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Patricia Highsmith's Fiction to Cinema
PATRICIA HIGHSMITH’S FICTION TO CINEMA MCA By Marc Rosenberg 2016 PATRICIA HIGHSMITH’S FICTION TO CINEMA By Marc Rosenberg Table of Contents Certificate of Original Authorship Abstract PART 1 Exegesis: Patricia Highsmith’s Fiction to Cinema Bibliography PART 2 Creative Component: Screenplay “Friendly Fire” CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student: Marc Rosenberg Date: June 7, 2016 PATRICIA HIGHSMITH’S FICTION TO CINEMA ABSTRACT How does the psychological uncertainty in Patricia Highsmith’s fiction benefit the cinematic adaptation of her work? Patricia Highsmith died in 1995 and her fiction has grown in popularity not only with readers, but with filmmakers. Since the director Alfred Hitchcock adapted Strangers on a Train in 1951, more than thirty of her novels have been made into films. The adaptation from one medium into another is an abstract process, particularly when novels are as psychologically dependent as Highsmith’s. In this paper, I examine the cinematic strategies experienced filmmakers have used to adapt Highsmith’s psychological content into a visual medium and discuss their level of success. The creative component of my application is the feature film screenplay, “Friendly Fire”, in which I make use of the same ‘psychological uncertainty’ found in Highsmith’s fiction. -
Alienation and Dislocation Versus Homeliness and Norm in Patricia Highsmiths "Strangers on a Train" and "The Talented Mr Ripley"
Joanna Stolarek Alienation and Dislocation versus Homeliness and Norm in Patricia Highsmiths "Strangers on a Train" and "The Talented Mr Ripley" Kultura Popularna nr 1 (55), 56-65 2018 56 kultura popularna 2018 Nr 1 (55) Joanna Stolarek Alienation and Dislocation versus Homeliness and Norm in Patricia Highsmith’s Strangers on a Train and The Talented Mr Ripley DOI: 10.5604/01.3001.0012.0572 Joanna Stolarek ALIENATION AND DISLOCATION 57 Patricia Highsmith (1921 – 1995), a notable American novelist and short story Dr Joanna Stolarek is th an Assistant Professor writer of the 20 century, known mostly for her mystery stories, defied at Siedlce University of simple categorisation in her violent, complex, psychologically stimulating Natural Sciences and Humanities in Poland. novels. Highsmith is mainly credited for her psychological thrillers, and She holds her PhD on a number of film adaptations based on her works were made and gained her Anglophone crime fiction much acclaim in the literary world. Having written 22 novels and 8 short- and BA on French stud- ies. She has authored story collections, the author won a variety of literary awards including those 5 monographs and over for Strangers on a Train and The Talented Mr Ripley. Despite her American 30 articles on British and American detective upbringing, first career paths and significant experience as a writer, reviewer fiction, late Victorian and literary critic in the USA, Highsmith’s works were particularly successful literature, modernist po- in Europe, especially since the late 1950s. Besides, throughout her life, the etry, and postmodernist American literature. Her American writer travelled to various places around the world, however, she post-doctoral projects never felt fully satisfied with one location. -
MA Issues in Modern Culture Reading List 20-21.Pdf
M.A. Issues in Modern Culture Reading List 2020–21 AUTHORS AUTUMN TERM 1. Gustave Flaubert Dr Scarlett Baron Gustave Flaubert, Madame Bovary [1857], trans. Margaret Mauldon (Oxford: Oxford University Press, 2008). Gustave Flaubert, ‘A Simple Heart’, in Three Tales [1877], trans. A.J. Krailsheimer (Oxford: Oxford University Press, 1991). Gustave Flaubert, Dictionary of Received Ideas [1913], in Bouvard and Pécuchet, with the Dictionary of Received Ideas, trans. A.J. Krailsheimer (Harmondsworth: Penguin, 1977). Further Reading: Gustave Flaubert, Selected Letters, trans. Geoffrey Wall (Harmondsworth: Penguin, 1997). Julian Barnes, Flaubert’s