Paris When It Sizzles
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Cinematic Fashionability and Images Politics
Journalism and Mass Communication, Mar.-Apr. 2021, Vol. 11, No. 2, 73-80 doi: 10.17265/2160-6579/2021.02.002 D DAVID PUBLISHING Cinematic Fashionability and Images Politics Chan Ka Lok Sobel Hong Kong Baptist University, Hong Kong SAR, China The marriage of cinema and fashion? When, where and how their interaction and origin is begun? There should be no glamor and red carpet when The Lumière brothers short films like Workers leaving the Lumière factory, The Gardener, Baby’s Breakfast on the birth of cinema in 1895. However, we notice that artificially costumes are tailor-made for A Trip to the Moon in Georges Méliès and D. W. Griffith’s Intolerance. Suddenly, it adds the aesthetical and modernist elements into the blood of cinema beside the raw-realism of how the daily life of the common people is represented on the silver screen. Some kinds of bourgeois ideology and middle class value is enhanced. It is so unbelievable that some ordinary actress like Mary Pickford transforming into a movie star after beautifully dressing up. Not only the audience feel the power of movie magic but also the fashion magic. This paper explores the different perspective of movie and fashion in terms of fashion and film costumes, movie stars icon, fashion trends influenced by movies, and how fashion designers changes the look of cinema as well, etc. Keywords: ideology, movie images, stardom, fashionability Introduction Cinema is somehow like a showcase of fashion. General audiences are fans of movie stars not just because of their personal charisma, but because of the fashion they wear. -
The Good Movie Club List
THE GOOD MOVIE CLUB LIST - THE EARLIEST DAYS- (1902) Le Voyage dans la Lune (1903) The Great Train Robbery (1918) The Blue Bird (1919) Broken Blossoms - THE 1920'S- (1920) Das Cabinet des Dr. Caligari (1920) Nosferatu (1921) Orphans of the Storm (1923) Our Hospitality (1924) Sherlock Jr. (1924) The Thief of Bagdad (1925) Battleship Potemkin (1925) The Gold Rush (1926) Die Abenteuer des Prinzen Achmed (1927) The General (1927) Metropolis (1929) Pandora's Box - THE 1930'S- (1930) Morroco (1931) City Lights (1931) Tabu (1931) Dracula (1931) Frankenstein (1932) Love Me Tonight (1932) Shanghai Express (1932) Trouble in Paradise (1933) King Kong (1933) Footlight Parade (1933) She Done Him Wrong (1933) Duck Soup (1933) Queen Christina (1934) It Happened One Night (1934) The Thin Man (1935) Top Hat (1935) A Night at the Opera (1935) The Bride of Frankenstein (1936) Swing Time (1936) Modern Times (1936) Mr. Deeds Goes to Town (1937) Shall we Dance (1937) The Awful Truth (1938) Bringing Up Baby (1938) The Adventures of Robin Hood (1938) Holiday (1938) The Lady Vanishes (1939) Ninotchka (1939) Dorothy and the Wizard of Oz (1939) Gone with the Wind (1939) Stagecoach (1939) Wuthering Heights (1939) Only Angels have Wings (1939) Destry Rides Again - THE 1940'S- (1940) The Philadelphia Story (1940) The Shop Around the Corner (1940) The Grapes of Wrath (1940) His Girl Friday (1940) Rebecca (1940) The Mortal Storm (1941) The Maltese Falcon (1941) The Lady Eve (1941) Citizen Kane (1941) High Sierra (1941) Sullivan's Travels (1942) Casablanca (1942) Now, -
DVD List As of 2/9/2013 2 Days in Paris 3 Idiots 4 Film Favorites(Secret
