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New Dutch Fiction? Yes! It’S the New Title of the 10 Books from Holland Brochure We Have Been Publishing for More Than 20 Years
NEW DUTCH London Book Fair Issue Spring 2020 Dutch Foundation for Literature FICTION New Dutch Fiction? Yes! It’s the new title of the 10 Books From Holland brochure we have been publishing for more than 20 years. We changed the title to make clearer which genre of books we are promoting. Who decides the contents? Do you work together with Dutch publishers and agents? We want to showcase the best fiction from the Netherlands. We keep each other informed Most titles have been published about interest in titles and recently and have done very well rights sales. When we com- in terms of reviews, sales and mission a sample translation, awards or nominations. Equally we usually share the costs. important is the question: However, we always make our ‘Does it travel?’ Our specialists own decisions, and remain Barbara den Ouden, Victor completely independent. Schiferli, Tiziano Perez and Dick Broer try and keep up with How many books by one all the fiction that appears and author will you support? read as much as they can. As off this issue, we have worked with We can support three books by an advisory panel, who give us one author. If the author has advice and input on new fiction. changed foreign publishing The final selection is made house, previous titles are not by the Dutch Foundation for counted. Literature. Are all books in your brochure At book fairs, do you eligible for a grant? talk about these books exclusively? Yes they are, with a maximum subsidy of 100% of the trans- While we like to discuss our lation costs for classics and catalogue, there are always 70% for contemporary prose, other titles: books that have based on the actual fee paid by just appeared or are about to the publisher and capped at a come out or books that just maximum level of 10 eurocent missed our selection. -
Summer 1987 CAA Newsletter
newsletter Volume 12. Number 2 Summer 1987 1988 annual meeting studio sessions Studio sessions for the 1988 annual meeting in Houston (February Collusion and Collision: Critical Engagements with Mass 11-13) have been planned by Malinda Beeman, assistant professor, Culture. Richard Bolton, c! 0 Ha,rvard University Press, 79 University of Houston and Karin Broker, assistant professor, Rice Garden Street, Cambridge, MA 02138. University. Listed below are the topics they have selected. Anyaddi Art and mass culture: it is customary to think of these two as antagon tional information on any proposed session will be published in the Fall ists, with art kept apart to best preserve its integrity. But recent art and newsletter. Those wishing to participate in any open session must sub theory has questioned the necessity of this customary antagonism, and mit proposals to the chair of that session by October I, 1987. Note: Art many contemporary artists now regularly borrow images and tech history topics were announced in a special mailing in April. The dead niques from mass culture. This approach is fraught with contradic line for those sessions was 31 May. tions, at times generating critical possibility, at times only extending the reign of mass culture. It becomes increasingly difficult to distin Artists' Visions of Imaginary Cultures. Barbara Maria Stafford (art guish triviality from relevance, complicity from opposition, collusion historian). University of Chicago and Beauvais Lyons (print from collision. Has the attempt to redraw the boundaries between maker), University of Tennessee, Department of Art, 1715 Vol mass culture and art production been successful? Can society be criti unteer Blvd., Knoxville, TN 37996-2410. -
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M. -
Fha Investigation
84TH CONGRESS { EPORT st Session SENATE No. FHA INVESTIGATION REPORT OF THE SENATE COMMITTEE ON BANKING AND CURRENCY EIGHTY-FOURTH CONGRESS FIRST SESSION PURSUANT TO S. Res. 229 JANUARY 6, 1955.-Ordered to be printed with an illustration UNITED STATES GOVERNMENT PRINTING OFFICE 56167 WASHINGTON : 1955 COMMITTEE ON BANKING AND CURRENCY HOMER E. CAPEHART, Indiana, Chairman JOHN W. BRICKER, Ohio J. WILLIAM FULBRIGHT, Arkansas IRVING M. IVES, New York A. WILLIS ROBERTSON; Virginia WALLACE F. BENNETT, Utah JOHN SPARKMAN, Alabama PRESCOTT BUSH, Connecticut J. ALLEN FREAR, Ja., Delaware J. GLENN BEALL, Maryland PAUL H. DOUGLAS, Illinois FREDI)ERICK G. PAYNE, Maine hIiERBERT H. LEHMAN, New York BARRY GOLDWATER, Arizona JOHN R. HANCOCK, Chief Clerk RAY S. DONALDSON, Staff Director A. LEE PARSONS, Assistant Clerk DONALD L. ROOERS, Staff Assistant FHA INVESTIGATION UNDER SENATE RESOLUTION 229 WILLIAM SIMON,"7'cneral Counsel 11 CONTENTS Page Index of names of individuals and projects------.---------131 Part I. Introduction and summary--------------------------------- 1 Part II. Statute: The National Housing Act ------------------------ 8 History of- Setion 08----------------------------------------------- 8 Section 603----------------------------------------------- 9 Section 203 -----------------------------------------.. 10 Section 207 ---------------------------------------------- 11 Sctoo2l3--_-. ............12 Section 803 -------------------------------- ----------- 13 Section 903 ....----------......- .. ----------------.. 13 Title I -------------------------------------------------- -