Parrot (London: Jonathan Cape, 1984) Jonathan Culler, Flaubert: The Uses of Uncertainty (London: Paul Elek, 1974). Stephen Heath, Flaubert: Madame Bovary (Cambridge: Cambridge University Press, 1992). Christopher Prendergast, The Order of Mimesis: Balzac, Stendhal, Nerval, Flaubert (Cambridge: Cambridge University Press, 1986). Francis Steegmuller, Flaubert in Egypt: A Sensibility on Tour [1972] (Harmondsworth: Penguin Classics, 1996). Geoffrey Wall, Flaubert: A Life (New York: Farrar, Straus and Giroux, 2001). Tim Unwin (ed.), The Cambridge Companion to Flaubert (Cambridge: Cambridge University Press, 2004). Jennifer Yee, The Colonial Comedy: Imperialism in the French Realist Novel (New York: Oxford University Press, 2016). 2. Henry James Professor Philip Horne Henry James, The Golden Bowl (1904), ed. Ruth Bernard Yeazell (Penguin Classics, 2009) This contains the ‘Preface’ to the (only very slightly different) New York Edition version of the novel (1909); the other Prefaces (collected in The Art of the Novel, ed. R.P. Blackmur, 1934; now U. of Chicago Press) Henry James, ‘The Lesson of Balzac’ (1905) Available at: https://archive.org/details/questionourspee01jamegoog/page/n9/mode/2up Secondary Reading: Nicola Bradbury, Henry James: The Later Novels (Oxford University Press, 1979). -
A.U.I. Trustee Scholarships Are Established
VOLUME 18, NUMBER 13 Published by the BNL Personnel Office JANUARY 20, 1965 BERA FILM SERIES PURPLE NOON A.U.I. TRUSTEE SCHOLARSHIPS ARE ESTABLISHED A scholarship program for the children of regular employees of Brookhaven National Laboratory and the National Radio Astronomy Observatory has been established by the Board of Trustees of Associated Universities, Inc. Dr. Maurice Goldhaber, Director, announced the creation of the A.U.I. Trustee Scholarships to all Brookhaven employees on January 18. Under the new program, up to ten scholarships each year will be made avail- able to the children of regular BNL employees. They will carry a stipend of up to $900 per year. For those who maintoin satisfactory progress in school, the scholor- ships will be renewoble for up to three additional years. Winners of the awards may attend any accredited college or university in the United States and may select any course of study leading to a bachelor’s degree. Thurs., Jan. 21 - lecture Hall - 8:30 p.m. The scholarships will be granted on o strictly competitive basis, independent Rene Clement (“Forbidden Games,” of financial need and the existence of other forms of aid to the student. Winners “Gervaise”) has here fashioned a highly will be selected on the basis of their secondary school academic records and gen- entertaining murder thriller, beautifully eral aptitude for college work as indicated by achievement and aptitude tests. photographed in color by Henri Decae The Laboratory will not be involved in the processing of applications or the (“400 Blows, ” “The Cousins,” “Sundays determination of scholarship winners. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
The Cultural Cold War in the Middle East : William Faulkner and Franklin Book Programs
The cultural Cold War in the Middle East William Faulkner and Franklin Book Programs Esmaeil Haddadian-Moghaddam Universiteit Leiden William Faulkner is an interesting case for the history of American cultural diplomacy. Although the State Department hailed him as a Cold War war- rior, it had difficulty sponsoring his “modernist” novels in a book program that promoted American ideals during the Cold War. In this article I exam- ine how the Franklin Book Programs arranged for some of Faulkner’s novels to be translated into Arabic and Persian by using sources from the Program’s archive and an interview with a former Franklin editor. The analysis is framed by Faulkner’s rise in status from a marginal to a major world writer. I also assess the cultural forces that led to his inclusion in Franklin’s list of publications. The analysis reveals a tension between American idealism and Cold War