The Titfield Thunderbolt and the Camerton Branch'
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TPTV Schedule September 10Th - 16Th 2018
TPTV Schedule September 10th - 16th 2018 DATE TIME PROGRAMME SYNOPSIS Mon 10 6:00 When London 1932. Crime drama directed by Leslie S. Hiscott and starring Harold Sep 18 Sleeps French, Francis L. Sullivan & René Ray. Slippery Rodney Haines runs a high-class gambling joint in Hampstead. Mon 10 7:30 Hawkeye & the Last The Coward. 1957. Director: Sam Newfield. Stars John Hart, Lon Sep 18 of the Mohicans Chaney Jr & Jonathan White. Tom and his father are attacked by Hurons. Tom runs away in fear leaving his wounded father behind. (Subtitles Available) Mon 10 8:00 Luck of The Navy 1938. Drama. Directed by Norman Lee. Stars Geoffrey Toone, Judy Sep 18 Kelly and Clifford Evans. With international relations strained and war a possibility, Commander Stanton is given a special mission. Mon 10 9:25 Bombay Waterfront 1952. Directed by Maclean Rogers and starring John Bentley, Patricia Sep 18 Dainton and Peter Gawthorne. Follows Temple's efforts to aid the police in solving a series of gruesome murders. (Subtitles Available) Mon 10 10:50 The History Of The Made in the 50s. A fascinating insight into the history of film making, Sep 18 Movies from the early zoetrope to the introduction of perforated film and the early projectors. Then from silent to 'Talking Pictures' Mon 10 11:05 Blind Spot 1958. Crime Drama directed by Peter Maxwell. Starring Robert Sep 18 Mackenzie, Michael Caine and Delphi Lawrence. US Officer Adams, blinded during the war, is framed on a diamond-smuggling rap. Mon 10 12:35 Freedom Radio 1940. War. -
University of Huddersfield Repository
University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context. -
Syd Pearson | BFI Syd Pearson
23/11/2020 Syd Pearson | BFI Syd Pearson Save 0 Filmography Show less 1971 Creatures the World Forgot Special Effects 1969 Desert Journey Special Effects 1969 Autokill Special Effects 1966 The Heroes of Telemark [Special Effects] 1965 The Secret of Blood Island Special Effects 1965 The Brigand of Kandahar Special Effects 1964 The Long Ships Special Effects 1964 The Gorgon Special Effects 1962 In Search of the Castaways Special Effects 1960 The Brides of Dracula Special Effects 1959 Too Many Crooks [Special Processes] 1959 North West Frontier Special Effects 1959 The Hound of the Baskervilles Special Effects 1959 Ferry to Hong Kong Special Effects 1958 Dracula Special Effects 1957 The Steel Bayonet Special Effects 1957 Campbell's Kingdom Special Effects 1956 The Ladykillers Special Effects 1956 House of Secrets Special Processes (uncredited) 1956 Reach for the Sky Models (uncredited) 1955 Out of the Clouds Special Effects 1955 The Ship That Died of Shame Special Effects 1955 The Night My Number Came Up Special Effects 1955 Touch and Go Special Effects 1954 The Love Lottery Special Effects 1954 The 'Maggie' Special Effects https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 1/2 23/11/2020 Syd Pearson | BFI 1953 The Cruel Sea Special Effects 1953 The Titfield Thunderbolt Special Effects 1952 His Excellency Special Effects 1952 Mandy [Special Effects] 1952 I Believe in You Special Effects (uncredited) 1952 The Gentle Gunman Special Effects 1952 Secret People Special Effects 1951 Pool of London Special Effects 1951 The Man in the White Suit Special Effects 1951 The Lavender Hill Mob Special Effects 1950 Cage of Gold Special Effects 1950 Dance Hall Special Effects 1950 The Magnet Special Effects 1949 Kind Hearts and Coronets Special Effects 1949 Train of Events Special Effects 1949 Whisky Galore! Special Effects 1948 Scott of the Antarctic Special Effects 1947 The October Man [Stage Effects] [Model Miniatures] 1947 Black Narcissus [Synthetic Pictorial Effects] https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 2/2. -
Consumerism and Alienation in 1950S Comedies Dave Rolinson
