DOCSLIB.ORG

Ape Chronicles #035

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

For a Man! PLANET OF THE APES 1957 The Three Faces of Eve ARMY ARCHERD WHO IS WHO ? 1957 Peyton Place FILMOGRAPHY 1957 No Down Payment 1958 Teacher's Pet (uncredited) FILMOGRAPHY (AtoZ) 1957 Kiss Them for Me 1963 Under the Yum Yum Tree Compiled by Luiz Saulo Adami 1957 A Hatful of Rain 1964 What a Way to Go! (uncredited) http://www.mcanet.com.br/lostinspace/apes/ 1957 Forty Guns 1966 The Oscar (uncredited) apes.html 1957 The Enemy Below 1968 The Young Runaways (uncredited) [email protected] 1957 An Affair to Remember 1968 Planet of the Apes (uncredited) AUTHOR NOTES 1958 The Roots of Heaven 1968 Wild in the Streets Thanks to Alexandre Negrão Paladini, from 1958 Rally' Round the Flag, Boys! 1970 Beneath the Planet of the Apes Brazil; Terry Hoknes, from Canadá; Jeff 1958 The Young Lions (uncredited) Krueger, from United States of America; 1958 The Long, Hot Summer 1971 Escape from the Planet of the Apes and Philip Madden, from England. 1958 Ten North Frederick 1972 Conquest of the Planet of the Apes 1958 The Fly (uncredited) 1959 Woman Obsessed 1973 Battle for the Planet of the Apes To remind a film, an actor or an actress, a 1959 The Man Who Understood Women (uncredited) musical score, an impact image, it is not so 1959 Journey to the Center of the Earth/Trip 1974 The Outfit difficult for us, spectators of movies or TV. to the Center of the Earth 1976 Won Ton Ton, the Dog Who Saved Really difficult is to remind from where else 1959 The Diary of Anne Frank Hollywood we knew this or that professional. To try to 1960 North to Alaska/Go North 1978 California Suite help you to clear up your memory, we 1961 Voyage to the Bottom of the Sea 1980 The Happy Hooker Goes Hollywood included in Man has no understanding! 1962 Tender Is the Night 1981 The Devil and Max Devlin filmography collections of important people 1962 Mr. Hobbs Takes a Vacation 1990 Repossessed in Planet of the Apes (1968), directed by 1963 Cleopatra TV MOVIES Franklin J. Schaffner. These data were 1964 Fate Is the Hunter 1981 The Star Maker collected of several sources and, it is clear, 1965 Our Man Flint 1984 The Ratings Game they are subject to incorrectness, 1965 Do Not Disturb TV MINI SERIES considering that in certain cases, the own 1965 Dear Brigitte 1979 The French Atlantic Affair artists have doubts on some productions 1965 The Agony and the Ecstasy TV SERIES - GUEST ACTOR dates. 1965 John Godfarb, Please Come Home 1995 Murphy Brown A 1965 Von Ryan's Express Dick and Dottie (November 27) ABBOTT, L. B. 1965 The Flight of the Phoenix 1997 Ellen SPECIAL PHOTOGRAPHIC EFFECTS 1966 Fantastic Voyage Emma (November 19) 1952 Le Retour de Don Camillo/The Return 1966 Stagecoach B of Don Camillo 1967 Valley of the Dplls BACON, JAMES 1958 South Pacific 1967 In Like Flint ACTOR 1958 A Nice Little Bank That Should Be 1967 A guide for the Married Man 1961 Underworld U.S.A. Robbed 1967 The St. Valentine's Day Massacre 1968 Planet of the Apes (uncredited) 1958 The Hunters 1967 Doctor Doolittle 1969 80 Steps to Jonah 1958 The Gift of Love 1968 Planet of the Apes 1970 Beneath the Planet of the Apes 1961 Bachelor Flat 1968 The Boston Strangler (uncredited) 1962 Five Weeks in a Balloon 1969 Butch Cassidy and the Sundance Kid 1971 Escape from the Planet of the Apes 1965 The Sound of Music 1969 The Undefeated 1972 Conquest of the Planet of the Apes 1967 The Flim Flam Man/One Born Every 1969 Hello, Dolly! (uncredited) Minute 1970 Tora! Tora! Tora! 1973 Battle for the Planet of the Apes 1968 Bandolero! 