Sound Insulation of Wall and Floor Constructions
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Acoustical Engineering
National Aeronautics and Space Administration Engineering is Out of This World! Acoustical Engineering NASA is developing a new rocket called the Space Launch System, or SLS. The SLS will be able to carry astronauts and materials, known as payloads. Acoustical engineers are helping to build the SLS. Sound is a vibration. A vibration is a rapid motion of an object back and forth. Hold a piece of paper up right in front of your lips. Talk or sing into the paper. What do you feel? What do you think is causing the vibration? If too much noise, or acoustical loading, is ! caused by air passing over the SLS rocket, the vehicle could be damaged by the vibration! NAME: (Continued from front) Typical Sound Levels in Decibels (dB) Experiment with the paper. 130 — Jet takeoff Does talking louder or softer change the vibration? 120 — Pain threshold 110 — Car horn 100 — Motorcycle Is the vibration affected by the pitch of your voice? (Hint: Pitch is how deep or 90 — Power lawn mower ! high the sound is.) 80 — Vacuum cleaner 70 — Street traffic —Working area on ISS (65 db) Change the angle of the paper. What 60 — Normal conversation happens? 50 — Rain 40 — Library noise Why do you think NASA hires acoustical 30 — Purring cat engineers? (Hint: Think about how loud 20 — Rustling leaves rockets are!) 10 — Breathing 0 — Hearing Threshold How do you think the noise on an airplane compares to the noise on a rocket? Hearing protection is recommended at ! 85 decibels. NASA is currently researching ways to reduce the noise made by airplanes. -
Standing Waves and Sound
Standing Waves and Sound Waves are vibrations (jiggles) that move through a material Frequency: how often a piece of material in the wave moves back and forth. Waves can be longitudinal (back-and- forth motion) or transverse (up-and- down motion). When a wave is caught in between walls, it will bounce back and forth to create a standing wave, but only if its frequency is just right! Sound is a longitudinal wave that moves through air and other materials. In a sound wave the molecules jiggle back and forth, getting closer together and further apart. Work with a partner! Take turns being the “wall” (hold end steady) and the slinky mover. Making Waves with a Slinky 1. Each of you should hold one end of the slinky. Stand far enough apart that the slinky is stretched. 2. Try making a transverse wave pulse by having one partner move a slinky end up and down while the other holds their end fixed. What happens to the wave pulse when it reaches the fixed end of the slinky? Does it return upside down or the same way up? Try moving the end up and down faster: Does the wave pulse get narrower or wider? Does the wave pulse reach the other partner noticeably faster? 3. Without moving further apart, pull the slinky tighter, so it is more stretched (scrunch up some of the slinky in your hand). Make a transverse wave pulse again. Does the wave pulse reach the end faster or slower if the slinky is more stretched? 4. Try making a longitudinal wave pulse by folding some of the slinky into your hand and then letting go. -
Nuclear Acoustic Resonance Investigations of the Longitudinal and Transverse Electron-Lattice Interaction in Transition Metals and Alloys V
NUCLEAR ACOUSTIC RESONANCE INVESTIGATIONS OF THE LONGITUDINAL AND TRANSVERSE ELECTRON-LATTICE INTERACTION IN TRANSITION METALS AND ALLOYS V. Müller, G. Schanz, E.-J. Unterhorst, D. Maurer To cite this version: V. Müller, G. Schanz, E.-J. Unterhorst, D. Maurer. NUCLEAR ACOUSTIC RESONANCE INVES- TIGATIONS OF THE LONGITUDINAL AND TRANSVERSE ELECTRON-LATTICE INTERAC- TION IN TRANSITION METALS AND ALLOYS. Journal de Physique Colloques, 1981, 42 (C6), pp.C6-389-C6-391. 10.1051/jphyscol:19816113. jpa-00221175 HAL Id: jpa-00221175 https://hal.archives-ouvertes.fr/jpa-00221175 Submitted on 1 Jan 1981 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. JOURNAL DE PHYSIQUE CoZZoque C6, suppZe'ment au no 22, Tome 42, de'cembre 1981 page C6-389 NUCLEAR ACOUSTIC RESONANCE INVESTIGATIONS OF THE LONGITUDINAL AND TRANSVERSE ELECTRON-LATTICE INTERACTION IN TRANSITION METALS AND ALLOYS V. Miiller, G. Schanz, E.-J. Unterhorst and D. Maurer &eie Universit8G Berlin, Fachbereich Physik, Kiinigin-Luise-Str.28-30, 0-1000 Berlin 33, Gemany Abstract.- In metals the conduction electrons contribute significantly to the acoustic-wave-induced electric-field-gradient-tensor (DEFG) at the nuclear positions. Since nuclear electric quadrupole coupling to the DEFG is sensi- tive to acoustic shear modes only, nuclear acoustic resonance (NAR) is a par- ticularly useful tool in studying the coup1 ing of electrons to shear modes without being affected by volume dilatations. -
