COM FT 316 Syllabus SP13
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Mini Brochure
filmworks is designed with star quality – inspired by the past, celebrating the future Ealing’s Thrilling New Lifestyle Quarter Computer-generated images are indicative only. Page 01 picture this IN TUNE WITH EALING’S HISTORY, THE STAR OF FILMWORKS WILL BE THE EIGHT-SCREEN PICTUREHOUSE CINEMA, TOGETHER WITH PLANET ORGANIC’S FRESH AND NATURAL PRODUCE. Eat well, live better, thanks to Planet Organic before heading to the movies. Filmworks offers an adventurous mix of shops, restaurants and bars; all perfectly located around a central and open piazza. PagePage 02 18 Lifestyle images are indicative only. Page 04 Computer-generated image is indicative only. Hollywood stars Audrey Hepburn, Humphrey Bogart and William Holden were a few of the big dazzling names to step foot in Ealing Studios. history THE FORUM CINEMA OPENED IN 1934 WITH ‘LIFE, LOVE AND LAUGHTER’. A COMEDY FILMED METRES AWAY, AT THE WORLD- FAMOUS EALING STUDIOS. The old cinema façade in 1963. Designed by John Stanley Beard, the old cinema’s classical colonnades create a grand entrance to the Filmworks quarter. Remarkably, the cinema building was relatively new compared to Ealing Studios, built in 1902. The first of its kind, with classics like The Ladykillers and recent successes The Theory of Everything and Downton Abbey, it is synonymous with the British film industry. Passport to Pimlico A 1949 British comedy starring Stanley Holloway in which a South London Street declares its independence. The Ladykillers A classic Ealing comedy starring Alec Guinness who becomes part of a ragtag criminal gang that runs into trouble when their landlady discovers there’s more to their string quartet than meets the eye. -
Hole a Remediative Approach to the Filmmaking of the Coen Brothers
University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................ -
University of Huddersfield Repository
University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context. -
Filmworks Brochure
filmworks is designed with star quality – inspired by the past, celebrating the future Ealing’s Thrilling New Lifestyle Quarter Computer-generated images are indicative only. Page 01 picture this IN TUNE WITH EALING’S HISTORY, THE STAR OF FILMWORKS WILL BE THE EIGHT-SCREEN PICTUREHOUSE CINEMA, TOGETHER WITH PLANET ORGANIC’S FRESH AND NATURAL PRODUCE, AND VAPIANO’S DELIGHTFUL ITALIAN MENU. Eat well, live better, thanks to Planet Organic. Dine and enjoy the freshly prepared food at Vapiano before heading to the movies. Filmworks offers an adventurous mix of shops, restaurants and bars; all perfectly located around a central and open piazza. Page 02 Lifestyle images are indicative only. Page 04 Computer-generated image is indicative only. Hollywood stars Audrey Hepburn, Humphrey Bogart and William Holden were a few of the big dazzling names to step foot in Ealing Studios. history THE FORUM CINEMA OPENED IN 1934 WITH ‘LIFE, LOVE AND LAUGHTER’. A COMEDY FILMED METRES AWAY, AT THE WORLD- FAMOUS EALING STUDIOS. The old cinema façade in 1963. Designed by John Stanley Beard, the old cinema’s classical colonnades create a grand entrance to the Filmworks quarter. Remarkably, the cinema building was relatively new compared to Ealing Studios, built in 1902. The frst of its kind, with classics like The Ladykillers and recent successes The Theory of Everything and Downton Abbey, it is synonymous with the British flm industry. Passport to Pimlico A 1949 British comedy starring Stanley Holloway in which a South London Street declares its independence. The Ladykillers A classic Ealing comedy starring Alec Guinness who becomes part of a ragtag criminal gang that runs into trouble when their landlady discovers there’s more to their string quartet than meets the eye. -
The Good Guys Tweed Heads South Celebrate Australia