1970 The Only Game in Town (uncredited) 1968 Star!/Those Were the Happy Times 1970 Move 1974 the Outfit 1969 100 Rifles 1970 Patton 1977 The Legend of Frank Woods 1969 Che! 1972 The Poseidon Adventure 1977 High Velocity 1970 Beneath the Planet of the Apes 1973 Jonathan Livingston Seagull 1978 Sextette 1970 Myra Breckinridge 1974 The Towering Inferno 1978 Cat in the Cage 1978 The Swarm 1976 Logan's Run 1978 Capricorn One 1980 When Time Ran Out... 1978 The Amazing Captain Nemo 1979 Meteor TV SERIES SPECIAL CAMERA EFFECTS 1979 Good Guys Wear Black 1964-1966 Voyage to the Bottom of the Sea 1959 Warlock 1980 Underground Aces 1966-1967 The Time Tunnel 1963 Take Her, She's Mine 1980 The Man with Bogart's Face SPECIAL EFFECTS OPTICAL CONSULTANT 1981 Charlie Chan and the Curse of the 1957 Will Success Spoil Rock Hunter?/Oh! 1979 1941 Dragon Queen 1986 The Longshot TV MINI SERIES 1980 Any Which Way You Can 1989 War and Remembrance 1982 Yes, giorgio TV MOVIES TV SERIES - GUEST ACTOR 1982 Six Pack 1974 Planet Earth 1959-1961 The Untouchables 1985 Twice in a Lifetime 1981 The Patricia Neal Story 90-Proof Dame (June 8, 1961) 1986 Los Angeçles Streetfighter TV MOVIES - CO-EXECUTIVE 1964-1964 Bewitched 1986 Flight of the Navigator PRODUCER Pleasure O'Reilly (1964) 1987 Hot Pursuit 1965-1966 I Dream of Jeannie 1989 Call from Space 1990 The Lost Capone What's New, Poodle Dog? (1966) 1990 The Magic Balloon TV MINI SERIES 1982-1986 St. Elsewhere 1991 Mannequin 2: On the Move 1985 Hollywood Wives Time Heals: part 2 (February 20, 1986) 1992 Folks! TV SERIES - GUEST ACTOR C 1994 Street Fighter 1972 Night Gallery CHAMBERS, JOHN 1996 Spy Hard The Ring with the Red Velvet Ropes MAKE-UP ARTIST 1998 Without Limits (November 5) 1965 The Humans Duplicators ART DIRECTOR 1972 Slaughterhouse Five 1968 Planet of the Apes CREATIVE MAKE-UP DESIGNER 1968 The Detective BURTON, JEFF 1968 Planet of the Apes 1970 Beneath the Planet of the Apes ACTOR 1970 Beneath the Planet of the Apes 1971 Escape from the Planet of the Apes 1966 Madame X 1971 Escape from the Planet of the Apes TV MOVIES - PRODUCTION 1968 Planet of the Apes 1972 Conquest of the Planet of the Apes DESIGNER 1971 Escape from the Planet of the Apes 1973 Battle for the Planet of the Apes 1984 Children in the Crossfire 1972 The Mad Bomber/Detective 1974 Phantom of the Paradise 1993 Mercy Mission: The Rescue of Flight Geronimo/The Police Connection ACTOR 771 1973 Coffy 1971 Schlock/The Banana Monster TV SERIES - ART DIRECTOR TV SERIES 1992 Almost Pregnant 1964-1967 Voyage to the Bottom of the Sea 1966-1968 Batman TV SERIE - WRITER CRUICKSHANK, ART The Joker's Flying Saucer (29 de fevereiro 1972 Emmerdale Farm SPECIAL EFFECTS de 1968) 1966 Fantastic