DOCSLIB.ORG

Charles Crichton Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Charles Crichton Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨) Charles Crichton 电影 串行 (大全) The Correct Way to https://zh.listvote.com/lists/film/movies/the-correct-way-to-kill-27877449/actors Kill The Day After https://zh.listvote.com/lists/film/movies/the-day-after-tomorrow-7729151/actors Tomorrow More Bloody https://zh.listvote.com/lists/film/movies/more-bloody-meetings-6910907/actors Meetings The Adventures of https://zh.listvote.com/lists/film/movies/the-adventures-of-black-beauty-128236/actors Black Beauty Matter of Life and https://zh.listvote.com/lists/film/movies/matter-of-life-and-death-15702857/actors Death The Last Sunset https://zh.listvote.com/lists/film/movies/the-last-sunset-15702862/actors Guardian of Piri https://zh.listvote.com/lists/film/movies/guardian-of-piri-16246924/actors Cosmic Princess https://zh.listvote.com/lists/film/movies/cosmic-princess-2134898/actors Alien Attack https://zh.listvote.com/lists/film/movies/alien-attack-2836805/actors The Third Secret https://zh.listvote.com/lists/film/movies/the-third-secret-3227040/actors The Titfield https://zh.listvote.com/lists/film/movies/the-titfield-thunderbolt-3532529/actors Thunderbolt Against the Wind https://zh.listvote.com/lists/film/movies/against-the-wind-4691106/actors Another Shore https://zh.listvote.com/lists/film/movies/another-shore-4770342/actors Dance Hall https://zh.listvote.com/lists/film/movies/dance-hall-5215131/actors Dragon's Domain https://zh.listvote.com/lists/film/movies/dragon%27s-domain-5305046/actors Earthbound https://zh.listvote.com/lists/film/movies/earthbound-5327198/actors Floods of Fear https://zh.listvote.com/lists/film/movies/floods-of-fear-5460136/actors For Those in Peril https://zh.listvote.com/lists/film/movies/for-those-in-peril-5466901/actors He Who Rides a Tiger https://zh.listvote.com/lists/film/movies/he-who-rides-a-tiger-5688991/actors Law and Disorder https://zh.listvote.com/lists/film/movies/law-and-disorder-6503133/actors Man in the Sky https://zh.listvote.com/lists/film/movies/man-in-the-sky-6746376/actors New Adam, New Eve https://zh.listvote.com/lists/film/movies/new-adam%2C-new-eve-7005183/actors One Moment of https://zh.listvote.com/lists/film/movies/one-moment-of-humanity-7092928/actors Humanity Painted Boats https://zh.listvote.com/lists/film/movies/painted-boats-7124996/actors Hue and Cry https://zh.listvote.com/lists/film/movies/hue-and-cry-71861/actors The Battle of the https://zh.listvote.com/lists/film/movies/the-battle-of-the-sexes-7715904/actors Sexes The Boy Who Stole a https://zh.listvote.com/lists/film/movies/the-boy-who-stole-a-million-7719656/actors Million The Lambda Factor https://zh.listvote.com/lists/film/movies/the-lambda-factor-7745282/actors The Love Lottery https://zh.listvote.com/lists/film/movies/the-love-lottery-7748936/actors The Mark of https://zh.listvote.com/lists/film/movies/the-mark-of-archanon-7750353/actors Archanon The Metamorph https://zh.listvote.com/lists/film/movies/the-metamorph-7751170/actors Train of Events https://zh.listvote.com/lists/film/movies/train-of-events-7832893/actors War Games https://zh.listvote.com/lists/film/movies/war-games-7968444/actors Hunted https://zh.listvote.com/lists/film/movies/hunted-931739/actors æ‹‰å‡¡å¾·å±±çš„æš https://zh.listvote.com/lists/film/movies/%E6%8B%89%E5%87%A1%E5%BE%B7%E5%B1%B1%E7%9A%84%E6%9A%B4%E5%BE%92- ´å¾’ 1168531/actors æ»​ 亡之夜 https://zh.listvote.com/lists/film/movies/%E6%AD%BB%E4%BA%A1%E4%B9%8B%E5%A4%9C-2298679/actors éµ​ 蹄慈淚 https://zh.listvote.com/lists/film/movies/%E9%90%B5%E8%B9%84%E6%85%88%E6%B7%9A-3418875/actors 一æ¡​ å«​ æ— https://zh.listvote.com/lists/film/movies/%E4%B8%80%E6%9D%A1%E5%8F%AB%E6%97%BA%E8%BE%BE%E7%9A%84%E9%B1%BC- ºè¾¾çš„é±¼ 466186/actors.