.HHSLQJLWLQWKH THE TWEED )DPLO\ Volume 3 #20 Thursday, January 27, 2011 Advertising and news enquiries: Phone: (02) 6672 2280 [email protected] [email protected] The family behind the business www.tweedecho.com.au LOCAL & INDEPENDENT Page 8 Rose, Biosphere status Young urged for Tweed Achiever Murray Simpson the McPherson and Border ranges and possibly even the marine reserve A grand plan to have the Tweed Val- off Byron Bay. ley declared a ‘biosphere reserve’ has It will spill from Tweed shire to By- using her been launched by the Caldera Envi- ron, Lismore, Kyogle and Northern ronment Centre. Rivers shire councils and will link But it has nothing to do with Dis- with Queensland’s scenic rim scheme brains neyland-type glass bubbles, says co- which runs down to the border. ordinator Edward ‘Hop. e’ Hopkins. ‘It all centres on the biodiversity ‘We want to become part of a global hot-spot we have where the McPher- network of biospheres promoted by son and Border ranges meet roughly UNESCO,’ he said. at the head of the Limpinwood Valley,’ ‘There are 546 biospheres world- he said. wide in 109 countries and 15 in Aus- Rarest of the rare tralia. ‘We’re looking at biosphere status ‘We’ve got species there that exist Murray Simpson received a Year 12 Rotary prize for cit- Mr McDonald received recogni- for the Border Ranges and Noosa to nowhere else.’ izenship and the Defence Force Long tion for his services to the cattle in- provide a green belt, or lungs, at either The roots of the biosphere reserve The strange world of teenagers’ brains Tan leadership and teamwork award. -
Syd Pearson | BFI Syd Pearson
23/11/2020 Syd Pearson | BFI Syd Pearson Save 0 Filmography Show less 1971 Creatures the World Forgot Special Effects 1969 Desert Journey Special Effects 1969 Autokill Special Effects 1966 The Heroes of Telemark [Special Effects] 1965 The Secret of Blood Island Special Effects 1965 The Brigand of Kandahar Special Effects 1964 The Long Ships Special Effects 1964 The Gorgon Special Effects 1962 In Search of the Castaways Special Effects 1960 The Brides of Dracula Special Effects 1959 Too Many Crooks [Special Processes] 1959 North West Frontier Special Effects 1959 The Hound of the Baskervilles Special Effects 1959 Ferry to Hong Kong Special Effects 1958 Dracula Special Effects 1957 The Steel Bayonet Special Effects 1957 Campbell's Kingdom Special Effects 1956 The Ladykillers Special Effects 1956 House of Secrets Special Processes (uncredited) 1956 Reach for the Sky Models (uncredited) 1955 Out of the Clouds Special Effects 1955 The Ship That Died of Shame Special Effects 1955 The Night My Number Came Up Special Effects 1955 Touch and Go Special Effects 1954 The Love Lottery Special Effects 1954 The 'Maggie' Special Effects https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 1/2 23/11/2020 Syd Pearson | BFI 1953 The Cruel Sea Special Effects 1953 The Titfield Thunderbolt Special Effects 1952 His Excellency Special Effects 1952 Mandy [Special Effects] 1952 I Believe in You Special Effects (uncredited) 1952 The Gentle Gunman Special Effects 1952 Secret People Special Effects 1951 Pool of London Special Effects 1951 The Man in the White Suit Special Effects 1951 The Lavender Hill Mob Special Effects 1950 Cage of Gold Special Effects 1950 Dance Hall Special Effects 1950 The Magnet Special Effects 1949 Kind Hearts and Coronets Special Effects 1949 Train of Events Special Effects 1949 Whisky Galore! Special Effects 1948 Scott of the Antarctic Special Effects 1947 The October Man [Stage Effects] [Model Miniatures] 1947 Black Narcissus [Synthetic Pictorial Effects] https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 2/2. -
Sloane Square
SLOANE S UARE Q ART \ CULTURE \ FASHION \ FOOD SEPTEMBER 2020 SOAKING UP SUMMER LOCAL ESCAPES AND AL FRESCO DINING Local heroes Autumn fashion Screen grab THE VOLUNTEERS KEY LOOKS FOR THE A REWIND THROUGH WHO ARE GOING THE SEASON FROM YOUR CHELSEA’S CINEMATIC EXTRA MILE FAVOURITE BRANDS HISTORY HAIR’S SOMETHING TO REMEMBER, TED’S EXCLUSIVE £10 OFF* OFFER IN SEPTEMBER. *T&Cs VALID FROM 01.09.2020 £10 OFF IS REDEEMABLE ON ALL WALK-IN AND BOOKING SERVICES. THIS OFFER IS NOT TO BE USED IN CONJUNCTION WITH ANY OTHER OFFER AND IS ONLY VALID ON FULL-PRICE SERVICES. OFFER ENDS 30.09.2020 29 07 LEADER It is great to see the area buzzing once again, with a