/actors Tomorrow More Bloody https://zh.listvote.com/lists/film/movies/more-bloody-meetings-6910907/actors Meetings The Adventures of https://zh.listvote.com/lists/film/movies/the-adventures-of-black-beauty-128236/actors Black Beauty Matter of Life and https://zh.listvote.com/lists/film/movies/matter-of-life-and-death-15702857/actors Death The Last Sunset https://zh.listvote.com/lists/film/movies/the-last-sunset-15702862/actors Guardian of Piri https://zh.listvote.com/lists/film/movies/guardian-of-piri-16246924/actors Cosmic Princess https://zh.listvote.com/lists/film/movies/cosmic-princess-2134898/actors Alien Attack https://zh.listvote.com/lists/film/movies/alien-attack-2836805/actors The Third Secret https://zh.listvote.com/lists/film/movies/the-third-secret-3227040/actors The Titfield https://zh.listvote.com/lists/film/movies/the-titfield-thunderbolt-3532529/actors Thunderbolt Against the Wind https://zh.listvote.com/lists/film/movies/against-the-wind-4691106/actors Another Shore https://zh.listvote.com/lists/film/movies/another-shore-4770342/actors Dance Hall https://zh.listvote.com/lists/film/movies/dance-hall-5215131/actors Dragon's Domain https://zh.listvote.com/lists/film/movies/dragon%27s-domain-5305046/actors Earthbound https://zh.listvote.com/lists/film/movies/earthbound-5327198/actors Floods of -
Erica Masters (Production Manager and Assistant Director) B.1917 by Admin — Last Modified Jul 29, 2008 05:36 PM
Erica Masters (production manager and assistant director) b.1917 by admin — last modified Jul 29, 2008 05:36 PM BIOGRAPHY: Erica Masters was born in Guatemala in 1917, and educated variously in Jamaica, France and Germany. Originally she hoped to be a dancer and actress, and she enrolled in the Max Reinhardt school in Vienna, but decided not to attend in the light of the Anschluss. Coming to England she studied film under William Hunter at Dartington College in Devon, before going into documentary production. She worked for Paul Rotha for a brief period, and later for Greenpark and various other documentary producers during the late 1940s. In 1953, Masters was employed by Harry Kratz to work on The Titfield Thunderbolt (1953) at Ealing Studios. She worked on the surprise success Genevieve (1953) with Henry Cornelius, and was involved in all of Cornelius’s later films, including I Am A Camera (1955), and Next To No Time (1959). Masters worked on a variety of film and television productions in the 1950s, including the Robin Hood (1955) series with Richard Greene, The Man Who Never Was (1956), with Clifton Webb, and Bonjour Tristesse (1958) for Otto Preminger. Later in her career she worked with Ronnie Spencer, producing documentary films at Shepperton under the title ‘Littleton Park Film Productions’. SUMMARY: In this interview, conducted in 1995, Erica masters discusses her career with Sydney Samuelson. She gives an interesting account of her early years, and of her experience travelling to Vienna. She discusses the atmosphere at Ealing Studios during the 1950s in some detail, observing its peculiarly rigid class structure. -
Summer 2021 ISSUE No 2 SPECIALISTS in END of RUNS
Book Law Publications 382 Carlton Hill Nottingham NG4 1JA TELEPHONE: 0115 961 1066 FAX: 01623 792704 PM -3.30 AM See Pages 19-20 for Special Prices SHOP OPEN — MON-SAT 10.00 — MON-SAT SHOP OPEN on Xpress Titles US NOW Summer 2021 FOLLOW ISSUE No 2 ON FACEBOOK SPECIALISTS IN END OF RUNS & REMAINDER TRANSPORT BOOKS. TRANSPORT & REMAINDER OF RUNS END IN SPECIALISTS Visit Our Website: www.booklaw.co.uk – For all the latest updates Welcome To This Issue No.2 Summer 2021 ORDERING. LOST OUR WEBSITE ! Please try the following. If you lose the link to Telephone / Fax :- 0115 961 1066 our webb page : Refresh (if in favourites) Secure Website :- www.booklaw.co.uk Or :- search engine - booklaw e-mail :- [email protected] 15% OFF VOUCHER NEW & RECENT BOOK TITLES ONLY (Heading in RED) All Major Credit A 15% voucher will be sent with each new & recent title purchased Accept Wild Swan /Transport Treasury & Lightmoor Titles This does not apply to Reduced – Offers or Bargain Titles Cards Accepted New Additions:- Are With The Whole Of The Title Highlighted in Blue Please Note:- Customers That Have Not Purchased During The Last 12 Months Will Be Deleted From Our Records Our 64 Page Catalogue Is Now Available On Line, & Updated Regularly Wanted For Future Publications. Negatives to borrow or purchase of EARLY DIESELS with a “D” prefix B/W or colour any area. Building Of Loco’s in all works IE-(Vulcan Foundry-Crewe-Derby-Swindon-Nth British etc etc) Wanted Railway Negatives Of Steam and Diesel Locomives Any Location For Publications Royalties will be payed for each picture used. -
Slslibrarymasteraccessionlist
