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Patricia highsmith books pdf

Continue Influential author of The Unknown is still not exactly a household name, but her books have had a lasting impact on pop culture and literature for several decades. 's 1999 film The Talented Mr. Ripley starring was based on Highsmith's novel of the same name. Many other directors, including Alfred Hitchcock, Renee Clement and Wim Wenders, adapted her work, and her characters were brought to life on screen by the likes of Dennis Hopper, John Malkovich and Cate Blanchett. Much of Highsmith's early work, which has now entered the mainstream, contains strange subtexts or strange coded characters, and she wrote a novel in the early 1950s that was significant at the time for showing a novel between two women with a happy, if complex, ending. This book, Carol, was originally published under a pseudonym, but in the final years of her career, Highsmith began to include more characters in books she wrote under her own name that were openly and unequivocally strange. Despite Highsmith's importance to LGBT literature and the literary world in general, immersing herself in her work means being subjected to the personal flaws she has brought to her. Accidental (and not so casual) racism has leaked into many of her books. This uncomfortable truth sits next to the fact that its fiction, albeit in a rather strange and devious way, is refreshingly anti-capitalist and more than willing to paint the police, the U.S. prison system, and the rich in a very unflattering light. While her stories often offer little moral judgment, they tend to organically raise questions about power structures and how they are maintained through institutions built on aspects of sexuality, gender and status. As you might expect, given all this, many of her works contain egregious displays of racism, homophobia, sexism and misogyny (along with violence); I've included some specific content warnings for the books below. During her life, Highsmith wrote 22 novels and several collections of short stories. So where do you start? The talented Mr. Ripley Eto, the first of five books in the Ripliad Highsmith, represents , a charming serial killer and fraudster who begins his criminal life when the father of a young man Tom vaguely knew in high school begs him to take a trip to Italy, all expenses paid, and convince his wayward son to return to the U.S. The talented Mr. Ripley is probably Highsmith's most obvious book to start with for several reasons: It's popular, it's the beginning of the series, but can also be read as standalone, and along with other Ripley books it's the source material for numerous adaptations, as well as upcoming TV series starring Andrew Scott (AKA Hot Priest from Fleabag). Thank you for signing up! Follow By subscribing you agree to our terms of use Also, the talented Mr. Ripley is something of a primer for the social and philosophical realm of Highsmith fiction. Representing a very immoral character such as Ripley, the author reveals the equally immoral nature of the world around him. Thanks to his crime Ripley, in a sense, simply acts out of the expectations of class society in a more obvious way than the rich people he tricks into trusting him. Roman and Ripliad in general can be seen as a complex, but somewhat realistic fantasy, built around a character who, disconnecting from a more comfortable lifestyle, decides to access this lifestyle by force. However, there are additional layers in Ripley's story that a few rereads can reveal. In an article published in 2017 in the Los Angeles Times, author Alexander Chi spoke about only one interesting theory of Ripley, which may not immediately arise in most readers. CW (for the novel): Carol Carol's homophobia, the aforementioned strange novel that also appeared under the name Price of Salt, was first published under the pseudonym Claire Morgan. It was adapted for the film (starring Cate Blanchett and Rooney Mara) directed by Todd Haynes in 2015. Reading Carol can be a bittersweet experience because it inhabits categories all its own- in Highsmith's work and elsewhere. The upside of this is that there are no prerequisites for reading it, and there is a good chance that if you enjoy this novel, you will enjoy other Highsmith works as well. The plot follows Teresa, a young woman who falls in love with an older divorce, Carol. If Tom Ripley's story is a fantasy about an outsider penetrating the world of heteronormative upper class, Carol is, in a sense, about drifting out of this world. This is not to say that it cannot be seen as a genuine novel, but it is also about two women taking over their own existence in a society that is hostile to who they are. Although Carol is the only Highsmith novel that adheres to the structure of the romance story, it still evokes the tense atmosphere characteristic of her other books, here, however, many of the elements of suspense revolve around the question of navigating a capitalist, patriarchal society as a strange woman. CW: Homophobia, sexism/misogyny By Edith Diary as Carol, Edith's Diary is an ejection among Highsmith's novels in that it's not exactly a simple crime fiction. However, it is very memorable and easily accessible to those who have not read any of her previous works. Either way, if you're just starting out with Highsmith, there's absolutely nothing wrong with the front boot reading with two of her novels that feature female protagonists, and that also happens to be two of her most Books. That doesn't mean Edith's diary is for everyone, but it will be for fans of slow, psychological horror, what appears in all of Highsmith's fiction, but never as full and as sustainable fashion as it does here. Fair warning: A critic once described this book as a relentless dissection of a non-exceptional life that burns itself with a lack of love and happiness, and it's hard to argue with this brutally accurate assessment, though I would also argue that there is much more to it than that. The novel follows Edith Howland, a woman who has snuged much of her happiness into her role as a wife and mother, only to have her expectations dashed when her husband leaves her for a young woman. As Edith's life slowly begins to unravel, she begins eking out a fictional existence through her diary entries. Many of Highsmith's novels rely heavily on travel and scenery changes, but this slow-burning domestic thriller remains right in the house. CW: Sexism/misogyny Strangers on the Strangers train was Highsmith's first novel, and it gives a clear picture of the direction her work will continue to take over for the next four and a half decades, exploring obsessive relationships, psychopathic tendencies, and identity issues. Along with the talented Mr. Ripley, this book is a strong litmus test for how much you could connect with most of its other fiction. It has a rather notable reputation since it was adapted to the screen by Alfred Hitchcock in 1951. The main character, Guy Haines, wants to divorce his wife and marry another woman. During a train ride, he meets Charles Bruno, a young man who proposes to him, Bruno, to kill Guy's wife in exchange for Guy killing his father Bruno. While Guy does not agree to this arrangement, Bruno decides to take matters into his own hands, leaving Guy with a transformed life, an unshakable connection with Bruno and the impending question of what to do next. Selected stories by Patricia Highsmith While Highsmith is known primarily for her novels, she has been a prolific storytelling writer as well, and her work in this form covers an even greater range of subject matter and craftsmanship than her feature fiction does. Patricia Highsmith's selected stories contain more than 60 stories from several collections. Even if you read all of Highsmith's