A LIST OF THE NEWEST DVDS IS LOCATED ON THE WALL NEXT TO THE DVD SHELVES DVD list as of 2/9/2013 2 Days in Paris 3 Idiots 4 Film Favorites(Secret Garden, The Witches, The Neverending Story, 5 Children & It) 5 Days of War 5th Quarter, The $5 A Day 8 Mile 9 10 Minute Solution-Quick Tummy Toners 10 Minute Solution-Dance off Fat Fast 10 Minute Solution-Hot Body Boot Camp 12 Men of Christmas 12 Rounds 13 Ghosts 15 Minutes 16 Blocks 17 Again 21 21 Jumpstreet (2012) 24-Season One 25 th Anniversary Rock & Roll Hall of Fame Concerts 28 Weeks Later 30 Day Shred 30 Minutes or Less 30 Years of National Geographic Specials 40-Year-Old-Virgin, The 50/50 50 First Dates 65 Energy Blasts 13 going on 30 27 Dresses 88 Minutes 102 Minutes That Changed America 127 Hours 300 3:10 to Yuma 500 Days of Summer 9/11 Commission Report 1408 2008 Beijing Opening Ceremony 2012 2016 Obama’s America A-Team, The ABCs- Little Steps Abandoned Abandoned, The Abduction About A Boy Accepted Accidental Husband, the Across the Universe Act of Will Adaptation Adjustment Bureau, The Adventures of Sharkboy & Lavagirl in 3-D Adventures of Teddy Ruxpin-Vol 1 Adventures of TinTin, The Adventureland Aeonflux After.Life Agatha Cristie’s Poirot-The Murder of Roger Ackroyd Agatha Cristie’s Poirot-Sad Cypress Agatha Cristie’s Poirot-The Hollow Agatha Cristie’s Poirot-Five Little Pigs Agatha Cristie’s Poirot-Lord Edgeware Dies Agatha Cristie’s Poirot-Evil Under the Sun Agatha Cristie’s Poirot-Murder in Mespotamia Agatha Cristie’s Poirot-Death on the Nile Agatha Cristie’s Poirot-Taken at -
Paris When It Sizzles
Paris When It Sizzles hat does it take for Paris to shows off both her and Paris in all also scored Johnny Concho, A Hole in Sizzle? Well, add one part their Technicolor beauty. In fact, the the Head and Ocean’s 11, all of which WWilliam Holden, one part film is like a frothy, sparkling glass of starred Sinatra. He wrote a great Audrey Hepburn, a screenplay by champagne, a cream puff, and a real score to Stanley Kubrick’s film of Loli- George Axelrod (Breakfast at Tiffa- delight. ta, and then did more work for Sinatra ny’s, The Manchurian Candidate), and with Come Blow Your Horn, 4 for direction by Richard Quine. In 1964, Helping to bring the film to efferves- Texas, and Robin and the 7 Hoods. He all these artists were at the top of their cent life is the eclectic and fun score also had a huge hit with his theme for game. Add to them appearances by by Nelson Riddle. One can only the television show Route 66, and his Noel Coward, Tony Curtis and Marlene imagine that Riddle had a field day other hit TV shows included The Un- Dietrich, along with the other major with this score, getting not only to touchables and the first two seasons character, the City of Light, Paris, and underscore the film proper, with its of Batman. He continued arranging for you have a recipe for Sizzle indeed. gorgeous themes, but also to under- Sinatra and others on Sinatra’s new score the movie parodies and to create label, Reprise. -
Ape Chronicles #035
For a Man! PLANET OF THE APES 1957 The Three Faces of Eve ARMY ARCHERD WHO IS WHO ? 1957 Peyton Place FILMOGRAPHY 1957 No Down Payment 1958 Teacher's Pet (uncredited) FILMOGRAPHY (AtoZ) 1957 Kiss Them for Me 1963 Under the Yum Yum Tree Compiled by Luiz Saulo Adami 1957 A Hatful of Rain 1964 What a Way to Go! (uncredited) http://www.mcanet.com.br/lostinspace/apes/ 1957 Forty Guns 1966 The Oscar (uncredited) apes.html 1957 The Enemy Below 1968 The Young Runaways (uncredited) [email protected] 1957 An Affair to Remember 1968 Planet of the Apes (uncredited) AUTHOR NOTES 1958 The Roots of Heaven 1968 Wild in the Streets Thanks to Alexandre Negrão Paladini, from 1958 Rally' Round the Flag, Boys! 1970 Beneath the Planet of the Apes Brazil; Terry Hoknes, from Canadá; Jeff 1958 The Young Lions (uncredited) Krueger, from United States of America; 1958 The Long, Hot Summer 1971 Escape from the Planet of the Apes and Philip Madden, from England. 1958 Ten North Frederick 1972 Conquest of the Planet of the Apes 1958 The Fly (uncredited) 1959 Woman Obsessed 1973 Battle for the Planet of the Apes To remind a film, an actor or an actress, a 1959 The Man Who Understood Women (uncredited) musical score, an impact image, it is not so 1959 Journey to the Center of the Earth/Trip 1974 The Outfit difficult for us, spectators of movies or TV. to the Center of the Earth 1976 Won Ton Ton, the Dog Who Saved Really difficult is to remind from where else 1959 The Diary of Anne Frank Hollywood we knew this or that professional. -
