Auswahlliste Für Neuinterpretationen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Booklet
Johann Sebastian Bach 1685-1750 Cantatas Vol 6: Köthen/Frankfurt SDG134 COVER SDG134 CD 1 54:53 For the Twelfth Sunday after Trinity Lobe den Herrn, meine Seele BWV 69a Geist und Seele wird verwirret BWV 35 Lobe den Herren, den mächtigen König der Ehren BWV 137 Katharine Fuge soprano, Robin Tyson alto Christoph Genz tenor, Peter Harvey bass CD 2 57:03 For the Thirteenth Sunday after Trinity Du sollt Gott, deinen Herren, lieben BWV 77 C Ihr, die ihr euch von Christo nennet BWV 164 M Allein zu dir, Herr Jesu Christ BWV 33 Y Gillian Keith soprano, Nathalie Stutzmann alto K Christoph Genz tenor, Jonathan Brown bass The Monteverdi Choir The English Baroque Soloists John Eliot Gardiner Live recordings from the Bach Cantata Pilgrimage Jakobskirche, Köthen, 10 September 2000 Dreikönigskirche, Frankfurt, 17 September 2000 Soli Deo Gloria Volume 6 SDG 134 P 2007 Monteverdi Productions Ltd C 2007 Monteverdi Productions Ltd www.solideogloria.co.uk Edition by Reinhold Kubik, Breitkopf & Härtel Manufactured in Italy LC13772 8 43183 01342 5 SDG 134 Bach Cantatas Gardiner 6 Bach Cantatas Gardiner CD 1 54:53 For the Twelfth Sunday after Trinity The Monteverdi Choir The English Flute 1-6 17:18 Lobe den Herrn, meine Seele BWV 69a Baroque Soloists Sopranos Rachel Beckett 7-13 24:32 Geist und Seele wird verwirret BWV 35 Suzanne Flowers First Violins Oboes 14-18 12:49 Lobe den Herren, den mächtigen König der Ehren BWV 137 Lucinda Houghton Kati Debretzeni Marcel Ponseele Gillian Keith Nicolette Moonen Mark Baigent Emma Preston-Dunlop Foskien Kooistra Cherry -
The Musical Heritage of the Lutheran Church Volume I
The Musical Heritage of the Lutheran Church Volume I Edited by Theodore Hoelty-Nickel Valparaiso, Indiana The greatest contribution of the Lutheran Church to the culture of Western civilization lies in the field of music. Our Lutheran University is therefore particularly happy over the fact that, under the guidance of Professor Theodore Hoelty-Nickel, head of its Department of Music, it has been able to make a definite contribution to the advancement of musical taste in the Lutheran Church of America. The essays of this volume, originally presented at the Seminar in Church Music during the summer of 1944, are an encouraging evidence of the growing appreciation of our unique musical heritage. O. P. Kretzmann The Musical Heritage of the Lutheran Church Volume I Table of Contents Foreword Opening Address -Prof. Theo. Hoelty-Nickel, Valparaiso, Ind. Benefits Derived from a More Scholarly Approach to the Rich Musical and Liturgical Heritage of the Lutheran Church -Prof. Walter E. Buszin, Concordia College, Fort Wayne, Ind. The Chorale—Artistic Weapon of the Lutheran Church -Dr. Hans Rosenwald, Chicago, Ill. Problems Connected with Editing Lutheran Church Music -Prof. Walter E. Buszin The Radio and Our Musical Heritage -Mr. Gerhard Schroth, University of Chicago, Chicago, Ill. Is the Musical Training at Our Synodical Institutions Adequate for the Preserving of Our Musical Heritage? -Dr. Theo. G. Stelzer, Concordia Teachers College, Seward, Nebr. Problems of the Church Organist -Mr. Herbert D. Bruening, St. Luke’s Lutheran Church, Chicago, Ill. Members of the Seminar, 1944 From The Musical Heritage of the Lutheran Church, Volume I (Valparaiso, Ind.: Valparaiso University, 1945). -
Document Cover Page
