DOCSLIB.ORG

Yapici Phd Submission

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CROSS-BORDER M&A DEAL INCOMPLETION: INSTITUTIONAL PROCESSES AND OUTCOMES by Nilufer Yapici A Dissertation submitted to the Faculty of the College of Business in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL August 2014 ACKNOWLEDGEMENTS The author wishes to express her sincere thanks and love to her husband, Yapici, Herrmann and Peterson families and her friends for their support and encouragement throughout the writing of this dissertation. The author is grateful to her advisor and committee for providing guidance along the process. The encouragement of entire management faculty in Florida Atlantic University is greatly appreciated. iii ABSTRACT Author: Nilufer Yapici Title: Cross-border M&A Bid Incompletion: Institutional Processes and Outcomes Institution: Florida Atlantic University Dissertation Advisor: Bryant A. Hudson Degree: Doctor of Philosophy Year: 2014 My objective in this dissertation was to understand the processes leading to incompletion of the high profile cross-border deals. A conceptual framework was developed which suggests that announcement of a cross-border merger and acquisition (M&A) deal starts a string of institutional processes that leads to incompletion of the bid. I proposed that less powerful host country actors threatened by the MNC’s bid proposal politicize the transaction turning the deal into a transgression. These actors publicize this transgression, initiating a scandal, to gather support of multiple audiences in their attempts to thwart the threat that the MNC poses. Thanks to their efforts in appealing to audiences and publicization of the deal as a transgression, these actors mobilize audiences who reveal hostile reaction against the MNC and the proposed bid. Such mobilization and hostile reaction, in turn, lead to proposed bid’s incompletion. Qualitative analysis results based on a sample of seven high profile cross-border iv transactions provided support for the conceptualized processes, namely politicization, scandal, mobilization and hostile reaction, while indicating a different order of process progression compared to the linear one conceptualized. I found that in all cases the process of scandal subsumed the other processes that kept scandal alive. In turn, scandal fed these processes giving more leverage to the mobilization efforts and/or increasing the hostility of the actors opposing the deal. The findings revealed that these processes happened simultaneously and that in cases where mobilization did not emerge, hostile reaction substituted for the lack of mobilization. Additionally, analysis showed that not only less powerful actors but also powerful actors, elites, sought to initiate a scandal when the host country political, legal or bureaucratic processes did not work for them in thwarting the deal. This dissertation by examining social construction, power and politics within the host country institutional environment in the context of high profile cross-border deals, presented a framework that explained how and why the hostility leading to deal incompletion emerges in the host country. In so doing, this dissertation strengthens institutional theory, theory of scandal, social movements theory and elite theory as powerful perspectives in international strategic -management. v CROSS-BORDER DEAL INCOMPLETION: INSTITUTIONAL PROCESSES AND OUTCOMES List of Tables ................................................................................................................... viii! List of Figures .................................................................................................................... xi! Introduction and Overview ................................................................................................. 1! Theoretical Framework ...................................................................................... 4! Methodological Framework ............................................................................... 5! Conclusion .......................................................................................................... 6! Literature Review ................................................................................................................ 7! International Management Research Studying Liability of Foreignness ........... 7! International Business Research Studying Cross-Border M&As ....................... 9! Conclusion ........................................................................................................ 14! Conzeptualitzation ............................................................................................................ 17! Theoretical Foundations: Institutional Resistance and Institutional Configurations .................................................................................................. 17 Conceptualization of Institutional Processes and Outcomes Leading to Deal Incompletion ..................................................................................................... 20! Methodology ..................................................................................................................... 45 Sample Selection and Data Collection .............................................................................. 45 vi Data Analysis ................................................................................................... 49 Reliability Measures and Tests ......................................................................... 58! Variables and Measurement ............................................................................. 75! Findings ............................................................................................................................ 86! Synopsis of Cases ............................................................................................. 87! Section I: Propositions and Empirical Findings ............................................. 106! Section II: Emergent Findings ........................................................................ 110! Discussion ....................................................................................................................... 141! Emergent Model ............................................................................................. 147! Contributions .................................................................................................. 152! Managerial Implications ................................................................................. 159! Conclusions .................................................................................................... 159! Future Study ................................................................................................... 160! Appendices ...................................................................................................................... 248! References ....................................................................................................................... 344! vii TABLES Table 2.1: Research on Mergers and Acquisition: Phenomena ........................................ 10 Table 2.1a: Cross-Border M&A Research ...................................................................... 162 Table 3.1: DP World Bid for P&O: Timeline ................................................................... 41 Table 4.1: SDC Incomplete Deals with Different Ultimate Parent Country .................. 173 Table 4.1a: SDC Data Incomplete Deals Explanation and Reason ................................ 175 Table 4.2: Deals Completed at a later date or Sought for less than 50% stake .............. 179 Table 4.2a: Friendly Deals with inadequate data ............................................................ 179 Table 4.3: Hostile Bids ................................................................................................... 180 Table 4.4: Host Country Spain ........................................................................................ 180 Table 4.5: From Yin (2008), Chapter 2: Section 3, Figure 2.3 ....................................... 181 Table 4.6: Categorization of evidence by numbers and source per case ........................ 182 Table 4.7: Dedoose Coding: Coded Passages and Code applications per case .............. 182 Table 4.8: Coding for Main Processes Example: CNOOC-Unocal Case ....................... 183 Table 4.9a: Table of Disagreements: DPW acquisition of six U.S. ports ....................... 200 Table 4.9b: Table of Disagreements: CNOOC bid for Unocal ....................................... 201 Table 4.9c: Table of Disagreements: News Corporation bid for BSkyB ....................... 204 viii Table 4.10a: PhD Coder Video Coding .......................................................................... 207 Table 4.10b: Practitioner Coder Video Coding .............................................................. 208 Table 5.1.1a: The Denouncers, Threatened Actor and Their Reaction by Case ............. 209 Table 5.1.1b: Industry Condition for the Target and the Threatened Actor where Applicable ................................................................................................ 210 Table 5.1.2: Politicization: Frame Alignment Processes and Co-opting Allies ............. 211 Table 5.1.3: Scandal: Main Elements and Characteristics .............................................. 212 Table 5.1.4: Audience Interest .......................................................................................
Recommended publications
  • Annie Ross Uk £3.25