“Broadway & Musicals” Showcase
“Broadway & Musicals” Showcase “Astaire Dancing: The Musical Films” by John Mueller (1985, HC/DJ). Minimum Bid: $4 With a dancing career that spanned half a century, Fred Astaire displayed unparalleled brilliance, beauty and timeless artistry. To better understand Astaire’s unique choreographic style, this book examines in detail each of the dance scenes of his 31 filmed musicals, Astaire’s personality & working methods, and his numerous contributions to filmed dance. “Glamorous Musicals: Fifty Years of Hollywood’s Ultimate Fantasy” by Ronald Bergen, Foreword by Ginger Rogers (1984, HC/DJ). Minimum Bid: $3 Gorgeous actors, leggy chorus girls, superb dancers & musicians, lavish costumes and sets—all are described with style, wit and perception in this generously illustrated book. Discover the artistry of the stars, and the mastery of the directors & designers, of over 100 Hollywood musicals. CD: “My Fair Lady” With Rex Harrison and Julie Andrews (Digitally Mastered CD of Original 1959 London Recording). Minimum Bid: $2 One of the greatest musical theater shows ever created, My Fair Lady is a charming adaptation of George Bernard Shaw's Pygmalion, pitting flower girl Eliza Doolittle (Julie Andrews) against Prof. Henry Higgins (Rex Harrison), the self-absorbed and ill-tempered linguist who bets that he can turn her into a lady by improving her diction. This classic recording includes popular songs such as: "Wouldn't It Be Loverly," "The Rain in Spain," "I Could Have Danced All Night," "On the Street Where You Live," and "Get Me to the Church on Time." Vintage Souvenir Program and Winter Garden Playbill for “Michael Todd’s Peep Show” (1950, SC). -
The Writing and Development of the Romantic Comedy “Being Audrey”
The Writing and Development of the Romantic Comedy “Being Audrey” ________________________ Presented to the Faculty Regent University School of Communication and the Arts ________________________ In Partial Fulfillment of the Requirements for the Master of Fine Arts In Communication By Garrett Humbertson 2015 Portfolio Committee Dr. Gillette Elvgren_____________________ Chairman Date Sean Gaffney __________________________ Member Date Table of Contents Chapter One: The Problem and Introduction………......………..………………….........................……1 Chapter Two: Research and Literature/Film Review…………….......................…………………...….11 Chapter Three: Project Methodology………………………......................……………..……………...42 Chapter Four: Critique and Revisions......................................................................................................66 Appendix 1 – Motion Picture Business Terminology…..…………...................................………....….36 Appendix 2 – Character Biographies………………………………...……………......................….….44 Appendix 3 – Treatment...................…………………………………………………….......................52 Works Cited……………………………………………………….........................................................71 Concept: August 6, 2014 Script Concept: August 16, 2014 Portfolio Chapters: October 24, 2014 Treatment: October 27, 2014 Character bios: October 27, 2014 First Draft: March 21, 2015 Second Draft: April 8, 2015 Final Defense: April 27, 2015 Chapter One Introduction In a cruel and imperfect world, she was living proof that God could still -
