The Good Movie Club List
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Film Rating Release Year a League of Their Own
Film Rating Release Year A League Of Their Own PG 1992 Abominable PG 2019 Anchorman PG-13 2004 Apollo 11 G 2019 Apollo 13 PG 1995 Bee Movie PG 2007 Bernie The Dolphin G 2018 Bill And Ted's Excellent Adventure PG 1989 Bumblebee PG-13 2018 Casper PG 1995 Despicable Me PG 2010 Despicable Me 2 PG 2013 Despicable Me 3 PG 2017 Dirty Dancing PG-13 1987 Dora And The Lost City Of Gold PG 2019 Dr. Seuss' The Lorax PG 2012 Fast And Furious Presents Hobbs And Shaw PG-13 2019 Ferris Bueller's Day Off PG-13 1986 Field Of Dreams PG 1989 Five Feet Apart PG-13 2019 Footloose (1984) PG 1984 Forrest Gump PG-13 1994 Goosebumps PG 2015 Goosebumps 2 - Haunted Halloween PG 2018 Grease PG 1978 Groundhog Day PG 1993 Home (2015) PG 2015 Hook PG 1991 Hop PG 2011 How To Train Your Dragon PG 2010 How To Train Your Dragon The Hidden World PG 2019 How To Train Your Dragon 2 PG 2014 I Can Only Imagine PG 2018 Indiana Jones And The Last Crusade PG-13 1989 Instant Family PG-13 2018 Jurassic Park PG-13 1993 Knives Out (2019) PG-13 2019 Kung Fu Panda PG 2008 La La Land PG-13 2016 Labyrinth PG 1986 Madagascar PG 2005 Madagascar 3: Europe's Most Wanted PG 2012 Mamma Mia PG-13 2008 Mamma Mia Here We Go Again PG-13 2018 Matilda (1996) PG 1996 Megamind PG 2010 Men In Black (1997) PG-13 1997 Men In Black International PG-13 2019 Monster House PG 2006 Monsters Vs. -
First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Comedy Movie Trivia Questions #4
COMEDY MOVIE TRIVIA QUESTIONS #4 ( www.TriviaChamp.com ) 1> What is the "Golden Mile" (The World's End)? a. A set of 12 pubs. b. The company Peter works in. c. A favorite pub of the main protagonist. d. The town square where the protagonists gather to finish their evening. 2> Who plays the role of Doug Billings, Alan's brother-in-law in the film "The Hangover"? a. Mike Vallely b. Justin Bartha c. Bradley Cooper d. Mike Epps 3> Which fraternity does Mike Wazowski belong to in the comedy film "Monsters University"? a. Jaws Theta Chi b. Python Nu Kappa c. Roar Omega Roar d. Oozma Kappa 4> Which of these characters is the first one to perish in the film "This Is The End"? a. Danny McBride b. James Franco c. Michael Cera d. Jonah Hill 5> In this film, Will Ferrell plays a Mexican landowner, fighting against a cruel drug dealer. Which movie? a. Talladega Nights b. Everything Must Go c. The Wendell Baker Story d. Casa de mi Padre 6> In the film "The Invention of Lying", the protagonist Mark Bellison is the first person on the planet to lie. Where did this first lie occur? a. In a supermarket. b. At the gym. c. At the theater. d. In a bank. 7> In the film "Pootie Tang ", how did Pootie Tang's father die? a. He fell from a window into a dump truck. b. He was crushed by a falling piano. c. He died of lung cancer. d. A gorilla mauled him. 8> Hutch, Eric Linus, Zoe and Windows are fans of which famous franchise in the film "Fanobys"? a. -
Wednesday Primetime B Grid
SUNDAY MORNING GRID 5/17/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program PGA: Spotlight PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Paid Cycling Tour of California, Stage 8. (N) Å Hockey 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) IndyCar Racing Indianapolis 500, Qualifying Day 2. NBA Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program Enough ›› (2002) 13 MyNet Paid Program Surf’s Up ››› (2007) 18 KSCI Breast Red Paid Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dowdle Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Cooking Fresh Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Insight Rick Steves’ Dynamic Europe: Amsterdam Orphans of the Genocide 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly The Client ››› (1994) 34 KMEX Paid Program Al Punto (N) Hotel Todo Incluido La Madrecita (1973, Comedia) María Elena Velasco. República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Charlotte’s Web ››› (2006) Julia Roberts. -
Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames Permalink https://escholarship.org/uc/item/5pg3z8fg Author Chien, Irene Y. Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Kristen Whissel Professor Greg Niemeyer Professor Abigail De Kosnik Spring 2015 Abstract Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien Doctor of Philosophy in Film and Media Designated Emphasis in New Media University of California, Berkeley Professor Linda Williams, Chair Programmed Moves examines the intertwined history and transnational circulation of two major videogame genres, martial arts fighting games and rhythm dancing games. Fighting and dancing games both emerge from Asia, and they both foreground the body. They strip down bodily movement into elemental actions like stepping, kicking, leaping, and tapping, and make these the form and content of the game. I argue that fighting and dancing games point to a key dynamic in videogame play: the programming of the body into the algorithmic logic of the game, a logic that increasingly organizes the informatic structure of everyday work and leisure in a globally interconnected information economy. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