    Annie Ross Uk £3.25

    ISSUE 162 SUMMER 2020 ANNIE ROSS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by Merlin Daleman ANNIE ROSS (1930-2020) The great British-born jazz singer remembered by VAL WISEMAN and DIGBY FAIRWEATHER (pages 12-13) THE 36TH BIRMINGHAM, SANDWELL 4 NEWS & WESTSIDE JAZZ FESTIVAL Birmingham Festival/TJCUK OCTOBER 16TH TO 25TH 2020 7 WHAT I DID IN LOCKDOWN [POSTPONED FROM ORIGINAL JULY DATES] Musicians, promoters, writers 14 ED AND ELVIN JAZZ · BLUES · BEBOP · SWING Bicknell remembers Jones AND MORE 16 SETTING THE STANDARD CALLUM AU on his recent album LIVE AND ROCKING 18 60-PLUS YEARS OF JAZZ MORE THAN 90% FREE ADMISSION BRIAN DEE looks back 20 THE V-DISC STORY Told by SCOTT YANOW 22 THE LAST WHOOPEE! Celebrating the last of the comedy jazz bands 24 IT’S TRAD, GRANDAD! ANDREW LIDDLE on the Bible of Trad FIND US ON FACEBOOK 26 I GET A KICK... The Jazz Rag now has its own Facebook page. with PAOLO FORNARA of the Jim Dandies For news of upcoming festivals, gigs and releases, features from the archives, competitions and who 26 REVIEWS knows what else, be sure to ‘like’ us. To find the Live/digital/ CDs page, simply enter ‘The Jazz Rag’ in the search bar at the top when logged into Facebook. For more information and to join our mailing list, visit: THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 BRITISH JAZZ AWARDS CANCELLED WWW.BIRMINGHAMJAZZFESTIVAL.COM Fax: 0121 454 9996 Email: [email protected] This is the time of year when Jazz Rag readers expect to have the opportunity to vote for the Jazz Oscars, the British Jazz Awards.
  • The Rita Williams Popular Song Collection a Handlist