Voyage 1970-1973 Night Gallery 1967 In Like Flint Green Fingers (5 de janeiro de 1972) 1967 A Guide for the Married Man CHOW, DAVID 1967 The St. Valentine's Day Massacre ACTOR 1968 The Boston Strangler BURTON, NORMAN 1945 Samurai 1969 Butch Cassidy and the Sundance Kid ACTOR 1966 Dimension 5 1969 The Undefeated 1956 Fright/Spell of the Hypnotist 1968 Planet of the Apes 1970 The Only Game in Town 1962 Hand of Death 1972 Conquest of the Planet of the Apes 1970 Move 1968 Planet of the Apes 1973 Frasier, the Sensuous Lion/Frasier the 1972 Snowball Express 1971 Simon, King of the Witches/Simon, Lovable Lion 1973 Charley and the Angel King of the Warlocks 1974 Three the Hard Way 1974 The Island at the Top of the World 1971 Escape from the Planet of the Apes 1981 Charlie Chan and the Curse of the 1975 The Strongest Man in the World 1971 Diamonds Are Forever Dragon Queen 1976 Treasure of Matecumbe 1972 Fuzz 1990 Vietnam, Texas 1976 The Shaggy D.A. 1973 Save the Tiger DIRECTOR KUNG FU SEQUENCES 1976 No Deposit, No Return 1973 Hit! 1972 Fly Me 1976 Gus 1974 The Towering Inferno TV MOVIES - ACTOR 1979 The North Avenue Irregulars 1974 The Terminal Man 1974 Men of the Dragon 1980 The Last Flight of Noah's Ark 1975 The Reincarnation of Peter Proud 1979 When Hell Was in Session VISUAL EFFECTS 1976 The Gumball Rally TV MOVIES - MARTIAL ARTS 1979 Black Hole 1980 Fade to Black SUPERVISOR SPECIAL PHOTOGRAPHIC EFFECTS 1984 Crimes of Passion/China Blue 1974 Men of the Dragon 1967 The Flim Flam Man 1985 Pray for Death TV SERIES 1968 Planet of the Apes 1986 Bad Guys 1972 Kung Fu 1968 Star! 1987 Deep Space CREBER, WILLIAM J. 1969 100 Rifles 1987 Bloodsport PRODUCTION DESIGNER 1969 Che! 1992 Live Wire 1965 The Greatest Story Ever Told 1970 Beneath the Planet of the Apes 1993 American Ninja 5 1972 The Poseidon Adventure 1970 Myra Breckinridge TV MOVIES 1974 The Towering Inferno PHOTOGRAPHIC PROCESS LAB 1988 Shakedown on the Sunset Strip 1980 Hopscotch SUPERVISOR 1982 Tron 1982 Bayou Romance 1972 Conquest of the Planet of the Apes D TV MOVIES E DALY, JAMES 1967 How I Spent My Summer EVANS, MAURICE ACTOR Vacation/Deadly Roulette ACTOR 1950 The Sleeping City (não creditado) 1974 Remember When 1930 White Cargo 1955 The Court-Martial of Billy Mitchell 1977 Never Con a Killer/The Feather& 1930 Raise the Roof 1957 The Young Stranger Father Gang 1931 Should a Doctor Tell? 1959 Wernher von Braun/I Aim at the Stars TV SERIES - GUEST ACTOR 1932 Marry Me 1968 Treasure of San Bosco Reef 1965-1968 Voyage to the Bottom of the Sea 1932 Wedding Rehearsal 1968 Planet of the Apes (1965) 1933 The Empres and I/Ich und die 1969 Esercito di Cinque Uomini/The Five 1965-1968 Lost in space Kaiserin/Heart Song/The Only Girl Man Army The Dream Monster (December 21, 1966) 1934 Bypass to Happiness 1969 The Big Bounce 1974-1974 The Brady Bunch 1934 The Path of Glory 1971 The Resurrection of Zachary Wheeler Out of this World (1974) 1935 Checkmate 1972 Wild in the Sky/Black Jack/God Bless DOCKENDORF, DAVID E.
Recommended publications
  • Notas Sobre El Estilo El Último Entuerto Que Conviene Desfacer Es El Que Habla De King Como De Un Cineasta “Sin Estilo”