University of Huddersfield Repository
University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context. -
1-22-21 Tribune/Sentinel.Indd
6 TTribune/Sentinelribune/Sentinel EEntertainmentntertainment FFriday,riday, JJanuaryanuary 22,22, 22021021 ‘Cobra Kai’ never dies: Q&A with stars of Netfl ix series Left: “Cobra Kai” features original “The Karate Kid” stars Ralph Macchio, left, as Daniel LaRusso, and William Zabka as Johnny Lawrence. (Cr. Curtis Bonds Baker/Netfl ix © 2020) • Middle: Samantha LaRusso (Mary Mouser) turns to Daniel to rediscover her strength. • Right: John Kreese (Martin Kove) is back on “Cobra Kai.” (Courtesy of Netfl ix © 2020) BY JOSHUA MALONI issues of yesteryear. campaign to close down Johnny’s lyzed from the waist down. Sam is simple because, walking back onto GM/Managing Editor But now imagine this: In season chop-shop. The two old rivals become shell-shocked and scarred from her the set is usually what just brings it Just like the three tenets scrolled one, Daniel LaRusso (Ralph Mac- new enemies (sometimes frenemies), fi ght with Tory. Johnny has gone on all back all of a sudden. I can have across the dojo wall suggest, “Cobra chio) – sans the deceased Mr. Miyagi each trying to convince California a bender, and Daniel – at Amanda’s several months away from it, and Kai” struck fi rst, struck hard, and (Pat Morita) – has become a little youth theirs is the true karate. request – has ceased teaching karate. then I walk back into the backyard showed no mercy when it debuted on unlikable. No longer an underdog, Of course, in the season fi nale, Kreese, believing he has won, contin- of Mr. Miyagi’s house and it’s like, Netfl ix in 2020. -
Film Noir - Danger, Darkness and Dames
Online Course: Film Noir - Danger, Darkness and Dames WRITTEN BY CHRIS GARCIA Welcome to Film Noir: Danger, Darkness and Dames! This online course was written by Chris Garcia, an Austin American-Statesman Film Critic. The course was originally offered through Barnes & Noble's online education program and is now available on The Midnight Palace with permission. There are a few ways to get the most out of this class. We certainly recommend registering on our message boards if you aren't currently a member. This will allow you to discuss Film Noir with the other members; we have a category specifically dedicated to noir. Secondly, we also recommend that you purchase the following books. They will serve as a companion to the knowledge offered in this course. You can click each cover to purchase directly. Both of these books are very well written and provide incredible insight in to Film Noir, its many faces, themes and undertones. This course is structured in a way that makes it easy for students to follow along and pick up where they leave off. There are a total of FIVE lessons. Each lesson contains lectures, summaries and an assignment. Note: this course is not graded. The sole purpose is to give students a greater understanding of Dark City, or, Film Noir to the novice gumshoe. Having said that, the assignments are optional but highly recommended. The most important thing is to have fun! Enjoy the course! Jump to a Lesson: Lesson 1, Lesson 2, Lesson 3, Lesson 4, Lesson 5 Lesson 1: The Seeds of Film Noir, and What Noir Means Social and artistic developments forged a new genre. -
XXXI:4) Robert Montgomery, LADY in the LAKE (1947, 105 Min)
September 22, 2015 (XXXI:4) Robert Montgomery, LADY IN THE LAKE (1947, 105 min) (The version of this handout on the website has color images and hot urls.) Directed by Robert Montgomery Written by Steve Fisher (screenplay) based on the novel by Raymond Chandler Produced by George Haight Music by David Snell and Maurice Goldman (uncredited) Cinematography by Paul Vogel Film Editing by Gene Ruggiero Art Direction by E. Preston Ames and Cedric Gibbons Special Effects by A. Arnold Gillespie Robert Montgomery ... Phillip Marlowe Audrey Totter ... Adrienne Fromsett Lloyd Nolan ... Lt. DeGarmot Tom Tully ... Capt. Kane Leon Ames ... Derace Kingsby Jayne Meadows ... Mildred Havelend Pink Horse, 1947 Lady in the Lake, 1945 They Were Expendable, Dick