Load more

Recommended publications
  • University of Huddersfield Repository
    University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context.
    [Show full text]
  • The Titfield Thunderbolt and the Camerton Branch'
    Wells Railway Fraternity The guest speaker at our meeting at Wells Town Hall on 8th February was Simon Castens and his subject was 'The Titfield Thunderbolt and the Camerton Branch'. After a computer hitch had been overcome we settled down to an evening of pure nostalgia. Simon began with a brief outline of the history of the branch line which linked Camerton with the Avon Valley at Limpley Stoke. The line was partly built on the route of the old Somerset Coal Canal and opened in 1910. It was destined to have a fairly short life of just under a half century, ending shortly after Camerton Colliery closed in 1950 - the other major colliery served by the line, at Dunkerton, had stopped working earlier, in the 1930s. The line was then used by the BR Bridge Department for storage and the rails were finally lifted in 1958. Simon pointed out that when Ealing Studios decided to make the film 'The Titfield Thunderbolt', the Talyllyn Railway was the only enthusiast-run line anywhere and speculation has taken place as to whether the little Welsh railway was the inspiration for Tibby Clarke's story. There can be little doubt that the film served as encouragement for the movement which has resulted in today's preserved and heritage railway tourist industry. With the help of old photographs of the line and stills from the film, Simon then spoke of the making of the film in July and August 1952. The station at Monkton Combe served as that of the fictional village of Titfield, the name being a composite of Titsey and Limpsfield, two adjoining villages in Surrey.
    [Show full text]
  • Syd Pearson | BFI Syd Pearson
    23/11/2020 Syd Pearson | BFI Syd Pearson Save 0 Filmography Show less 1971 Creatures the World Forgot Special Effects 1969 Desert Journey Special Effects 1969 Autokill Special Effects 1966 The Heroes of Telemark [Special Effects] 1965 The Secret of Blood Island Special Effects 1965 The Brigand of Kandahar Special Effects 1964 The Long Ships Special Effects 1964 The Gorgon Special Effects 1962 In Search of the Castaways Special Effects 1960 The Brides of Dracula Special Effects 1959 Too Many Crooks [Special Processes] 1959 North West Frontier Special Effects 1959 The Hound of the Baskervilles Special Effects 1959 Ferry to Hong Kong Special Effects 1958 Dracula Special Effects 1957 The Steel Bayonet Special Effects 1957 Campbell's Kingdom Special Effects 1956 The Ladykillers Special Effects 1956 House of Secrets Special Processes (uncredited) 1956 Reach for the Sky Models (uncredited) 1955 Out of the Clouds Special Effects 1955 The Ship That Died of Shame Special Effects 1955 The Night My Number Came Up Special Effects 1955 Touch and Go Special Effects 1954 The Love Lottery Special Effects 1954 The 'Maggie' Special Effects https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 1/2 23/11/2020 Syd Pearson | BFI 1953 The Cruel Sea Special Effects 1953 The Titfield Thunderbolt Special Effects 1952 His Excellency Special Effects 1952 Mandy [Special Effects] 1952 I Believe in You Special Effects (uncredited) 1952 The Gentle Gunman Special Effects 1952 Secret People Special Effects 1951 Pool of London Special Effects 1951 The Man in the White Suit Special Effects 1951 The Lavender Hill Mob Special Effects 1950 Cage of Gold Special Effects 1950 Dance Hall Special Effects 1950 The Magnet Special Effects 1949 Kind Hearts and Coronets Special Effects 1949 Train of Events Special Effects 1949 Whisky Galore! Special Effects 1948 Scott of the Antarctic Special Effects 1947 The October Man [Stage Effects] [Model Miniatures] 1947 Black Narcissus [Synthetic Pictorial Effects] https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 2/2.
