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23/11/2020 Syd Pearson | BFI Syd Pearson Save 0 Filmography Show less 1971 Creatures the World Forgot Special Effects 1969 Desert Journey Special Effects 1969 Autokill Special Effects 1966 The Heroes of Telemark [Special Effects] 1965 The Secret of Blood Island Special Effects 1965 The Brigand of Kandahar Special Effects 1964 The Long Ships Special Effects 1964 The Gorgon Special Effects 1962 In Search of the Castaways Special Effects 1960 The Brides of Dracula Special Effects 1959 Too Many Crooks [Special Processes] 1959 North West Frontier Special Effects 1959 The Hound of the Baskervilles Special Effects 1959 Ferry to Hong Kong Special Effects 1958 Dracula Special Effects 1957 The Steel Bayonet Special Effects 1957 Campbell's Kingdom Special Effects 1956 The Ladykillers Special Effects 1956 House of Secrets Special Processes (uncredited) 1956 Reach for the Sky Models (uncredited) 1955 Out of the Clouds Special Effects 1955 The Ship That Died of Shame Special Effects 1955 The Night My Number Came Up Special Effects 1955 Touch and Go Special Effects 1954 The Love Lottery Special Effects 1954 The 'Maggie' Special Effects https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 1/2 23/11/2020 Syd Pearson | BFI 1953 The Cruel Sea Special Effects 1953 The Titfield Thunderbolt Special Effects 1952 His Excellency Special Effects 1952 Mandy [Special Effects] 1952 I Believe in You Special Effects (uncredited) 1952 The Gentle Gunman Special Effects 1952 Secret People Special Effects 1951 Pool of London Special Effects 1951 The Man in the White Suit Special Effects 1951 The Lavender Hill Mob Special Effects 1950 Cage of Gold Special Effects 1950 Dance Hall Special Effects 1950 The Magnet Special Effects 1949 Kind Hearts and Coronets Special Effects 1949 Train of Events Special Effects 1949 Whisky Galore! Special Effects 1948 Scott of the Antarctic Special Effects 1947 The October Man [Stage Effects] [Model Miniatures] 1947 Black Narcissus [Synthetic Pictorial Effects] https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 2/2.

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Mini Brochure
filmworks is designed with star quality – inspired by the past, celebrating the future Ealing’s Thrilling New Lifestyle Quarter Computer-generated images are indicative only. Page 01 picture this IN TUNE WITH EALING’S HISTORY, THE STAR OF FILMWORKS WILL BE THE EIGHT-SCREEN PICTUREHOUSE CINEMA, TOGETHER WITH PLANET ORGANIC’S FRESH AND NATURAL PRODUCE. Eat well, live better, thanks to Planet Organic before heading to the movies. Filmworks offers an adventurous mix of shops, restaurants and bars; all perfectly located around a central and open piazza. PagePage 02 18 Lifestyle images are indicative only. Page 04 Computer-generated image is indicative only. Hollywood stars Audrey Hepburn, Humphrey Bogart and William Holden were a few of the big dazzling names to step foot in Ealing Studios. history THE FORUM CINEMA OPENED IN 1934 WITH ‘LIFE, LOVE AND LAUGHTER’. A COMEDY FILMED METRES AWAY, AT THE WORLD- FAMOUS EALING STUDIOS. The old cinema façade in 1963. Designed by John Stanley Beard, the old cinema’s classical colonnades create a grand entrance to the Filmworks quarter. Remarkably, the cinema building was relatively new compared to Ealing Studios, built in 1902. The first of its kind, with classics like The Ladykillers and recent successes The Theory of Everything and Downton Abbey, it is synonymous with the British film industry. Passport to Pimlico A 1949 British comedy starring Stanley Holloway in which a South London Street declares its independence. The Ladykillers A classic Ealing comedy starring Alec Guinness who becomes part of a ragtag criminal gang that runs into trouble when their landlady discovers there’s more to their string quartet than meets the eye.
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Hole a Remediative Approach to the Filmmaking of the Coen Brothers
University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................
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University of Huddersfield Repository
University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context.