A Conductor’s Guide and a New Edition of Christoph Graupner's Wo Gehet Jesus Hin?, GWV 1119/39 Item Type text; Electronic Dissertation Authors Seal, Kevin Michael Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 06:03:50 Link to Item http://hdl.handle.net/10150/645781 A CONDUCTOR'S GUIDE AND A NEW EDITION OF CHRISTOPH GRAUPNER'S WO GEHET JESUS HIN?, GWV 1119/39 by Kevin M. Seal __________________________ Copyright © Kevin M. Seal 2020 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctor of Musical Arts Document Committee, we certify that we have read the document prepared by: Kevin Michael Seal titled: A CONDUCTOR'S GUIDE AND A NEW EDITION OF CHRISTOPH GRAUPNER'S WO GEHET JESUS HIN, GWV 1119/39 and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Bruce Chamberlain _________________________________________________________________ Date: ____________Aug 7, 2020 Bruce Chamberlain _________________________________________________________________ Date: ____________Aug 3, 2020 John T Brobeck _________________________________________________________________ Date: ____________Aug 7, 2020 Rex A. Woods Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. -
O Sanctissima – O Du Fröhliche Weihnachtslieder Aus Deutschland Und Aller Welt Volume 2
O sanctissima – O du fröhliche Weihnachtslieder aus Deutschland und aller Welt Volume 2 MDR RUNDFUNKCHOR Philipp Ahmann, Dirigent O sanctissima – O du fröhliche Weihnachtslieder aus Deutschland und aller Welt Volume 2 MDR RUNDFUNKCHOR Philipp Ahmann, Dirigent Falk Hoffmann, Tenor (04, 19) · Mai Kato, Sopran (05) · Manja Raschka, Mezzosopran (10) · Anne Glocker, Sopran (16) · Antje Moldenhauer-Schrell, Sopran (17) · Hwan-Cheol Ahn, Tenor (Solo); Yongkeun Kim, Tenor; Felix Plock, Bass; Jae-Hyong Kim, Bass (21) · Johannes Weinhuber (23) · Kristian Sørensen (25) 01 Macht hoch die Tür (Deutschland) . (02'48) Komposition: Anonym (17. Jahrhundert) · Satz: Graham Buckland (*1951) 02 A Hymn to the Virgin (England) . (03'43) Komposition: Benjamin Britten (1913–1976) 03 Ave Maria (Russland/Frankreich) . (01'54) Komposition: Igor Strawinsky (1882–1971) 04 Alma Redemptoris Mater (Italien) . (03'12) Komposition: Giovanni Pierluigi da Palestrina (um 1525–1594) 05 Schizukana joluni (Japan) Ersteinspielung . (02'33) Komposition und Text: Hideki Yoschimura (*1967) · Arrangement: Kent Carlson (*1971) 06 La Marche des Rois (Frankreich) . (01'54) Komposition: Jean-Baptiste Lully (1632–1687) 07 The first Nowell (England) . (03'45) Komposition und Text: Volksweise (19. Jahrhundert) · Satz: John Stainer (1840–1901) 08 Schlaf, mein Kindelein (Deutschland) . (03'20) Weise und Text: nach dem Straßburger Gesangbuch (1697) Satz: Max Reger (1873–1916) / Zwölf deutsche geistliche Gesänge WoO VI/13 Nr. 4 09 Sylvian joululaulu (Finnland) . (03'15) Komposition: Karl Collan (1828–1871) · Satz: Matti Hyökki (*1946) 10 The holly and the ivy (England) . (01'32) Melodie und Text: aus Birmingham (vor 1710) · Satz: Graham Buckland 11 Legenda (Russland) . (03'11) Komposition: Pjotr Tschaikowski (1840–1893) op. -
11 Women of the Reformation Cornelia Schlarb 1. Introduction Since The
Women of the reformation Cornelia Schlarb 1. Introduction Since the EKD (Evangelical Church in Germany) has proclaimed a Luther or reformation decade in 2008 in order to celebrate the beginning of the reformation 500 years ago, the interest in what and how women contributed to the spreading of the new reformatory ideas and live style has been increasing in Germany. The situation has been completely different when I was studying evangelical theology in Marburg and Heidelberg in the beginning of the 1980th. In that time German scholars, or rather female scholars, only started to research the bible and church history about women's contribution, although in other countries, like in the USA, Roland H. Bainton (1894-1984) had already published his book “Women of the Reformation in Germany and Italy” in 1971. It is very significant that it took 24 years to translate this book into German. In 1995 it had become available as paperback issue with the title “Frauen der Reformation. Von Katharina von Bora bis Anna Zwingli”. It contains seven biographies and a summarized description of women of the Anabaptist movement. It quickly became very popular and in 1996 already the third