novels before approaching this book, they won't prepare you for the first set of stories that appear in it: The Book of Animal Lovers of Brutal Murders, like its crime novels, tells tales of aggrieved characters who are forced to kill for their own interests, only these characters are animals that are forced to kill people (yes, in fact). And maybe the stories only get weirder from there. The above five books cover a significant variety of works and should be available to a wide audience, including beginners Highsmith's books have a broad appeal for a reason, so Chances are, after diving into one of these options, you'll be stacking your TBR with more. Patricia HighsmithPublicity photo from 1962Borny Patricia Plangman (1921-01-19)January 19, 1921Fort Worth, Texas, USA DiedFebruary 4, 1995 (1995-02-04) (aged 74) Locarno, SwitzerlandPenn's name Claire Morgan (1952)OccupationNove Short writerLanguageEnglishNationalityAmericanEducationJulia Richman High SchoolAlma materBarnard CollegePeriod1942-1995GenreSuspense, psychological thriller, Crime Fiction, RomanceLite MovementModern LiteratureReporting works Strangers on the Train Price of Salt (also known as Carol) The Blunderer Talented Mr. Ripley Deep Water 1921 - February 4, 1995 - American writer and writer best known for her psychological thrillers, including a series of five novels featuring the character Tom Ripley. She has written 22 novels and numerous short stories throughout her career spanning nearly five decades, and her work has led to more than two dozen adaptations. Her writing derived influence from existentialist literature, and the notions of identity and popular morality are interpreted. She was named the poet of fear by writer Graham Greene. E her first novel, Strangers on the Train, has been adapted repeatedly for the stage and screen, notably by Alfred Hitchcock in 1951. Her 1955 novel The Talented Mr. Ripley has been adapted many times for film, theatre and radio. Writing under the pseudonym Claire Morgan, Highsmith published her first lesbian novel with a happy ending, The Price of Salt, in 1952, re-released 38 years later as Carol under her own name and then adapted into the 2015 film. Early Life This section needs to be expanded. You can help by adding to it. (November 2015) Highsmith was born Mary Patricia Plangman in Fort Worth, Texas. She was the only child of artists Jay Bernard Plangman (1889-1975), who was of German descent, and Mary Plangman (at Cory Coates; September 13, 1895 - March 12, 1991). The couple divorced ten days before the birth of their daughter. In 1927, Highsmith, her mother and her adoptive stepfather, the artist Stanley Highsmith, whom her mother married in 1924, moved to New York. When she was 12 years old, Highsmith was sent to Fort Worth and lived with her grandmother for a year. She called it the saddest year of her life and felt like an abandoned mother. She returned to New York to continue living with her mother and stepfather, mostly in Manhattan, but also in Astoria, queens. According to Highsmith, her mother once told her that she tried to interrupt her by drinking squidar, although Highsmith's biography indicates that Jay Plangman tried to persuade his wife to have an abortion, but she refused. Highsmith never resolved these love-hate relationships, which are reportedly her for the rest of her life, and which she fictionaled in Terrapin, her tale of a boy who stabbed his mother to death. Highsmith's mother died at the age of four at the age of 95. Grandma Highsmith taught her to read at an early age, and she enjoyed her grandmother's extensive library well. At the age of nine, she found a resemblance to her own creative life in the history of the human mind by Carl Menninger, a popularizer of Freudian analysis. Many of Highsmith's 22 novels were set in Village, where she lived at 48 Grove Street from 1940 to 1942, before moving to 345 E. 57th Street. In 1942, Highsmith graduated from Barnard College, where she studied English composition, drama and storytelling. After graduating from college, despite the approval of highly qualified professionals, she unsuccessfully applied for a job in such publications as Harper's Bazaar, Vogue, Mademoiselle, Good Housekeeping, Time, Fortune and The New Yorker. Based on Truman Capote's recommendation, Highsmith was accepted by the retreat artist Yaddo in the summer of 1948, where she worked on her first novel, Strangers on the Train. Highsmith's personal life has experienced cycles of depression, some of which have been profound throughout her life. Despite her literary success, she wrote in her Diary of January 1970: I am now cynical, quite rich... lonely, depressed, and utterly pessimistic. Over the years, Highsmith has suffered from a deficiency of female hormones, anorexia nervosa, chronic anemia, Burger disease and lung cancer. For all the devils, lust, passion, greed, envy, love, hate, strange desires, enemies of the ghost and the real, the army of memories with which I fight, let them never give me peace. Patricia Highsmith, My New Year's Toast, a 1947 magazine entry, in the words of her biographer Andrew Wilson, said Highsmith's personal life was disturbing. She was an alcoholic who allegedly never had an intimate relationship that lasted more than a few years, and she was seen by some of her contemporaries and acquaintances as misanthropic and hostile. Her chronic alcoholism intensified as she got older. She famously preferred the company of animals to the company of people and stated in a 1991 interview: I choose to live alone because my imagination functions better when I do not need to talk to people. Otto Pensler, her American publisher through his penzler Books imprint, met Highsmith in 1983, and four years later witnessed some of its theatricality designed to create chaos at dinner tables and shipwrecks in the evening. After her death, he said that Highsmith was a mean,000-something, cruel, difficult, unloved, unloved man. . . . I could never penetrate like any man be that relentlessly ugly. ... But her her Brilliant. Other friends, publishers and acquaintances had different views on Highsmith. Editor Gary Fisketjon, who published her later novels through Knopf, said she was very rude, very difficult ... But it was also simple, dryly funny, and great fun to be around. Composer David Diamond met Highsmith in 1943 and described her as a pretty depressed person, and I think people explain it by pulling out traits such as cold and low-key when in fact it all came from depression. J.G. Ballard said of Highsmith: The author of Strangers on the Train and The Talented Mr. Ripley was as deviant and whimsical as her mischievous characters, and didn't seem to mind if everyone knew it. Screenwriter Phyllis Nagy, who adapted The Price of Salt in Carol in 2015, met Highsmith in 1987, and they remained friends for the rest of Highsmith's life. Nagy said Highsmith was very sweet and encouraging her as a young writer and also wonderfully funny. Some considered her a lesbian with a misogynistic streak. Highsmith loved cats and she bred about three hundred snails in her garden at her home in Suffolk, England. Highsmith once attended a London cocktail party with a giant handbag that contained a lettuce head and a hundred snails, which she said were her companions for the evening. She loved woodworking tools and made some pieces of furniture. Highsmith worked non-stop. In later life, she became bent, with an osteoporosis hump. Although the 22 novels and eight short stories she wrote were praised, especially outside the United States, Highsmith chose her personal life to remain private. The lifelong diarist Highsmith left behind eight thousand pages of handwritten notebooks and diaries. 