Simmons ... Chris Lavery 1941 Here Comes Mr. Jordan, 1939 Fast and Loose, 1938 Three Morris Ankrum ... Eugene Grayson Loves Has Nancy, 1937 Ever Since Eve, 1937 Night Must Fall, Lila Leeds ... Receptionist 1936 Petticoat Fever, 1935 Biography of a Bachelor Girl, 1934 William Roberts ... Artist Riptide, 1933 Night Flight, 1932 Faithless, 1931 The Man in Kathleen Lockhart ... Mrs. Grayson Possession, 1931 Shipmates, 1930 War Nurse, 1930 Our Blushing Ellay Mort ... Chrystal Kingsby Brides, 1930 The Big House, 1929 Their Own Desire, 1929 Three Eddie Acuff ... Ed, the Coroner (uncredited) Live Ghosts, 1929 The Single Standard. Robert Montgomery (director, actor) (b. May 21, 1904 in Steve Fisher (writer, screenplay) (b. August 29, 1912 in Marine Fishkill Landing, New York—d. September 27, 1981, age 77, in City, Michigan—d. March 27, age 67, in Canoga Park, California) Washington Heights, New York) was nominated for two Academy wrote for 98 various stories for film and television including Awards, once in 1942 for Best Actor in a Leading Role for Here Fantasy Island (TV Series, 11 episodes from 1978 - 1981), 1978 Comes Mr. -
Critchon's the Lavender Hill
1 The Lavender Hill Mob Directed by Charles Critchon. Produced by Michael Balcon. Screenplay and story by T.E. “Tebby” Clarke. Cinematography by Douglas Slocombe. Art Direction by William Kellner. Original Music by Georges Auric. Edited by Seth Holt. Costumes by Anthony Mendleson. Cinematic length: 81 minutes. Companies: Ealing Studos and the Rank Organisation. Cinematic release: June 1951. DVD release: 2002 DVD/Blue Ray 60th Anniversary Release 2011. Check for ratings. Rating 90%. All images are taken from the Public Domain and Wiki derivatives with permission. Written Without Prejudice Cast Alec Guinness as Henry Holland Stanley Holloway as Alfred Pendlebury Sid James as Lackery Wood Alfie Bass as Shorty Fisher John Gregson as Detective Farrow 2 Marjorie Fielding as Mrs. Chalk Edie Martin as Miss Evesham Audrey Hepburn as Chiquita John Salew as Parkin Ronald Adam as Turner Arthur Hambling as Wallis Gibb McLaughlin as Godwin Clive Morton as the Station Sergeant Sydney Tafler as Clayton Marie Burke as Senora Gallardo William Fox as Gregory Michael Trubshawe as the British Ambassador Jacques B. Brunius, Paul Demel, Eugene Deckers and Andreas Malandrinos as Customs Officials David Davies and Meredith Edwards as city policemen Cyril Chamberlain as Commander Moultrie Kelsall as a Detective Superintendent Christopher Hewett as Inspector Talbot Patrick Barr as a Divisional Detective Inspector Ann Heffernan as the kiosk attendant Robert Shaw as a lab technician Patricia Garwood as a schoolgirl Peter Bull as Joe the Gab Review Although Ealing Studios started making comedies in the later 1930s, the decade between 1947 and 1957, after which the studio was sold to the BBC and changed direction, was their classic period. -
Filmworks Brochure
filmworks is designed with star quality – inspired by the past, celebrating the future Ealing’s Thrilling New Lifestyle Quarter Computer-generated images are indicative only. Page 01 picture this IN TUNE WITH EALING’S HISTORY, THE STAR OF FILMWORKS WILL BE THE EIGHT-SCREEN PICTUREHOUSE CINEMA, TOGETHER WITH PLANET ORGANIC’S FRESH AND NATURAL PRODUCE, AND VAPIANO’S DELIGHTFUL ITALIAN MENU. Eat well, live better, thanks to Planet Organic. Dine and enjoy the freshly prepared food at Vapiano before heading to the movies. Filmworks offers an adventurous mix of shops, restaurants and bars; all perfectly located around a central and open piazza. Page 02 Lifestyle images are indicative only. Page 04 Computer-generated image is indicative only. Hollywood stars Audrey Hepburn, Humphrey Bogart and William Holden were a few of the big dazzling names to step foot in Ealing Studios. history THE FORUM CINEMA OPENED IN 1934 WITH ‘LIFE, LOVE AND LAUGHTER’. A COMEDY FILMED METRES AWAY, AT THE WORLD- FAMOUS EALING STUDIOS. The old cinema façade in 1963. Designed by John Stanley Beard, the old cinema’s classical colonnades create a grand entrance to the Filmworks quarter. Remarkably, the cinema building was relatively new compared to Ealing Studios, built in 1902. The frst of its kind, with classics like The Ladykillers and recent successes The Theory of Everything and Downton Abbey, it is synonymous with the British flm industry. Passport to Pimlico A 1949 British comedy starring Stanley Holloway in which a South London Street declares its independence. The Ladykillers A classic Ealing comedy starring Alec Guinness who becomes part of a ragtag criminal gang that runs into trouble when their landlady discovers there’s more to their string quartet than meets the eye.