    Notas Sobre El Estilo El Último Entuerto Que Conviene Desfacer Es El Que Habla De King Como De Un Cineasta “Sin Estilo”

    Notas sobre el estilo El último entuerto que conviene desfacer es el que habla de King como de un cineasta “sin estilo”. Si por estilo se entiende llamar la atención sobre la cámara, forzar los ángulos, montar aparatosos encuadres y hacer notar el trabajo del director, King es, en efecto, un director sin estilo. Algunas de sus películas, como Deep Waters, adoptan además una forma visual aparentemente anodina, que puede pasar por impersonal si a la carencia de atractivos externos se une una extrema funcionalidad narrativa, como sucede en dos de sus obras fundamentales, I’d Climb the Highest Mountain y Wait Till the Sun Shines, Nellie. Un examen detallado de estas y otras películas revela la existencia de una personalidad cinematográfica muy acusada, aunque no llamativa ni evidente. Más que afanarse en la búsqueda de un estilo propio, King intentó desarrollar a lo largo de su carrera un lenguaje que se correspondiese, visual y narrativamente, con los modos de sus personajes, por lo general inteligentes y discretos, observadores y dinámicos, inconformistas y sensibles a los cambios que se producen en su entorno. Conforme avanzaba su obra, películas y personajes fueron haciéndose progresivamente más complejos, sin que King violentara por ello su estilo, cada vez más refinado y transparente, permeable a los avances técnicos (el sonido, el color, la pantalla ancha) pero no a las modas ni a retóricas pasajeras. Tal vez por ello, o por una fidelidad a su propia visión, las bases del estilo visual de King apenas experimentaron variaciones significativas a lo largo del tiempo, de hecho Tol’able David podría haberse rodado en 1951 y I’d Climb the Highest Mountain treinta años antes sin que el espectador hubiera notado el menor desajuste.
  • House on 92Nd Street

    House on 92Nd Street

    House on 92nd street click here to download The House on 92nd Street is a black-and-white American spy film directed by Henry Hathaway. The film, shot mainly in New York City, was released. x 39 The House on 92nd Street () William Eythe, Signe Hasso, and Lloyd Nolan in The House on 92nd Street (Lloyd Nolan in The House on. In this drama, the FBI learns of the presence of several suspicious persons in Washington DC. William Eythe is a German-American college. www.doorway.ru: The House on 92nd Street (Fox Film Noir): William Eythe, Lloyd Nolan, Signe Hasso, Gene Lockhart, Leo G. Carroll, Lydia St. Clair, William Post . Overview of The House on 92nd Street, , directed by Henry Hathaway, with William Eythe, Lloyd Nolan, Signe Hasso, at Turner Classic Movies. Fresh from wrapping the George Raft costumer Nob Hill (), Henry Hathaway was eager to get off the lot at 20th Century Fox and try something new. Created during America's ham-fisted effort at producing propaganda films during the early s era of World War II, “The House On 92nd. The great Henry Hathaway (23 Paces to Baker Street) directed this classic film noir set in New York City during World War II - The House On 92nd Street is a. The House on 92nd Street. New York Jewish Film Festival. Film. Monday, January 26, 6 – pm. Walter Reade Theater, W 65th St. A twisted. The House on 92nd Street. Twentieth-Fox, employing somewhat the technique of The March of Time has parlayed the latter with facilities and files of the FBI in.
  • 31 Days of Oscar® 2010 Schedule

    31 Days of Oscar® 2010 Schedule

    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
  • Michael Powell and Emeric Pressburger, a MATTER of LIFE and DEATH/ STAIRWAY to HEAVEN (1946, 104 Min)

    Michael Powell and Emeric Pressburger, a MATTER of LIFE and DEATH/ STAIRWAY to HEAVEN (1946, 104 Min)