edition was published. In our lectures and seminars we only heard about Martin Luther, his life as monk and his conversion, about Luther´s posting of theses in 1517 in Wittenberg, about his central reformatory scriptures in the 1520th and the bible translation. We had to learn the important milestones of the reformation like the Imperial Diets / Reichstage in Worms 1521 and -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: O Lynn, Aidan Anthony Title: Ghosts of War and Spirits of Place Spectral Belief in Early Modern England and Protestant Germany General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Ghosts of Place and Spirits of War: Spectral Belief in Early Modern England and Protestant Germany Aidan Anthony O’Lynn A dissertation submitted to the University of Bristol in accordance with the requirements for the award of the degree of Doctor of Philosophy in the Faculty of Arts School of History August 2018 Word Count: 79950 i Abstract This thesis focuses on themes of place and war in the development of ghostlore in Early Modern Protestant Germany and England. -
Program-For-Website.Pdf
Buon Natale Laudate Singers & Baroque Chamber Orchestra Lars Kaario, Conductor Livestream December 13, 2020 * Pre-Concert Music – see next page for detail Magnificat, RV610 Antonio Vivaldi 1678-1741 1. Magnificat Chorus 2. Et exultavit Soprano, alto, tenor & chorus Soloists – Elizabeth, Monica, Kilian 3. Et misericordia eius Chorus 4. Fecit potentiam Chorus 5. Deposuit potentes Chorus 6. Esurientes Soprano duet – Laurel & Elizabeth 7. Suscepit Israel Chorus 8. Sicut locutus est Chorus 9. Gloria Patri Chorus Soprano: Laurel Curley, Laura Kaario, Elizabeth Petersen Alto: Alana Davies, Monica Teng Tenor: Kilian Benson, Nathan Kaleta Bass: Alec Faris, Preston Lee 20-MINUTE INTERLUDE see next page for detail Gloria in D major, RV589 Antonio Vivaldi 1678-1741 1. Gloria in excelsis Chorus 2. Et in terra pax Chorus 3. Laudamus te Soprano duet – Cassie & Isabella 4. Gratias agimus tibi Chorus 5. Propter magnam gloriam tuam Chorus 6. Domine Deus Soprano aria – Cassie 7. Domine Fili unigenite Chorus 8. Domine Deus, Agnus Dei Alto (Jessica) and Chorus 9. Qui tollis peccata mundi Chorus 10. Qui sedes ad dexteram Patris Alto aria – Maria 11. Quoniam tu solus sanctus Chorus 12. Cum Sancto Spiritu Chorus Soprano: Cassie Karvonen, Isabella Kershaw Alto: Jessica De Gaust, Maria Golas Tenor: Kilian Benson, Nathan Kaleta Bass: Nick Ainsworth, Andrew Wilson Instrumentalists Nancy DiNovo, violin Andrea Siradze, violin Sarah Kwok, viola Brian Mix, cello Marea Chernoff, oboe Mark D’Angelo, trumpet Michael Molnar, organ *Post-Concert Music – see next page for detail 2 Please enjoy music from our previous recordings before the concert begins, during the 20-minute interlude while the venue’s air is exchanged for musicians’ safety, and at the end of the concert. -
A BAROQUE CHRISTMAS Australian Chamber Choir Directed by Douglas Lawrence OAM Elizabeth Anderson — Organ
A BAROQUE CHRISTMAS Australian Chamber Choir Directed by Douglas Lawrence OAM Elizabeth Anderson — organ St Mary’s Cathedral Crypt Sydney Sat 24 November 2:30pm Church of the Resurrection Macedon Sat 1 December 3:00pm St Mary of the Angels Geelong Sun 2 December 3:00pm St Andrew’s Brighton Sun 8 December 3:00pm Our Lady of Mount Carmel Middle Park Sun 9 December 3:00pm PROGRAM NOTES HALLELUJA, FREUET EUCH IHR CHRISTEN ALLE ALLELUIA, REJOICE YOU CHRISTIANS ALL — Andreas Hammerschmidt Born in Brüx, Germany (now Most, Czech Republic), December 1611; died in Zittau, Germany, 29 October 1675. German-American musicologist Manfred Bukofzer (Music in the Baroque Era, 1947) accused Hammerschmidt of having ‘watered down the achievements of Schütz for the multitude.’ Yet this composer gained much more respect in his own time – including from Schütz himself, who wrote an enthusiastic preface to one of Hammerschmidt’s half-dozen sacred music publications – than Bukofzer’s rather haughty verdict on him would lead one to suppose. Hammerschmidt served as organist in the main Lutheran church of Zittau, near the Polish border, from 1639 until 1671, when his health broke down. (His tombstone calls him ‘the Orpheus of Zittau.’) Despite his organ-playing role, he left no original pieces for his instrument, preferring to concentrate on choral repertoire. The lively, succinct motet in today’s concert, dating from 1646, sets a text by 17th century German poet, Christian Kiemann. With verses sung by a trio of menʼs voices and an SATB reprise, in recent years this has become easily his most popular composition. -
Reclams Buch Der Deutschen Gedichte
1 Reclams Buch der deutschen Gedichte Vom Mittelalter bis ins 21. Jahrhundert Ausgewählt und herausgegeben von Heinrich Detering Reclam 2 3 Reclams Buch der deutschen Gedichte Band i 4 4., durchgesehene und erweiterte Auflage Alle Rechte vorbehalten © 2007, 2017 Philipp Reclam jun. GmbH & Co. KG, Stuttgart Gestaltung bis S. 851: Friedrich Forssman, Kassel Gestaltung des Schubers: Rosa Loy, Leipzig Satz: Reclam, Ditzingen Druck und buchbinderische Verarbeitung: GGP Media GmbH, Pößneck Printed in Germany 2017 reclam ist eine eingetragene Marke der Philipp Reclam jun. GmbH & Co. KG, Stuttgart isbn 978-3-15-011090-4 www.reclam.de Inhalt 5 Vorwort 9 [Merseburger Zaubersprüche] 19 • [Lorscher Bienensegen] 19 • Notker iii. von St. Gallen 20 • Der von Kürenberg 20 • Albrecht von Johansdorf 21 • Dietmar von Aist 23 • Friedrich von Hausen 24 • Heinrich von Morungen 25 • Heinrich von Veldeke 28 • [Du bist mîn, ich bin dîn] 29 • Hartmann von Aue 30 • Reinmar 30 • Walther von der Vogelweide 34 • Wolfram von Eschenbach 46 • Der Tannhäuser 48 • Neidhart 52 • Ulrich von Lichtenstein 55 • Mechthild von Magdeburg 57 • Konrad von Würzburg 59 • Frauenlob 61 • Johannes Hadloub 62 • Mönch von Salzburg 63 • Oswald von Wolkenstein 65 • Hans Rosenplüt 71 • Martin Luther 71 • Ulrich von Hutten 74 • Hans Sachs 77 • Philipp Nicolai 79 • Georg Rodolf Weckherlin 81 • Martin Opitz 83 • Simon Dach 85 • Johann Rist 91 • Friedrich Spee von Lan- genfeld 93 • Paul Gerhardt 96 • Paul Fleming 104 • Johann Klaj 110 • Andreas Gryphius 111 • Christian Hoffmann von Hoffmannswaldau -
Dichtung Und Musik Im Umkreis Der Kürbishütte Frank & Timme
GREIFSWALDER BEITRÄGE ZUR MUSIKWISSENSCHAFT 22 Dichtung und Musik im Umkreis der Kürbishütte Königsberger Poeten und Komponisten des 17. Jahrhunderts Peter Tenhaef / Axel E. Walter (Hg.) Frank & Timme Verlag für wissenschaftliche Literatur Peter Tenhaef / Axel E. Walter (Hg.) Dichtung und Musik im Umkreis der Kürbishütte Greifswalder Beiträge zur Musikwissenschaft, Band 22 Herausgegeben von Martin Loeser, Ekkehard Ochs, Peter Tenhaef, Walter Werbeck, Lutz Winkler Peter Tenhaef / Axel E. Walter (Hg.) Dichtung und Musik im Umkreis der Kürbishütte Königsberger Poeten und Komponisten des 17. Jahrhunderts Verlag für wissenschaftliche Literatur Umschlagabbildung: Titelblatt Heinrich Albert, Musicalische Kürbs-Hütte, Königsberg 1645 ISBN 978-3-7329-0307-8 ISSN 0946-0942 © Frank & Timme GmbH Verlag für wissenschaftliche Literatur Berlin 2016. Alle Rechte vorbehalten. Das Werk einschließlich aller Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechts- gesetzes ist ohne Zustimmung des Verlags unzulässig und strafbar. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Herstellung durch Frank & Timme GmbH, Wittelsbacherstraße 27a, 10707 Berlin. Printed in Germany. Gedruckt auf säurefreiem, alterungsbeständigem Papier. www.frank-timme.de Inhaltsverzeichnis Vorwort 7 Fréderíque Renno Peter Hagius – Königsberger Poet und Lehrer Simon Dachs 11 Sigita Barniškienė Isotopien in den Hochzeitsgedichten von Simon Dach 33 MĆra Grudule Simon Dachs Rezeption in der lettischen Kultur – Vom Kirchenlied bis zur sozialen Satire 45 Wladimir Gilmanov Das Geheimnis des Anagramms in der „verborgenen Theologie“ der Barockdichtung (am Beispiel des Königsberger Dichterkreises) 57 Axel E. Walter Christoph Wilkau – „ein unbekannter Auctor“ aus dem Umfeld der Kürbishütte. Mit einer Edition unbekannter Gedichte Simon Dachs 75 Jörg Robert Königsberger Genealogien. -
