Filmworks Brochure

Total Page:16

File Type:pdf, Size:1020Kb

Filmworks Brochure filmworks is designed with star quality – inspired by the past, celebrating the future Ealing’s Thrilling New Lifestyle Quarter Computer-generated images are indicative only. Page 01 picture this IN TUNE WITH EALING’S HISTORY, THE STAR OF FILMWORKS WILL BE THE EIGHT-SCREEN PICTUREHOUSE CINEMA, TOGETHER WITH PLANET ORGANIC’S FRESH AND NATURAL PRODUCE, AND VAPIANO’S DELIGHTFUL ITALIAN MENU. Eat well, live better, thanks to Planet Organic. Dine and enjoy the freshly prepared food at Vapiano before heading to the movies. Filmworks offers an adventurous mix of shops, restaurants and bars; all perfectly located around a central and open piazza. Page 02 Lifestyle images are indicative only. Page 04 Computer-generated image is indicative only. Hollywood stars Audrey Hepburn, Humphrey Bogart and William Holden were a few of the big dazzling names to step foot in Ealing Studios. history THE FORUM CINEMA OPENED IN 1934 WITH ‘LIFE, LOVE AND LAUGHTER’. A COMEDY FILMED METRES AWAY, AT THE WORLD- FAMOUS EALING STUDIOS. The old cinema façade in 1963. Designed by John Stanley Beard, the old cinema’s classical colonnades create a grand entrance to the Filmworks quarter. Remarkably, the cinema building was relatively new compared to Ealing Studios, built in 1902. The frst of its kind, with classics like The Ladykillers and recent successes The Theory of Everything and Downton Abbey, it is synonymous with the British flm industry. Passport to Pimlico A 1949 British comedy starring Stanley Holloway in which a South London Street declares its independence. The Ladykillers A classic Ealing comedy starring Alec Guinness who becomes part of a ragtag criminal gang that runs into trouble when their landlady discovers there’s more to their string quartet than meets the eye. The Lavender Hill Mob Alec Guinness plots the perfect gold bullion heist, and briefy shares the screen with a then little-known Audrey Hepburn. Page 07 FILMWORKS BOGART Oli ier picture Hawkins Chapman MASTER PLAN House House house House house A new 8-screen Picturehouse cinema 1 DICKENS YARD A vibrant new urban quarter with public open spaces, shops and restaurants; including fashion retailer Jigsaw, award-winning Gail’s Bakery and innovative Gymbox 2 TOWN HALL The Grade II listed building is set to become 6 a boutique hotel, restaurant and event space 3 WALPOLE PARK 1 11 Home to Ealing Summer Comedy, 7 Blues and Jazz Festivals 4 PITZHANGAR MANOR Grade I listed manor house and gallery designed by Sir John Soane 2 5 EALING GREEN Green and open spaces cover a ffth of Ealing Borough 10 6 EALING BROADWAY STATION 500 metres to the London Underground, HighStreet and Elizabeth Line (2019) 8 9 7 EALING BROADWAY SHOPPING CENTRE Bond Street Barnes Pikle Open for business after a £14m refurbishment, New Broadway with a mix of newcomers including Wasabi, , Pandora and Oliver Bonas, alongside national retailers such as M&S 8 BOND STREET The GreenThe adjacent Street to Filmworks includes electronics specialist Bang & Olufsen, print gallery For Arts Sake and Vietnamese restaurant Pho Saigon Barnes Pikle 9 THE GREEN A unique blend of boutique shops, restaurants and coffee shops that surround Ealing Green, including handmade gift shop 5 All Original and an authentic Italian, Piccola Italia 10 PERCEVAL HOUSE 4 A new £50m offce development creating up Mattock Lane to 2,300 jobs and a new local library 11 CHRIST THE SAVIOUR CHURCH 3 Consecrated by the Bishop of London in 1852 and designed by the architect of the day, Sir Gilbert George Page 08 The master plan is indicative only and subject to change and planning. sublime A COLLECTION OF ONE, TWO AND THREE BEDROOM APARTMENTS AND PENTHOUSES. CREATED WITH CONTEMPORARY DESIGN AND BOASTING THE ORIGINAL CINEMA FACADE’S ART DECO SPLENDOUR, THESE ARE HOMES OF TRUE CHARACTER AND STYLE. design Computer-generated images of premier living area and standard kitchen are indicative only. Page 11 Mad Capital Connections Ealing’s sense of place is about to change, at speed. Ealing The arrival of the Elizabeth Line will signifcantly reduce journey Broadway times: trips to Bond Street will take 11 minutes, Heathrow Airport 14 minutes and Canary Wharf less than half an hour. New