Bach Cantatas, Vol. 21
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The Second Sunday of Advent
The Second Sunday of Advent THE HOLY EUCHARIST December 6, 2020, 11:00 AM The Church of Saint Mary the Virgin in the City of New York We Need Your Help We are enormously grateful to all the members and friends of Saint Mary’s from far and wide who have supported the parish during the extraordinary events of the past several months. Your gifts have encouraged us and they have kept us going. We hope that you will make a pledge to the parish for 2021 at this time. Pledge cards may be found on the ushers’ table at the Forty-sixth Street entrance to the church. If you are able to make an additional donation to support the parish at this time, we would happily receive it. Donations may be made online via the Giving section of the parish website. You may also make arrangements for other forms of payment by contacting our parish administrator, Christopher Howatt, who would be happy to assist you. He may be reached at 212-869-5830 x 10. If you have questions about pledging, please speak to a member of the clergy or to one of the members of the Stewardship Committee, MaryJane Boland, Steven Heffner, or Marie Rosseels. We are grateful to you for your support of Saint Mary’s. About the Music Today’s organ voluntaries are both from the North German Baroque school and are based upon Luther’s chorale Nun komm, der Heiden Heiland (“Come now, Savior of the Gentiles”). This chorale (54 in The Hymnal 1982) is Martin Luther’s sixteenth-century adaptation of the fourth-century Latin hymn Veni Redemptor gentium attributed to Ambrose of Milan (55 in The Hymnal 1982). -
Chamber Choir
CHAMBER CHOIR EUGENE ROGERS, DIRECTOR GRADUATE STUDENT CONDUCTORS SCOTT VANORNUM, ORGAN Sunday, April 25, 2021 Hill Auditorium 4:00 PM THREE BACH CANTATAS Aus der Tiefen rufe ich zu dir, BWV 131 Johann Sebastian Bach Aus der Tiefen rufe ich zu dir (1685–1750) So du willt, Herr Jacob Surzyn, bass Margaret Burk, conductor Ich harre des Herrn Meine Seele wartet Tyrese Byrd, tenor David Hahn, conductor Israel hoffe auf dem Herrn Julian Goods, conductor Nach dir, Herr, verlanget mich, BWV 150 Johann Sebastian Bach Sinfonia Nach dir, Herr, verlanget mich Doch bin und bleibe ich vergnügt Maia Aramburú, soprano Katherine Rohwer, conductor Leite mich in deiner Wahrheit Zedern müssen von den Winden Eliana Barwinski, alto; Jacob Carroll, tenor; Jacob Surzyn, bass Bryan Anthony Ijames, conductor Meine Augen sehen stets Meine Tage in dem Leide Maia Aramburu, soprano; Eliana Barwinski, mezzo-soprano Jacob Carroll, tenor; Julian Goods, bass Benjamin Gaughran, conductor THe use of all cameras and recording devices is strictly prohibited. Please turn off all cell phones and pagers or set ringers to silent mode. Nun komm, der Heiden Heiland, BWV 61 Johann Sebastian Bach Nun komm, der Heiden Heiland Der Heiland ist gekommen Tyrese Byrd, tenor Komm, Jesu, komm zu deiner Kirche Jacob Carroll, tenor Siehe, ich stehe vor der Tür Jacob Surzyn, bass Öffne dich, mein ganzes Herze Cecilia Kowara, soprano Amen, Amen, komm du schöne Freudenkrone Joseph Kemper, conductor BACH, AUS DER TIEFEN RUFE ICH ZU DIR, BWV 131 In July 1707, 22-year-old Johann Sebastian Bach began his short tenure as organist of the Bla- siuskirche in Mühlhausen, one of two major churches in the free imperial city. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: O Lynn, Aidan Anthony Title: Ghosts of War and Spirits of Place Spectral Belief in Early Modern England and Protestant Germany General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Ghosts of Place and Spirits of War: Spectral Belief in Early Modern England and Protestant Germany Aidan Anthony O’Lynn A dissertation submitted to the University of Bristol in accordance with the requirements for the award of the degree of Doctor of Philosophy in the Faculty of Arts School of History August 2018 Word Count: 79950 i Abstract This thesis focuses on themes of place and war in the development of ghostlore in Early Modern Protestant Germany and England. -
Download Booklet