BEST PRACTICES for STUCCO APPLICATIONS GUIDE Revised April 1, 2019
LENEXA – BEST PRACTICES for STUCCO APPLICATIONS GUIDE Revised April 1, 2019 This document is provided through endorsement by the Johnson County Building Officials. General Exterior wall coverings, along with the roofing, flashings, windows and doors, are designed to provide a weather-resistive barrier that separates the interior of the structure from the elements. Low maintenance and attractive appearance are just two reasons why hard coat stucco has become so popular over the years. At the same time, the building industry has become aware of the need to protect the exterior wall sheathing from moisture damage. The walls shall be constructed so that water does not accumulate within the assembly. This means creating a water-resistive plane behind the exterior veneer that allows moisture that does get into the wall to drain down and out without coming in contact with the wood framing. Detailing around windows, doors and other penetrations in the envelope is equally important in protecting the wood frame structure behind the stucco from being damaged by water infiltration. Since the wall sheathing behind the stucco is the lateral load resisting system of the structure, in addition to the supporting surface for the exterior siding, it is important to see that continuous undetected penetrations of the siding by moisture do not create structural damage such as decay and corrosion or environmental damage which may cause health related problems such as the growth of mold and mildew. To this end, the removal of moisture that gets past the exterior envelope before it contacts the wood framing is the primary goal of the weather-resistive barrier and why it is critical that it be installed properly. -
Section 09220 Portland Cement Plaster
PROJECT NO. ####### PROJECT TITLE CONTRACT TITLE SECTION 09220 PORTLAND CEMENT PLASTER PART I - GENERAL 1.01 DESCRIPTION A. Scope: Work under this Section shall include all materials and installation for Portland Cement Plaster (Stucco) siding as shown and detailed on the drawings and specified herein. B. Related Work Specified Elsewhere: 1. Division 6, Section 06100 – ROUGH CARPENTRY 1.02 SUMMARY A. This Section includes the following: 1. Metal framing and furring 2. Metal lath and accessories 3. Plastic accessories 4. Portland cement plaster 5. Stucco finishes 1.03 SUBMITTALS A. General: See Division 1, Section 01330 – Shop Drawings, Product Data and Samples. B. Product Data for each product specified. C. Samples for initial selection in the form of manufacturer's color charts consisting of actual units or sections of units at least 12” square showing the full range of colors, textures, and patterns available for each type of finish indicated. 1. Where finish involves normal color and texture variations, include Sample sets composed of 2 or more units showing the full range of variations expected. 2. Include similar Samples of material for joints and accessories involving color selection. 1.04 DELIVERY, STORAGE, AND HANDLING A. Deliver cementitious materials to Project site in original packages, containers, or bundles, labeled with manufacturer's name, product brand name, and lot number. B. Store materials inside, under cover, and dry, protected from weather, direct sunlight, surface contamination, aging, corrosion, and damage from construction traffic and other causes. 09220 - 1 PORTLAND CEMENT PLASTER 07/2014 Edition PROJECT NO. ####### PROJECT TITLE CONTRACT TITLE 1.05 PROJECT CONDITIONS A. -
Wood Waste As a Raw Material Lionel K