    [Show full text]
  • A Dictionary of Literary and Thematic Terms, Second Edition
    A DICTIONARY OF Literary and Thematic Terms Second Edition EDWARD QUINN A Dictionary of Literary and Thematic Terms, Second Edition Copyright © 2006 by Edward Quinn All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Quinn, Edward, 1932– A dictionary of literary and thematic terms / Edward Quinn—2nd ed. p. cm. Includes index. ISBN 0-8160-6243-9 (hc : alk. paper) 1. Criticism—Terminology. 2. Literature— Terminology. 3. Literature, Comparative—Themes, motives, etc.—Terminology. 4. English language—Terms and phrases. 5. Literary form—Terminology. I. Title. PN44.5.Q56 2006 803—dc22 2005029826 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can fi nd Facts On File on the World Wide Web at http://www.factsonfi le.com Text design by Sandra Watanabe Cover design by Cathy Rincon Printed in the United States of America MP FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. Contents Preface v Literary and Thematic Terms 1 Index 453 Preface This book offers the student or general reader a guide through the thicket of liter- ary terms.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Consumerism and Alienation in 1950S Comedies Dave Rolinson
    ‘If they want culture, they pay’: consumerism and alienation in 1950s comedies dave rolinson F British comedy assimilated into the academic canon, there are many which have fallen into obscurity, rein- forcing the alleged disposability of the form. One of the highest-profile casualties is The Horse’s Mouth (Ronald Neame, 1958), which was justly celebrated at the time for Alec Guinness’s performance as aggressively anti- social artist Gulley Jimson, but has since suffered from the critical neglect regarding Neame’s work. It is true that the film dilutes the complex themes of Joyce Cary’s novel with broad comedy, and its removal of darker plot points – not least Jimson’s death – reinforces complaints grounded in fidelity criticism that ‘beside the novel it looks very small’.1 However, acknowledging the dispersal of authorship inherent in adaptation and judging the film in its own right, The Horse’s Mouth is an intriguing oddity which proves that there is more to British comedy films of the 1950s than meets the eye. Neame’s assured direction exploits Arthur Ibbetson’s gorgeous colour photography, Guinness’s performance and the art of John Bratby to succeed where the novel partly failed to show how the artist ‘expresses himself in colour rather than words’.2 In particular, The Horse’s Mouth is a fascinating starting point for a discussion of 1950s comedy, because of its treatment of the genre’s defining themes: consensus and its breakdown through the alienating individualism of consumerism. It shares key characteristics with such ‘canonical’ Ealing comedies as The Lavender Hill Mob (Charles Crichton, 1951) and The Man in the White Suit (Alexander Mackendrick, 1951).