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The Titfield Thunderbolt and the Camerton Branch'
Wells Railway Fraternity The guest speaker at our meeting at Wells Town Hall on 8th February was Simon Castens and his subject was 'The Titfield Thunderbolt and the Camerton Branch'. After a computer hitch had been overcome we settled down to an evening of pure nostalgia. Simon began with a brief outline of the history of the branch line which linked Camerton with the Avon Valley at Limpley Stoke. The line was partly built on the route of the old Somerset Coal Canal and opened in 1910. It was destined to have a fairly short life of just under a half century, ending shortly after Camerton Colliery closed in 1950 - the other major colliery served by the line, at Dunkerton, had stopped working earlier, in the 1930s. The line was then used by the BR Bridge Department for storage and the rails were finally lifted in 1958. Simon pointed out that when Ealing Studios decided to make the film 'The Titfield Thunderbolt', the Talyllyn Railway was the only enthusiast-run line anywhere and speculation has taken place as to whether the little Welsh railway was the inspiration for Tibby Clarke's story. There can be little doubt that the film served as encouragement for the movement which has resulted in today's preserved and heritage railway tourist industry. With the help of old photographs of the line and stills from the film, Simon then spoke of the making of the film in July and August 1952. The station at Monkton Combe served as that of the fictional village of Titfield, the name being a composite of Titsey and Limpsfield, two adjoining villages in Surrey.
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Critchon's the Lavender Hill
1 The Lavender Hill Mob Directed by Charles Critchon. Produced by Michael Balcon. Screenplay and story by T.E. “Tebby” Clarke. Cinematography by Douglas Slocombe. Art Direction by William Kellner. Original Music by Georges Auric. Edited by Seth Holt. Costumes by Anthony Mendleson. Cinematic length: 81 minutes. Companies: Ealing Studos and the Rank Organisation. Cinematic release: June 1951. DVD release: 2002 DVD/Blue Ray 60th Anniversary Release 2011. Check for ratings. Rating 90%. All images are taken from the Public Domain and Wiki derivatives with permission. Written Without Prejudice Cast Alec Guinness as Henry Holland Stanley Holloway as Alfred Pendlebury Sid James as Lackery Wood Alfie Bass as Shorty Fisher John Gregson as Detective Farrow 2 Marjorie Fielding as Mrs. Chalk Edie Martin as Miss Evesham Audrey Hepburn as Chiquita John Salew as Parkin Ronald Adam as Turner Arthur Hambling as Wallis Gibb McLaughlin as Godwin Clive Morton as the Station Sergeant Sydney Tafler as Clayton Marie Burke as Senora Gallardo William Fox as Gregory Michael Trubshawe as the British Ambassador Jacques B. Brunius, Paul Demel, Eugene Deckers and Andreas Malandrinos as Customs Officials David Davies and Meredith Edwards as city policemen Cyril Chamberlain as Commander Moultrie Kelsall as a Detective Superintendent Christopher Hewett as Inspector Talbot Patrick Barr as a Divisional Detective Inspector Ann Heffernan as the kiosk attendant Robert Shaw as a lab technician Patricia Garwood as a schoolgirl Peter Bull as Joe the Gab Review Although Ealing Studios started making comedies in the later 1930s, the decade between 1947 and 1957, after which the studio was sold to the BBC and changed direction, was their classic period.
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Filmworks Brochure
filmworks is designed with star quality – inspired by the past, celebrating the future Ealing’s Thrilling New Lifestyle Quarter Computer-generated images are indicative only. Page 01 picture this IN TUNE WITH EALING’S HISTORY, THE STAR OF FILMWORKS WILL BE THE EIGHT-SCREEN PICTUREHOUSE CINEMA, TOGETHER WITH PLANET ORGANIC’S FRESH AND NATURAL PRODUCE, AND VAPIANO’S DELIGHTFUL ITALIAN MENU. Eat well, live better, thanks to Planet Organic. Dine and enjoy the freshly prepared food at Vapiano before heading to the movies. Filmworks offers an adventurous mix of shops, restaurants and bars; all perfectly located around a central and open piazza. Page 02 Lifestyle images are indicative only. Page 04 Computer-generated image is indicative only. Hollywood stars Audrey Hepburn, Humphrey Bogart and William Holden were a few of the big dazzling names to step foot in Ealing Studios. history THE FORUM CINEMA OPENED IN 1934 WITH ‘LIFE, LOVE AND LAUGHTER’. A COMEDY FILMED METRES AWAY, AT THE WORLD- FAMOUS EALING STUDIOS. The old cinema façade in 1963. Designed by John Stanley Beard, the old cinema’s classical colonnades create a grand entrance to the Filmworks quarter. Remarkably, the cinema building was relatively new compared to Ealing Studios, built in 1902. The frst of its kind, with classics like The Ladykillers and recent successes The Theory of Everything and Downton Abbey, it is synonymous with the British flm industry. Passport to Pimlico A 1949 British comedy starring Stanley Holloway in which a South London Street declares its independence. The Ladykillers A classic Ealing comedy starring Alec Guinness who becomes part of a ragtag criminal gang that runs into trouble when their landlady discovers there’s more to their string quartet than meets the eye.
