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Antología Primer Periodo 2019.Pdf 1 04/09/19 10:00 SOLAPA 4Ta DE FORROS LOMO 1Ra DE FORROS SOLAPA Forro Antología Primer Periodo 2019.pdf 1 04/09/19 10:00 SOLAPA 4ta DE FORROS LOMO 1ra DE FORROS SOLAPA Yesenia Cabrera Adolfo Córdova Ulises Flores Hernández René Rueda Ortiz Alejandro Vázquez Ortiz Fabiola Eunice María Fernanda García Giorgio Lavezzaro Jo. Trujillo Esteban Hinojosa Rebolledo Sofía Maravilla ANTOLOGÍA Uriel Mejía Vidal James Nuño DE LETRAS, DRAMATURGIA, Nestor Pinacho Felipe Ramírez GUION CINEMATOGRÁFICO Jorge Armando Ríos Hamlet Ayala Y LENGUAS INDÍGENAS Herson Barona Aurelia Peyron César Cañedo Jóvenes Creadores Karen Plata Armando Salgado del FONCA Fernando Trejo Generación 2018 - 2019 Francisco Antonio Josúe Maychi Elvis Guerra Luis Miguel Arce Eduardo Esquivel Cynthia Fernández Trejo María González de León Gerardo Lechuga Gabriela Ivette Sandoval Torres Ingrid Bravo Mariana Gándara Teresa Díaz del Guante PRIMER PERIODO ANTOLOGÍA de letras, dramaturgia, guion cinematográfico y lenguas inígenas guion cinematográfico dramaturgia, de letras, 2018-2019 Generación del Fonca, Creadores Jóvenes Antología Primer Periodo 2019.indd 1 05/09/19 9:52 Antología Primer Periodo 2019.indd 2 05/09/19 9:52 Antología de letras, dramaturgia, guion cinematográfico y lenguas indígenas JÓVENES CREADORES 2018-2019 PRIMER PERIODO Antología Primer Periodo 2019.indd 3 05/09/19 9:52 Antología Primer Periodo 2019.indd 4 05/09/19 9:52 Antología de letras, dramaturgia, guion cinematográfico y lenguas indígenas JÓVENES CREADORES 2018-2019 PRIMER PERIODO Con comentarios de: David Martín del Campo Ernesto Lumbreras Dante Medina Claudia Posadas Jorge Ortega Esteban Ríos Cruz Briceida Cuevas Cob Fausto Guadarrama Gibrán Portela Gloria Carrasco Sandra Muñoz Antología Primer Periodo 2019.indd 5 05/09/19 9:52 Secretaría de Cultura Alejandra Frausto Guerrero Secretaria Natalia Toledo Subsecretaria de Diversidad Cultural Marina Núñez Bespalova Subsecretaria de Desarrollo Cultural Omar Monroy Titular de la Unidad de Administración y Finanzas Antonio Martínez Enlace de Comunicación Social y Vocero Fondo Nacional para la Cultura y las Artes Adriana Konzevik Cabib Secretaria Ejecutiva Erick Pérez Velasco Subdirección de Operación de Estímulos a la Creación Alejandra Chávez Arroyo Subdirección de Promoción y Difusión Saitiela Ruiz López Coordinación del Programa Jóvenes Creadores Ana García Vergara Coordinación del Primer Periodo Daniel Limón González Coordinación del Segundo Periodo Ángel Martínez Vázquez Diseño Editorial Fondo Nacional para la Cultura y las Artes Primera edición © de cada obra (textos): propiedad del autor D.R. ©2019, de la presente edición: Secretaría de Cultura Fondo Nacional para la Cultura y las Artes Complejo Cultural Los Pinos, edificio Bicentenario, Parque Lira s/n, Bosque de Chapultepec 1ra. Secc., Alcaldía Miguel Hidalgo, C.P. 11850, Ciudad de México. ISBN: 978-607-631-043-4 Todos los Derechos Reservados. Queda prohibida la reproducción parcial o total de esta obra por cualquier medio o procedimiento, comprendidos la reprografía y el tratamiento informático, la fotocopia o la grabación, sin la previa autorización por escrito de la Secretaría de Cultura / Fondo Nacional para la Cultura y las Artes. Impreso y hecho en México Antología Primer Periodo 2019.indd 6 05/09/19 9:52 Índice Presentación 11 CUENTO Cinco cuentistas en formación. David