DOCSLIB.ORG

1956 John Quill

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1956 John Quill II Jl l.L II 1956 oltu Quill -e- w~e,ner . - / .. .. John Marshall High School The loom of our lives 1oreword "Cbildren of Yesterday Heirs of Tomorrow W~at are you Weaving?" Pattern_s e( our way of life-woven on the loom of yesterday and today with a glance toward tomorrow. The warp of the loom is knowledge and the woof activities. These patterns are varied by the gray of serious thought; the red of joyous laughter; and by the pure white of hope and faith. Like sunshine motling the floor of the forest with gay dancing shadows or reflecting in the raindrops its irri­ descent gola, the patterns of the teenager touch all with challenge, mystery, and light. Come, follow us through the intricacies of youth, for they reveal our patterns, as we live, love, and laugh. i'edicatioll "We weave with colors all our own and in the field of destiny we reap as we have sown." The harvest of those that follow can be an abundant one. They, looking back upon our patterns, will discern both good and ill and then weave a better, a stronger, and more lasting design of their own. So to you, students of the future, we dedicate the 1956 John Quill. ~ The future beckons! \1~ .. Principal's Message . To design a pattern ""- t of I doing. It began with eac j .--....o . • At first the design ~rllt'_,IP!II!\.!it has become very weave ~ as we go al t u like....:::::::::_~ opsy in Uncle Tom's Cabin. weave a pattern that is bright and true in color and in symmetry, calls for the best you can give. Only by broadening your knowledge, per­ fecting your skills and creating right attitudes can the pattern of life you fashion become one with a worthy design. I ~I Elmer W. Snyder 6 Master weavers Advisers Leon C. Friel During the past four years, our patterns of Education have Vice Principal taken on new shapes, have shown clearer outlines, and have de­ veloped fuller designs for living. To effect these changes in a normal way, we have had the guidance of our advisers and counselors. Ann Turula Girls' Counselor Mrs. Jessie Barry Joseph Ulrich Alfred Goetz Girls' Advise r Boys ' A dviser 7 Boys' Counselor <:able of eontents A tapestry of work and play Classwork . • • . Page 9 Seniors . • . • . Page 19 Activities . Page 47 Sports . Page 69 • etasswor/{ tt • 1\ J.W.,... Mrs . Isabel M. Barden Lulu E. Bartholomew Mrs. Jane Biddle Nellie E. Bitz Armand S. Bolton Lati n Engl ish Eng lish Eng li sh Driv er Training Faculty Borden C. Booth Trafton Boulls David B. Brady Math Soci al St udies Busi ness Ed ucation- Head William Bushnell Florence Chittenden Donald R. Clark Mrs. Laura H. Colahan Joseph H. Conroy ~e a l th Ed ucation La tin-Soci al St ud ies La nguage-Head Busi ness Ed uc ation Math Mrs. Dorothy H. Corbett Mrs. Dorothy H. Cox Kenneth R. Davis Clayton C. Delong Ethel M. Dunn · Science Foods Health Ed ucatio n Busin ess Ed uc ation Engl is h 10 Elton S. Eike Paul T. Epping Mrs. Jane Feuerherm Mary C. Foley Elaine Forgie Social St udies Math Art English-Head Health Ed ucation Our pattern makers Mrs. Grace C. Fulford W. Kenneth Fulkerson Mrs. Grace L. Fuller English Social Studies-Head Business Education Anthony L. Gerace Edwin A. Gordon Theodore E. Guglin Royal Hill Dan ie l C. Houseman Health Ed uc ation Soci al Studies Sc ie nce Drafting Science-Head Mrs. Jane M. Jones David G. Kopp Earl Lamme! Helen M. Lathrop Calvin Lauder Engli sh Math-Science Social Studi es-English Bu si ne ss Ed ucation Speech Therapist II Frank G. Leac'h Grace M. Leader Robert E. Ley Monroe I. Lord Charles H. Loth Socia l Studies Eng lish Artcraft Math Science Faculty Joseph Melka Nancy Miller Mrs. Mary M. Murphy Art Health Ed ucation En glish Mary M. O'Connor Mrs. Edith B. Olmstead Grace K. O'Reilley Charles