Dating the Reformation
The Protestant Reformation was the 16th-century religious, political, intellectual and cultural upheaval that splintered Catholic Europe, setting in place the structures and beliefs that would define the continent in the modern era. In northern and central Europe, reformers like Martin Luther, John Calvin and Henry VIII challenged papal authority and questioned the Catholic Church’s ability to define Christian practice. They argued for a religious and political redistribution of power into the hands of Bible- and pamphlet-reading pastors and princes. The disruption triggered wars, persecutions and the so-called Counter-Reformation, the Catholic Church’s delayed but forceful response to the Protestants. DATING THE REFORMATION Historians usually date the start of the Protestant Reformation to the 1517 publication of Martin Luther’s “95 Theses.” Its ending can be placed anywhere from the 1555 Peace of Augsburg, which allowed for the coexistence of Catholicism and Lutheranism in Germany, to the 1648 Treaty of Westphalia, which ended the Thirty Years’ War. The key ideas of the Reformation—a call to purify the church and a belief that the Bible, not tradition, should be the sole source of spiritual authority—were not themselves novel. However, Luther and the other reformers became the first to skillfully use the power of the printing press to give their ideas a wide audience. 1 Did You Know? No reformer was more adept than Martin Luther at using the power of the press to spread his ideas. Between 1518 and 1525, Luther published more works than the next 17 most prolific reformers combined. THE REFORMATION: GERMANY AND LUTHERANISM Martin Luther (1483-1546) was an Augustinian monk and university lecturer in Wittenberg when he composed his “95 Theses,” which protested the pope’s sale of reprieves from penance, or indulgences. -
T. Koopman & Amsterdam Baroque Orchestra & Choir (Erato/Antoine Marchand, 3-CD)
.. Nikolaikirche.leipzig. Photo, Thierry Cohen. Johann Sebastian Bach(1685-1750) COMPLETECANTATAS.L'INTEGRALEDESCANTATES DASKANTATENWERK VOLUME 10 Caroline Starn soprano MichaelChance alto PaulAgnew tenor KlausMertens bass The Amsterdam Baroque Orchestra & Choir TON KOOPMAN Pagel COMPACT DISC 1 76'52 Seite "Preise, Jerusalem, den Herrn" BWV119 22'41 Serviceafter the electionofthe leipzigCityCouncil,'7z3 Officeapres leselectionsdu Conseilde leipzig,'7z3 Gottesdienstanla&lichderleipzigerRatswahl,17Z3 Text:authorunknown soli, choir, oboe, oboes do caccia, recorders, trumpets, bassoon, timpani, violins, violas, cellos, basso continuo Chorus: "Preise, Jerusalem, den Herrn" 5'04 [43] Recitative (Tenor): "Gesegnet Land!" ,,6 [43] 3 Aria (Tenor): "Wohl dir, du Volk der Linden" 4"4 [43] 4 Recitative (Bass): "So herrlich stehst du, liebe Stadt!" 138 [45] s Aria (Alto): "Die Obrigkeit ist Gottes Gabe" 2'38 [45] 6 Recitative (Soprano): "Nun! wir erkennen es und bringen dir" 0'45 [45] 7 Chorus: "Der Herr hat Guts an uns getan" 5'33 [47] 8 Recitative (Alto): "Zuletzt!" 0'32 [47] 9 Chorale:"Hilf deinem Volk, Herr Jesu Christ" 0'58 [47] "Ein Herz, das seinen Jesum Iebend weiB" BWV134 25'16 EasterTuesday'mardide Paques. 3-Ostertag Text:authorunknown soli, choir, oboes, bassoon, violins, violas, cellos, basso continuo 10 Recitative (Tenor, Alto): "Ein Herz, das seinen Jesum lebend weiB" 0'4' [47] 11 Aria (Tenor): "Auf.Glaubige, singet die lieblichen Lieder" 5'42 [49] 12 Recitative (dialogue: Tenor, Alto): "Wohl dir, Gott hat an dich gedacht" 2'08 [49]