Martín del Campo 14 Yesenia Cabrera. Dentrificatus, La nana Lois 17 Adolfo Córdova. Ojos de cuervo 28 Ulises Flores Hernández. Un hombre moderno 39 René Rueda Ortiz. Hagiografía 52 Alejandro Vázquez Ortiz. No necesito tu ayuda para ir a Dublín 60 ENSAYO CREATIVO Delta de cuatro brazos. Ernesto Lumbreras 70 Fabiola Eunice. Es carne esta luz 73 María Fernanda García. Wisteria Drive 79 Giorgio Lavezzaro. La escritura de lo callado 91 Jo. Trujillo. Arraigo 104 NOVELA Presentación. Dante Medina 114 Esteban Hinojosa Rebolledo. Por suerte las jacarandas 117 Sofía Maravilla. Edades de Saturno 130 Uriel Mejía Vidal. La nota inhabitada 143 James Nuño. El cazador de ratas 155 Nestor Pinacho. Rescoldos 165 Felipe Ramírez. Tierra de panteón 176 Jorge Armando Ríos. Viento del oeste 183 POESÍA Hacia una utopía del sentido. Claudia Posadas 194 Presentación. Jorge Ortega 198 Hamlet Ayala. Babel de cangrejos 202 Herson Barona. Educación básica 207 Aurelia Peyron. Tejidos 212 César Cañedo. Disparos de salida 217 Karen Plata. Un auto azul espera en la bahía 222 Armando Salgado. Rompecabezas 228 Fernando Trejo. Marduck 234 7 Antología Primer Periodo 2019.indd 7 05/09/19 9:52 LENGUAS INDÍGENAS Presentación. Esteban Ríos Cruz, Briceida Cuevas Cob y Fausto Guadarrama 240 Francisco Antonio. Na jiú’ú nu pjeñe/ El peso de la memoria 244 Josúe Maychi. CH’E’EN Ch’e’ene’etik ch’e’en/ CH’E’EN Asomándose al pozo 259 Elvis Guerra. Ca nguiiu naxi xquié/ Hombres de pito salado 288 GUION CINEMATOGRÁFICO Presentación. Gibrán Portela 302 Luis Miguel Arce. La alegría de la Golondrina 305 Eduardo Esquivel. La eterna adolescente 319 Cynthia Fernández Trejo. El lenguaje de los pájaros 332 María González de León. Las ánimas 346 Gerardo Lechuga. Res Mongolia 360 Gabriela Ivette Sandoval Torres. En letras pequeñas 374 DRAMATURGIA Fors in aliquibus rebus plus quad ratio potest/ La casualidad de las cosas puede a veces más que la razón. Gloria Carrasco y Sandra Muñoz 390 Ingrid Bravo. Quemar los campos 393 Mariana Gándara. Territorio austral 404 Teresa Díaz del Guante. Aroma, rastreo de recuerdos 412 8 Antología Primer Periodo 2019.indd 8 05/09/19 9:52 Antología Primer Periodo 2019.indd 9 05/09/19 9:52 Antología Primer Periodo 2019.indd 10 05/09/19 9:52 Presentación Crear es un proceso complejo, va más allá de un solo instante de inspiración en el que afloran emociones e ideas; involucra sensaciones y elementos estéticos, pero también conlleva disciplina, conocimiento, intención, oficio. Generalmente, dar vida a una obra artística implica contar con mucho más que un proyecto y su buena ejecución. Lo sabe quien ha tenido la oportunidad de experimentarlo; es el caso de los jóvenes que han reunido fragmentos de su trabajo en esta antología que incluye novela, cuento, ensayo, guion cinematográfico, dramaturgia, poesía y letras en lenguas indígenas. Estos son los géneros elegidos por cada uno de los 35 de becarios de la generación 2018-2019 del Programa Jóvenes Creadores para transmitir sus intereses y preocupaciones, así como para dar rienda suelta a su creatividad e imaginación. En estas páginas es posible encontrar desde niños trompetistas, hadas de los bosques y atletas en competencia, hasta ratas enormes y aves metálicas, en escenarios tan disímiles como un banco, un restaurante de comida china o un pequeño poblado en el que sus habitantes suelen conversar alrededor de un pozo. Cada texto es una propuesta única, personal, que invita a mirar desde otras perspectivas temas siempre vigentes, como la sexualidad, el poder, las relaciones de abuso, la identidad, o novedosas como la pertinencia o la tragedia que viven los familiares de los desaparecidos. Este libro es, en síntesis, una breve pero significativa muestra de la calidad y potencialidad de quienes están iniciando una trayectoria y que, seguramente, en breve se convertirán en ejemplos significativos de la nueva creación literaria mexicana. 