    December 8 (XXXI:15) Michael Powell and Emeric Pressburger, A MATTER OF LIFE AND DEATH/ STAIRWAY TO HEAVEN (1946, 104 min) (The version of this handout on the website has color images and hot urls.) Written, Produced and Directed by Michael Powell & Emeric Pressburger Music by Allan Gray Cinematography by Jack Cardiff Film Edited by Reginald Mills Camera Operator...Geoffrey Unsworth David Niven…Peter Carter Kim Hunter…June Robert Coote…Bob Kathleen Byron…An Angel Richard Attenborough…An English Pilot Bonar Colleano…An American Pilot Joan Maude…Chief Recorder Marius Goring…Conductor 71 Roger Livesey…Doctor Reeves Robert Atkins…The Vicar Bob Roberts…Dr. Gaertler Hour of Glory (1949), The Red Shoes (1948), Black Narcissus Edwin Max…Dr. Mc.Ewen (1947), A Matter of Life and Death (1946), 'I Know Where I'm Betty Potter…Mrs. Tucker Going!' (1945), A Canterbury Tale (1944), The Life and Death of Abraham Sofaer…The Judge Colonel Blimp (1943), One of Our Aircraft Is Missing (1942), 49th Raymond Massey…Abraham Farlan Parallel (1941), The Thief of Bagdad (1940), Blackout (1940), The Robert Arden…GI Playing Bottom Lion Has Wings (1939), The Edge of the World (1937), Someday Robert Beatty…US Crewman (1935), Something Always Happens (1934), C.O.D. (1932), Hotel Tommy Duggan…Patrick Aloyusius Mahoney Splendide (1932) and My Friend the King (1932). Erik…Spaniel John Longden…Narrator of introduction Emeric Pressburger (b. December 5, 1902 in Miskolc, Austria- Hungary [now Hungary] —d. February 5, 1988, age 85, in Michael Powell (b. September 30, 1905 in Kent, England—d. Saxstead, Suffolk, England) won the 1943 Oscar for Best Writing, February 19, 1990, age 84, in Gloucestershire, England) was Original Story for 49th Parallel (1941) and was nominated the nominated with Emeric Pressburger for an Oscar in 1943 for Best same year for the Best Screenplay for One of Our Aircraft Is Writing, Original Screenplay for One of Our Aircraft Is Missing Missing (1942) which he shared with Michael Powell and 49th (1942).
  • George Seaton Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

    George Seaton Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)

    George Seaton 电影 串行 (大全) 36 Hours https://zh.listvote.com/lists/film/movies/36-hours-227532/actors Chicken Every https://zh.listvote.com/lists/film/movies/chicken-every-sunday-2963389/actors Sunday What's So Bad About https://zh.listvote.com/lists/film/movies/what%27s-so-bad-about-feeling-good%3F-3204274/actors Feeling Good? Little Boy Lost https://zh.listvote.com/lists/film/movies/little-boy-lost-3225457/actors Showdown https://zh.listvote.com/lists/film/movies/showdown-3282975/actors For Heaven's Sake https://zh.listvote.com/lists/film/movies/for-heaven%27s-sake-3352342/actors Anything Can https://zh.listvote.com/lists/film/movies/anything-can-happen-4000927/actors Happen Where Do We Go https://zh.listvote.com/lists/film/movies/where-do-we-go-from-here%3F-4244332/actors from Here? Apartment for Peggy https://zh.listvote.com/lists/film/movies/apartment-for-peggy-4779186/actors The Big Lift https://zh.listvote.com/lists/film/movies/the-big-lift-495924/actors Diamond Horseshoe https://zh.listvote.com/lists/film/movies/diamond-horseshoe-5270833/actors The Hook https://zh.listvote.com/lists/film/movies/the-hook-562304/actors Junior Miss https://zh.listvote.com/lists/film/movies/junior-miss-6313371/actors Williamsburg: the https://zh.listvote.com/lists/film/movies/williamsburg%3A-the-story-of-a-patriot-8021151/actors Story of a Patriot The Counterfeit https://zh.listvote.com/lists/film/movies/the-counterfeit-traitor-908713/actors Traitor 蓬門淑女 https://zh.listvote.com/lists/film/movies/%E8%93%AC%E9%96%80%E6%B7%91%E5%A5%B3-1305029/actors
  • January 27, 2009 (XVIII:3) Samuel Fuller PICKUP on SOUTH STREET (1953, 80 Min)