    The Rita Williams Popular Song Collection a Handlist

    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
  • Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I

    Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I

    JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 117, E00L08, doi:10.1029/2012JE004154, 2012 Large impact basins on Mercury: Global distribution, characteristics, and modification history from MESSENGER orbital data Caleb I. Fassett,1 James W. Head,2 David M. H. Baker,2 Maria T. Zuber,3 David E. Smith,3,4 Gregory A. Neumann,4 Sean C. Solomon,5,6 Christian Klimczak,5 Robert G. Strom,7 Clark R. Chapman,8 Louise M. Prockter,9 Roger J. Phillips,8 Jürgen Oberst,10 and Frank Preusker10 Received 6 June 2012; revised 31 August 2012; accepted 5 September 2012; published 27 October 2012. [1] The formation of large impact basins (diameter D ≥ 300 km) was an important process in the early geological evolution of Mercury and influenced the planet’s topography, stratigraphy, and crustal structure. We catalog and characterize this basin population on Mercury from global observations by the MESSENGER spacecraft, and we use the new data to evaluate basins suggested on the basis of the Mariner 10 flybys. Forty-six certain or probable impact basins are recognized; a few additional basins that may have been degraded to the point of ambiguity are plausible on the basis of new data but are classified as uncertain. The spatial density of large basins (D ≥ 500 km) on Mercury is lower than that on the Moon. Morphological characteristics of basins on Mercury suggest that on average they are more degraded than lunar basins. These observations are consistent with more efficient modification, degradation, and obliteration of the largest basins on Mercury than on the Moon. This distinction may be a result of differences in the basin formation process (producing fewer rings), relaxation of topography after basin formation (subduing relief), or rates of volcanism (burying basin rings and interiors) during the period of heavy bombardment on Mercury from those on the Moon.
  • The History of Ronnie Scott's Jazz Club (PDF)

    The History of Ronnie Scott's Jazz Club (PDF)

    History of Ronnie Scott’s Jazz Club For Ronnie Scott and Pete King, the dream finally came true on Friday October 30th, 1959. That was the day they opened their jazz club in basement premises at 39 Gerrard Street, in London's Soho. The dream had started taking shape some 12 years earlier when Ronnie, then 20, a highly promising tenor saxophonist, blew his savings on a trip to New York to see for himself what the jazz scene there was all about. For a young jazzman from London, particularly in those early post-war years, it was like reaching Mecca. Because of Musicians' Union restrictions, British jazz addicts in the late 1940s and 1950s had virtually no chance of hearing American jazzmen in person. And to hear them even on record meant paying out vast sums for imported 78 rpm performances of Dizzy Gillespie, Charlie Parker and the others. For Ronnie Scott, it was "a fantastic experience." He'd never really heard an American group as such in a proper club atmosphere. The nearest experience had been some informal London sessions featuring musicians from the Glenn Miller and Sam Donahue bands during the later war years. Scott took in most of the New York clubs during his two-week stay. When it was finally time to return to London, the seeds of ambition were well and truly sown within his mind. He was high on American music and basked in the tremendous impression that the Three Deuces and the other clubs had made on him. There were other trips across the Atlantic, with the inevitable visits to the local jazz clubs.
  • Polygonal Impact Craters on Mercury G