Audrey Hepburn
Audrey Hepburn Audrey Hepburn (/ˈɔːdri ˈhɛpˌbɜrn/; born Audrey 1 Early life Kathleen Ruston; 4 May 1929 – 20 January 1993) was a British actress and humanitarian. Recognised as a film and fashion icon, Hepburn was active during Hollywood’s Golden Age. She was ranked by the American Film Insti- tute as the third greatest female screen legend in Golden Age Hollywood and was inducted into the International Best Dressed List Hall of Fame. Born in Ixelles, a district of Brussels, Hepburn spent her childhood between Bel- Hepburn was born on 4 May 1929 at number 48 gium, England, and the Netherlands, including German- Rue Keyenveld in Ixelles, a municipality in Brussels, occupied Arnhem during the Second World War where Belgium.[2] Her father, Joseph Victor Anthony Rus- she worked as a courier for the Dutch resistance and as- ton (1889–1980), was a British subject born in Úžice, sisted with fundraising. In Amsterdam, she studied bal- Bohemia,[3][lower-alpha 1] to Anna Ruston (née Wels), of let with Sonia Gaskell before moving to London in 1948 Austrian descent,[4] and Victor John George Ruston, to continue her ballet training with Marie Rambert and of British and Austrian descent.[5] A one-time hon- perform as a chorus girl in West End musical theatre pro- orary British consul in the Dutch East Indies, Hep- ductions. She spoke several languages, including English, burn’s father had earlier been married to Cornelia Biss- [1] French, Dutch, Italian, Spanish, and German. chop, a Dutch heiress.[3][6] Although born Ruston, he Following minor appearances in several films, Hepburn later double-barrelled the surname to the more “aristo- starred in the 1951 Broadway play Gigi after being spot- cratic” Hepburn-Ruston, mistakenly[5] believing himself ted by French novelist Colette. -
Irresistibly French: Female Stardom and Frenchness
IRRESISTIBLY FRENCH: FEMALE STARDOM AND FRENCHNESS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicoleta Bazgan, M.A. ***** The Ohio State University 2008 Dissertation Committee: Approved by Professor JUDITH MAYNE, Advisor Professor EUGENE HOLLAND _________________________________ Professor KARLIS RACEVSKIS Advisor Graduate Program in French and Italian Copyright by Nicoleta Bazgan 2008 ABSTRACT French actresses have exerted an endless fascination on film audiences worldwide. Brigitte Bardot, Catherine Deneuve, Juliette Binoche, and, more recently, Amelie’s star Audrey Tautou epitomize the lasting appeal of the glamorous French star system, inviting a critical exploration of their prominent star images and of the bridges of desire that connect them to national and global audiences. French female stars cross the boundaries of popular and auteur cinema, and their mythical star text is refracted across both material and discursive practices, pointing to their status as French cinema icons, national treasures, and objects of consumption. On the one hand, French female stardom is represented as an elusive essence, a self-made myth inspired by a reputable tradition of cinematic and artistic excellence, its allure residing in the infamous je ne sais quoi that refuses easy consumption. On the other hand, stars as icons of femininity are the objects of an intense scrutiny that invites consumption through various practices, as the glamorous French actresses are exclusively faithful to the national industries of tourism, perfume, cosmetics, and fashion. My research also reveals that the various cultural products related to French female stars initiate a dynamic and visionary mode of transnational cultural exchanges. -
Motion Picture Lobby Cards, 1913-1999