    January 27, 2009 (XVIII:3) Samuel Fuller PICKUP on SOUTH STREET (1953, 80 Min)

    January 27, 2009 (XVIII:3) Samuel Fuller PICKUP ON SOUTH STREET (1953, 80 min) Directed and written by Samuel Fuller Based on a story by Dwight Taylor Produced by Jules Schermer Original Music by Leigh Harline Cinematography by Joseph MacDonald Richard Widmark...Skip McCoy Jean Peters...Candy Thelma Ritter...Moe Williams Murvyn Vye...Captain Dan Tiger Richard Kiley...Joey Willis Bouchey...Zara Milburn Stone...Detective Winoki Parley Baer...Headquarters Communist in chair SAMUEL FULLER (August 12, 1912, Worcester, Massachusetts— October 30, 1997, Hollywood, California) has 53 writing credits and 32 directing credits. Some of the films and tv episodes he directed were Street of No Return (1989), Les Voleurs de la nuit/Thieves After Dark (1984), White Dog (1982), The Big Red One (1980), "The Iron Horse" (1966-1967), The Naked Kiss True Story of Jesse James (1957), Hilda Crane (1956), The View (1964), Shock Corridor (1963), "The Virginian" (1962), "The from Pompey's Head (1955), Broken Lance (1954), Hell and High Dick Powell Show" (1962), Merrill's Marauders (1962), Water (1954), How to Marry a Millionaire (1953), Pickup on Underworld U.S.A. (1961), The Crimson Kimono (1959), South Street (1953), Titanic (1953), Niagara (1953), What Price Verboten! (1959), Forty Guns (1957), Run of the Arrow (1957), Glory (1952), O. Henry's Full House (1952), Viva Zapata! (1952), China Gate (1957), House of Bamboo (1955), Hell and High Panic in the Streets (1950), Pinky (1949), It Happens Every Water (1954), Pickup on South Street (1953), Park Row (1952), Spring (1949), Down to the Sea in Ships (1949), Yellow Sky Fixed Bayonets! (1951), The Steel Helmet (1951), The Baron of (1948), The Street with No Name (1948), Call Northside 777 Arizona (1950), and I Shot Jesse James (1949).
  • Click to Download

    Click to Download

    v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures.
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S

    The Green Sheet and Opposition to American Motion Picture Classification in the 1960S

    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
  • Dead Zone Back to the Beach I Scored! the 250 Greatest

    Dead Zone Back to the Beach I Scored! the 250 Greatest

    Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ ��������������������������
  • Love for All My Children, Jesus

    Love for All My Children, Jesus

    1 The Girl of My Will in Jesus Love for All My Children, Jesus Volume 5 – Part B Les Éditions FJ 2 INTRODUCTORY NOTE The launch of this book took place in Saint-Jean-sur-Richelieu, Canada, on January 18, 2015. It was translated into English, from its original French version, by Giovanna Clementi, with the assistance of Monique Pepin. In accordance with the wishes of Jesus — manifested through his instrument, The Girl of My Will in Jesus —, this document is made available to all interested per- sons free of charge, while remaining under the protection of the law governing cop- yrights. It may be read directly from the computer or copies may be printed, but with the express condition that it not be printed with a commercial purpose and that nothing be changed in the texts, including the punctuation. It may also be obtained in its original format, that is to say in book form, which may be purchased at a mod- erate price at the following address: Distribution : Librairie Médiaspaul 250 St. François North Sherbrooke Qc Canada J1E 2B9 Tel. : 819-569-5535 Fax : 819-565-5474 [email protected] Web site of The Girl of My Will in Jesus : www.lafilleduouiajesus.org DECREE As a testimonial of respect and obedience to the decree of the Supreme Pontiff Urbanus VIII, we declare that the facts expressed in this book merit the faith attributed to any human testimony. We also declare that the judgements expressed do not intend to anticipate those of our holy Mother the Church to whom the author submits devoutly.
  • Dictionary of Westerns in Cinema

    Dictionary of Westerns in Cinema

    PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
  • Ronald Davis Oral History Collection on the Performing Arts

    Ronald Davis Oral History Collection on the Performing Arts

    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.