    Polygonal Impact Craters on Mercury G

    43rd Lunar and Planetary Science Conference (2012) 1083.pdf POLYGONAL IMPACT CRATERS ON MERCURY G. T. Weihs1, J. J. Leitner1;2 and M. G. Firneis1;2, 1Institute of Astronomy, University of Vienna, Tuerkenschanzstrasse 17, A-1180 Vienna, Austria; 2Research Platform: ExoLife, University of Vienna, Austria; [email protected] Introduction: A polygonal impact crater (PIC) is a Table 1: List of PICs found on Mercury crater, which shape in plan view is more or less angular, and the rims are composed of several straight segments Quadr.Crater Diameter [km]Latitude [◦]Longitude [◦] [1]. Analyzing the images transmitted back to Earth by H01 Nizami 76.88 70.38 167.12 the spacecrafts Mariner 10 and MESSENGER, polyg- H01 Saikaku 64.06 71.89 178 onal impact craters with at least two straight rim seg- H01 Van Dijck 101.23 75.48 166.89 H02 Monteverdi 133.57 64.5 80.88 ments, were detected on Mercury. H02 Rubens 158.79 60.81 78.27 PICs on Mercury: The search for polygonal impact H02 Stravinsky 129.07 51.97 78.91 craters was carried out, using the database in [2]: In a H03 Verdi 144.55 64.25 169.62 H05 Hokusai 114.03 57.76 343.1 first step each of the 15 quadrangle-maps was optically H06 Al-jahiz 82.86 1.42 21.66 scanned for impact craters with at least two straight H06 Chaikovskij 171.02 7.9 50.87 rims. In a second step the data preparation was resulting H06 Hiroshige 138.42 -13.33 26.97 in a set of two images per PIC, one with marked straight H06 Kuiper 62.32 -11.32 31.4 H06 Lermontov 165.82 15.27 48.91 rims and an original one for the purpose of comparison.
  • Final Report

    Final Report

    Final Report Project No: 282703 Project Acronym: NEOShield Project Full Name: A Global Approach to Near-Earth Object Impact Threat Mitigation Final Report Period covered: from 01/01/2012 to 31/05/2015 Date of preparation: 06/07/2015 Start date of project: 01/01/2012 Date of submission (SESAM): 05/08/2015 Project coordinator name: Project coordinator organisation name: Prof. Alan Harris DEUTSCHES ZENTRUM FUER LUFT - UND RAUMFAHRT EV Version: 2 Final Report PROJECT FINAL REPORT Grant Agreement number: 282703 Project acronym: NEOShield Project title: A Global Approach to Near-Earth Object Impact Threat Mitigation Funding Scheme: FP7-CP-FP Project starting date: 01/01/2012 Project end date: 31/05/2015 Name of the scientific representative of the Prof. Alan Harris DEUTSCHES ZENTRUM project's coordinator and organisation: FUER LUFT - UND RAUMFAHRT EV Tel: +493067055324 Fax: +493067055303 E-mail: [email protected] Project website address: www.neoshield.net Project No.: 282703 Page - 2 of 44 Period number: 3rd Ref: 282703_NEOShield_Final_Report-13_20150805_154413_CET.pdf Final Report Please note that the contents of the Final Report can be found in the attachment. 4.1 Final publishable summary report Executive Summary NEOShield was conceived to address realistic options for preventing the collision of a naturally occurring celestial body (near-Earth object, NEO) with the Earth. Three deflection techniques, which appeared to be the most realistic and feasible at the time of the European Commission’s call in 2010, form the focus of NEOShield efforts: the kinetic impactor, in which a spacecraft transfers momentum to an asteroid by impacting it at a very high velocity; blast deflection, in which an explosive, such as a nuclear device, is detonated near, on, or just beneath the surface of the object; and the gravity tractor, in which a spacecraft hovering under power in close proximity to an asteroid uses the gravitational force between the asteroid and itself to tow the asteroid onto a safe trajectory relative to the Earth.
  • Addendum to the Second Printing

    Addendum to the Second Printing

    APPENDIX EIGHT ADDENDUM TO THE SECOND PRINTING Gordon Beck Quartet: BBC Sessions 1968 On 7 December 1967 the Gordon Beck Trio – from Samantha Blake at the BBC Written Archive a regular recording and performing unit with Centre, I investigated, using first the BBC Genome Gordon on piano, Jeff Clyne on bass and Tony online resource (vintage Radio Times listings) then Oxley on drums – added John McLaughlin on Gordon Beck’s BBC ‘artist file’ and the Programme- guitar and recorded Experiments With Pops, which as-Broadcast (PasB) files for relevant shows. While was released in January 1968. It is possible, from no musicians’ names appear in Gordon’s artist Melody Maker adverts, to identify four gigs around file for any of the various units with which he London by the ‘Gordon Beck Quartet’, with the broadcast during 1968 – and he was a frequent musicians named, between 17 March and 2 May visitor to BBC studios at the time – it seems clear 1968. There may have been others. There were, that John McLaughlin was the fourth member of though, plenty of Gordon Beck Trio gigs going on the Gordon Beck Quartet on a series of broadcasts in the same period and also Gordon Beck Quartet backing singers Mark Murphy and Joy Marshall, gigs involving saxophonist Pete King as the fourth for the programmes Night Ride, Late Night Extra member. and Jazz Club spanning March to May 1968. Somehow, during research for Bathed In Remarkably, around four hours of music (71 Lightning and again for Echoes From Then, I compositions) was recorded during the sessions failed to look into the possibility of any BBC with Mark Murphy – three hours 45 minutes recordings by the Gordon Beck Quartet.
  • The Improvisation of Tubby Hayes in ‘The New York Sessions’