345 E. 57th Street, NYC - Patricia Highsmith's Residence Sexuality As an Adult, Patricia Highsmith's sexual relationship was predominantly with women. She occasionally had sex with men without physical desire for them and wrote in her diary: The man's face does not appeal to me, I am not beautiful. In the late 1950s, she told the writer Mariana Meeker that she tried to love men. I like most men better than I like women, but not in bed . In a 1970 letter to her stepfather, Stanley Highsmith described sexual contact with men as a steely fur in the face, a sense of rape in the wrong place, which led to the feeling that soon enough he would have a boewl movement. Stressing: If these words are unpleasant to read, I can assure you that it is a little more unpleasant in bed. Phyllis Nagy described Highsmith as a lesbian who didn't really like being around other women, and the few sex balls she had with men only happened for to see if she can be in men that way, because she she she much more preferred their company. In 1943, Highsmith had an affair with the artist Amona Cornell, who, despondent over the unrequited love of another woman, committed suicide in 1946 by drinking nitric acid. During her time at Yaddo Highsmith, she met the writer Mark Brandel, the son of the writer J.D. Beresford. Despite the fact that she told him about her homosexuality, they soon entered into a short-lived relationship. He convinced her to visit him in Provincetown, Massachusetts, where he introduced her to Ann Smith, an artist and designer with a previous singer as a Vogue model, and they became involved. After Smith left Provincetown, Highsmith felt she was in jail with Brandel and told him she was leaving. Because of this, I have to sleep with him, and just the fact that it's the last night strengthens me to bear it. Highsmith, who had never been sexually exclusive to Brandel, resented having sex with him. Highsmith temporarily broke off his relationship with Brandel and continued to work with several women, reuniting after the well-received publication of his new novel. Beginning on November 30, 1948, and continuing for the next six months, Highsmith underwent psychoanalysis, trying to fit in the sexual environment to marry Brandel. The analysis was brought to Highsmith's halt, after which she ended her relationship with him. After her engagement to Mark Brandel ended, she had an affair with psychoanalyst Katherine Hamill Cohen, wife of British publisher Dennis Cohen and founder of Cresset Press, who later published strangers on a Train. To help pay for twice-weekly therapy sessions, Highsmith took up sales during the Christmas rush season in the Bloomingdale's toy section. Ironically, it was during this attempt to cure her homosexuality that Highsmith was inspired to write her semi-authoric novel, The Price of Salt, in which two women meet in a department store and begin a passionate romance. In early September 1951, she began an affair with the sociologist Ellen Blumenthal Hill, who traveled back and forth to Europe to meet her. When Highsmith and Hill arrived in New York in early May 1953, their novel was supposedly fragile, Highsmith began an impossible affair with German homosexual photographer Rolf Titgens, who played a sporadic, intense and inconsistent role in her emotional life since 1943. She was reportedly attracted to Titgens because of his homosexuality, by the trust that she felt with him as if he were another girl, or a singularly innocent man. Titgens took several nude photos of Highsmith, but survived only one, torn in half at the waist, so only her upper body is visible. She dedicated Two Faces of January (1964) to Tietgens. Highsmith Highsmith with author Marian Meeker. Meeker wrote lesbian stories under the pseudonym Anne Aldrich and mysterious/suspense fiction as Vin Packer and later wrote fiction for young adults as M.E. Kerr. In the late 1980s, after 27 years of separation, Highsmith began to correspond with Meeker again, and one day appeared on Meeker's doorstep, slightly drunk and bitterly ranting. Meeker later said she was horrified by how Highsmith's personality had changed. Highsmith attracted women of privilege who expected their lovers to treat them with reverence. Phyllis Nagy said she belonged to a very specific subset of lesbians and described her behavior with many of the women she was interested in as being comparable to the studio boss who pursued the asterisks. Many of these women, who to some extent belonged to the Carol Aird type and its social set, remained friendly with Highsmith and confirmed stories of seduction. Highsmith was remarkably open and outspoken about her sexuality. She told Meeker, The only difference between us and heterosexuals is what we do in bed. The death of Patricia Highsmith, 74, died on 4 February 1995 from a combination of aplastic anemia and lung cancer at Carita Hospital in Locarno, Switzerland, near the village where she had lived since 1982. She was cremated in a cemetery in Bellinzon; a memorial service was held at Chiesa di Thingia in Tegwa, Ticino, Switzerland; and her ashes were buried in his columbarium. She left her estate, which is estimated at $3 million, and the promise of any future royalties to the Yaddo Colony, where she spent two months in 1948, writing the Stranger on the Train project. Highsmith was brought to the Swiss Literary Archive at the Swiss National Library in Bern, Switzerland. Her Swiss publisher Diogenes Verlag was appointed literary executor of the estate. Highsmith's religious, racial and ethnic views were a staunch atheist. Although she considered herself liberal, and in her school years got along with black students, in later years she became convinced that blacks were responsible for the welfare crisis in America. She didn't like Koreans because they ate dogs. Highsmith was a strong supporter of Palestinian rights, a position that, in the words of screenwriter Carol Phyllis Nagy, often balanced in outright anti-Semitism. When she lived in Switzerland in the 1980s, she used nearly 40 aliases when she wrote to various government agencies and newspapers, expressing regret for the state of Israel and the influence of Jews. However, many of the women she had romantic relationships with, as well as friends she valued, were Jews, such as Arthur Koestler, whom she met in October 1950 and with whom she had a bad affair. to hide her homosexuality, believing that the disclosure by Mark Brandel that she was homosexual would hurt her professionally. Moreover, Saul Bellow, also a Jew, was a favorite author. Highsmith described herself as a social democrat. She believed in American democratic ideals and in the promise of U.S. history, but was also critical of the reality of the country's culture and foreign policy in the 20th century. Since 1963, she has lived exclusively in Europe. She retained her U.S. citizenship despite tax sanctions, which she bitterly complained about while living in France and Switzerland for years. Israel Highsmith joined writers such as Gore Vidal, Alexander Cockburn, Noam Chomsky and Edward Said in supporting Palestinian self-determination. As a member of Amnesty International, she felt obliged to publicly express her opposition to the movement of Palestinians. Highsmith banned her books from publishing in Israel after Menachem Begin was elected prime minister in 1977. She dedicated her 1983 novel, The People Who Knock on the Door, to the Palestinian people: the courage of the Palestinian people and their leaders in the struggle to rebuild part of their homeland. This book has nothing to do with their problem. The inscription was removed from the American edition with the permission of its agent, but without Highsmith's consent. Highsmith made a financial contribution to the Jewish Committee on the Middle East, an organization founded in 1988 that represented American Jews who wanted the United