Institute of Jewish Affairs Additional Papers 4: General Sequences
223 MS 241 Institute of Jewish Affairs Additional Papers 4: general sequences MS 241/1 Numerical sequence MS 241/1/1 Arab-Israeli war - description of events prior to the 1967: Apr - Jul 1967 IJA 1A newspaper articles, press releases; the American Jewish Committee Foreign Affairs Department booklets `Reflections in Western Europe and Latin America to the situation in the Middle East' and `The Palestinian Liberation Organisation: an appraisal of its effect on Middle East tensions'; printed article; copies of the Jerusalem post and American Jewish Committee `Reports from.. Israel', Jul 1967 MS 241/1/2 Arab-Israeli war: newspaper articles, some in French, relating to Jun - Aug 1967 IJA 1B the war and to Israel's relations with other countries; United Nations paper on the situation in the Middle East IJA 10 United Nations: newspaper articles, some in French; JTA bulletins, 1967-70 MS 241/1/3 United Nations weekly summaries, bulletins all relating to Israel and the situation in the Middle East IJA 11 Arab statements: newspaper articles, some in German, Hebrew 1967 MS 241/1/4 script, on Arab countries reaction to the Arab-Israeli war IJA 12 Jews in Arab countries: newspaper articles; JTA bulletins; World 1967-8 MS 241/1/5 Jewish Congress correspondence, press releases, memorandums; notes; bulletins IJA 13 Arab activities outside the Middle East: newspaper cuttings; 1967 MS 241/1/6 bibliographical reference IJA 14 Public reaction to the Arab-Israeli war - United States of America: 1967-8 MS 241/1/7 newspaper articles, some in French and German; -
Trust. Schedule of Exhibitions - July 1989 Page 2
The Metropolitan Museum of Art 82nd Street and Fifth Avenue New York, New York 10028 (212)879-5500 SCHEDULE OF EXHIBITIONS - JULY 1989 - - - NEW EXHIBITION - - - July 25: Drawings. Prints and Photographs: A Selection (Through Sept. 10) A sampling of 125 works from the Museum's holdings. The exhibition is made possible by Reliance Group Holdings, Inc. - - - CURRENT EXHIBITIONS - - - Through July 9: Courtly Romance in Japanese Art (Part I) (Opened May 12) Approximately 20 works, including screens, handscrolls, books, textiles, and lacquer, revealing the subtle and expressive vocabulary of Japanese narrative art and design. Part one of a two-part exhibition. Through July 16: Spain: Drawings. Prints and Photographs (Opened April 18) A selection of approximately 125 images of Spain in prints, drawings and photographs, drawn principally from the Museum's collections. The exhibition is made possible by a generous grant from Placido Arango. Through July 16: Gova and the Spirit of Enlightenment (Opened May 4) Approximately 120 works by the great 18th-century Spanish artist Francisco Goya (1746-1828),including paintings, drawings, and prints, selected to reveal the artist's development of Enlightenment themes and to illustrate his profound effect on his contemporaries. The exhibition is made possible by grants from Manufacturers Hanover and The New York Stock Exchange Foundation, Inc. Transportation assistance has been provided by Iberia Airlines of Spain. This exhibition is also supported by grants from the National Endowment for the Humanities, a federal agency, Banco Central, and Comite Conjunto Hispano-Norteamericano para la Cooperacion Cultural y Educativa. An indemnity has been granted by the Federal Council on the Arts and the Humanities. -
Fall 1986 CAA Newsletter I Classifieds [Grants and Awards
newsletter Volume 11, Number 3 Fall 1986 nominations for CAA board of directors The 1986 Nominating Committee has submitted its initial slate of ciatt'on is attracting new members, especially those working in non twelve nominees to serve on the eAA Board of Directors from 1987 to Western areas. I am committed to continuing in this ecumenical 1991. Of these, six will be selected by the Committee as its final slate dt'rection. I would also work to support closer working relationshlps and formally proposed for election at the Annual Members Business between museums, art schools, and academic departments of art his Meeting to be held in Boston on February 12, 1987. tory in order to l'ntegrate more thoroughly the study ofart with the art The slate of candidates has been chosen with an eye to representa objects and the artists themselves. tion based on geography and discipline (artists, academic art histo rians, museum