Broadway Bond Street Mattock Lane Elizabeth Line High Street (Crossrail) Pitshanger Park Walpole The Regent’s Central Line Park Park Stratford District Line DLR KINGS CROSS Liverpool Street PADDINGTON Cuckoo MARYLEBONE Park North Tottenham Ealing Paddington Bond Street Court Road Acton Main Line Bank CITY OF Ealing LONDON Broadway NOTTING Shepherd’s Bush HILL Notting Hill Gate Lancaster Marble Oxford Holborn Gate Arch Circus COVENT Heathrow WEST GARDEN Monument Airport Hyde Park END Kensington SHEPHERD’S Gardens CANARY EALING ACTON BUSH Holland WHARF Park St James’s Ealing Park Common KNIGHTSBRIDGE WESTMINSTER Westminster Jubilee SOUTHWARK Gardens Southwark HAMMERSMITH St. James’s Canary Park Park Wharf Chiswick Earl’s Court South Sloane Victoria CHISWICK Park Kensington CHELSEA Square Gatwick VAUXHALL Airport Kew KEW Gardens BARNES FULHAM Battersea Park Greenwich CLAPHAM RICHMOND PUTNEY Heathrow Ealing Broadway Shepherd's Bush Paddington Bond Street Oxford Circus King's Cross Bank Liverpool Street Canary Wharf 14 mins 12 mins 8 mins 11 mins 12 mins 20 mins 19 mins 18 mins 25 mins ZONE 6 ZONE 3 ZONE 2 ZONE 1 ZONE 2 Maps are not to scale and show approximate locations only. Travel times are approximate only and incorporate the opening of the Elizabeth Line (2019). Some journey times include changes. Source (www.tfl.gov.uk). Page 13 Mad Ealing Broadway New Broadway Bond Street Mattock Lane High Street Walpole Park CONTACTS MARKETING SUITE AND SHOW APARTMENT, DICKENS YARD, LONGFIELD AVENUE, EALING W5 2TD 0208 5357 007 [email protected] www.flmworks-ealing.co.uk Te information in this document is indicative and is intended to act as a guide only as to the fnished product. Accordingly, due to St George policy of continuous improvement, the fnished product may vary from the information provided. Tese particulars should not be relied upon as statements of fact or representations and applicants must satisfy themselves by inspection or otherwise as to their correctness. Tis information does not constitute a contract or warranty. Te dimensions given on plans are subject to minor variations and are not intended to be used for carpet sizes, appliance sizes or items of furniture. Filmworks is a marketing name and will not necessarily form part of the approved postal address. Applicants are advised to contact St George to ascertain the availability of any particular property. T424/03/18 Designed and produced by sectorlight.com (1707520) www.filmworks-ealing.co.uk Proud to be a member of the Berkeley Group of companies .
Recommended publications
  • Mini Brochure
    filmworks is designed with star quality – inspired by the past, celebrating the future Ealing’s Thrilling New Lifestyle Quarter Computer-generated images are indicative only. Page 01 picture this IN TUNE WITH EALING’S HISTORY, THE STAR OF FILMWORKS WILL BE THE EIGHT-SCREEN PICTUREHOUSE CINEMA, TOGETHER WITH PLANET ORGANIC’S FRESH AND NATURAL PRODUCE. Eat well, live better, thanks to Planet Organic before heading to the movies. Filmworks offers an adventurous mix of shops, restaurants and bars; all perfectly located around a central and open piazza. PagePage 02 18 Lifestyle images are indicative only. Page 04 Computer-generated image is indicative only. Hollywood stars Audrey Hepburn, Humphrey Bogart and William Holden were a few of the big dazzling names to step foot in Ealing Studios. history THE FORUM CINEMA OPENED IN 1934 WITH ‘LIFE, LOVE AND LAUGHTER’. A COMEDY FILMED METRES AWAY, AT THE WORLD- FAMOUS EALING STUDIOS. The old cinema façade in 1963. Designed by John Stanley Beard, the old cinema’s classical colonnades create a grand entrance to the Filmworks quarter. Remarkably, the cinema building was relatively new compared to Ealing Studios, built in 1902. The first of its kind, with classics like The Ladykillers and recent successes The Theory of Everything and Downton Abbey, it is synonymous with the British film industry. Passport to Pimlico A 1949 British comedy starring Stanley Holloway in which a South London Street declares its independence. The Ladykillers A classic Ealing comedy starring Alec Guinness who becomes part of a ragtag criminal gang that runs into trouble when their landlady discovers there’s more to their string quartet than meets the eye.