States to separate ... From Israel's politics. She wrote in an August 1993 letter to Marijana Meeker: The United States could save 11 million a day if it cut the dough into Israel. The Jewish vote is 1%. Writing the story of Highsmith on After Dark (June 1988) Comics After graduating from Barnard College, before her stories began to appear in print, Highsmith wrote for comic book publishers from 1942 to 1948, while she lived in New York and Mexico. Responding to an ad for a reporter/rewrite, she landed the job while working for comic book publisher Ned Pines in a bullpen with four artists and three other writers. Originally scripted by two comic book stories a day for a $55-a-week salary, Highsmith soon realized that she could earn more money writing freelance for comics, a situation that allowed her to find time to work on her own stories and live during a period in Mexico. The work of a comic book writer was the only long-term work Highsmith ever occupied. From 1942 to 1943, Highsmith wrote Sgt. Bill King and participated in the Black Terror and Fighting Yank comics for the Sangor-Pines store (Better/Cinema/Pines/Standard/Nedor; and wrote profiles such as Catherine the Great, Barney Ross, and Captain Eddie for a series of real-life comics. From 1943 to 1946, under the direction of editor Vincent Fago at Timely Comics, she contributed to his US Comics military series, writing scripts for comics such as Jap Buster Johnson and Destroyer. In the same years she wrote for Fawcett Publications, a screenplay for Fawcett Comics characters Crisco and Jasper and others. Highsmith also wrote for True Comics, Captain Midnight and Western Comics. When Highsmith wrote the psychological thriller The Talented Mr. Ripley (1955), one of the first victims of the main character was a comic book artist named Reddington: Tom guessed about Reddington. He was a comic book artist. He probably didn't know if he was coming or going. Highsmith's early novels and short stories, Stranger On The Train, proved modestly successful after publication in 1950, and Alfred Hitchcock's 1951 adaptation of the novel cemented its reputation. How could you be afraid and loving, thought Theresa. These two things didn't go together. How could you be afraid when they got stronger together every day? And every night. Every night was different, and every morning. Together they possessed a miracle. - The Price of Salt, Chapter Eighteen (Coward-McCann, 1952) Highsmith's second novel, Price of Salt, was published in 1952 under the nom de plume of Claire Morgan. Highsmith mined her personal life for the content of the novel. His groundbreaking happy ending and departure from stereotypical notions of lesbians have made him stand out in lesbian fiction. In what BBC 2 The Late Show host Sarah Deunan described as a literary outlet after 38 years of non-fiction, Highsmith finally acknowledged the authorship of the novel publicly when she agreed to the 1990 publication of Bloomsbury, renamed Carol. Highsmith wrote in Afterword in a new edition: If I were to write a novel about lesbian relationships, would I then label a lesbian book writer? This was an opportunity, although I may never be inspired to write another such book in my life. So I decided to propose a book under a different name. The appeal of The Price of Salt is that it has a happy ending for the two main characters, or at least they will try to have a future together. Before this book, male and female homosexuals in American novels had to pay for their deviation by cutting their wrists, drowning themselves in the pool, or switching to heterosexuality (as it was stated), or collapsing - alone and unhappy and shunned - into depression, equal to hell. A version of the paperback novel sold nearly a million copies before being re-released in 1990 under the name Carol. The price of salt is also different in that it is the only one of Highsmith's novels in which there is no violent crime, and where it is have a more explicit sexual existence and allowed to find happiness in their relationships. Her stories first appeared in Fairy Ferry Mystery Magazine in the early 1950s. Her latest novel, Small G: A Summer Idyll, was rejected by Knopf (her usual publisher by then) a few months before her death, leaving Highsmith without an American publisher. It was posthumously published in the UNITED Kingdom by Bloomsbury Publishing in March 1995 and nine years later in the United States by W. W. Norton. The cover of Ripliad The Talented Mr. Ripley (1955) In 1955, Highsmith wrote The Talented Mr. Ripley, a novel about Tom Ripley, a charming criminal who kills a rich man and steals his identity. Highsmith wrote four sequels: Ripley Underground (1970), The Ripley Game (1974), The Boy Who Followed Ripley (1980) and Ripley Under the Sea (1991), about Ripley's exploits as a crook and serial killer who always escapes from his crime. The series, dubbed Ripliad, is one of Highsmith's most popular works and has sold millions of copies worldwide. The workaround, pleasant and utterly immoral Ripley is Highsmith's most famous character, and has been criticized for being both a likeable character and a cold-blooded killer. He was generally considered a cultivated, sociopath and a pleasant and urban psychopath. Sam Jordison of wrote: I would say it's almost impossible not to root for Tom Ripley. I don't like him. No, on some level, want him to win. Patricia Highsmith does an excellent job of ensuring he wheedles his way into our sympathies. Film critic made a similar assessment of the character in his review of , Renee Clement's 1960 film adaptation of The Talented Mr. Ripley: Ripley is a criminal of intelligence and cunning who gets off the case with murder. He is charming and literate, and a monster. It is insidious, as Highsmith tempts us to identify with him and share our selfishness; Ripley believes that getting your own way worth of any price anyone else might have to pay. We all have a little bit of that in us. The novelist Sarah Waters revered the Talented Mr. Ripley as one book I would like to write. The first three books in the Ripley series have been adapted into cinema five times. In 2015, The Hollywood Reporter announced that a group of production companies was planning a television series based on the novels. The series is currently in development. Honours 1979 : Grand Master, Swedish Academy of Crime Writers 1987 : Prix litt'raire Lucien Barrier (fr), Festival of Arts and Arts Cin'ma Am'ma Am'recain de Deauville 1989 : Chevalier dans l'Ordre des Arts et des Lettres, Ministry of Culture of France 1993 : Best Foreign Literary Award, Finnish Society of Crime Awards and nominations 1946 : O. Henry Award, Best First Story, for Heroine (in Harper's Bazaar) 1951 : Nominee, Edgar Allan Poe Award, Best First Novel, Mystery Writers of America, for Strangers on the Train 1956 : Edgar Allan Poe Scroll (Special Award), Mystery Writers of America, for the talented Mr. Ripley 1957 : Grand Prix de Litt'rear, International, for the talented Mr. Ripley 1953 : Nominee, Edgar Allan , The Mystery Writers of America, for Terrapin (in The Queen's Elliri Mystery Magazine) 1963 : Special Award, Mystery Writers of America, for Terrapin 1964 : Silver Dagger Award, Best Foreign Novel, Association of Crime Writers, for Two Faces of January (Pub. Heinemann) 1975 : Prix de l'Humour noir Xavier Forneret for L'Amateur d'escargots (pub. Kalmann-Levy) (English title : Eleven) Bibliography Novels Strangers on the Train (1950) Price of Salt (1952) (as Claire Morgan) (reissued as Carol in 1990 under the name Highsmith) Blunderer (1954) Deep Water (1957)) Game for Life (1958) This Sweet Disease (1960) Creek of the Soov (1962) Two Faces of January (1964) Glass Cage (1964) Suspension of Mercy (1965) (published as History-Teller in the USA) Te Who Goes (1967) Tremor Fake (1969) Redemption Dog (1972) Diary of Edith (1977) People Who Knock on the Door (1983) Found on the Street (1986) Small d: Summer Idyll (1995) Ripliad Talented Mr. Ripley (1955) Ripley Underground (1970) Ripley's Game (1974) The Boy Who Followed Ripley (1980) (1991) Collections of Short Stories Eleven (1970) (Foreword by Graham Greene). ISBN 043433510X. (published as Snail Watchman and Other Stories in the U.S.) Little Tales of Misogyny (1975). (published first as Kleine Geschichten f'r Weiberfeinde in Switzerland) Animal lover book about brutal murders (1975). ISBN 0434335150. Slowly, slowly in the wind (1979). ISBN 0434335193. (1981). Mermaids on the golf course (1985). Tales of natural and unnatural disasters (1987). ISBN 0747500975. Coolers (1990). ISBN 0140130667. (publishing Highsmith's stories, broadcast on the American television series Chillers) Nothing that meets the eye: Uncollected Stories (2002). ISBN 978-0393051872. (published posthumously) Miranda Panda's other books are on the veranda (1958) with Doris Sanders. LCCN 58-13323. (children's book of poems and illustrations) Conspiracy and writing of the suspension of fiction (1966). LCCN 66-11138. (extended and revised edition, 1981, ISBN 0871161257) Essays and articles Don't Think With Dishes (1982), Whodu? A guide to crime, suspense and spy fiction, pg. 92. By H.R.F. Keating, Windward, ISBN 0-7112-0249-496 Crime Scene (1989), Granta, Issue 29, Winter Different Introduction (1977), Raymond Chandler's World. Ed. Gross, Weidenfeld and Nicholson, ISBN 0-297-77362-3-97 Foreword (1987), Crime and Mystery: The 100 Best Books. H.R. F. Keating, Xanadu, ISBN 0-947761-25-X (98) Tesdell, Diana Secker, Ed. (2010). One for the islands, Patricia Highsmith. Stories of the sea (1st place). London, UK: The Library of The Ordinary. ISBN 978-0307592651. Collected works of Mystery Cats III: More Feline Felonies (1995) (Signet Books, ISBN 978-0451182937) 'Favorite Stories of Patricia Highsmith (2001) (W. W. Norton Company, ISBN 0-393-02031-2) Patricia Highsmith: Selected Novels and Short Stories (2011) (W. W. Norton Company, ISBN 978-0-393-08013-1) Film, television, theater and radio adaptations Of the multi-work Highsmith have been adapted for other media, some more times than once. In 1978, Highsmith was president of the jury at the 28th Berlin International Film Festival. The 1951 film. The film Stranger Things on the Train was adapted as a film of the same name directed by Alfred Hitchcock with Farley Granger as Guy Haines, Robert Walker as Anthony Bruno, Ruth Roman as Anne Morton, Patricia Hitchcock as Barbara Morton and Laura Elliott as Miriam Joyce Haynes. 1963. Blunder was adapted as the French-language film Le meurtrier (Killer), directed by Claude Avtant-Lara starring Maurice Rohnet as Walter Saccard, Yvonne Furno as Clara Sakkar, Geert Froebe as Melchior Kimmel, Marina Vladi as Ellie and Robert Hossain as Corby. It is known in English as enough rope. 1977. This sweet disease was adapted as the French-language film Dites-lui que je l'aime, directed by Claude Miller starring Gerard Depardieu as David Martino, Miu-Miu as Juliet, Dominique Laffin as Lisa, and Jacques Denis as Gerard Duthiers. It is known in English as this sweet disease. 1978. Glass Cage was adapted as the German-language film Die gl'serne zelle, directed by Hans W. Geishander starring Brigitte Fossey as Lisa Brown, Helmut Grim as Phillip Brown, Dieter Laser as David Reinell and Walter Kohut as Robert Lansky. 1981. Deep Water was adapted as the French-language film Eaux profondes, directed by Michelle Deville starring Isabelle Huppert as Melanie and Jean-Louis Trinthinant as Vic Allen. 1983. Edith's Diary was adapted as a German-language film by Edith Tagebuch, directed by Hans W. Geishenderfer, starring Angela Winkler as Edith. 1986. Two faces of January were adapted for the german-language film Die zwei Gesichter des Januars, directed by Wolfgang Storch starring Charles Brower as Chester McFarland, Yolanda Gilo as Colette McFarland and Thomas Schoke as Rydal Kiner. 1987. Scream of the Seousx was adapted for the French film Le Cree du Hibou, directed by starring Christophe Malavoy as Robert, May as Juliet, Jack Peno as Patrick and Virginie Theven as Veronica. 1987. Film-version film-version On the train, Alfred Hitchcock inspired the black comedy of the American film Throw Momma from the Train directed by Danny DeVito. 1989. Teller's story was adapted as the German-language film Der Geschichtenerz'hler, directed by Rainer Boldt starring Udo Schenk as Nico Tomkins and Anke Sevenich as Helen Tomkins. 2009. Scream The Sea was adapted as a film of the same name, directed by Jamie Thraves starring Paddy Considine as Robert Forester and Julia Stiles as Jenny Thierolf. 2014 Two Faces of January was adapted as a film of the same name, written and directed by Hossein Aamini starring Viggo Mortensen as Chester McFarland, Kirsten Dunst as Colette McFarland and Oscar Isaac as Rydal. It was released during the 64th Berlin International Film Festival. 2014. A Mighty Nice Man was adapted as a short film, directed by Jonathan Dee starring Kylie McVeigh as Charlotte, Jacqueline Baum as Emily, Kristen Connolly as Charlotte's mother, and Billy Magnussen as Robbie. 2015. The film The Price of Salt titled Carol was written by Phyllis Nagy and directed by Todd Haynes starring Cate Blanchett as Carol Ird and Rooney Mara as Teresa Belivet. 2016. The Blunderer has been adapted as , directed by starring Patrick Wilson as Walter Stackhouse, as Clara Stackhouse, Eddie Marsan as Marty Kimmel and Hayley Bennett as Ellie Breeze. Ripliad 1960: The talented Mr. Ripley was adapted as a French-language film by Plein Soleil (named Purple Noon for an English-speaking audience, although it translates as Full Sun). Directed by Renee Clement, starring as Tom Ripley, Maurice Rone as Philip Greenleaf, and Marie Laforet as Marge Duvall. Both Highsmith and film critic Roger Ebert criticized the script for changing the ending to prevent Ripley from going unpunished, as he does in the novel. 1977: Ripley's play (third novel) and Ripley's plot fragment Underground (the second novel) were adapted as the German-language film Der Amerikanische Freund (American Friend). Directed by Wim Wenders with Dennis Hopper in The Ripley Movie. Highsmith didn't like the film at first, but later found it stylish, though she didn't like the way Ripley interpreted it. 1999: The talented Mr. Ripley was adapted as an American production. Directed by Anthony Minghella as Matt Damon as Ripley, Jude Law as Dickie Greenleaf and Gwyneth Paltrow as Marge Sherwood. 2002: Ripley's play was adapted as a film of the same name for the English-language Italian production. Directed by Liliana Cavani as John Malkovich as Ripley, Chiara Caselli as Louise Harari Ripley, Ray Winston as Reeves Mino, Dougray Scott as Jonathan Revenny and Len Headey as Sarah Revenney. Although not all reviews were favorable, Roger Ebert considered him the best of all Ripley films. 2005: Ripley Underground was adapted as a film of the same name. Director: Director: Spottiswoode with Barry Pepper in Ripley, Jacinda Barrett in Elois Plisson-Ripley, Willem Dafoe in Neil Murchison and Tom Wilkinson in John Webster. 2020: Ripley's upcoming Us television series Showtime. Directed by Stephen Saillian starring Andrew Scott as Tom Ripley. Television 1958. Strangers on a Train was adapted by Warner Brothers for an episode of 77 Sunset Strip. 