    The Improvisation of Tubby Hayes in ‘The New York Sessions’

    The Improvisation of Tubby Hayes in ‘The New York Sessions’ Exegesis submitted in partial fulfilment of a Masters in Musicology Amity Rose Alton-Lee 20 February 2010 New Zealand School of Music 1 “Imagine for a moment that it is 1959 and that you are a young jazz fan visiting the new Ronnie Scott's club in London; you descend the rickety staircase to the basement venue and are greeted by the overwhelming torrent of musical energy emanating from a small but rotund, sharply suited, incredibly confident looking young tenor saxophonist half crouched before a microphone.” 1 Introduction Tubby (Edward Brian) Hayes; prodigious self taught multi-instrumentalist and virtuoso tenor saxophone player has been proclaimed by some to be the best saxophonist that Britain has ever produced: “Indisputably the most accomplished and characterful British jazzman of his generation.” 2 His career, although cut short (he died undergoing treatment for a heart condition in June 1973, aged 38) was perpetually intense, incredibly prolific, and non-stop from his debut at the age of fifteen until his premature death. Hayes was proficient on many instruments; all saxophones, clarinet, flute, violin and vibraphone as well as being an accomplished bandleader and arranger. However it was his virtuoso tenor saxophone playing that found him acclaim. Although well known in his time and widely renowned for his ability, Hayes until recently has been little studied. It is only in the last few years that many critics and students of jazz have attempted to gain an understanding of Hayes’ improvisational concept, which has been both praised as genius and criticised as directionless: Tubby Hayes has often been lionized as the greatest saxophonist Britain ever produced.
  • IAU Mercurian Nomenclature

    IAU Mercurian Nomenclature

    Appendix 1 IAU Mercurian Nomenclature 1. IAU Nomenclature Rules Since its inception in Brussels in 1919 [1], the International Astronomical Union (IAU) has gradually developed a planetary nomenclature system that has evolved from a purely classically based system into a quite so- phisticated attempt to broaden the cultural base of the names approved for planetary bodies and surface features. At present, name selection is guided by 11 rules (quoted verbatim below) in addition to conventions decided upon by nomenclature task groups for individual Solar System bodies. The general rules are as follows1: 1. Nomenclature is a tool and the first consideration should be to make it simple, clear, and unambiguous. 2. In general, official names will not be given to features whose longest di- mensions are less than 100 metres, although exceptions may be made for smaller features having exceptional scientific interest. 3. The number of names chosen for each body should be kept to a minimum. Features should be named only when they have special scientific inter- est, and when the naming of such features is useful to the scientific and cartographic communities at large. 4. Duplication of the same surface feature name on two or more bodies, and of the same name for satellites and minor planets, is discouraged. Duplications may be allowed when names are especially appropriate and the chances for confusion are very small. 5. Individual names chosen for each body should be expressed in the language of origin. Transliteration for various alphabets should be given, but there will be no translation from one language to another.
  • Open File Report 88-4. Seismic Hazards of Western