11 Antología Primer Periodo 2019.indd 11 05/09/19 9:52 A 30 años de su fundación, el Fondo Nacional para la Cultura y las Artes (Fonca) celebra a los jóvenes creadores, reconoce su labor, agrade el esfuerzo y la colaboración de los jurados o tutores en este programa de estímulo a la creación artística y cultural, muchos de los cuales fueron en épocas anteriores, beneficiarios del mismo, y hoy son referentes a nivel nacional e internacional. Para festejar sus primeras tres décadas de existencia, el Fonca apuesta por fortalecer las tareas que le dieron sentido y congruencia, transparentar sus mecanismos de operación y revitalizar las oportunidades para la creación. De ahí que, este 2019, por primera vez se lleve a cabo un Encuentro de Jóvenes Creadores en la Ciudad de México, en el que los becarios podrán presentar al público el resultado de su trabajo con una mayor proyección nacional. Además, podrán leerse sus textos en publicaciones específicas para cada uno de los géneros incluidos en la convocatoria, lo que —esperamos— redundará en una mayor difusión de su obra entre públicos específicos, fortaleciendo así el circuito completo de la creación. Esta antología, conformada por textos seleccionados de manera conjunta entre becarios y tutores, es pues, una invitación a conocer lo mejor de las letras de los jóvenes creadores, sus abordajes, intereses y estilos, sus preocupaciones, obsesiones y ocupaciones. Esperamos que sus letras atrapen a los lectores. Antología Primer Periodo 2019.indd 12 05/09/19 9:52 CUENTO Antología Primer Periodo 2019.indd 13 05/09/19 9:52 Cinco cuentistas en formación Infancia es destino, aseguran los creadores del psicoanálisis. Algo de eso rezuman estos cinco jóvenes narradores, beneficiarios del Sistema Nacional para la Cultura y las Artes (2019), en el capítulo de jóvenes escritores. Hemos sesionado una decena de veces, y sobre la mesa nos hemos escuchado y corregido. ¿Qué le sobra a ese texto? ¿No repite demasiado el argumento, no anuncia con obviedad su desenlace? De ese modo, leyendo y revisando los manuscritos, se ha concluido que la siguiente es la muestra (la antología) de lo más sobresaliente de su juvenil producción. Quisiera hablar de todos y cada uno de ellos, a pesar –insisto– de que apenas si los conozco. Lo que sí, se trata de cuentos revisados y subrayados, a ratos tachados, en el transcurso de esas sesiones desarrolladas a lo largo de seis jornadas en Papantla, Veracruz (24 al 26 de abril) y la ciudad de Puebla (20 al 22 de junio). Sus nombres son: Yesenia Cabrera, Ulises Flores, René Rueda, Adolfo Córdova y Daniel Alejandro Vázquez. Iniciemos con René Rueda. De entrada deberemos mencionar que se trata de un escritor con notable vehemencia literaria. Egresado de la prestigiosa Fundación para las Letras Mexicanas, René es poseedor de una narrativa intensa, a ratos coloquial, que busca impactar al lector quizá no de la mejor manera.
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