1982. Scenes from Ripley's novels were dramatized in the episode The Gift for the Murder of the South Bank Show, and Jonathan Kent played Tom Ripley. The episode included an interview with Patricia Highsmith. [108] 1983. Deep Water has been adapted as a miniseries for German television as Tiefe Wasser , directed by Franz Peter Wirth starring Peter Bongarz as Vic van Allen, Constanze Engelbrecht as Melinda van Allen, Reinhard Glemnitz as Dirk Weisberg, Raimund Harmstorf as Anton Caster, and Sky du Mont as Charlie Leal. [109] [110] 1987. Scream of the Sea was adapted for German television as Der Schrey der Eule, directed by Tom Toel with Matthias Habich as Robert Forster, Birgit Doll as Johanna Thierolf, Juak Breyer as Carl Weik, Fritz Liktenhan as Indektor Lippenz and Doris Kunstmann as Wijs. 1990. Twelve episodes of the television series Mistress of the Unknown are based on the stories of Highsmith. The series aired first in France, then in the UK. It became available in the U.S. under the name Chillers. (quote needed) 1993. The spore tremor was adapted as the German television film Trip nach Tunis, directed by Peter Goedel starring David Hunt as Howard Ingham, Karen Sillas as Ina Pallant and John Seitz as Frances J. Adams. 1995. Little Tales of Misogyny has been adapted as the Spanish/Catalan television film Petits contes mis'gins, directed by Pere Sagriste starring Marta Perez, Carme Pla, Mamen Duke and Mariam Iskla. 1996. Strangers on the Train has been adapted for television as one day you meet a stranger, directed by Tommy Lee Wallace starring Jacqueline Bisset as Sheila Gaines (The Guy), Teresa Russell as Margot Anthony (Bruno) and Celeste Holm as Clara. The gender of the two main characters has been changed from male to female. 1996. The Dog Ransom was adapted as the French television film Ranon du Chien, directed by Peter Kassovitz starring Francois Negre as Cesar, Francois Perrault as Eduard Reynaud, Daniel Prevost as Max Ducasse and Charlotte Valandrei as Sophie. Theatre 1998. The talented Mr. Ripley was adapted for the stage as a play of the same name by playwright Phyllis Nagy. It was revived in 2010. [112] 2013. Stranger Things on the Train has been adapted as a play of the same name by playwright Craig Warner. Radio 2002. The four-episode radio drama Scream Of the Sea was broadcast on BBC Radio 4, with John Shariyan as Robert Forester, Joan McCwinn in the film Tidolph, Adrian Lester in Greg Wincop and Matt Rippri in Jack Jack 2009. All five of Ripliade's books were dramatized by BBC Radio 4, with Ian Hart voiced by Tom Ripley. [114] 2014. Carol's five-segment drama (aka Price of Salt) was broadcast on BBC Radio 4, with the voice acting Miranda Richardson as Carol Aird and Andrea Deck as Teresa Belivet. [115] 2019. Five episodes broadcast separate stories (One for the Isles, Curious Suicide, Horror Basket Weaving, The Man Who Wrote The Head, Baby Spoon) on BBC Radio 4. Works by Patricia Highsmith Fictional Dawson, Jill (2016). A criminal writer. Scepter. ISBN 978-1444731118. Murray-Smith, Joanna (2015). Switzerland. Playwrights play the service. ISBN 978-0-8222-3435-7. (first introduced by the Sydney Theatre Company in November 2014). The documentary Highsmith: Her Secret Life (2004), Hugh Thomson's documentary, BBC Four. Highsmith: Her Secret Life, Notes on the Film, By Hugh Thomson, BBC, 2004. See also Ruth Rendell: the mistress of the unknown contemporary Highsmith, for whom Highsmith admitted rarely admitted admiration. Rendell explored characters and themes similar to Highsmith. On June 17, 1948, Highsmith wrote in her Diary 8: What is so impossible is that the male face does not appeal to me, I am not beautiful. Although I can imagine getting to know a man who would... allow us to work and make us happy, and of course sane ... The question is, will men alone, by themselves not unbearably boring? character Carol Aird and much of the story The Price of Salt were inspired by Former Highsmith lovers Katherine Hamill Cohen and Philadelphia socialite Virginia Kent Caterwood, and her relationship with them. Caterwood lost custody of her daughter in a divorce proceedings in which lesbian tridists were taped in hotel rooms. Meeker recalled: Patricia was a wonderful, gifted, funny person when I met her. I always remember her smile and her laughter because it was so much of her part. But when she came back, she was despicable. I couldn't believe her hatred of blacks, of Jews in particular, but even of gays. She hated everyone. Carol Aird is a married woman who is going through a difficult divorce in Highsmith's novel The Price of Salt. Throughout her life, Highsmith supported Yaddo with contributions that she preferred to remain anonymous. One of these gifts created an endowed foundation to purchase an annual residence for a young creative artist working in any environment. At her request, the residence is now known as Patricia Highsmith-Plangman Residence. Marijan Meeker (who wrote lesbian novels on pulp and paper fiction under the pseudonyms Anne Aldrich and Vin Packer) stated in her memoirs: The Price of Salt was for many years the only lesbian novel, neither hard nor soft with a happy ending. Links to Mary Highsmith. Familysearch. The Church of Jesus Christ of Latter-day Saints (from the Master of Death File of the United States Social Security Administration). a b Shore, Robert (January 7, 2000). Talented Miss Highsmith. Keeper. Received on March 29, 2017. Andrew Wilson (May 24, 2003). Ripley's enduring charm. Telegraph.co.uk. received on December 30, 2010. Highsmith, Patricia (1970). Preface. Eleven (1st place). William Heinemann Ltd. Sea. ISBN 043433510X. Castle, Terry (November 10, 2003). The Ik Factor. The New Republic. Archive from the original on September 22, 2015. Received on October 6, 2015. a b c d e f g h i j k l m Schenkar, Joan (2009). Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. ISBN 9780312303754. Page Needed - b Doll, Jen (December 4, 2015). The strange true story behind the talented Mr. Ripley. Mental floss. Received on June 9, 2017. Patricia Cohen (December 10, 2009). The ghosts of Miss Highsmith. The New York Times. Received on October 6, 2015. Shenkar, Joan (2009). Alter Ego: Part 1. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. page 130. ISBN 9780312303754. John Michaud (January 25, 2010). Book Club: Highsmith and The New Yorker. A New Yorker. Received on March 24, 2017. a b c Wilson, Andrew (2003). How much I adore my Virginia. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. Willcox, Kathleen (June 1, 2016). Patricia Highsmith, Yaddo and America. Saratoga is alive. Archive from the original dated March 25, 2017. Received on March 24, 2017. Shenkar, Joan (2009). The real romance of objects. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. ISBN 9780312303754. Shenkar, Joan (2009). La Mama: Part 3. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. ISBN 9780312303754. Shenkar, Joan (2009). A simple act of forgery. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. ISBN 9780312303754. Shenkar, Joan (2009). Cake that was shaped like a coffin: Part 8. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. page 559. ISBN 9780312303754. Andrew Wilson (2003). This shimmering void is 1967-1968. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. Anne O'Neill (September 28, 2015). Booze as a muse: writers and alcohol, from Ernest Hemingway to Patricia Highsmith. Irish times. Received on April 12, 2017. Shenkar, Joan (2009). Social research: Part 1. Talented Miss The Secret Life and Serious Art of Patricia Highsmith ISBN 9780312303754. Ginar, Mavis (August 17, 1991). Patricia Highsmith: Alone with Ripley. The New York Times. Received on October 6, 2015. Andrew Wilson (2003). The job is more fun than playing 1983-1986. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. Shenkar, Joan (2009). A cake that was shaped like a coffin. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. ISBN 9780312303754. a b Fierman, Daniel (January 14, 2000). Mystery Girl: The late mistress of the unknown Patricia Highsmith finds new fans with the talented Mr Ripley. Entertainment Weekly. Received on October 6, 2015. Shenkar, Joan (2009). Alter Ego: Part 3. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. ISBN 9780312303754. Ballard, JG (July 21, 2003). Summer reading (from The Sunday Telegraph) What I'll be reading this summer. The Sunday Telegraph. Received on June 13, 2017. b c Gross, Terry (January 6, 2016). In Carol, two women jump into an unlikely romance. Fresh air. Npr. Received March 13, 2017. Kokozza, Paula (November 12, 2015). How Carol Patricia Highsmith became a film: Lesbianism is not a problem. It's normal. Keeper. Received on December 14, 2015. Emily (November 13, 2015). Phyllis Nagy: On screen Writing and CAROL. Laughing lesbian. Archive from the original dated November 21, 2015. Received on December 14, 2015. Natasha Walter (July 11, 2003). Lover, not liker. Keeper. Received on October 6, 2015. b Kerry, Mason (2013). Daily rituals: how artists work (1st place). Knopf. page 12. ISBN 978-0307273604. b Dawson, Jill (May 13, 2015). Carol: the women behind Patricia Highsmith's lesbian novel. Keeper. Received on October 6, 2015. Joan Shenkar (September 29, 2011). After Patricia. Paris Review. Received on October 6, 2015. a b c d e f g Wilson, Andrew (2003). Yaddo, shadow is shadow, Yaddo!. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. Shenkar, Joan (2009). Girls. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. 267-435. ISBN 9780312303754. a b Shenkar, Joan (2009). Social Research Part 2. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. page 257. ISBN 9780312303754. Meeker, Marian (2003). Four. Highsmith: Romance of the 1950s (1st Clis Press. 25. ISBN 1573441716. Espana, Marco (May 6, 2015). Famous first words: Strangers on a train. Late night library. Archive from the original on March 11, 2016. Extracted March 2016. a b c Schenkar, Joan (2009). Social Research Part 2. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. ISBN 9780312303754. Shenkar, Joan (2009). Forest Girls: Part 2. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. 287-289. ISBN 9780312303754. a b Wilson, Andrew (2003). Instantly, I love her. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. Andrew Wilson (2003). Introduction. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. Kate Hart (August 15, 2011). The inner life of Patricia Highsmith. That tape. Received on October 6, 2015. Shenkar, Joan (2009). Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. 282-286, 287-289. ISBN 9780312303754. a b Wilson, Andrew (2003). Carol, in a thousand cities. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. Jordan, Louis (November 19, 2015). Happy ending Carol. Slate. Shale group. Received on February 27, 2017. Virginia Tucker Kent Caterwood. Get a grave. July 17, 2012. Received on February 27, 2017. b Talbot, Margaret (November 30, 2015). Forbidden love. A New Yorker. Received on March 5, 2016. Guerratana, Mimmo (August 11, 2013). Photo come ukiyo-e: immagini del mondo fluttuante (Photo as ukiyo-e: images of the floating world). I sensi della letteratura (in Italian). Meeker, Marian (2003). Highsmith: Romance of the 1950s ISBN 1573441716. a b c de Bertodano, Helena (June 16, 2003). A passion that has turned into poison. Telegraph. Received on October 6, 2015. Meeker, Marian (2003). Eleven. Highsmith: Romance of the 1950s (1st Clis Press. 63. ISBN 1573441716. Meeker, Marian (2003). Four. Highsmith: Romance of the 1950s (1st Clis Press page 24. ISBN 1573441716. Shenkar, Joan (2009). Appendix 1: Just Facts. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. page 590. ISBN 9780312303754. a b c Hodgson, Godfrey (February 6, 1995). Obituary: Patricia Highsmith. Independent. Received on March 16, 2017. DuPont, Joan (September 9, 1997). The writer's legacy: Little tales about cats and snails. The New York Times. Received on April 7, 2016. Kennedy, Randy (February 5, 1995). Patricia Highsmith, crime writer, dies at 74 The New York Times. Received on April 7, 2016. - Yaddo News (spring 2004). Yaddo Shadow (PDF). Yaddo. 14-17. Received on March 13, 2016. Permanent Dead Link - Swiss Literary Archive (March 7, 2006). Patricia Highsmith at the Swiss National Library. Swiss National Schweiserishe NationalBiblotek. Received on March 13, 2016. b c Bologna, Kera (November 20, 2003). Murder, she wrote. Nation. Received on March 15, 2016. Grey, John (May 17, 2013). Viewpoint: Tom Ripley and the meaning of evil. BBC News Magazine. British Broadcasting Corporation. Received on June 9, 2017. Attallah, Naim (May 27, 2010). No more with us: Patricia Highsmith. Naim Attallah Internet. Received on June 9, 2017. Andrew Wilson (2003). Always looking. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. Nadia, Phyllis (November 29, 2015). Scotch, beer and cigarettes: my weekend with Patricia Highsmith. Keeper. Received on March 28, 2017. Winterson, Jeanette (December 16, 2009). Patricia Highsmith, hiding in a simple sight. The New York Times. Received on October 6, 2015. Shenkar, Joan (2009). Forest Girls: Part 2. Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (1st place). St. Martin's Press. page 293. ISBN 9780312303754. Torrance, Kelly Jane (March 2010). Coolly. A new criterion. Archive from the original on October 5, 2013. Received on June 10, 2017. Andrew Wilson (2003). Name: Ishmael 1970-1971. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. a b c d Wilson, Andrew (2003). A person used to his ghosts. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. Andrew Wilson (2003). There is no end in sight. Beautiful shadow: the life of Patricia Highsmith. Bloomsbury. ISBN 1582341982. Statement of principles. Jewish Committee for the Middle East (JCOME). February 1988. Received on April 7, 2017. Meeker, Marian (2003). Epilogue. Highsmith: Romance of the 1950s (1st Clis Press page 205. ISBN 1573441716. Joan Shenkar (December 2009). Patricia Highsmith is the golden age of American comics. Alter Ego. Издание TwoMorrows. 3 (90): 35–40. Raskin, Jonah (2009). Talented Patricia Highsmith. web.sonoma.edu archive from the original dated October 13, 2018. Received on October 13, 2018. (The article was originally published in the Redwood Coast Review.) Highsmith, Patricia (2008). Talented Mr. Ripley. W. W. Norton and company. 19-20. ISBN 9780393332148. Originally published as Coward-McCann, Inc., New York, 1955, LCCN 55010083. Nick Jones,25, 2015. Carol Patricia Highsmith (Bloomsbury, 1990); Orig. Price of Salt by Claire Morgan (Coward-McCann, 1952): Book Review. Existential Ennui. Received on March 12, 2016. a b Meeker, Marian (2003). One. Highsmith: Romance of the 1950s (1st Clis Press. 1. ISBN 1573441716. Carlston, Erin G. (November 22, 2015). Essay: Patricia Highsmith Price of Salt, a lesbian novel that is now the main film. National Reviews. Received on March 5, 2016. Andrew Wilson (2003). Art is not always great and why should it be? 1988-1992. Beautiful Shadow: The Life of Patricia Highsmith Bloomsbury. ISBN 1582341982. Patricia Highsmith (November 11, 2015). Happily ever after at last: Patricia Highsmith on inspiration for Carol. Telegraph. Telegraph Media Group Limited. Received on March 5, 2016. Frank Rich (November 18, 2015). Loving Carol. Vulture. New York. Received on March 5, 2016. Frank Rich (December 12, 1999). American pseudo. The New York Times. Received on November 27, 2015. King, Francis (March 18, 1995). Perverted and stupid. Viewer. Received on June 13, 2017. David Leavitt (June 20, 2004). Wanderers at the bar. The New York Times. Received on November 27, 2015. Sam Jordison, June 9, 2015. Mr. Ripley's great talent? We make us a murderer and his crimes. Keeper. Received on March 18, 2017. Cileth, Charles L.P. Thomas Ripley Patricia Highsmith. MysteryNet. Archive from the original on January 8, 2011. Received on December 30, 2010. Sam Jordison, June 2, 2015. Tom Ripley, a cute psychopath. Keeper. Received on March 18, 2017. a b Ebert, Roger (July 3, 1996). Purple noon. RogerEbert.com. Received on 6 October 2015. Gleason, Sinead (June 13, 2015). Patricia Highsmith: A talented writer who always lets you rip. Irish times. Received on June 13, 2017. Goldberg, Leslie ,27, 2015). Patricia Highsmith's 'Ripley' Book Series headed to TV (exclusive). The Hollywood Reporter. Andreeva, Nelly (March 24, 2016). Luther creator Neil Cross will write the series Adaptation of Tom Ripley's Books. Hollywood deadline. Received on July 14, 2016. Le-at-the-liste Lucien Barrier. The Cinema American de DeAuville Festival. Archive from the original dated April 12, 2017. Received on April 12, 2017. Wright, Lance. Vuoden Johtolanka Award (Clue). It's an omimisteria. Received on April 11, 2017. Berlin, Marseille (April 17, 2008). 