Volume 18 Article 3 1-1-1930 Wood Waste as a Raw Material Lionel K. Arnold Iowa State College Follow this and additional works at: https://lib.dr.iastate.edu/amesforester Part of the Forest Sciences Commons Recommended Citation Arnold, Lionel K. (1930) "Wood Waste as a Raw Material," Ames Forester: Vol. 18 , Article 3. Available at: https://lib.dr.iastate.edu/amesforester/vol18/iss1/3 This Article is brought to you for free and open access by the Journals at Iowa State University Digital Repository. It has been accepted for inclusion in Ames Forester by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. THE AMES FORESTER 17 Wood Waste as a Raw Material Lionel K. Arnold, Engineering Experiment Station It is estimated that the annual sawdust pile of the world would be several times as large as the largest skyscraper of New 'York. The sawclust is only about one-fifth of the total waste from the lumber industry. It is estimated that 62 per cent of each tree cut for lumber is wasted. This includes the limbs, top, and stump as well as the waste at the mill. From the sawlogs alone the waste is approximately 49 per cent. Unbreakable dolls and dynamite are only two of the many products made fl-om wood flour which is made from sawdust and other wood wastes. In spite of the immense quantities of sawdust and other wood wastes produced in the United States, we are importing in the neighborhood of 12 million pounds of wood flour every year at a cost of about 90 thousand dollars. -
Recent Advances in the Sound Insulation Properties of Bio-Based Materials
PEER-REVIEWED REVIEW ARTICLE bioresources.com Recent Advances in the Sound Insulation Properties of Bio-based Materials Xiaodong Zhu,a,b Birm-June Kim,c Qingwen Wang,a and Qinglin Wu b,* Many bio-based materials, which have lower environmental impact than traditional synthetic materials, show good sound absorbing and sound insulation performances. This review highlights progress in sound transmission properties of bio-based materials and provides a comprehensive account of various multiporous bio-based materials and multilayered structures used in sound absorption and insulation products. Furthermore, principal models of sound transmission are discussed in order to aid in an understanding of sound transmission properties of bio-based materials. In addition, the review presents discussions on the composite structure optimization and future research in using co-extruded wood plastic composite for sound insulation control. This review contributes to the body of knowledge on the sound transmission properties of bio-based materials, provides a better understanding of the models of some multiporous bio-based materials and multilayered structures, and contributes to the wider adoption of bio-based materials as sound absorbers. Keywords: Bio-based material; Acoustic properties; Sound transmission; Transmission loss; Sound absorbing; Sound insulation Contact information: a: Key Laboratory of Bio-based Material Science and Technology (Ministry of Education), Northeast Forestry University, Harbin 150040, China; b: School of Renewable Natural Resources, LSU AgCenter, Baton Rouge, Louisiana; c: Department of Forest Products and Biotechnology, Kookmin University, Seoul 136-702, Korea. * Corresponding author: [email protected] (Qinglin Wu) INTRODUCTION Noise reduction is a must, as noise has negative effects on physiological processes and human psychological health. -
Preserving Historic Ornamental Plaster David Flaharty
PRESERVATION BRIEFS Preserving Historic Ornamental Plaster David Flaharty U.S. Department of the Interior National Park Service Cultural Resources Heritage Preservation Services From the time America struggled for a new identity as the 1930s. During this two hundred year period, as the a constitutional republic-and well into the 20th Georgian and Federal styles yielded to the revivals century-its architecture and its decorative detailing Greek, Rococo, Gothic, Renaissance, and Spanish remained firmly rooted in the European classicism of decorative plaster reflected each style, resulting in the Palladio, Wren, and Mansart. wide variety of ornamentation that survives. The tradi