imperatives, further challenging the propagandist reading of the program and calling for a more nuanced understanding of the dynamics of the cultural Cold War in the region. Keywords: William Faulkner, the cultural Cold War, Franklin Book Programs, cultural diplomacy, the Middle East Mr. Smith writes a letter 10 January 1957, New York To: Mtre. Hassan Galal el-Aroussy, Cairo, Egypt Subject: Faulkner, [the] ‘Sound and [the] Fury Maybe I am just a sissy, but I honestly cannot bear the thought of the criticism which I believe would come down upon Franklin from both Arabs and Americans if this hair-raising piece of realism – which, as indicated in my cable I prefer to call “nihilism’ – should appear under our sponsorship when the total number of American novels in Arabic is still so small.There is no question about Faulkner’s greatness, and I am inclined to agree that this work is typical; but if you are inclined to be impatient with me about the judgment I have expressed I would beg that you yourself read the book and see whether you do not agree with me. -
The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley -
Pulitzer Prize
1946: no award given 1945: A Bell for Adano by John Hersey 1944: Journey in the Dark by Martin Flavin 1943: Dragon's Teeth by Upton Sinclair Pulitzer 1942: In This Our Life by Ellen Glasgow 1941: no award given 1940: The Grapes of Wrath by John Steinbeck 1939: The Yearling by Marjorie Kinnan Rawlings Prize-Winning 1938: The Late George Apley by John Phillips Marquand 1937: Gone with the Wind by Margaret Mitchell 1936: Honey in the Horn by Harold L. Davis Fiction 1935: Now in November by Josephine Winslow Johnson 1934: Lamb in His Bosom by Caroline Miller 1933: The Store by Thomas Sigismund Stribling 1932: The Good Earth by Pearl S. Buck 1931 : Years of Grace by Margaret Ayer Barnes 1930: Laughing Boy by Oliver La Farge 1929: Scarlet Sister Mary by Julia Peterkin 1928: The Bridge of San Luis Rey by Thornton Wilder 1927: Early Autumn by Louis Bromfield 1926: Arrowsmith by Sinclair Lewis (declined prize) 1925: So Big! by Edna Ferber 1924: The Able McLaughlins by Margaret Wilson 1923: One of Ours by Willa Cather 1922: Alice Adams by Booth Tarkington 1921: The Age of Innocence by Edith Wharton 1920: no award given 1919: The Magnificent Ambersons by Booth Tarkington 1918: His Family by Ernest Poole Deer Park Public Library 44 Lake Avenue Deer Park, NY 11729 (631) 586-3000 2012: no award given 1980: The Executioner's Song by Norman Mailer 2011: Visit from the Goon Squad by Jennifer Egan 1979: The Stories of John Cheever by John Cheever 2010: Tinkers by Paul Harding 1978: Elbow Room by James Alan McPherson 2009: Olive Kitteridge by Elizabeth Strout 1977: No award given 2008: The Brief Wondrous Life of Oscar Wao by Junot Diaz 1976: Humboldt's Gift by Saul Bellow 2007: The Road by Cormac McCarthy 1975: The Killer Angels by Michael Shaara 2006: March by Geraldine Brooks 1974: No award given 2005: Gilead by Marilynne Robinson 1973: The Optimist's Daughter by Eudora Welty 2004: The Known World by Edward P. -
Patricia Highsmith Books Pdf
Patricia highsmith books pdf Continue Influential author of The Unknown Patricia Highsmith is still not exactly a household name, but her books have had a lasting impact on pop culture and literature for several decades. Anthony Minghella's 1999 film The Talented Mr. Ripley starring Matt Damon was based on Highsmith's novel of the same name. Many other directors, including Alfred Hitchcock, Renee Clement and Wim Wenders, adapted her work, and her characters were brought to life on screen by the likes of Dennis Hopper, John Malkovich and Cate Blanchett. Much of Highsmith's early work, which has now entered the mainstream, contains strange subtexts or strange coded characters, and she wrote a novel in the early 1950s that was significant at the time for showing a novel between two women with a happy, if complex, ending. This book, Carol, was originally published under a pseudonym, but in the final years of her career, Highsmith