50 Greatest Crime Writers, No 1: Patricia Highsmith. Times. Archive from the original september 5, 2008. Received on January 26, 2018. Edgar's database. TheEdgars.com. The Mystery of Writers of America. Received on April 11, 2017. Books and writers. booksandwriters.co.uk. Association of Crime Writers. Archive from the original on April 14, 2017. Received on April 11, 2017. Keating, H.R. F. (August 16, 1982). Whodunit?: A guide to crime, suspense and spy fiction. Windward. OCLC 9509434. Gross, Miriam, ed. (August 16, 1977). Raymond Chandler's world. Weidenfeld and Nicholson are through catalog.loc.gov library catalog. Keating, H.R. F. (August 16, 1987). Crime and Mystery: 100 Best Books. Xanadu. OL 18769106M. - Arn, Jackson (November 25, 2015). Adaptation: Patricia Highsmith. Commentary on the film. Film Society Lincoln Center. Received on March 11, 2016. ^ Monica (autumn 2015). All to blame: Films by Patricia Highsmith (PDF). Noir City. Foundation. Received on April 5, 2016. Bill Morris (November 25, 2015). Miss Highsmith's movie. Millions. Received on March 28, 2017. Berlinale. Jurors 1978. Berlin International Film Festival. Wesser, Wendy,27, 2016. Purple Noon: A superb take on the talented Mr. Ripley. Library of America. Received on May 1, 2019. Andrew Wilson (May 24, 2003). Ripley's enduring charm. Telegraph. Received on October 6, 2015. Pirie, Gerald (spring 1988). Patricia Highsmith. geraldpeary.com archive from the original dated March 3, 2016. Received on October 6, 2015. Roger Ebert (April 9, 2006). Game Ripley. RogerEbert.com. Received on 6 October 2015. Michael Malone (September 25, 2019). Showtime turn Highsmith's 'Ripley' novels into a series. Broadcasting and cable. Received on October 15, 2019. Nagy, Phyllis (December 26, 2016). Not easy to be satisfied with. Metrograph Theatre. Received on March 28, 2017. Metzler, J.B. (2001). Lexikon Literaturverfilmungen: Verzeichnis deutschsprachiger Filme 1945-2000 (in German) (1st Ed.). Stuttgart, Germany: Springer Verlag. page 88. ISBN 978-3-476-01801-4. Walt, G. Tife Wasser. Sauberspigel (in German). Received on July 4, 2018. Benedict, David (September 29, 1998). Theatre: Get away with murder. Independent. Independent Printing Limited. Received on March 26, 2017. Peter Marx (September 17, 2010). Carl Miller shines as the talented Mr. Ripley at the Round House Theatre. The Washington Post. Received on March 26, 2017. Patricia Highsmith - Scream Of the Sea. BBC Radio 4. June-July 2002. Full Ripley. BBC Radio 4. February-March 2009. Carol. A 15-minute drama. BBC Radio 4. December 2014. Patricia Highsmith Stories. Short work. BBC Radio 4. December 2019. Received on October 9, 2020. Jill Dawson (2016). A criminal writer. Hodder and Staughton. Archive from the original dated March 28, 2017. Received on March 28, 2017. Murray-Smith, Joanna (2015). Switzerland. Playwrights play the service. Received on March 28, 2017. Sydney Theatre Company (November-December 2014). Switzerland. Received on March 28, 2017. Peters, Fiona (2011). Anxiety and evil in the works of Patricia Highsmith. Ashgate Publishing House. 17-18. ISBN 9781409423348. Tony Hillerman; Herbert, Rosemary, eds. (2005). New omnibus crime. . page 194. ISBN 9780195182149. Further reading of Dird, Michael (July 2, 2009). This woman is dangerous. New York Review of Books. Received on October 6, 2015. DuPont, Joan (June 12, 1988). Criminal prosecutions. The New York Times. Received on March 28, 2017. Edward Helmor (October 26, 2019). The diaries expose a strong beer from Ripley writer Patricia Highsmith's dark thoughts. Keeper. Received on November 21, 2019. Mccann (April 1, 2011). Often like rat orgasms. New York in the 1940s, Wesleyan University. Received on December 29, 2015. Kim Morgan, December 4, 2015. Gnarly Allure patricia Highsmith. A daily beast. Received on March 5, 2016. Tom Perrin (December 18, 2012). About Patricia Highsmith. Post45 (Yale University). Received on March 12, 2016. Piepenbring, Dan (January 19, 2015). Dissatisfaction with life. Paris Review. Received on March 5, 2016. Richard Rayner (July 17, 2011). Paperback Writers: Classic Patricia Highsmith. Los Angeles Times. Received on March 18, 2016. Joan Shenkar (January 21, 2012). Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith. Joan Shenkar. Received on March 5, 2016. Joan Shenkar (February 25, 2016). What Patricia Highsmith did for love: The Price of Salt and Carol's Secrets. Los Angeles Times. Received on March 5, 2016. Shipley, Diana (April 1, 2014). Patricia Highsmith's criminal neglect. Keeper. Received on March 5, 2016. Ed Siegel (July 4, 2004). In her novels, Patricia Highsmith convincingly charts gay sensibility. Boston Globe. Received on April 12, 2016. Nathan Smith ,19, 2015). When Patricia Highsmith offered gay readers a hopeful ending. The New Republic. Received on March 5, 2016. Boyd Tonkin (December 7, 2015). Carol, Patricia Highsmith, and how gay literature found its voice in the 1950s. Received on March 5, 2016. Books by Harrison, Russell (1997). Patricia Highsmith (Twayne's United States Authors Series, No. 683) (1st Twain Publishers). ISBN 0805745661. Joshi, S.T. (2019). Patricia Highsmith: Guilt and Innocence. Types of crime fiction (1st Wildside Press. 122-137. ISBN 978-1479445462. Charles J. Rzepka; Horsley, Lee, eds. (2010). Companion to crime fiction. John Wylie and sons. 6, 40-41, 84, 160-162, 193-194, 503-509. ISBN 9781444317923. External Commons links have media related to Patricia Highsmith. Patricia Highsmith Documents - Swiss Literary Archive. Swiss National Library, 2006. Patricia Highsmith - Exhibition of the Swiss National Library. March-September 2006, Swiss National Library, 13 March 2006. Patricia Highsmith : photos from the exhibition. Swiss Literary Archive, Swiss National Library, December 1, 2006. (archive) Choose your Highsmith (Patricia Highsmith's Recommendation Engine). W. W. Norton and company. Patricia Highsmith First Edition of Book Cover Gallery (UK Publishers). Existential Ennui, 2013. Patricia Highsmith Renee Burri Gallery, Magnum Photos, 1988. Patricia Highsmith interviews Naeem Attallah, Naeem Attallah Online, quartet Books, 1993. Works or about Patricia Highsmith's Libraries (WorldCat Catalog) by Patricia Highsmith on IMDb Audio interview with Patricia Highsmith on an audio interview: and crime fiction, BBC BBC December 3, 1972 (archive) Patricia Highsmith interview with Roy Plumlee, Desert Island Discs, BBC Radio 4, 21 April 1979. Interview by Patricia Highsmith (Black House) with Peter Clayton, Meridian, BBC World Service, 8 August 1980. Patricia Highsmith interview with Terry Gross, Fresh Air, NPR, October 27, 1987. Patricia Highsmith interviews with Don Sweem, Book Beat, WCBS-Radio (via Wired for Books, University of Ohio), October 29, 1987. (archive) (The page will play audio while downloading) Patricia Highsmith, in conversation with Michael Dibdin, ICA Talks, Institute of Contemporary Art, September 27, 1991. 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