W. Pflaum Agnes V. Powers Health Education Math Science Math Modern La nguage Ruth N. Puis Mrs. Laura W. Remington Eleanor J. Riegel Mrs. Katharine M. Saunders Mrs. Virginia S. Scully 12 Clothing Accompan ist Math En glish Science Harold T. Singleton John E. Sullivan George W. Swanson L. Carleton Thayer Roy S. Thrall Music Woodworking General Metals Sc ience Instrumental Music Our pattern makers Mrs. Margaret Tilford Mrs. Florence Trentman Robert W. VandenBerg Psychologist Nurse Custodian-Engineer Thomas F. Vetter Carl U. Wren W. Raymond Wright Sanford Zeman Nicholas Zona Social Studies Social Studies-English Business Ed ucation Social Studies Health Edu cation-Head 13 Our todays English The English Department this year de­ voted itself to the teaching of old and new techniques. Since English is the basic learning of all subjects, this department aimed to teach the student to understand the lang uage; to speak it clearly; to write effectively; and to enjoy it. The love of literature was encouraged by the use of fine novels, plays and poetry, movies, and fine recordings. Social Studies The teaching of good citizenship and of the democratic way of life were two of the chief aims of the Social Studies De­ partment. The many other vital functions included the development of the impor­ tance of geography, and the study of his­ tory, government, and economics. These courses aided today's students, who are actually the backbone and future of our American democracy, to prepare for the future. Science In the Science Department, the faculty, under the direction of Mr. Houseman planned to promote a better understand­ ing of the forces of Nature and of their control and use by man. A science aptitude test was given to all eighth and ninth grade pupils to dis­ cover special aptitudes in the biological, physical, and earth sciences as well as to discover special observation and reason­ ing skills. The Science Department had an enroll­ ment of eight hundred ninety pupils. 14 and yesterdays Languages This year, the Language Department fostered two new courses, fourth year Latin and third year French. These courses were offered in addition to the accustomed three years of Spanish. Empha sis in all classes was, as usual. placed upon comprehension and culture­ backgrounds for intelligent study. Mathematics A variety of math courses was offered to the students of John Marshall this past year. Among these courses were eighth grade math, elementary, intermediate, and advanced algebra, plane and solid geome­ try, trigonometry, and the new math re­ fresher course, which was introduced to the seniors last fall. The math department was composed of eight teachers including Mr. Pflaum , head of the department. Business The Bu si ne ss Department offered to pupils sundry vocational subjects. It pro­ vided them with enough knowledge to secure positions as typists, stenographers, secretaries; junior bookkeepers, clerks, and retail salesmen. The one subject offered that was not vocational, was Typewriting Special. This course was offered to give college preparatory students an oppor­ tunity to learn the fundamentals of the typewriter. 15 Practical Arts The Practica I Arts Depa rtment offered classes that instructed and helped students in solving problems found in later life. The various courses offered in this department were home economics, woodworking, met­ als, craft, and mechanical drawing. These courses required the use and knowledge of many machines. Home economics taught the students cooking and sewing. It also stressed the duties and responsibilities of homelife. Home Economics The shop classes instructed man y stu­ dents, some of whom planned to enter various ·phases of industry. Fine Arts Pupi ls in the Art Department strive to express themselves by their various