http://oac.cdlib.org/findaid/ark:/13030/kt700021m7 No online items Motion Picture Lobby Cards, 1913-1999 Finding aid prepared by UCLA Library Special Collections Staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2004 The Regents of the University of California. All rights reserved. Motion Picture Lobby Cards, PASC 65 1 1913-1999 Title: Motion picture lobby cards Collection number: PASC 65 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 55.5 linear ft.(111 boxes) Date (inclusive): 1913-1999 Abstract: The collection consists of primarily of American motion picture lobby cards dating from 1913 to ca 1980s. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Motion Picture Lobby Cards (Collection PASC 65). -
Current Catalog
ASHFAULT VIDEO CATALOGUE 13 Lead Soldiers (1948) 13 West Street (1962) 13 Women (1932) 13th Hour, The (1947) 13th Man, The (1937) 1984 (1956) 2,000 Women (1944) 20 Mule Team (1940) 20,000 Men a Year (1939) 20,000 Years in Sing Sing (1932) 21 Days (1940) 23 1/2 Hours Leave (1937) 23 Paces to Baker Street (1956) 24 Hours (1931) 25th Hour, The (1967) 27th Day, The (1957) 30 Years of Fun (1963) 39 Steps, The (1978) 4 Just Men, The (1939) 45 Fathers (1937) 49th Man, The (1953) 50 Million Frenchmen (1931) 6,000 Enemies (1939) 7 Women (1966) 70,000 Witnesses (1932) 711 Ocean Drive (1950) 7th Cavalry (1956) 80,000 Suspects (1963) 99 River Street (1953) Aaron Slick from Punkin Crick (1952) Abandoned (1949) About Face (1942) About Mrs. Leslie (1954) Accent on Love (1941) Accent on Youth (1935) Accidents Will Happen (1938) Accomplice (1946) Accused (1936) Accused, The (1948) Accusing Finger, The (1936) Across to Singapore (1928) Act of Violence (1979) Action for Slander (1937) Action in Arabia (1944) Action of the Tiger (1957) Actress, The (1953) Ada (1961) Adding Machine, The (1969) Adorable (1933) Advance to the Rear (1964) Adventure in Baltimore (1949) Adventure in Blackmail (1942) Adventure in Diamonds (1940) Adventure in Manhattan (1936) Adventure in Washington (1941) Adventurers, The (1951) Adventures of Chico (1938) Adventures of Gerard, The (1970) Adventures of Hairbreadth Harry (1920) Adventures of Hajji Baba, The (1954) Adventures of Jane Arden, The (1939) Adventures of Kitty O'Day (1944) Adventures of Martin Eden, The (1942) Adventures -
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020 Each entry below consists of the name of a film, the year of its release, an abbreviation of the network(s) that presented it, and the number of its overall presentations. Networks and their respective abbreviations are: American Movie Classics (AMC) Paramount Television Network (PARA) BBC America (BBCA) Showtime (SHOW) FREE (FREE) STARZ (STARZ) FX Movie Channel (FXM) SYFY (SYFY) Home Box Office (HBO) Turner Broadcasting System (TBS) IFC (IFC) THIS TV (THIS) MOVIES! TV Network (MOVIES) TNT (TNT) Ovation TV (OVA) Turner Classic Movies (TCM) 1989 150 Films 4,958 Presentations 33,1 Average A Deadly Silence (1989) MOVIES 1 A Dry White Season (1989) TCM 4 A Nightmare on Elm Street 5: The Dream Child (1989) SYFY 7 All Dogs Go to Heaven (1989) THIS 7 Always (1989) STARZ 69 American Ninja 3: Blood Hunt (1989) STARZ 2 An Innocent Man (1989) HBO 5 Back to the Future Part II (1989) MAX/STARZ/SHOW/SYFY 272 Batman (1989) SYFY/TNT/AMC/IFC 24 Best of the Best (1989) STARZ 16 Bill & Ted’s Excellent Adventure (1989) STARZ 140 Black Rain (1989) SHOW/MOVIES/MAX 85 Blind Fury (1989) THIS 15 1 [email protected] Born on the Fourth of July (1989) MAX/BBCA/OVA/STARZ/HBO 201 Breaking In (1989) THIS 5 Brewster’s Millions (1989) STARZ 2 Bridge to Silence (1989) THIS 9 Cabin Fever (1989) MAX 2 Casualties of War (1989) SHOW 3 Chances Are (1989) MOVIES 9 Chattahoochi (1989) THIS 9 Cheetah (1989) TCM 1 Cinema Paradise (1989) MAX 3 Coal Miner’s Daughter (1989) STARZ 1 Collision