US 10000 The Illustrated Encyclopedia of North American Locomotives A Historical Directory of Over 150 Years of North American Rail PowerB.Hollingsworth Salamander Books 1997 US 10001 The History of the First Locomotives in America W.H Brown Appleton 1871 US 10002 History of Transportation in the United States Before 1860 B.H.Meyer P.Smith 1948 BUILD 10003 PA Alcos Glamour Girl Andy Romano Four Ways West 1997 US 10004 Sugar Trains Narrow Gauge Rails of Hawaii Jesse Conde/Gerald Best Glenwood Pubs 1973 US 10005 Sugar Trains Pictorial (Hawaii) Jesse C Conde Glenwood Pubs 1975 CAN 10006 Vancouver Island Railroads R.D Turner Golden West Books 1973 CAN 10007 Iron Roads Railways of Nova Scotia D.E Stephens Lancelot Press 1972 CAN 10008 Railways of Canada R.F Legget David & Charles 1973 CAN 10009 Cinders & Salt Water The Story of Atlantic Canada's Railway Shirley E Woods Nimbus Publications 1992 CAN 10010 Railways of Canada A Pictorial History Nick & Helma Mika Mcgraw-Hill Ryerson 1972 SCA 10011 Mexican Narrow Gauge Gerald M Best Howell-North Books 1971 SCA 10012 The Southern Pacific of Mexico & the West Coast Route J.Signor/J.Kirchener Golden West Books 1987 SCA 10013A Railroads in Mexico An Illustrated History Vol 1 Francisco Garma Franco Sundance Books 1985 SCA 10013B Railroads in Mexico An Illustrated History Vol 2 Francisco Garma Franco Sundance Books 1988 IND 10014 Industrial Steam A.J.Booth Bradford Barton 1976 IND 10015 The Cheadle Collieries & Their Railways Allan C Baker Trent Valley Pubs 1986 IND 10016 The Slough Estates Railway J.Isherwood -
Ealing Studios with Major New Project Ealing: Light & Dark
BFI SHEDS NEW LIGHT ON EALING STUDIOS WITH MAJOR NEW PROJECT EALING: LIGHT & DARK London - Wednesday 19th September 2012 For the first time in a generation the BFI will present a major project celebrating the ŚŝƐƚŽƌŝĐŽƵƚƉƵƚŽĨŽŶĞŽĨƌŝƚĂŝŶ͛ƐďĞƐƚůŽǀĞĚĂŶĚŵŽƐƚŝŶĨůƵĞŶƚŝĂůƐƚƵĚŝŽƐǁŝƚŚĂƚǁŽ month retrospective at BFI Southbank Ealing: Light and Dark from 22 October to 30 December 2012. This is a chance to enjoy the great classics and comedies but also to discover the little known and unheralded more serious side of Ealing Studios during ƚŚĞ ϭϵϰϬ͛Ɛ ĂŶĚ ϱϬ͛Ɛ, with its rich vein of challenging, provocative and sometimes subversive films, often surprisingly radical in their implications. The project will include a national re-release of It Always Rains On Sunday (1947) and a new digital clean-up of the neglected They Came to a City, a major new book of essays Ealing Revisited, and special guests and events including an exhibition of ĂůŝŶŐ ƉŽƐƚĞƌƐ͕ ƐƚŝůůƐ ĂŶĚ ŵĞŵŽƌĂďŝůŝĂ ĚƌĂǁŶ ĨƌŽŵ ƚŚĞ &/ EĂƚŝŽŶĂů ƌĐŚŝǀĞ͛Ɛ ƌŝĐŚ holdings and a new collection in the BFI Mediatheques. A parallel season celebrating director Alexander Mackendrick will feature all of his Ealing films from October 22 to November 30 at BFI Southbank. Ealing Studios has a unique place in the history of British cinema and it has become a byword for a certain type of British whimsy and eccentricity. But the studio's films boasted a surprising variety. Many of the films of Ealing rank among the undisputed classics of the period, among them Dead of Night, The Blue Lamp, The Cruel Sea, The Man in the White Suit and Passport to Pimlico. -
124 3000 at His Funeral March 2009 a Great West Coast Rail Journey the Magazine of the Marlow & District Railway Society
Edition Contents: Where did it all begin? 124 3000 At His Funeral March 2009 A Great west Coast Rail Journey The Magazine of the Marlow & District Railway Society President: Sir William McAlpine Bt Chairman: Tim Speechley. 11 Rydal Way, High Wycombe, Bucks., HP12 4NS. Tel.: 01494 638090 email: [email protected] Vice-Chairman Julian Heard. 58 Chalklands, Bourne End, Bucks., SL8 5TJ. Tel.: 01628 527005 email: [email protected] Treasurer: Peter Robins. 95 Broome Hill, Cookham, Berks., SL6 9LJ. Tel.: 01628 527870 email: [email protected] Secretary: Malcolm Margetts. 4 Lodge Close, Marlow, Bucks., SL7 1RB. Tel.: 01628 486433 email: [email protected] Webmaster: Tim Edmonds. 90 Green Hill, High Wycombe, Bucks., HP13 5QE. Tel.: 01494 526346 email: [email protected] Committee: Roger Bowen. 10 Cresswell Way, Holmer Green, High Wycombe, Bucks., HP15 6TE Tel.: 01494 713887 email: [email protected] Outings Organiser: Mike Hyde. 11 Forty Green Drive, Marlow, Bucks., SL7 2JX. Tel.: 01628 485474 email: [email protected] Donkey Editor: Mike Walker, Solgarth, Marlow Road, Little Marlow, Marlow, Bucks., SL7 3RS. Tel.: 01628 483899 email: [email protected] Website: www.mdrs.org.uk The contents of the Marlow Donkey represent the views of the authors and do not necessarily reflect the position of the Society TIMETABLE - Forthcoming meetings Page 2 CHAIRMAN'S NOTES Tim Speechley 2 SOCIETY & LOCAL NEWS 3 WHERE DID IT ALL BEGIN? Part 1 Alan Morris 5 ACTON DEPOT Photos of the Society visit 9 3000 AT HIS FUNERAL . Stan Verrinder 11 A GREAT WEST COAST RAIL JOURNEY Part 1 Ron North 13 25 AND 15 YEARS AGO Tim Edmonds 17 FROM THE ARCHIVE Member's photos.