‘If they want culture, they pay’: consumerism and alienation in 1950s comedies dave rolinson F British comedy assimilated into the academic canon, there are many which have fallen into obscurity, rein- forcing the alleged disposability of the form. One of the highest-profile casualties is The Horse’s Mouth (Ronald Neame, 1958), which was justly celebrated at the time for Alec Guinness’s performance as aggressively anti- social artist Gulley Jimson, but has since suffered from the critical neglect regarding Neame’s work. It is true that the film dilutes the complex themes of Joyce Cary’s novel with broad comedy, and its removal of darker plot points – not least Jimson’s death – reinforces complaints grounded in fidelity criticism that ‘beside the novel it looks very small’.1 However, acknowledging the dispersal of authorship inherent in adaptation and judging the film in its own right, The Horse’s Mouth is an intriguing oddity which proves that there is more to British comedy films of the 1950s than meets the eye. Neame’s assured direction exploits Arthur Ibbetson’s gorgeous colour photography, Guinness’s performance and the art of John Bratby to succeed where the novel partly failed to show how the artist ‘expresses himself in colour rather than words’.2 In particular, The Horse’s Mouth is a fascinating starting point for a discussion of 1950s comedy, because of its treatment of the genre’s defining themes: consensus and its breakdown through the alienating individualism of consumerism. It shares key characteristics with such ‘canonical’ Ealing comedies as The Lavender Hill Mob (Charles Crichton, 1951) and The Man in the White Suit (Alexander Mackendrick, 1951). -
Dossier De Presse
STUDIOCANAL et TAMASA présentent ALEC GUINNESS & Friends ! 7 inoubliables comédies de la Ealing en versions restaurées Tueurs de dames - Noblesse oblige - L’homme au complet blanc - De l’or en barres Whisky à gogo - Passeport pour Pimlico - Tortillard pour Titfield Coffret 3 DVD Alec Guinness The Captain’s Paradise - Barnacle Bill - Vacances sur ordonnance Sortie nationale le 8 octobre 2014 DISTRIBUTION TAMASA PRESSE LES PIQUANTES 5 RUE DE CHARONNE - 75011 PARIS FANNY GARANCHER T. 01 43 59 01 01 T. 01 42 00 38 86 - 06 20 87 80 87 [email protected] [email protected] www.tamasadiffusion.com www. lespiquantes.com ALEC GUINNESS Aux yeux du public, Alec Guinness est l’incarnation même des tra- cerner sa personnalité et son biographe lui-même. Kenneth Tynan, ditions britanniques, avec leur ridicule et leur grandeur. Venu du l’a défini comme « le maître de l’anonymat, la quintessence de théâtre, cet acteur extraordinairement éclectique excelle dans tous la discrétion et de la réserve britannique ». Quant à Guinness, il les genres et est capable d’incarner tous les personnages avec une a déclaré : « Je me suis toujours senti assez mal dans ma peau, égale crédibilité. si bien que j’ai été heureux d’avoir pu me camoufler presque constamment. » En 1979, l’Académie britannique des arts cinématographiques et télévisuels était réunie pour décerner ses prix annuels. Sir Alec Alec Guinness, né à Londres en 1914, a fréquenté différentes Guinness, appelé à recevoir le prix du meilleur acteur de l’année écoles du sud de l’Angleterre. A dix-huit ans, il entre comme ré- pour sa brillante interprétation de l’espion George Smiley dans dacteur dans une agence de publicité. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Sheppard 202003722 Thesis WREO.Pdf