paint­ ings, drawings, designs, and 3D construc­ tions. Paint, colored pencils, clay, paper, and many other materials were employed as media. The originality and meaning of Art the students' ideas were stressed. Much fine work was contributed to the Scholastic Art Exhibit and various other contests by Ma rshall pupils. Voice Wood Shop Lunchroom Staff Front: Mrs . Burgdorf, Mrs. Lugoski . Back : Mrs. Eshelman, Mrs. Altof, Mrs. Short, Mrs. Shapes, Mrs: Bemish, Mrs . Magin. Librarians Office Staff Mrs. Uderitz, Miss Hilfiker Mrs. Marcus, Mrs. Elmer Custodians Foreground: Mr. Vanden Berg. Row 1: Mrs. Pschirrer, Mrs. Donnelly, Mrs. Sergent, Mr. Sutter. Row 2: Mrs. Donaldson, Mr , Stohl, Mr. Miller, Mrs. Gavitt, Mr. Donovan . 18 Seniors I PAUL ABENDROTH HIROAKI AMAGATA DALE S. ANDERSON "Who sa id Einstein was dead?" " East meets west; Andy We're so glad you come'' "To succeed is his goal" As we walked through PHILLIP ARGENTO "Our ace of spades" SHIRLEY A. ATWOOD Shirl " Lots of pep for a little gal" CLASS ·' CHARI!ES M. BALDECK DAVID E. BANE ANN MARIE BARROW JAMES WESLEY BARTLETT and quid of Dave " If you're looking for a friend, "A little nonsense now and " I save time for g irls, lots of She's the one we'd recom­ then , time'' mend " Is relished by the best of 20 men " LAWRENCE L. BATES LORRAINE BEALS DAVA BEAUMONT " Morsholl's onswer to Don iel "The girl with o pretty smile " "Go-getters never foil " Webster" the halls of Marshall . EVELYN BEEHLER ., Evy "Who could be nicer? " '<. "Strong ond content, I trovel the o pen rood" OF 19.56 EVELYN RUTH BENTON MARILYN T. BIANCHI ALAN BIERWORTH BEA TRIX OlVERA BOKHORST Evie "Unique-Bro ins ond person­ "My secrets l!lre my own" Vera " Sm iling through" olity" " In ony line she'll d o fi ne" 21 LINDA LEE BOWEN CAROL D. BOYCE MARY LOU BRANCH "One tou-c h of Venus" ''A goy odventurer'' " So pretty.
Load more

Recommended publications
  • Marshall Magazine Summer 2013 Marshall University
    Marshall University Marshall Digital Scholar Marshall Magazine Marshall Publications Summer 2013 Marshall Magazine Summer 2013 Marshall University Follow this and additional works at: http://mds.marshall.edu/marshall_magazine Part of the Higher Education Commons Recommended Citation Marshall University, "Marshall Magazine Summer 2013" (2013). Marshall Magazine. Book 5. http://mds.marshall.edu/marshall_magazine/5 This Book is brought to you for free and open access by the Marshall Publications at Marshall Digital Scholar. It has been accepted for inclusion in Marshall Magazine by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. Dr. Piyali Dasgupta Takes on Lung Cancer See page 39 for ALUMNI NEWS and more Summer 2013 www.marshall.edu Marshall President Stephen Kopp Chief of Staff Matt Turner Executive Editor Susan Tams Director of Communications Marshallmagazine Dave Wellman The official magazine of Marshall University Publisher Summer 2013 Jack Houvouras Managing Editor Anna Lafferre features Art Director Jenette Williams 7 Marshall builds its global profile to bring more Senior Graphic Designer international students to campus. Crista Bjornson Contributing Photographers 16 MU aims to preserve the bond between the Rick Haye, Rick Lee, university and its alumni. Liu Yang 18 Dr. Piyali Dasgupta conducts innovative Contributing Writers research on lung cancer. Jack Houvouras, Cory Jackson, Dawn Nolan, Keith Morehouse, Katherine Pyles, Carter Seaton 24 Smith Music Hall is alive with the sound of world-class music education. Alumni Editor Pat Dickson 30 Conference USA realignment brings games Editorial Advisory Board closer to home. William “Tootie” Carter, Maurice Cooley, Jeff O’Malley, Ginny Painter, Rudy Pauley, 34 The inaugural class of the School of Physical Therapy Leah Payne, Susan Tams, completes its first year.