professionals). The Nominating Committee recom mends that voters take such distribution into account in making their PAUL BRACH selection of candidates. The current elected Board of Directors is Cooper Union and Empire State College composed of eight artists (32%), fifteen art historians (57%), and three museum professionals (11 %). Of those, thirteen are men and BFA, MFA State Univ Iowa. 1948. POSITIONS: thirteen are women; sixteen represent the northeast and mid-Atlantic Univ Mo, Columbia, 1950-51; New School, States (62%), four represent the midwest (15%), four represent the 1952-55; NYU, 1954-67; UCSanDiego, chair west (15%), and one each represent the southeast (4%), and south dept visual arts, 1967-69; Cal lnst of the Arts, west (4%). -
Winter 1984 CAA Newsletter
newsletter Volume 9, Number 4 Winter 1984 special support for 1985 meeting annual members This year both the National Endowment for cated to organize and because they make business meeting the Humanities and the J. Paul Getty Trust unusual demands upon the participants. have supported the planning and special costs These sessions attempt to address some of the The 73rd Annual Members Business Meeting related to several of the exceptional art histo central concerns in our field, concerns of rele will be held on Thursday, February 14,1985 ry sessions to be held during the CAA Annual vance to all sub-fields of art history, and to do at 1:00 P. M. in the Gold Room (Galeria Meeting this February 14-16 in Los Angeles. so meaningfully and in a way that still reserves Level) of The Biltmore Hotel, Los Angeles. Their financial support supplements annual a significant block of time for discussion from meeting expenditures traditionally allocated the floor. Also, individuals are expected to by the CAA Board of Directors. give exemplary presentations in which their Elections The NEH's Division of Education Pro own research interests often have to take sec The rnajar item on the agenda of the Annual grams awarded the CAA a grant to partially ond place to the larger goals of the sessions. Members Business Meeting is elections. fund Kathleen Weil-Garris Brandt's session, Although participants in anyone session may OFFICERS. The Board of Directors proposes Conservation and Restoration of Italian specialize in very different periods or even the following to serve as officers for 1985: Renaissance Art: Masaccio, Fra Angelico, disciplines, they nonetheless had to reach a President: John Rupert Martin, Princeton Leonardo, and Michelangelo. -
ARCHIVES PLEASE POST the Metropolitan Museum of Art 82Nd
ARCHIVES The Metropolitan Museum of Art PLEASE POST 82nd Street and Fifth Avenue few York, New York 10028 (212) 879-5500 SCHEDULE OF EXHIBITIONS - MAY 1989 I - - - NEW EXHIBITIONS - - - I May 2: [The Iria and B. Garald cantor Roof Garden (Through October 29) Third season of the Museum's 10,000-square- jfoot 20th-century open-air sculpture garden located on the roof of the Lila Acheson Wallace Wing. This year's installation features six sculptures of ;diverse styles including Menashe Kadishman's The Shepherd Boy (1987), a recent acquisition, and Joel Perlman's Sguare Tilt (1983) , exhibited at the Museum for the first time. Open during Museum hours, weather permitting. May 3: Islamic Art in Reserve: Unfamiliar Works from the (Through July 30) Permanent Collection About 40 rarely displayed objects from the Museum's Islamic collection, ranging in date from the 8th to the 2 0th century and from countries as diverse and distant as Tunisia and India, and representing a broad range of types and materials. The exhibition is made possible by Reliance Group Holdings, Inc. May 4: Goya and the Spirit of Enlightenment (Through July 16) Approximately 120 works by the great 18th-century Spanish artist Francisco Goya (1746-1828),including paintings, drawings, and prints, selected to reveal the artist's development of Enlightenment themes and to illustrate his profound effect on his contemporaries. The exhibition is made possible by grants from Manufacturers Hanover and The New York Stock Exchange Foundation, Inc. Transportation assistance has been provided by Iberia Airlines of Spain. This exhibition is also supported by grants from the National Endowment for the Humanities, a federal agency, Banco Central, and Comite Conjunto Hispano-Norteamericano para la Cooperacion Cultural y Educativa. -
See the Complete List of Past Exhibitions