tional methods of producing and installing interior Together with skilled masons and carpenters, orna decorative plaster were brought from Europe to this mental plasterers saw their inherited trade flourish country intact and its practice remains virtually un from the mid-18th century until the Depression years of changed to this day. Fig. 1. Ornamental plaster studios employed the following personnel: Draftsmen to interpret architectural details in shop drawings; sculptors who modelled in clay; model makers who assembled sculpted, plain-run and pre-cast elements into an ornamental unit; moldmakers who made rigid or flexible negative tooling; casters who made production units; finishers (often the caster's wives) who cleaned the casts; and laborers who assisted skilled personnel in operating efficiently. This studio was in Philadelphia, c. 1915. Photo: Courtesy, M. Earle Felber. Styles of Decorative Plaster in America, 18th-20th Centuries d e (a) Kenmore, Fredericksburg, Virginia. c. 1752. Georgian in style with orna mental ceilings based on Batty Langley's 1739 English style book, the plaster work was executed by a Frenchman in the mid-1770s. -
Psychoacoustics and Its Benefit for the Soundscape
ACTA ACUSTICA UNITED WITH ACUSTICA Vol. 92 (2006) 1 – 1 Psychoacoustics and its Benefit for the Soundscape Approach Klaus Genuit, André Fiebig HEAD acoustics GmbH, Ebertstr. 30a, 52134 Herzogenrath, Germany. [klaus.genuit][andre.fiebig]@head- acoustics.de Summary The increase of complaints about environmental noise shows the unchanged necessity of researching this subject. By only relying on sound pressure levels averaged over long time periods and by suppressing all aspects of quality, the specific acoustic properties of environmental noise situations cannot be identified. Because annoyance caused by environmental noise has a broader linkage with various acoustical properties such as frequency spectrum, duration, impulsive, tonal and low-frequency components, etc. than only with SPL [1]. In many cases these acoustical properties affect the quality of life. The human cognitive signal processing pays attention to further factors than only to the averaged intensity of the acoustical stimulus. Therefore, it appears inevitable to use further hearing-related parameters to improve the description and evaluation of environmental noise. A first step regarding the adequate description of environmental noise would be the extended application of existing measurement tools, as for example level meter with variable integration time and third octave analyzer, which offer valuable clues to disturbing patterns. Moreover, the use of psychoacoustics will allow the improved capturing of soundscape qualities. PACS no. 43.50.Qp, 43.50.Sr, 43.50.Rq 1. Introduction disturbances and unpleasantness of environmental noise, a negative feeling evoked by sound. However, annoyance is The meaning of soundscape is constantly transformed and sensitive to subjectivity, thus the social and cultural back- modified. -
Levelquik® Es Extended Setting Self-Leveling
SURFACE PREPARATION LEVEL QUIK ® ES PRICE EXTENDED SETTING SELF-LEVELING UNDERLAYMENT Up to 30 minutes working time For installations requiring extended working time Apply featheredge to 2" (5 cm) thick Rated for use on wood subfloors with joists up to 24" (61 cm) o.c. PRODUCT DESCRIPTION LIMITATIONS Easy-to-use formula with long working time. Imperfections can Not recommended for use over lightweight concrete, be corrected within 15 minutes after pouring. An additional gypsum underlayment, OSB, particle board, hardwood 15 minute “heal time” can be obtained by troweling the or parquet floors, metal or for exterior use. surface of the material. Applies from featheredge to 2" (5 cm) Do not use when temperatures are below 50° F (10° C) thick. ASTM C627 rated for ceramic tile installations over or on sloped surfaces that require drainage. wood subfloors with joists up to 24" (61 cm) o.c. With proper installation of the flooring system, the use of LevelQuik ® ES Not meant for use as a wear surface. can achieve an “Extra Heavy” rating for extra heavy and high SURFACE PREPARATION impact use in food plants, dairies, breweries and kitchens. General Surface Preparation: Levels interior floors prior to the installation of ceramic tile, All surfaces must be structurally sound, clean, dry and free natural stone, resilient flooring, carpet, wood and parquet. from contaminants that would prevent a good bond. Concrete AREAS OF USE must be fully cured and not subject to hydrostatic pressure. Concrete surfaces should accept water penetration. Smooth Concrete concrete surfaces, existing glazed tile, terrazzo, or polished ® ® Backerboards such as WonderBoard and EasyBoard stone should be roughened or scarified. -