Transports of Delight: Pastoral, Nostalgia and Railway Travel in Post-WWII Genre Fiction Samuel John Sheppard MA by Research University of York English and Related Literature November 2020 Abstract In the mid-twentieth century, Britain’s railways underwent a range of significant developments. A transport network that, in many ways, had not changed substantially since the Edwardian period, was transformed by events such as widespread route closures, a diesel revolution, and the growing popularity of private motoring. This paper aims to examine how the significance of railways in British literature of this period changed as a result, with particular focus upon two areas of genre fiction: crime and detective fiction, and children’s literature. I am particularly concerned with the ideals of heritage and preservation which emerged in Britain in the 1950s and 1960s, and how these encouraged the presentation of railways in a more sentimental light than had previously been seen. Most importantly, the paper examines in depth the genre fiction of the mid-twentieth century, seeking to identify the ways in which the work of authors such as Agatha Christie, Enid Blyton, and the Reverend Wilbert Awdry displays a continuity with, and nostalgia for, the interwar and Edwardian periods. 2 List of Contents Abstract Page 2 List of Contents Page 3 Acknowledgments Page 4 Declaration Page 5 Introduction Page 6 Chapter 1: Page 17 Nostalgia, Anxiety and Transport in Detective Fiction Chapter 2: Page 39 Train Travel, Heritage and Adult Anxiety in Children’s Literature Conclusion Page 62 Works Cited Page 68 3 Acknowledgments I would like to thank my MA supervisors, Dr Nicoletta Asciuto and Dr James Williams, for the support and feedback which they have provided throughout my MA study. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Charles Crichton Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Charles Crichton 电影 串行 (大全) The Correct Way to https://zh.listvote.com/lists/film/movies/the-correct-way-to-kill-27877449/actors Kill The Day After https://zh.listvote.com/lists/film/movies/the-day-after-tomorrow-7729151/actors Tomorrow More Bloody https://zh.listvote.com/lists/film/movies/more-bloody-meetings-6910907/actors Meetings The Adventures of https://zh.listvote.com/lists/film/movies/the-adventures-of-black-beauty-128236/actors Black Beauty Matter of Life and https://zh.listvote.com/lists/film/movies/matter-of-life-and-death-15702857/actors Death The Last Sunset https://zh.listvote.com/lists/film/movies/the-last-sunset-15702862/actors Guardian of Piri https://zh.listvote.com/lists/film/movies/guardian-of-piri-16246924/actors Cosmic Princess https://zh.listvote.com/lists/film/movies/cosmic-princess-2134898/actors Alien Attack https://zh.listvote.com/lists/film/movies/alien-attack-2836805/actors The Third Secret https://zh.listvote.com/lists/film/movies/the-third-secret-3227040/actors The Titfield https://zh.listvote.com/lists/film/movies/the-titfield-thunderbolt-3532529/actors Thunderbolt Against the Wind https://zh.listvote.com/lists/film/movies/against-the-wind-4691106/actors Another Shore https://zh.listvote.com/lists/film/movies/another-shore-4770342/actors Dance Hall https://zh.listvote.com/lists/film/movies/dance-hall-5215131/actors Dragon's Domain https://zh.listvote.com/lists/film/movies/dragon%27s-domain-5305046/actors Earthbound https://zh.listvote.com/lists/film/movies/earthbound-5327198/actors Floods of -
JOHN GREGSON DAY on Talking Pictures
Talking Pictures TV Highlights for week beginning www.talkingpicturestv.co.uk Monday 11th March 2019 SKY 328 | FREEVIEW 81 | FREESAT 306 | VIRGIN 445 JOHN GREGSON DAY on Talking Pictures TV Friday 15th March 2019 We are delighted to present a day of films and programmes to mark the occasion of what would have been John Gregson’s 100th birthday. Talking Pictures TV filmed with John’s wife, Thea Gregson and family – they tell us what the real John was like, as well as sharing stories of the time Sean Connery knocked on the door to play golf, when John met the Queen and recalling the time he met the Beatles! All this and more is revealed in their personal memories of this wonderful actor, who is greatly missed. We also have an exclusive interview with Veronica Hurst, who was John’s co-star in the film Angels One Five. REMEMBERING JOHN GREGSON, exclusive to Talking Pictures TV, will be showing at 09:40 and 19:00. Here are some of the other highlights for The John Gregson Day: 06:00 SARABAND FOR DEAD LOVERS (1948) 15:25 THE BRAVE DON’T CRY (1952) with John’s very first film appearance. based upon a true story about a mining accident. 