    [Show full text]
  • AMS Boston 2019 Program
    AMS Boston 2019 Program WEDNESDAY 30 October Pre-Conferences (See amsmusicology.org/boston for links to pre-conference websites) 10:30–6:00 The Future of Pop: Big Questions Facing Popular Music Studies in the Twenty-First Century Northeastern University College of Arts, Media and Design 9:00–5:00 New Beethoven Research (Stone) 9:00–5:00 France: Musiques, Cultures, 1789–1918 (Webster) 9:00–5:00 Grove Editorial Board (Quincy) 9:00–11:00 New Perspectives on Haydn and C. P. E. Bach (Otis, Revere) Haydn Society of North America with Carl Philipp Emanuel Bach: The Complete Works and The Packard Humanities Institute (Separate Registration required) 1:00–5:00 IMS Study Group: Tablature in Western Music Boston University, Center for Early Music Studies 3:00–6:00 The Mendelssohn Network “In the Salon with the Mendelssohns”: Performances, Readings and Discussions of Nineteenth-Century Music, Literature and Art Prevost Room, Blumenthal Family Library (Student Life and Performance Center), New England Conservatory * * * 2:00–8:00 AMS Board of Directors (Executive Boardroom) 2 Thursday AMS Boston 2019 THURSDAY 31 October Pre-Conferences 8:00–12:30 New Beethoven Research (Harbor II) 8:00–12:15 New Perspectives on Haydn and C. P. E. Bach (Otis, Revere) (Separate Registration required) 8:30–12:00 The Future of Pop: Big Questions Facing Popular Music Studies in the Twenty-First Century Northeastern University College of Arts, Media and Design 9:00–12:00 Current Developments in Mendelssohn Research (Harbor III) Lightning Talks, Presentations and Roundtable
    [Show full text]
  • Films of Peter Sellers
    Review: Films of Peter Sellers Reviewed Work(s): Man in a Cocked Hat by Roy Boulting and Jeffrey Dell; Battle of the Sexes by Charles Crichton; The Mouse That Roared by Walter Shensen and Jack Arnold; I'm All Right, Jack by Review by: Kenneth J. Letner Source: Film Quarterly, Vol. 14, No. 1 (Autumn, 1960), pp. 51-54 Published by: University of California Press Stable URL: http://www.jstor.org/stable/1211067 Accessed: 04-03-2018 11:29 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Film Quarterly This content downloaded from 95.183.180.42 on Sun, 04 Mar 2018 11:29:21 UTC All use subject to http://about.jstor.org/terms 51 The picture does excel, and both photogra- Monia Tanischewsky, from "The Catbird Seat," by pher and director may claim credit for this, in James Thurber. Director: Charles Crichton. Pho- the depiction of groups and mass scenes. The tography: Freddie Frances. Editor: Seth Holt. wedding feast, with its increasing hilarious Music: Stanley Black. Narrator: Sam Wannamaker. drunkenness, is a masterpiece. The conscrip- THE MOUSE THAT ROARED.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Sheppard 202003722 Thesis WREO.Pdf
    Transports of Delight: Pastoral, Nostalgia and Railway Travel in Post-WWII Genre Fiction Samuel John Sheppard MA by Research University of York English and Related Literature November 2020 Abstract In the mid-twentieth century, Britain’s railways underwent a range of significant developments. A transport network that, in many ways, had not changed substantially since the Edwardian period, was transformed by events such as widespread route closures, a diesel revolution, and the growing popularity of private motoring. This paper aims to examine how the significance of railways in British literature of this period changed as a result, with particular focus upon two areas of genre fiction: crime and detective fiction, and children’s literature. I am particularly concerned with the ideals of heritage and preservation which emerged in Britain in the 1950s and 1960s, and how these encouraged the presentation of railways in a more sentimental light than had previously been seen. Most importantly, the paper examines in depth the genre fiction of the mid-twentieth century, seeking to identify the ways in which the work of authors such as Agatha Christie, Enid Blyton, and the Reverend Wilbert Awdry displays a continuity with, and nostalgia for, the interwar and Edwardian periods. 2 List of Contents Abstract Page 2 List of Contents Page 3 Acknowledgments Page 4 Declaration Page 5 Introduction Page 6 Chapter 1: Page 17 Nostalgia, Anxiety and Transport in Detective Fiction Chapter 2: Page 39 Train Travel, Heritage and Adult Anxiety in Children’s Literature Conclusion Page 62 Works Cited Page 68 3 Acknowledgments I would like to thank my MA supervisors, Dr Nicoletta Asciuto and Dr James Williams, for the support and feedback which they have provided throughout my MA study.