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COM FT 316 Syllabus SP13
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Films and Comedy Quiz – 25Th June ¦ ANSWERS
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The Good Movie Club List
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Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
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Consumerism and Alienation in 1950S Comedies Dave Rolinson
‘If they want culture, they pay’: consumerism and alienation in 1950s comedies dave rolinson F British comedy assimilated into the academic canon, there are many which have fallen into obscurity, rein- forcing the alleged disposability of the form. One of the highest-profile casualties is The Horse’s Mouth (Ronald Neame, 1958), which was justly celebrated at the time for Alec Guinness’s performance as aggressively anti- social artist Gulley Jimson, but has since suffered from the critical neglect regarding Neame’s work. It is true that the film dilutes the complex themes of Joyce Cary’s novel with broad comedy, and its removal of darker plot points – not least Jimson’s death – reinforces complaints grounded in fidelity criticism that ‘beside the novel it looks very small’.1 However, acknowledging the dispersal of authorship inherent in adaptation and judging the film in its own right, The Horse’s Mouth is an intriguing oddity which proves that there is more to British comedy films of the 1950s than meets the eye. Neame’s assured direction exploits Arthur Ibbetson’s gorgeous colour photography, Guinness’s performance and the art of John Bratby to succeed where the novel partly failed to show how the artist ‘expresses himself in colour rather than words’.2 In particular, The Horse’s Mouth is a fascinating starting point for a discussion of 1950s comedy, because of its treatment of the genre’s defining themes: consensus and its breakdown through the alienating individualism of consumerism. It shares key characteristics with such ‘canonical’ Ealing comedies as The Lavender Hill Mob (Charles Crichton, 1951) and The Man in the White Suit (Alexander Mackendrick, 1951).
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TPTV Schedule June 29Thto July 5Th 2020
TPTV Schedule June 29th to July 5th 2020 Date Time Programme Synopsis Mon 29 01:55 Cage Of Gold 1950. Drama. Directed by Basil Dearden. Stars Jean Simmons, David Farrar, Jun 20 James Donald, Herbert Lom & Bernard Lee. A young widowed bride receives an unexpected visit when she remarries. Mon 29 03:35 It Happened In Soho 1948. Drama. Director: Frank Chisnell. Stars Richard Murdoch, Patricia Raine & Jun 20 Henry Oscar. Murder drama set in Soho involving a police inspector, a newspaper reporter and a country girl. Mon 29 04:35 A Fire Has Been 1935. Directed Leslie S. Hiscott and starring Rob Wilton. Two robbers hide their Jun 20 Arranged loot before spending 10 years in jail, but upon release they realise things have changed quite a bit in 10 years. (SUBTITLES AVAILABLE) Mon 29 06:00 Ring-A-Ding Rhythm! 1962. Musical. Directed by Richard Lester. Stars Helen Shapiro, Craig Douglas & Jun 20 John Leyton. (AKA: It's Trad Dad) Teens put on a festival to demonstrate the merits of traditional jazz & rock 'n' roll. Mon 29 07:35 Flannelfoot 1953. Crime drama directed by Maclean Rodgers and starring Ronald Howard Jun 20 and Mary Germaine. Crime news hack Mitchell is out to discover the identity of the notorious jewel thief 'Flannelfoot'. (SUBTITLES AVAILABLE) Mon 29 09:00 Sir Francis Drake Queen of Scots. 1961. Stars Terence Morgan, Jean Kent, Ewan Roberts. Jun 20 Elizabeth is worried about Mary, Queen of Scots. Walsingham decides it is time to get Mary out of the way. Mon 29 09:30 The Old Dark House 1963.
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