    [Show full text]
  • Hole a Remediative Approach to the Filmmaking of the Coen Brothers
    University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................
    [Show full text]
  • University of Huddersfield Repository
    University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context.
    [Show full text]
  • Critchon's the Lavender Hill
    1 The Lavender Hill Mob Directed by Charles Critchon. Produced by Michael Balcon. Screenplay and story by T.E. “Tebby” Clarke. Cinematography by Douglas Slocombe. Art Direction by William Kellner. Original Music by Georges Auric. Edited by Seth Holt. Costumes by Anthony Mendleson. Cinematic length: 81 minutes. Companies: Ealing Studos and the Rank Organisation. Cinematic release: June 1951. DVD release: 2002 DVD/Blue Ray 60th Anniversary Release 2011. Check for ratings. Rating 90%. All images are taken from the Public Domain and Wiki derivatives with permission. Written Without Prejudice Cast Alec Guinness as Henry Holland Stanley Holloway as Alfred Pendlebury Sid James as Lackery Wood Alfie Bass as Shorty Fisher John Gregson as Detective Farrow 2 Marjorie Fielding as Mrs. Chalk Edie Martin as Miss Evesham Audrey Hepburn as Chiquita John Salew as Parkin Ronald Adam as Turner Arthur Hambling as Wallis Gibb McLaughlin as Godwin Clive Morton as the Station Sergeant Sydney Tafler as Clayton Marie Burke as Senora Gallardo William Fox as Gregory Michael Trubshawe as the British Ambassador Jacques B. Brunius, Paul Demel, Eugene Deckers and Andreas Malandrinos as Customs Officials David Davies and Meredith Edwards as city policemen Cyril Chamberlain as Commander Moultrie Kelsall as a Detective Superintendent Christopher Hewett as Inspector Talbot Patrick Barr as a Divisional Detective Inspector Ann Heffernan as the kiosk attendant Robert Shaw as a lab technician Patricia Garwood as a schoolgirl Peter Bull as Joe the Gab Review Although Ealing Studios started making comedies in the later 1930s, the decade between 1947 and 1957, after which the studio was sold to the BBC and changed direction, was their classic period.
    [Show full text]
  • COM FT 316 Syllabus SP13
    Boston University Study Abroad London British Film and TV Since 1960 COM FT 316 (Core Course) Spring 2013 Instructor Information A. Name Dr Christine Fanthome and Dr Nick Haeffner Course Description This course aims to provide students with an overview of media in Britain within a social context. Special emphasis is placed on the relationship between media, citizenship and democracy in the context of post-War British society. Consideration will also be given to the relationship between British and US media culture. Methodology Each teaching session will involve a lecture, illustrative material and a class discussion based on the set reading. Students should absorb as much film and television as they can out of class in order to participate fully in seminar discussions. **Please note: no laptops to be used in class. Course Objectives By the end of the course students will able to: • Understand the cultural context of British film and TV since the 1960s. • Show awareness of the international economic underpinnings of these industries • Consider the role of politics in media production, distribution and consumption • Show awareness of historical controversies surrounding British film and TV’s relationship to the US • Conduct their own research in the field Textbooks/Supplies You can read selected chapters online at https://lms.bu.edu (you must be logged in using your Kerberos username/password to view materials). Assessment Essay 50% graded (by Dr Christine Fanthome) Exam 50% graded (by Dr Nick Haeffner) Report: This should consist of a 2,000-word essay on a topic covered in class (details to follow from Dr Fanthome).
    [Show full text]
  • Syd Pearson | BFI Syd Pearson
    23/11/2020 Syd Pearson | BFI Syd Pearson Save 0 Filmography Show less 1971 Creatures the World Forgot Special Effects 1969 Desert Journey Special Effects 1969 Autokill Special Effects 1966 The Heroes of Telemark [Special Effects] 1965 The Secret of Blood Island Special Effects 1965 The Brigand of Kandahar Special Effects 1964 The Long Ships Special Effects 1964 The Gorgon Special Effects 1962 In Search of the Castaways Special Effects 1960 The Brides of Dracula Special Effects 1959 Too Many Crooks [Special Processes] 1959 North West Frontier Special Effects 1959 The Hound of the Baskervilles Special Effects 1959 Ferry to Hong Kong Special Effects 1958 Dracula Special Effects 1957 The Steel Bayonet Special Effects 1957 Campbell's Kingdom Special Effects 1956 The Ladykillers Special Effects 1956 House of Secrets Special Processes (uncredited) 1956 Reach for the Sky Models (uncredited) 1955 Out of the Clouds Special Effects 1955 The Ship That Died of Shame Special Effects 1955 The Night My Number Came Up Special Effects 1955 Touch and Go Special Effects 1954 The Love Lottery Special Effects 1954 The 'Maggie' Special Effects https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 1/2 23/11/2020 Syd Pearson | BFI 1953 The Cruel Sea Special Effects 1953 The Titfield Thunderbolt Special Effects 1952 His Excellency Special Effects 1952 Mandy [Special Effects] 1952 I Believe in You Special Effects (uncredited) 1952 The Gentle Gunman Special Effects 1952 Secret People Special Effects 1951 Pool of London Special Effects 1951 The Man in the White Suit Special Effects 1951 The Lavender Hill Mob Special Effects 1950 Cage of Gold Special Effects 1950 Dance Hall Special Effects 1950 The Magnet Special Effects 1949 Kind Hearts and Coronets Special Effects 1949 Train of Events Special Effects 1949 Whisky Galore! Special Effects 1948 Scott of the Antarctic Special Effects 1947 The October Man [Stage Effects] [Model Miniatures] 1947 Black Narcissus [Synthetic Pictorial Effects] https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 2/2.