08:00 TO DOROTHY A SON (1954) 17:15 GENEVIEVE (1953) the classic comedy with with Peggy Cummins and Shelley Winters. Kenneth More and Dinah Sheridan. 10:05 THE HOLLY & THE IVY (1952) 20:00 / 20:30 DANGEROUS KNOWLEDGE (1976) with Ralph Richardson and Denholm Elliott. the final two parts. (John’s final on screen 11:45 VALUE FOR MONEY (1955) performance ; he sadly died a short while after) with Diana Dors and Susan Stephen. -
The Grass Is Greener on Talking Pictures TV! Stars: Cary Grant, Deborah Kerr, Robert Mitchum, Jean Simmons
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 6th July 2020 FREESAT 306 | VIRGIN 445 The Grass is Greener on Talking Pictures TV! Stars: Cary Grant, Deborah Kerr, Robert Mitchum, Jean Simmons. Directed by Stanley Donen 1961. The story of a lively encounter between a beautiful English countess and an American oil tycoon, set in an English stately home. Deborah Kerr is seduced by Robert Mitchum, Jean Simmons tries to help Cary Grant win her back. Played with suave elegance and wit by a superlative cast. Airs Sunday 12th July 6pm. Monday 6th July 1:00pm Tuesday 7th July 10:00pm Fiddlers Three (1944) Forbidden (1949) Comedy. Directed by Harry Watt. Drama. Directed by George King. Stars Tommy Trinder, Sonnie Hale & Stars: Douglass Montgomery, Frances Day. Two sailors and a Wren Hazel Court & Patricia Burke. travel back in time after being struck An ex-serviceman plans to escape by lightning in Stonehenge. his faithless wife. Monday 6th July 3:00pm Wednesday 8th July 3:10pm The October Man (1947) The Laughing Lady (1946) Crime. Director: Roy Ward Baker. Musical Drama. Directed by Stars: John Mills, Edward Chapman, Paul L. Stein. Stars: Anne Ziegler, Joan Greenwood. A man is suspected Webster Booth, Francis L. Sullivan. of murder and, due to a previous During the French Revolution, a brain injury, he begins to doubt his young aristocrat promises to locate own innocence. and steal diamonds from Britain to Monday 6th July 5:45pm save his mother from the guillotine. The Way Ahead (1944) Wednesday 8th July 5:30pm War. -
Film Club Sky 328 MARCH Newsletter Freesat 306 APRIL 2019 Virgin 445
Freeview 81 Film Club Sky 328 MARCH newsletter Freesat 306 APRIL 2019 Virgin 445 Dear Supporters of Talking Pictures TV and Renown Pictures, This month we were extremely privileged to have been invited to the home of Robert Powell, to film an interview about his life and career, which turned out to be the funniest 4 hours of our lives. Tales of The Italian Job and squashing his cinquecen- to in the middle of a bendy bus in Turin, wonderful stories of him as Jesus and working with Laurence Olivier who called him ‘Bobsy’. Meeting his wife ‘Babs’ from Pans People, long tales of The 39 Steps and of course the wonderful series Hannay and much, much more. The full interview will be screened on Talking Pictures TV later this year so do keep your eyes peeled. Sad News: Bernard Cribbins is no longer able to attend our festival in St Albans, you may have heard the news recently that he has pulled out of the new Dad’s Army film, also due to ill health and the health of his dear wife. BUT NEWS FLASH NEWS FLASH – We are delighted to announce that none other than Mr Hannay and Jesus himself... Mr ROBERT POWELL has agreed to appear on stage on the day to regale you with his wonderful stories and highlights of his career - and he will be signing au- tographs for all Hannay fans. When you receive this newsletter the Renown Festival of Film in St Albans will have either just taken place or will be taking place in a few days.