hive of activity as we head into autumn 08 CALENDAR A guide to local happenings 20 15 NEWS All the latest goings-on in Chelsea 22 COMMUNITY NEWS The stories that matter 46 38 27 TRENDING Our top seasonal picks for men, women and SLOANE children S UARE Q ART \ CULTURE \ FASHION \ FOOD SEPTEMBER 2020 33 IN DETAIL 34 FOOD NEWS What makes a Miista A taste of what’s new on the shoe so special? SOAKING food and drink scene UP SUMMER LOCAL ESCAPES AND FOOD AL FRESCO AL FRESCO 38 DINING There is still time to enjoy all our glorious outdoor spaces COVER 42 FOOD RECIPES Local heroes Autumn fashion Screen grab Pavilion Road offers great THE VOLUNTEERS KEY LOOKS FOR THE A REWIND THROUGH Delicious sweet treats to WHO ARE GOING THE SEASON FROM YOUR CHELSEA’S CINEMATIC al fresco dining options EXTRA MILE FAVOURITE BRANDS HISTORY try at home 4 Contents / September 2020 46 TOP 10 SLOANE SQUARE Spooky ideas for -
The Ladykillers Makes Its North American Premiere at the Shaw Festival - Macabre Comedy Caper Begins Previews June 11 –
IMMEDIATE RELEASE The Ladykillers makes its North American premiere at the Shaw Festival - Macabre comedy caper begins previews June 11 – Niagara-on-the-Lake, ON (June 10, 2019) — After taking London’s West End by storm, comedy thriller The Ladykillers makes its North American premiere under the direction of Artistic Director Tim Carroll. The Shaw Festival’s production of Graham Linehan’s stage adaptation – based on one of the best-loved British films of all time – begins previews tomorrow at the Festival Theatre. Set in 1950s London, a motley crew of criminals led by Professor Marcus (Damien Atkins) occupy the upstairs room of Mrs. Wilberforce's (Chick Reid) rickety Victorian house. Posing as a classical string quartet, the gang plan the greatest act of thievery ever, but things soon start to get complicated. Full of gags, grim humour and hijinks, The Ladykillers also features the talents of Kristopher Bowman, Fiona Byrne, Martin Happer, Claire Jullien, Andrew Lawrie, Ric Reid and Steven Sutcliffe. Designer Judith Bowden creates a cramped jungle-gym of a Victorian house in the north London district of King’s Cross and costumes infused with influences from the 1950s, film noir and Teddy Boy style. Enhancing and heightening the action and tension is lighting by Kevin Lamotte and original music by Paul Sportelli. This production also features fight direction by John Stead. This North American premiere of The Ladykillers by Graham Linehan, from the motion picture screenplay by William Rose, is presented by special arrangement with Studiocanal, in association with Fiery Angel, London. The Ladykillers is on stage at the Festival Theatre (10 Queen’s Parade, Niagara-on-the-Lake) from June 11 to October 12 (eligible for review beginning July 4). -
British Film and TV Since 1960 COM FT 316 (Core Course)
British Film and TV Since 1960 COM FT 316 (Core Course) Instructor Information Names Ms Kate Domaille; Dr Christine Fanthome Course Day and Meeting Time [Weekdays], [time] Course Location [Name] Room, 43 Harrington Gardens, SW7 4JU BU Telephone 020 7244 6255 Email Addresses [email protected]; [email protected] Office Hours By appointment Course Description In this course you will learn how British film and television has evolved from the 1960s to the present day You will undertake a series of case studies of British film and television genres and examine how the aesthetics, audience expectations and production conventions have changed over time You will develop a deep set of analytic skills for appreciating the evolution of British film and television The course provides opportunities to appreciate the specific evolution of film and television in the British context from the 1960s to the present day through the study of production conventions, representation and audiences. A close focus is placed on the development of film and television through an examination of industry movement and changing audience expectations over time. The course offers opportunities to analyse and evaluate social change through the medium of film and television. Subjects covered in individual sessions include comedy, crime, fantasy, art film and TV, youth culture, heritage drama, the ethics and logistics of filming in public spaces, documentary and social realism, and new documentary which will encompass reality TV and citizen journalism. Course Objectives On completion of the course, the successful student will show evidence of being able to: interpret film or television texts in terms of their understanding of the cultural contexts in which those works were created. -