    [Show full text]
  • Films and Comedy Quiz – 25Th June ¦ ANSWERS
    Films and Comedy Quiz – 25th June ¦ ANSWERS 1. In which film does Alec Guinness's character plan and carry out a theft of gold bullion? (The film also starred Stanley Holloway, Sidney James and Audrey Hepburn.) The Lavender Hill Mob 2. A Night to Remember, of 1958, was about which disaster? The sinking of the Titanic 3. Which Ealing film of 1955 sees a gang of criminals defeated by their little old landlady? The Ladykillers 4. Which Hitchcock film has James Stewart's character confined to his room from which he spies on his neighbours? Rear Window 5. Which 'post-World War IIl' film starring Gregory Peck, Ava Gardner and Anthony Perkins, is based on a novel by Neville Shute? On the Beach 6. Which 1956 film, starring Yul Brynner and Deborah Kerr was a remake of Anna and the King of Siam? The King and I 7. Which 1957 British film, starring Alastair Sim and Joyce Grenfell, sees a group of unruly schoolgirls going off on a UNESCO prize trip to Rome? Blue Murder at St Trinian's 8. Gregory Peck starred in which film of 1956 based on a Herman Melville novel? Moby Dick 9. Who wrote the music for West Side Story? Leonard Bernstein 10. Which was the first James Bond film? Doctor No 11. In which black comedy film did Peter Sellers play an RAF officer, a mad scientist and a US President? Dr Strangelove 12. Who were the two main stars in Midnight Cowboy? Dustin Hoffman and Jon Voight 13. The Sentinel, a short story by Arthur C Clarke, was the basis for which film? 2001: A Space Odyssey 14.
    [Show full text]
  • A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope To
    Fielding, Steven. "The People’s War and After." A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to . : Bloomsbury Academic, 2014. 83–106. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781472545015.ch-003>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 18:24 UTC. Copyright © Steven Fielding 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 3 The People’s War and After Germany invaded Poland on 1st September 1939, forcing a reluctant Neville Chamberlain to declare war two days later. Despite the Prime Minister’s attempt to limit its impact, the conflict set in train transformations that meant Britain would never be the same again. Whether the Second World War was the great discontinuity some historians claim – and the precise extent to which it radicalized the country – remain moot questions, but it undoubtedly changed many people’s lives and made some question how they had been governed before the conflict.1 The war also paved the way for Labour’s 1945 general election victory, one underpinned by the party’s claim that through a welfare state, the nationalization of key industries and extensive government planning it could make Britain a more equal society. The key political moment of the war came in late May and early June 1940 when Allied troops were evacuated from the beaches of Dunkirk. The fall of France soon followed, meaning Britain stood alone against Hitler’s forces and became vulnerable to invasion for the first time since Napoleon dominated Europe.
