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Annie Ross Uk £3.25
ISSUE 162 SUMMER 2020 ANNIE ROSS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by Merlin Daleman ANNIE ROSS (1930-2020) The great British-born jazz singer remembered by VAL WISEMAN and DIGBY FAIRWEATHER (pages 12-13) THE 36TH BIRMINGHAM, SANDWELL 4 NEWS & WESTSIDE JAZZ FESTIVAL Birmingham Festival/TJCUK OCTOBER 16TH TO 25TH 2020 7 WHAT I DID IN LOCKDOWN [POSTPONED FROM ORIGINAL JULY DATES] Musicians, promoters, writers 14 ED AND ELVIN JAZZ · BLUES · BEBOP · SWING Bicknell remembers Jones AND MORE 16 SETTING THE STANDARD CALLUM AU on his recent album LIVE AND ROCKING 18 60-PLUS YEARS OF JAZZ MORE THAN 90% FREE ADMISSION BRIAN DEE looks back 20 THE V-DISC STORY Told by SCOTT YANOW 22 THE LAST WHOOPEE! Celebrating the last of the comedy jazz bands 24 IT’S TRAD, GRANDAD! ANDREW LIDDLE on the Bible of Trad FIND US ON FACEBOOK 26 I GET A KICK... The Jazz Rag now has its own Facebook page. with PAOLO FORNARA of the Jim Dandies For news of upcoming festivals, gigs and releases, features from the archives, competitions and who 26 REVIEWS knows what else, be sure to ‘like’ us. To find the Live/digital/ CDs page, simply enter ‘The Jazz Rag’ in the search bar at the top when logged into Facebook. For more information and to join our mailing list, visit: THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 BRITISH JAZZ AWARDS CANCELLED WWW.BIRMINGHAMJAZZFESTIVAL.COM Fax: 0121 454 9996 Email: [email protected] This is the time of year when Jazz Rag readers expect to have the opportunity to vote for the Jazz Oscars, the British Jazz Awards. -
Marshall Magazine Summer 2013 Marshall University
Marshall University Marshall Digital Scholar Marshall Magazine Marshall Publications Summer 2013 Marshall Magazine Summer 2013 Marshall University Follow this and additional works at: http://mds.marshall.edu/marshall_magazine Part of the Higher Education Commons Recommended Citation Marshall University, "Marshall Magazine Summer 2013" (2013). Marshall Magazine. Book 5. http://mds.marshall.edu/marshall_magazine/5 This Book is brought to you for free and open access by the Marshall Publications at Marshall Digital Scholar. It has been accepted for inclusion in Marshall Magazine by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. Dr. Piyali Dasgupta Takes on Lung Cancer See page 39 for ALUMNI NEWS and more Summer 2013 www.marshall.edu Marshall President Stephen Kopp Chief of Staff Matt Turner Executive Editor Susan Tams Director of Communications Marshallmagazine Dave Wellman The official magazine of Marshall University Publisher Summer 2013 Jack Houvouras Managing Editor Anna Lafferre features Art Director Jenette Williams 7 Marshall builds its global profile to bring more Senior Graphic Designer international students to campus. Crista Bjornson Contributing Photographers 16 MU aims to preserve the bond between the Rick Haye, Rick Lee, university and its alumni. Liu Yang 18 Dr. Piyali Dasgupta conducts innovative Contributing Writers research on lung cancer. Jack Houvouras, Cory Jackson, Dawn Nolan, Keith Morehouse, Katherine Pyles, Carter Seaton 24 Smith Music Hall is alive with the sound of world-class music education. Alumni Editor Pat Dickson 30 Conference USA realignment brings games Editorial Advisory Board closer to home. William “Tootie” Carter, Maurice Cooley, Jeff O’Malley, Ginny Painter, Rudy Pauley, 34 The inaugural class of the School of Physical Therapy Leah Payne, Susan Tams, completes its first year. -
Firifdt -5Z,Jit C$ V
8 RECORD MIRROR, Week ending January 9,1965 , firifdt -5z,Jit_c$ v. FLAMINGO & ALL MARQUEE CIS\111)ANW CLASSIFIED ADVERTISEMENTS NIGHTER CLUBS NtEtIU DEAD MONEY! Your old records 100A 90 WARDOUR ST., W.1. 33-37 Wardour St., London, W.I. itoAsT records for sale could fetch ff's! THAT DELETED Telephone: GER 8923 Gerrard 1549. Guests welcome RECORD BAZAAR, 50,000 from 2s. RECORDyouwant,couldstill Tony Harris & Rik Gunnell Write for lists,1142/6 Argyle Street, be obtainable, Buy "Pop -Shop" CLUB Thursday, January 7th (7.30-11) present: - Glasgow. 1139 Monthly,Is.,obtainableallnews- 00 (WORD ST, W.1 LONG JOHN BALDRY agents, or Is. 3d. from "Pop -shop," and the (RM) Heanor, Derbyshire. 1152 7.3010 11 p.m. Thursday17th) 7.30 - 11 p.m. (Sutipkf-Ric.i4Mot4o) HOOCHIE COOCHIE MEN SUE RECORDS APPRECIATION OPENING NITE SOCIETY. England's hippest and THURSDAY, January 7th ROD STEWART ALEXIS KORNER SOBITSblmio only authentic R & B Label. From songwriting and THE SOUL AGENTS MULESKINNERS James Brown to Homesick James. MUSIC WRITTEN/ARRANGED - GRAHAM BOND Friday, January 8th (7.30-11) Friday(8tln 7.30 - 11.30 p.m. Monthlynewsletters,biogs.and RIP 4299.8, Melford Avenue, Bark. FOOTPRINTS TONY COLTON Ng nix of artistes,records and 111g, Essex. 610. T-BONES FridayAll Night Session advancereleasesheetsmailed LYRICS WANTED by Music Pub- MULE SKINNERS 12 midnight - 6 a.m. direct,Send 5s.formembership lishing record- to: House - 11,St.Alban's alsoRadioLuxembourg RONNIE JONES 108 Cambridge Road, London, Avenue, London. W.4. 575 FRIDAY, January 8th ingof"Ready,Steady,Radio" PICKLED (FRP:4UENTLY1) N.W.6. -