Bafta Rocliffe New Writing Showcase – Tv Comedy 2016
In addition to our top three finalists, theF ORUM LIST includes BAFTA Rocliffe patrons include: three additional projects. To contact any of the writers, simply Jenni Konner, Christine Langan, Julian Fellowes, John Madden, Mike Newell, BAFta ROCLIFFE NEW WrITING email [email protected] with your details and we will connect Richard Eyre, David Parfitt, Cameron you with them. McCracken, Peter Kosminsky, David Yates, SHOWcaSE Ð TV COMEDY 2016 Finola Dwyer, Michael Kuhn, Nik Powell, FRENEMIES by Paul Wilson Duncan Kenworthy, Rebecca OÕBrien, TUESDAY 21 JUNE 2016 No break-up is easy. But if two people can make each other Simon Relph, Sue Perkins, John Bishop and Dave Spikey. BAFTA 195 PIccaDILLY, LONDON W1J 9LN unhappy when they’re together, imagine the pain they can inflict when they’re apart. Rocliffe Producer and Moderator GALGOROTH by Alex Harvey FaraH ABUSHWESHA Parodic animated comedy series, spoofing ‘80s sci-fi/fantasy cartoons, [email protected] coupling puerile humour with epic storylines and satire: South Park BAFTA Producers meets He-man. JULIA CarrUTHERS [email protected] HELP by Sally Tatum & David Brain KAM KANDOLA FLYNN HELP is the story of what happens when your best friend becomes [email protected] your nanny. Rocliffe Producer JADE GrEEN [email protected] KEVIN CECIL is a writer and After becoming neither FaraH ABUSHWESHA runs A huge thank you to our script selection panelists and jurors. Casting script editor. He won an Emmy, an electrical engineer nor Rocliffe and is the Director FaYE TIMBY a Writer’s Guild of America an actor, multi-BAFTA of Content for the comedy The Jury [email protected] award and a Writer’s Guild of nominated ADAM TANDY platform PYPO. -
Disabling Comedy: “Only When We Laugh!”
Disabling Comedy: “Only When We Laugh!” Dr. Laurence Clark, North West Disability Arts Forum (Paper presented at the ‘Finding the Spotlight’ Conference, Liverpool Institute for the Performing Arts, 30th May 2003) Abstract Traditionally comedy involving disabled people has extracted humour from people’s impairments – i.e. a “functional limitation”. Examples range from Shakespeare’s ‘fool’ character and Elizabethan joke books to characters in modern TV sitcoms. Common arguments for the use of such disempowering portrayals are that “nothing is meant by them” and that “people should be able to laugh at themselves”. This paper looks at the effects of such ‘disabling comedy’. These include the damage done to the general public’s perceptions of disabled people, the contribution to the erosion of a disabled people’s ‘identity’ and how accepting disablist comedy as the ‘norm’ has served to exclude disabled writers / comedians / performers from the profession. 1. Introduction Society has been deriving humour from disabled people for centuries. Elizabethan joke books were full of jokes about disabled people with a variety of impairments. During the 17th and 18th centuries, keeping 'idiots' as objects of humour was common among those who had the money to do so, and visits to Bedlam and other 'mental' institutions were a typical form of entertainment (Barnes, 1992, page 14). Bilken and Bogdana (1977) identified “the disabled person as an object of ridicule” as one of the ten media stereotypes of disabled people. Apart from ridicule, disabled people have been largely excluded from the world of comedy in the past. For example, in the eighties American stand-up comedian George Carlin was arrested whilst doing his act for swearing in front of young disabled people. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.