    [Show full text]
  • The Ladykillers Makes Its North American Premiere at the Shaw Festival - Macabre Comedy Caper Begins Previews June 11 –
    IMMEDIATE RELEASE The Ladykillers makes its North American premiere at the Shaw Festival - Macabre comedy caper begins previews June 11 – Niagara-on-the-Lake, ON (June 10, 2019) — After taking London’s West End by storm, comedy thriller The Ladykillers makes its North American premiere under the direction of Artistic Director Tim Carroll. The Shaw Festival’s production of Graham Linehan’s stage adaptation – based on one of the best-loved British films of all time – begins previews tomorrow at the Festival Theatre. Set in 1950s London, a motley crew of criminals led by Professor Marcus (Damien Atkins) occupy the upstairs room of Mrs. Wilberforce's (Chick Reid) rickety Victorian house. Posing as a classical string quartet, the gang plan the greatest act of thievery ever, but things soon start to get complicated. Full of gags, grim humour and hijinks, The Ladykillers also features the talents of Kristopher Bowman, Fiona Byrne, Martin Happer, Claire Jullien, Andrew Lawrie, Ric Reid and Steven Sutcliffe. Designer Judith Bowden creates a cramped jungle-gym of a Victorian house in the north London district of King’s Cross and costumes infused with influences from the 1950s, film noir and Teddy Boy style. Enhancing and heightening the action and tension is lighting by Kevin Lamotte and original music by Paul Sportelli. This production also features fight direction by John Stead. This North American premiere of The Ladykillers by Graham Linehan, from the motion picture screenplay by William Rose, is presented by special arrangement with Studiocanal, in association with Fiery Angel, London. The Ladykillers is on stage at the Festival Theatre (10 Queen’s Parade, Niagara-on-the-Lake) from June 11 to October 12 (eligible for review beginning July 4).
    [Show full text]
  • The Good Movie Club List
    THE GOOD MOVIE CLUB LIST - THE EARLIEST DAYS- (1902) Le Voyage dans la Lune (1903) The Great Train Robbery (1918) The Blue Bird (1919) Broken Blossoms - THE 1920'S- (1920) Das Cabinet des Dr. Caligari (1920) Nosferatu (1921) Orphans of the Storm (1923) Our Hospitality (1924) Sherlock Jr. (1924) The Thief of Bagdad (1925) Battleship Potemkin (1925) The Gold Rush (1926) Die Abenteuer des Prinzen Achmed (1927) The General (1927) Metropolis (1929) Pandora's Box - THE 1930'S- (1930) Morroco (1931) City Lights (1931) Tabu (1931) Dracula (1931) Frankenstein (1932) Love Me Tonight (1932) Shanghai Express (1932) Trouble in Paradise (1933) King Kong (1933) Footlight Parade (1933) She Done Him Wrong (1933) Duck Soup (1933) Queen Christina (1934) It Happened One Night (1934) The Thin Man (1935) Top Hat (1935) A Night at the Opera (1935) The Bride of Frankenstein (1936) Swing Time (1936) Modern Times (1936) Mr. Deeds Goes to Town (1937) Shall we Dance (1937) The Awful Truth (1938) Bringing Up Baby (1938) The Adventures of Robin Hood (1938) Holiday (1938) The Lady Vanishes (1939) Ninotchka (1939) Dorothy and the Wizard of Oz (1939) Gone with the Wind (1939) Stagecoach (1939) Wuthering Heights (1939) Only Angels have Wings (1939) Destry Rides Again - THE 1940'S- (1940) The Philadelphia Story (1940) The Shop Around the Corner (1940) The Grapes of Wrath (1940) His Girl Friday (1940) Rebecca (1940) The Mortal Storm (1941) The Maltese Falcon (1941) The Lady Eve (1941) Citizen Kane (1941) High Sierra (1941) Sullivan's Travels (1942) Casablanca (1942) Now,
    [Show full text]
  • British Film and TV Since 1960 COM FT 316 (Core Course)
    British Film and TV Since 1960 COM FT 316 (Core Course) Instructor Information Names Ms Kate Domaille; Dr Christine Fanthome Course Day and Meeting Time [Weekdays], [time] Course Location [Name] Room, 43 Harrington Gardens, SW7 4JU BU Telephone 020 7244 6255 Email Addresses [email protected]; [email protected] Office Hours By appointment Course Description In this course you will learn how British film and television has evolved from the 1960s to the present day You will undertake a series of case studies of British film and television genres and examine how the aesthetics, audience expectations and production conventions have changed over time You will develop a deep set of analytic skills for appreciating the evolution of British film and television The course provides opportunities to appreciate the specific evolution of film and television in the British context from the 1960s to the present day through the study of production conventions, representation and audiences. A close focus is placed on the development of film and television through an examination of industry movement and changing audience expectations over time. The course offers opportunities to analyse and evaluate social change through the medium of film and television. Subjects covered in individual sessions include comedy, crime, fantasy, art film and TV, youth culture, heritage drama, the ethics and logistics of filming in public spaces, documentary and social realism, and new documentary which will encompass reality TV and citizen journalism. Course Objectives On completion of the course, the successful student will show evidence of being able to: interpret film or television texts in terms of their understanding of the cultural contexts in which those works were created.
    [Show full text]
  • Race in Hollywood: Quantifying the Effect of Race on Movie Performance
    Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.
    [Show full text]