DIXON GALLERY & GARDENS PAST EXHIBITIONS 1976 July 4, 1976 – August 8, 1976 MARY CASSATT AND THE AMERICAN IMPRESSIONISTS 1977 December 4, 1977 - January 8, 1978 NEW WING OPEN IMPRESSIONISTS IN 1877 1978 January 22, 1978 - March 5, 1978 COLLECTED IN MEMPHIS January 22, 1978 - March 5, 1978 PRINTS BY AMERICAN IMPRESSIONISTS March 28, 1978 - April 23, 1978 CHARLES FRANCOIS DAUBIGNY (1817-1878): A Commemorative Exhibition April 29, 1978 - June 4, 1978 FLOWERS IN ART June 25, 1978 – August 27, 1978 AMERICAN IMPRESSIONISTS: A Selection from the Hirschl and Adler Galleries Collection September 10, 1978 – November 26, 1978 MEMPHIS COLLECTS SCULPTURE December 3, 1978 - January 14, 1979 HENRI JOSEPH HARPIGNIES, French, (1819-1916) 1979 January 23, 1979 – February 25, 1979 HENRIETTE AMIARD AND GEORGE OBERTEUFFER: Paintings, Watercolors and Prints March 4, 1979 – April 8, 1979 J. M. W. TURNER (1775 – 1851): A Select Group of Oils, Watercolors, Drawings and Prints Lent by the Worcester Art Museum Bequest of Mary G. Ellis as part of The Theodore T. and Mary G. Ellis Collection. April 15, 1979 – May 6, 1979 A BOUQUET FOR MEMPHIS: Paintings by Paul Penczner Past Exhibitions, 1976 - 2016 1 Updated 3/5/2019 DIXON GALLERY & GARDENS PAST EXHIBITIONS May 12, 1979 – June 17, 1979 LOVIS CORINTH, 1858 - 1925, Paintings and Prints Under the high patronage of the Honorable Dr. Ernst Incendiary, the Consul General of the Federal Republic of Germany in celebration of Memphis in May. May 20, 1979 – August 26, 1979 JAPANESE PRINTS: Jessie L. Clough Art Memorial For Teaching Collection, Southwestern at Memphis June 24, 1979 – August 26, 1979 LOUISE HERRESHOFF, American Impressionist, Paintings and Watercolors September 9, 1979 – October 21, 1979 JULES DUPRÉ, French (1811-89), Paintings, Drawings and Prints October 28, 1979 – December 30, 1979 WILLIAM CHADWICK, American (1879-1962) “An American Impressionist” Organized by R. -
AN INTRODUCTION to the CONEY ISLAND AMATEUR PSYCHOANALYTIC SOCIETY Zoe Beloff
AN INTRODUCTION TO THE CONEY ISLAND AMATEUR PSYCHOANALYTIC SOCIETY Zoe Beloff “We are all freaks on the inside” Albert Grass Abstract: In my work as an artist, I explore ways to manifest graphically the unconscious processes of the mind and discover how they intersect with technologies of the moving image. My starting point is always historical records, documents. But I want to find ways to document the intangible, images that “are not there”. Uma publicação do Laboratório de Investigação e Crítica Audiovisual (LAICA) da USP AN INTRODUCTION – Zoe Beloff A CHANCE ENCOUNTER When Aaron Beebe, the curator of the Coney Island Museum, invited me to create an exhibition to celebrate the centennial of Sigmund Freud’s visit to Dreamland, there was no way I could say no. I have a long standing fascination with psychoanalysis and Coney Island and this was a once in a lifetime opportunity. I just had no idea how to proceed. Freud’s own notes on his visit, chronicled by Norman M. Klein in “Freud in Coney Island” are in collection of the Freud Museum in London. The idea of simply presenting reproductions of his diary alongside photographs of the attractions that he mentions such as “Hellgate” and “Creation” seemed too dry. I wanted to convey the deep relationships that exist between popular imagination and the amusement park, to demonstrate how our unconscious drives cathect with these fantastic structures. But how could I show this? In my work as an artist, I explore ways to manifest graphically the unconscious processes of the mind and discover how they intersect with technologies of the moving image. -
Advance Exhibition Schedule
ADMIION I FR DIRCTION 10:00 TO 5:00 National Gallery of Art Advance Exhibition Schedule Upcoming Exhibitions In the Library: Companion Pieces National Galler of Art, Washington, April 24–August 25, 2017 Contemporar art movements such as conceptual art, performance art, and minimalism emphasized ideas, experience, and process over the tangile artwork; thus, related printed documents often provided the onl evidence of a work's existence. From the Lirar's vertical files, this selection of documents accompanied such ephemeral works and, among other functions, accessorized a performance piece, such as John Cage's Variations IV; invited participation in the art-making process itself, such as Alan Kaprow's happenings posters; and provided schema for the execution of a work, such as Dan Graham's Performance. The installation is curated Anne H. immons, reference lirarian for vertical files and microforms, department of lirar reader services, National Galler of Art, and is open from 10:00 a.m. to 5:00 p.m., Monda through Frida. Organized the National Galler of Art, Washington Caption: John Cage with David Tudor present a performance of Variations IV at the Feigen/Palmer Galler, 1963, invitation, National Galler of Art Lirar, Vertical Files America Collects Eighteenth-Century French Painting National Galler of Art, Washington, Ma 21–August 20, 2017 As the founding fathers were drawing from French nlightenment philosoph, earl American collectors were developing a taste for 18th-centur French painting. ince then, Americans have enthusiasticall collected French painting from this period. Toda, splendid works artists such as François oucher, Joseph Ducreux, and Jean-Honoré Fragonard are in pulic collections across the countr—from major metropolises to Omaha, Muncie, and Jacksonville.