    [Show full text]
  • JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316)
    Bio information: JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ One of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). For 45 years, he has been a major force, producing a prodigious and creative body of work that expands beyond jazz. Surman’s extensive discography as a leader and a side man numbers more than 100 recordings to date. Surman has worked with dozens of prominent artists worldwide, including John McLaughlin, Chick Corea, Chris McGregor’s Brotherhood of Breath, Dave Holland, Miroslav Vitous, Jack DeJohnette, Terje Rypdal, Weather Report, Karin Krog, Bill Frisell, Paul Motian and many more. Surman is probably most popularly known for his longstanding association with the German label ECM, who began releasing Surman’s recordings in 1979. Surman has won numerous jazz polls and awards and a number of important commissions. Every period of his career is filled with highlights, which is why Cuneiform is exceedingly proud to release for the first time ever this amazing document of the late 60s 'Brit-jazz' scene. Born in Tavistock, in England, Surman discovered music as a child, singing as soprano soloist in a Plymouth-area choir. He later bought a second- hand clarinet, took lessons from a Royal Marine Band clarinetist, and began playing traditional Dixieland jazz at local jazz clubs.
    [Show full text]
  • Varsity Jazz
    Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Addendum to the Second Printing
    APPENDIX EIGHT ADDENDUM TO THE SECOND PRINTING Gordon Beck Quartet: BBC Sessions 1968 On 7 December 1967 the Gordon Beck Trio – from Samantha Blake at the BBC Written Archive a regular recording and performing unit with Centre, I investigated, using first the BBC Genome Gordon on piano, Jeff Clyne on bass and Tony online resource (vintage Radio Times listings) then Oxley on drums – added John McLaughlin on Gordon Beck’s BBC ‘artist file’ and the Programme- guitar and recorded Experiments With Pops, which as-Broadcast (PasB) files for relevant shows. While was released in January 1968. It is possible, from no musicians’ names appear in Gordon’s artist Melody Maker adverts, to identify four gigs around file for any of the various units with which he London by the ‘Gordon Beck Quartet’, with the broadcast during 1968 – and he was a frequent musicians named, between 17 March and 2 May visitor to BBC studios at the time – it seems clear 1968. There may have been others. There were, that John McLaughlin was the fourth member of though, plenty of Gordon Beck Trio gigs going on the Gordon Beck Quartet on a series of broadcasts in the same period and also Gordon Beck Quartet backing singers Mark Murphy and Joy Marshall, gigs involving saxophonist Pete King as the fourth for the programmes Night Ride, Late Night Extra member. and Jazz Club spanning March to May 1968. Somehow, during research for Bathed In Remarkably, around four hours of music (71 Lightning and again for Echoes From Then, I compositions) was recorded during the sessions failed to look into the possibility of any BBC with Mark Murphy – three hours 45 minutes recordings by the Gordon Beck Quartet.