    [Show full text]
  • The British War Film, 1939-1980: Culture, History, and Genre
    The British War Film, 1939-1980: Culture, History, and Genre by Kevin M. Flanagan B.A., College of William and Mary, 2006 M.A., North Carolina State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kevin M. Flanagan It was defended on April 15, 2015 and approved by Colin MacCabe, Distinguished Professor, Department of English Adam Lowenstein, Associate Professor, Department of English David Pettersen, Assistant Professor, Department of French and Italian Dissertation Advisor: Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Kevin M. Flanagan 2015 iii THE BRITISH WAR FILM, 1939-1980: CULTURE, HISTORY, AND GENRE Kevin M. Flanagan, Ph.D. University of Pittsburgh, 2015 This dissertation argues that discussions of war representation that privilege the nationalistic, heroic, and redemptively sacrificial strand of storytelling that dominate popular memory in Britain ignore a whole counter-history of movies that view war as an occasion to critique through devices like humor, irony, and existential alienation. Instead of selling audiences on what Graham Dawson has called “the pleasure culture of war” (a nationally self-serving mode of talking about and profiting from war memory), many texts about war are motivated by other intellectual and ideological factors. Each chapter includes historical context and periodizing arguments about different moments in British cultural history, explores genre trends, and ends with a comparative analysis of representative examples.
    [Show full text]
  • Los Apuros De Un Pequeño Tren
    LOS APUROS DE UN PEQUEÑO TREN FICHA TÉCNICA Director Charles Crichton Guión adaptado T.E.B. Clarke Producción Ealing Studios Productor Michael Truman Fotografía Douglas Slocombe Música Georges Auric Interpretada por The Philharmonia Orchestra Montaje Seth Holt Dirección artística C.P. Norman Diseño de vestuario Anthony Mendelson Maquillaje Harry Frampton Sonido Arthur Bradburn, Stephen Dalby Ayudante de dirección Terry Bishop, David Peers 2ª unidad Paul Beeson 2º operador Jeff Seaholme Efectos especiales Sydney Pearson, E.R. Taylor Productor ejecutivo Michael Balcon DATOS TÉCNICOS Duración 84 minutos Versión Doblada en castellano Año de producción 1953, Reino Unido Formato Normal (Spherical), 1.37 : 1 Technicolor Rodaje Seis semanas, durante el verano de 1952 Localizaciones Ealing Studios, London (studio). Mallingford station, Bristol. Railway between Limpley Stoke & Camerton, Bath, Monkton Coombe station, Somerset. Imperial Institute, Exhibition Road, Kensington, London. Woodstock, Oxford, Oxfordshire, England, UK. FICHA ARTÍSTICA Intérpretes Personajes Stanley Holloway Valentine George Relph Sam Weech, el vicario Naunton Wayne George Blakeworth John Gregson Gordon Chesterford Godfrey Tearle Ollie Mathews, el Obispo de Weichester Hugh Griffith Dan Gabrielle Brune Joan Sid James el granuja Hawkins Reginald Beckwith Coggett Edie Martin Emily Michael Trubshawe Ruddock Jack MacGowran Vernon Crump Ewan Roberts Alec Pearce Herbert C. Walton Seth John Rudling Clegg, inspector del Ministerio Nancy O’Neil Mrs. Blakeworth Campbell Singer Sargento de policía Frank Atkinson Jefe de policía de estación Wensley Pithey Un policía Harold Alford Guarda Ted Burbridge Maquinista Frank Green Fogonero PRESENTACIÓN En la estación de la pequeña ciudad rural de Titfield, el tren está listo para partir. Entonces, el Jefe de Estación coloca un cartel anunciando el cierre de la línea y su reemplazamiento por un servicio de autobús.
    [Show full text]