began to include more characters in books she wrote under her own name that were openly and unequivocally strange. Despite Highsmith's importance to LGBT literature and the literary world in general, immersing herself in her work means being subjected to the personal flaws she has brought to her. Accidental (and not so casual) racism has leaked into many of her books. This uncomfortable truth sits next to the fact that its fiction, albeit in a rather strange and devious way, is refreshingly anti-capitalist and more than willing to paint the police, the U.S. prison system, and the rich in a very unflattering light. -
1 the Association for Diplomatic Studies and Training Foreign Affairs
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project ARNOLD DENYS Interviewed by: Self Copyright 1998 ADST TABLE OF CONTENTS Acknowledgements A out the Author Note to the Reader Preface A Crisis in the Life of a Foreign Service Officer My Beginnings (S Citi)enship Return to Civilian Life Panama Assignment Crisis in Panama London Egypt Athens Mexico Canada ,ashington, DC Antwerp ,ashington to Tijuana Tijuana Tijuana to Retirement Conclusion DIARY Son of Flanders The Making of a Consul. Diary of an American Foreign Service Officer In Memory of Emiel Denys 01103411767 8odelieve Maria Denys 01101411117 AC9NO,LED8MENTS 1 I feel deep gratitude to my late parents for their encouragement to write this memoir. The late Mrs. 9atherine McCook 9nox, an art historian from ,ashington, DC, was in great part responsi le for my efforts in compiling letters and notes on the American Foreign Service. My thanks also go to Rhoda Riddell, Ph.D., a writer and teacher, who transcri ed and edited my handwritten account, which was taken from my diary. I also wish to thank Art Drexler, who completed the editing and prepared the book for printing. I wish also to thank the following persons, whom I have known in the long course of my foreign service career, and who have meant so much to me both personally and professionally, and deserve special acknowledgment. Consul 8eneral John D. Barfield Vice Consul 0Ret.7 Frank J. Barrett Miguel Angel 8arcia Charles Stuart 9ennedy, Director of the Association for Diplomatic Studies, who inspired me with his work on the Foreign Affairs Oral History Program. -
2 Ndour Overcoming Boundaries
Overcoming Boundaries: Mariama Bâ’s So Long a Letter and Toni Morrison’s Sula Moustapha Ndour This study utilizes Toni Morrison’s Sula (1991) and Mariama Bâ’s So Long a Letter (1981) to examine the ways in which women interact with cultural boundaries in West African and African American contexts. While Morrison explores the sociocultural role of Black woman in North America, Bâ focuses, in her novel, on the sociopolitical implications of polygamy and cultural conflicts in postcolonial Senegal on women in the country. Both novelists engage in a struggle to reposition Black women, who have often been marginalized in men’s narratives. Therefore, by giving agency to their heroines, they make a clear political move with regard to a long established form of writing. Despite the fact that women make up the majority of the world’s population, they are often given a lower position in society and treated as a minority group. Their ambitions for careers and power have regularly been hindered by social, racial, ethnic, religious, and political constructions. Female authors the world over have frequently sought to counter this perception by exploring issues affecting women in their novels, standing against sexual stereotypes or other restrictions. In other words, through their writing, they seek the same political, social, sexual, intellectual, and economic rights as men. Black Diaspora Review 4(2) Summer 2014 1 It could be said that the postcolonial period is marked by social inequities in the US for women. Moreover, women’s social position in the US cannot be fully explored without referencing racial segregation, which has impacted all minority social groups, including Black women.