Post-World War II Jazz in Britain: Venues and Values 19451970
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre). -
Printcatalog Realdeal 3 DO
DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316)
Bio information: JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ One of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). For 45 years, he has been a major force, producing a prodigious and creative body of work that expands beyond jazz. Surman’s extensive discography as a leader and a side man numbers more than 100 recordings to date. Surman has worked with dozens of prominent artists worldwide, including John McLaughlin, Chick Corea, Chris McGregor’s Brotherhood of Breath, Dave Holland, Miroslav Vitous, Jack DeJohnette, Terje Rypdal, Weather Report, Karin Krog, Bill Frisell, Paul Motian and many more. Surman is probably most popularly known for his longstanding association with the German label ECM, who began releasing Surman’s recordings in 1979. Surman has won numerous jazz polls and awards and a number of important commissions. Every period of his career is filled with highlights, which is why Cuneiform is exceedingly proud to release for the first time ever this amazing document of the late 60s 'Brit-jazz' scene. Born in Tavistock, in England, Surman discovered music as a child, singing as soprano soloist in a Plymouth-area choir. He later bought a second- hand clarinet, took lessons from a Royal Marine Band clarinetist, and began playing traditional Dixieland jazz at local jazz clubs. -
Ebook / John Mclaughlin and the Mahavishnu Orchestra
RCRGU0FGTS \\ John McLaughlin and the Mahavishnu Orchestra: Score Edition, Score (Paperback) » eBook Joh n McLaugh lin and th e Mah avish nu Orch estra: Score Edition, Score (Paperback) By Professor of Land Studies John McLaughlin Alfred Music, 2007. Paperback. Condition: New. Language: English . Brand New Book. John McLaughlin and the Mahavishnu Orchestra was the most influential band of the 1970s fusion jazz movement. Fresh from turning the jazz world upside down on Miles Davis immortal In a Silent Way, John McLaughlin teamed with Jan Hammer, Rick Laird, Billy Cobham, and Jerry Goodman to form the Mahavishnu Orchestra, an amazing fusion of jazz, blues, rock and Indian music. This book contains John s own miniature scores to 28 classic Mahavishnu songs. Titles: A Lotus on Irish Streams * Awakening * Be Happy * Birds of Fire * Celestial Terrestrial * Commuters * Dawn * Dream * Earth Ship * Eternity s Breath * Faith * Hope * If I Could See * Lila s Dance * Meeting of the Spirits * Miles Beyond * Noonward Race * On the Way Home to Earth * One Word * Open Country Joy * Opus I * Pastoral * Resolution * Sanctuary * Sapphire Bullets of Pure Love * The Dance of Maya * Thousand Island Park * Vital Transformation * You Know, You Know. READ ONLINE [ 1.53 MB ] Reviews It is an amazing ebook i actually have at any time study. We have read and so i am certain that i will likely to read through yet again once again later on. Your way of life period will likely be change when you complete looking at this pdf. -- Cristina Rowe Extremely helpful to all class of individuals. It really is writter in straightforward terms instead of diicult to understand. -
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
ISSUE 22 ° May 2011
Ne w s L E T T e R Editor: Dave Gelly ISSUE 22 ° May 2011 Ready for the Second Round We have now success- packs on the theme ‘The fully completed the devel- Story of British Jazz’, empha- opment phase of the sising the people and places Simon Spillett Talkin’ (and Access Development involved, and also the wider Playin’) Tubby Project for the Heritage social and cultural aspect of A celebration of the Music, Life Lottery Fund bid. Working the times. Some of these are NATIONAL JAZZ ARCHIVE JAZZ NATIONAL and times of the late, great British with Essex Record Office touched on in the Archive’s and Flow Associates, our exhibition at the Barbican jazz legend Tubby Hayes education and outreach Music Library (see below). With John Critchinson (piano), consultants, we have Alec Dankworth (bass) and developed our plans to Clark Tracey (drums) apply for the second NJA Exhibition Saturday 23 July 2011 round – funding of £388,000 opens at Barbican 1.30 - 4.30pm, at Loughton Methodist Church for a three-year delivery Music Library project. Tickets £10 from David Nathan at The Archive’s exhibition the Archive (cheques payable to This will involve building at the Barbican Music Library National Jazz Archive) on what we have so far is set to open on Tuesday 3rd See also Pages 5 & 6 achieved in increasing access May. It presents the people, to our collections during the places, bands and great jazz development phase - con- events, portrayed in rare serving, cataloguing, digitis- photos, posters, books, ing, developing outreach magazines and ephemera facilities, and collaborating from our fast-growing on projects with those who collection. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964