    [Show full text]
  • An Assessment of Psychoacoustical Models in The
    Abstract A simple system for recognizing music is presented, based on various musical descriptors, num- bers that describe some aspect of the music. Various descriptors are discussed; in particular, a novel descriptor, the floor-1 cepstral coefficient (F1CC) measure, a refinement of MFCCs based on the Vorbis psychoacoustical model is presented and evaluated. Also, various forms of statistical dimensionality reduction, among them PCA and LDA, are considered in the present context. Finally, a few directions for future work are discussed. vii viii Acknowledgments First of all, I would like to thank my advisor Jan Tro, who patiently provided feedback and guidance over the course of the entire semester. However, several other people have played important roles: Greg Maxwell originally proposed the idea that eventually led to the develop- ment of F1CCs, and Chris Montgomery provided helpful guidance on the internals of the Vorbis encoder. Mette Langaas helped with various insights on statistics, in particular dimensionality reduction. H˚avard Midtkil provided his entire music collection in FLAC format as data mate- rial, saving countless hours of ripping labor. Finally, Rune Holm and Magne Mæhre proofread the manuscript at various stages, providing invaluable feedback, corrections and suggestions. ix x Contents Abstract vii Acknowledgments ix Contents xi 1 Introduction 1 1.1 MusicInformationRetrieval . ....... 1 1.2 Aimofstudy ...................................... 2 1.3 Structure ....................................... 2 1.4 Previouswork.................................... 2 2 Audio descriptors 5 2.1 Motivation ...................................... 5 2.2 Formaldescription ............................... .... 5 2.3 Desiredproperties ............................... .... 6 2.4 Distortionandnoise .............................. .... 7 2.5 Choiceofsourcefragment . ..... 9 2.6 Basicmusicaldescriptors . ...... 9 2.7 Humandescriptors ................................ 13 3 Mel frequency cepstral coefficients (MFCC) 15 3.1 Psychoacoustical motivation .
    [Show full text]
  • Classical Legal Naturalism and the Politics of John Marshall's Constitutional Jurisprudence, 33 J
    UIC Law Review Volume 33 Issue 4 Article 12 Summer 2000 Classical Legal Naturalism and the Politics of John Marshall's Constitutional Jurisprudence, 33 J. Marshall L. Rev. 935 (2000) Robert Lowry Clinton Follow this and additional works at: https://repository.law.uic.edu/lawreview Part of the Constitutional Law Commons, Judges Commons, Jurisprudence Commons, Law and Society Commons, Legal History Commons, and the Litigation Commons Recommended Citation Robert Lowry Clinton, Classical Legal Naturalism and the Politics of John Marshall's Constitutional Jurisprudence, 33 J. Marshall L. Rev. 935 (2000) https://repository.law.uic.edu/lawreview/vol33/iss4/12 This Article is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Review by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. CLASSICAL LEGAL NATURALISM AND THE POLITICS OF JOHN MARSHALL'S CONSTITUTIONAL JURISPRUDENCE ROBERT LOWRY CLINTON* INTRODUCTION For many scholars, John Marshall has been a great puzzle. Although Marshall is venerated as the "Great Chief Justice" by almost everyone; his jurisprudence has not been regarded as highly, or as thoughtfully, as it ought to have been by most contemporary judges and commentators. Christopher Wolfe stated the problem bluntly almost a decade-and-a-half ago, noting that the "almost unchallenged understanding of Marshall today" is comprised in a view "which dismisses his own statements as words 'well and finely said' but not to be taken seriously."' Happily, the appearance of excellent Marshall studies by such scholars as Charles Hobson and Herbert Johnson during the past few years has ameliorated the situation somewhat.' Still, I think a fair assessment of Marshall's position today would nonetheless confirm the lingering truth of Wolfe's observation.
    [Show full text]
  • Suggested Listening - Jazz Artists 1
    SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell,
    [Show full text]
  • Soft Machine-SWITZERLAND 1974-PR
    Bio information: SOFT MACHINE Title: SWITZERLAND 1974 (Cuneiform Rune 395/396) Format: CD/DVD Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: CANTERBURY / JAZZ ROCK / FUSION Cuneiform Records Release Classic 1974 Bundles-Era Soft Machine Performance Featuring Allan Holdsworth On Guitar And Filmed at One of Europe’s Most Esteemed Jazz Festivals As A Dual DVD+CD Package At the end of 1973, the British band Soft Machine embarked on a fresh start. In December 1973, it added guitarist Allan Holdsworth (recently with Jon Hiseman’s Tempest, and previously Nucleus) to its line-up, which then consisted of Soft Machine founding member and keyboardist Mike Ratledge, along with pianist and saxophonist Karl Jenkins, bass player Roy Babbington, and drummer John Marshall. Jenkins and Ratledge then composed a whole new repertoire, which the band road-tested on extensive tours of North America and continental Europe in the first half of 1974. That material eventually made up Soft Machine’s eighth recording, the first not named after its order of release: the album Bundles, widely acknowledged as a jazz-rock / fusion classic. When released by EMI’s Harvest Label in early 1975, Bundles would secure Soft Machine’s role in the transcontinental jazz-rock pantheon alongside Return To Forever and Mahavishnu Orchestra in the USA, and Nucleus, Brand X, and Isotope in the UK. Soft Machine’s status in the international jazz/rock avant-garde was widely apparent even before Bundles’ official release.