Technical Services Information Bureau TECHNICAL BULLETIN ASSESSING WOOD-BASED SHEATHING JANUARY 2008 60.150 UPDATED MAY 2017
Technical Services Information Bureau TECHNICAL BULLETIN ASSESSING WOOD-BASED SHEATHING JANUARY 2008 60.150 UPDATED MAY 2017 Wood-based sheathing is commonly used under many INSPECTION: exterior claddings, such as portland cement plaster • All wood-based sheathing should be sound, (stucco). Covering wet wood-based sheathing, plywood properly attached to framing members and or oriented strand board (OSB), is not recommended. installed per APA recommendations. STRESS: • A moisture content below 19% prior to applying Wood products swell when exposed to moisture 2 layers of a water-resistive barrier. or humidity. The amount of dimensional change is estimated at 1% of the width or thickness of lumber for • Wood-based panels should be installed with 1/8 every 5% change in moisture content. This expansion inch gaps at edges and ends to allow for of wood-based products can place stress on cement expansion of the panel to minimize stress plaster stucco. This stress can crack plaster. Even a (cracking) in cement stucco (Code requirement minor amount of movement can cause cement plaster behind portland cement plaster per ASTM that is not fully cured (green) to crack. The same stress C1063). can occur when wood-based sheating shrinks or dries. • Fasteners should be set flush prior to applying MOISTURE: the water-resistive barrier(s). The Engineered Wood Association (APA) recommends wall sheathing and lumber framing “should be allowed to dry (no less than 18%) so that moisture absorbed during construction or induced from other sources is minimized”. The average fiber saturation point for wood is typically 28%. At this percentage, water begins to fill all the fiber cells. -
Infrasound and Ultrasound
Infrasound and Ultrasound Exposure and Protection Ranges Classical range of audible frequencies is 20-20,000 Hz <20 Hz is infrasound >20,000 Hz is ultrasound HOWEVER, sounds of sufficient intensity can be aurally detected in the range of both infrasound and ultrasound Infrasound Can be generated by natural events • Thunder • Winds • Volcanic activity • Large waterfalls • Impact of ocean waves • Earthquakes Infrasound Whales and elephants use infrasound to communicate Infrasound Can be generated by man-made events • High powered aircraft • Rocket propulsion systems • Explosions • Sonic booms • Bridge vibrations • Ships • Air compressors • Washing machines • Air heating and cooling systems • Automobiles, trucks, watercraft and rail traffic Infrasound At very specific pitch, can explode matter • Stained glass windows have been known to rupture from the organ’s basso profunda Can incapacitate and kill • Sea creatures use this power to stun and kill prey Infrasound Infrasound can be heard provided it is strong enough. The threshold of hearing is determined at least down to 4 Hz Infrasound is usually not perceived as a tonal sound but rather as a pulsating sensation, pressure on the ears or chest, or other less specific phenomena. Infrasound Produces various physiological sensations Begin as vague “irritations” At certain pitch, can be perceived as physical pressure At low intensity, can produce fear and disorientation Effects can produce extreme nausea (seasickness) Infrasound: Effects on humans Changes in blood pressure, respiratory rate, and balance. These effects occurred after exposures to infrasound at levels generally above 110 dB. Physical damage to the ear or some loss of hearing has been found in humans and/or animals at levels above 140 dB.