    Open File Report 88-4. Seismic Hazards of Western

    WASHINGTON DIVISION OF GEOLOGY AND EARTH RESOURCES Raymond LMrnaais, State o.ologlst SEISMIC HAZARDS OF WESTERN WASHINGTON AND SELECTED ADJACENT AREAS­ BIBUOGRAPHY AND INDEX 1855-JUNE 1988 compiled by CONNIE J. MANSON WASHINGTON DMSION OF GEOLOGY AND EARTH RESOURCES OPEN FILE REPORT 88-4 September 1988 Prepared for the U. S. Geological Survey's Regional Eartbqtµike Hazards Aesasment of the Puget Sound-Portland Area program This report has not been edited or reviewed for conformity wi1h Division of Geology and Earth Resources standards and nomenclature llr!cBI lloy!e • Commlssioner of Public Lands -iiciiuii~Al1 Slaams • ~ CONTENTS Preface ........................... _. .........•................ v Author bibliography ......•.....•...•...••.• ~·~··············l Subject index ......•. ............................................. 263 ~' Subject index tenns •....•••....•...•.•..•.......•......... 996 ILLUSTRATION Map showing the study area for the bibliography of seismic hazards of western Washington and adjacent areas ...................................................... ,x PREFACE This bibliography and index of materials pertinent to the study of earthquake hazards in western Washington was prepared in support of the U.S. Geological Survey's Regional Earthquake Hazards Assessment of the Puget Sound-Portland Area program. Scope Geograehic:. The prpject's entral ge?graph~c foc~s is the Puget Lowland, primarily Whatcom, Skagit,7 Snohomish, King, K1tsap, Thurston, Pierce, Mason, Clark, Cowlitz, Grays Harbor. and Island Counties, and the metropolitan
  • The Improvisation of Tubby Hayes in 'The New York Sessions'

    The Improvisation of Tubby Hayes in 'The New York Sessions'

    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. The Improvisation of Tubby Hayes in ‘The New York Sessions’ Exegesis submitted in partial fulfilment of a Masters in Musicology Amity Rose Alton-Lee 20 February 2010 New Zealand School of Music 1 “Imagine for a moment that it is 1959 and that you are a young jazz fan visiting the new Ronnie Scott's club in London; you descend the rickety staircase to the basement venue and are greeted by the overwhelming torrent of musical energy emanating from a small but rotund, sharply suited, incredibly confident looking young tenor saxophonist half crouched before a microphone.” 1 Introduction Tubby (Edward Brian) Hayes; prodigious self taught multi-instrumentalist and virtuoso tenor saxophone player has been proclaimed by some to be the best saxophonist that Britain has ever produced: “Indisputably the most accomplished and characterful British jazzman of his generation.” 2 His career, although cut short (he died undergoing treatment for a heart condition in June 1973, aged 38) was perpetually intense, incredibly prolific, and non-stop from his debut at the age of fifteen until his premature death. Hayes was proficient on many instruments; all saxophones, clarinet, flute, violin and vibraphone as well as being an accomplished bandleader and arranger. However it was his virtuoso tenor saxophone playing that found him acclaim. Although well known in his time and widely renowned for his ability, Hayes until recently has been little studied.
  • Apply Today for Fall 2019!

    Apply Today for Fall 2019!

    Apply Today for Fall 2019! TENNESSEE STATE UNIVERSITY, founded in 1912, is Nashville’s only public university, and is a comprehensive, urban, co-educational, land-grant university. TSU has earned a top 20 ranking for Historically Black Colleges and Universities according to U.S. News and World Report, and is rated as one of the top universities in the country by Washington Monthly. Visit us online at tnstate.edu. TENNESSEE STATE UNIVERSITY offers: 38 bachelor’s degree programs 24 master’s degree programs 7 doctoral degrees in biological sciences, computer information systems engineering, psychology, public administration, curriculum and instruction, educational administration and supervision, and physical therapy THINK SERVE WORK Office of the President March 26, 2019 Dear Honor Students and Faculty: Congratulations to each of you for your outstanding achievements in academic excellence. We salute you in our Honors Convocation today for your hard work, dedication and determination to continue the legacy of excellence at Tennessee State University. We are very proud of the number of Dean’s List students (2,397) and President’s List students (283) who are being recognized today for their outstanding academic achievements. We are also honored to have State Senator Raumesh Akbari as our convocation speaker. This year’s theme is “Saluting Academic Excellence, Service, and Leadership: Mobilizing High Achievers to be Global Citizens, and Change Agents.” As President of Tennessee State University, and like you a former student in our University Honors College, I commend you for maintaining a high grade point average and for serving as role models to your peers. Your leadership is distinctive and your commitment is unparalleled.