    [Show full text]
  • 1969 Yearbook
    V. PRINCIPLE »+•• ••-•-•-••f t-i-f-H H- + + *•••-•• MARHISCAN 1969 John Marshall High School Indianpolis, Indiana Volume II School Hi eh ,.jr. -» "*&' I . 1 tTOftft M7U1SHALL * Student Life As the time to begin the second link of Marshall's history draws near, we all feel a new sense of comradeship. The first graduates have established many traditions for future Marshallites. Last year's events spark an inevitable chain- reaction in every phase of school life. These memories are the forge in which our second link is fired with Patriot spirit and determination. A link with the past, a link with the future ... ACADEMICS 12 ACTIVITIES 40 SPORTS 64 L^i <Jm i «rh^^ ijfl "J^^hrkA^ mBr': & ! P*y- btrJi Pats Mirror Life at Marshall Spirit's "bustin' out all over" and Pats are on the move. Everywhere, Marshall's unique school life is on the move. From the shiney plates on a student's car to the frilly cuffs of the drum major costume, Marshall's Spirit ties together the school and the lives of the students. There's no way to chain a Patriot down. Fall Marks Birth of No Patriots fall by the wayside as the second active year of Marshall's history moves into full swing. Pats always "groove" at the autumn sock-hops and dances. As the time for a musical rolls around, all eyes turn from the busy gridiron and the football team to the stage for Marshall's first full-scale show, "Cinderella." Meanwhile, some Patriots go cavemen as the spelunkers link yet another field of interest to Marshall's growing chain.
    [Show full text]
  • Marching Band
    Don't walk in front of me, Editors 1-15 I might not follow. Faculty And Academics 16-43 Don't walk behind me, Athletics 44-67 I might not lead. Activities 68-99 Just walk beside me and be Seniors 100-137 my friend. Advertising 138-168 Education is the Appren­ ticeship of life §§ Wilmott CLEVELAND ORCHESTRA, LORIN MAAZEL - MUSIC DIRECTOR The greatest achievement of human spirit is to live up to one's opportunities and make the most of one's re­ sources. — Vanuvenargues We know what we are, but not what we may be. — Shakespeare Every Individual Has a Place to Fill in the World and is Important Whether He Chooses to Be So or Not — Hawthorne 10 Character Is A Victory, Not A Gift. — Try Square I Like the Dreams of the Future Better Than the His tory of the Past — Thomas Jefferson TO THE CLASS OF JUNE, 1974: Your senior year will long be remembered as the year our form of government withstood the challenge of the century. As graduating seniors you, too, must meet the challenge of society. In your quest for success remember that every man, by consenting with others to form a government, puts himself under an obligation to everyone in that society to submit to the determination of the feeling of the majority. This principle was first and foremost in the keen minds of the framers of the Declaration of Independence. Our desire is that each of you experience life in its fullest, and our best wishes go with you. Joseph Dinunzio 16 •i • « mm 3 1 il "1 Assistant Principals A John Burke B Margaret Kevach C Richard Liderbauch D Miller Mischal E Leonard Reinhard SENIOR HOMEROOM TEACHERS AND ADVISORS D.
    [Show full text]