BIS-SACD-1551 Cantatas:booklet 19/12/06 09:03 Page 2 BACH, Johann Sebastian (1685-1750) Cantatas 34 · Leipzig 1725 Wie schön leuchtet der Morgenstern, BWV 1 22'23 Kantate zum Fest Mariae Verkündigung (25. März 1725) Text: [1, 6] Philipp Nicolai 1599; [2-5] anon. Corno I, II, Oboe da caccia I, II, Violino concertato I, II, Violino I, II, Viola, Soprano, Alto, Tenore, Basso, Continuo 1 1. [Chorus]. Wie schön leuchtet der Morgenstern… 8'19 2 2. Recitativo (Tenore). Du wahrer Gottes und Marien Sohn … 0'58 3 3. Aria (Soprano). Erfüllet, ihr himmlischen göttlichen Flammen … 4'14 4 4. Recitativo (Basso). Ein ird’scher Glanz, ein leiblich Licht… 0'56 5 5. Aria (Tenore). Unser Mund und Ton der Saiten … 6'24 6 6. Choral. Wie bin ich doch so herzlich froh … 1'18 Erhalt uns, Herr, bei deinem Wort, BWV 126 17'04 Kantate zum Sonntag Sexagesimae (4. Februar 1725) Text: [1, 3] Martin Luther 1542; [2, 4, 5] anon.; [6] Martin Luther 1529/Johann Walter 1566 Tromba, Oboe I, II, Violino I, II, Viola, Soprano, Alto, Tenore, Basso, Continuo, Organo 7 1. [Chorus]. Erhalt uns, Herr, bei deinem Wort … 2'44 8 2. Aria (Tenore). Sende deine Macht von oben … 4'44 9 3. Recitativo [& Choral] (Alto, Tenore). Der Menschen Gunst … 1'56 10 4. Aria (Basso). Stürze zu Boden, schwülstige Stolze! … 4'50 11 5. Recitativo (Tenore). So wird dein Wort und Wahrheit offenbar … 0'52 12 6. Choral. Verleih uns Frieden gnädiglich … 1'45 2 BIS-SACD-1551 Cantatas:booklet 19/12/06 09:03 Page 3 Herr Jesu Christ, wahr’ Mensch und Gott, BWV 127 19'21 Kantate zum Sonntag Estomihi (11. -
Lutherans for Lent a Devotional Plan for the Season of Lent Designed to Acquaint Us with Our Lutheran Heritage, the Small Catechism, and the Four Gospels
Lutherans for Lent A devotional plan for the season of Lent designed to acquaint us with our Lutheran heritage, the Small Catechism, and the four Gospels. Rev. Joshua V. Scheer 52 Other Notables (not exhaustive) The list of Lutherans included in this devotion are by no means the end of Lutherans for Lent Lutheranism’s contribution to history. There are many other Lutherans © 2010 by Rev. Joshua V. Scheer who could have been included in this devotion who may have actually been greater or had more influence than some that were included. Here is a list of other names (in no particular order): Nikolaus Decius J. T. Mueller August H. Francke Justus Jonas Kenneth Korby Reinhold Niebuhr This copy has been made available through a congregational license. Johann Walter Gustaf Wingren Helmut Thielecke Matthias Flacius J. A. O. Preus (II) Dietrich Bonheoffer Andres Quenstadt A.L. Barry J. Muhlhauser Timotheus Kirchner Gerhard Forde S. J. Stenerson Johann Olearius John H. C. Fritz F. A. Cramer If purchased under a congregational license, the purchasing congregation Nikolai Grundtvig Theodore Tappert F. Lochner may print copies as necessary for use in that congregation only. Paul Caspari August Crull J. A. Grabau Gisele Johnson Alfred Rehwinkel August Kavel H. A. Preus William Beck Adolf von Harnack J. A. O. Otteson J. P. Koehler Claus Harms U. V. Koren Theodore Graebner Johann Keil Adolf Hoenecke Edmund Schlink Hans Tausen Andreas Osiander Theodore Kliefoth Franz Delitzsch Albrecht Durer William Arndt Gottfried Thomasius August Pieper William Dallman Karl Ulmann Ludwig von Beethoven August Suelflow Ernst Cloeter W. -
The End Is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140
The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140 Master's Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Music Dr. Eric Chafe, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Fine Arts in Musicology by Hannah Spencer May 2015 ABSTRACT The End is Nigh: Reflections of Philipp Nicolai's Eschatology in BWV 1 and BWV 140 A thesis presented to Department of Music Graduate School of Arts and Sciences Brandeis University Waltham, Massachusetts By Hannah Spencer In his mission to create a better repertoire of "well-regulated church music to the Glory of God," J.S. Bach utilized every aspect of his craft. Aside from the rich texts penned by his anonymous librettist, Bach intentionally utilized specific musical gestures to intertwine the Gospel into each layer of his compositions. In the case of BWV 1 and BWV 140 , Bach makes compositional choices that allow him to depict the eschatological viewpoint of Phillip Nicolai, the Lutheran theologian who penned the chorales used as the basis of these chorale cantatas. By analyzing Bach's use of such devices as large-scale harmonic patterns, melodic motives, and the structural use of chiasm, the depiction of motion between the realms of Heaven and Earth becomes clear. More than simply "church music," Bach's cantatas are musical sermons of intricate detail. ii TABLE OF CONTENTS Abstract..........................................................................................................................................ii -
Inhalt Seile Geschichtliche Einleitung XXIX
Inhalt Seile Geschichtliche Einleitung XXIX Erstes Buch. Alte deutsche Leise 3 Von der Geburt Christi (Gelobet seist du, Jesu Christ) . 3 Österlich (Christ ist erstanden) 3 Abendmahl (Gott sei gelobet und gebenedeiet) 4 Von der Himmelfahrt Christi (Christ fuhr gen Himmel) ... 4 Pfingstlied (Nun bitten wir den heiligen Geist) 4 Am Fest der heiligen Dreifaltigkeit (Das helfen uns die Namen drei) 5 O du armer Judas 5 Kreuzleis (In Gottes Namen fahren wir) 5 Veni sancte spiritus (Komm, heiliger Geist, Herre Gott) ... 6 Media vita (Inmitten in des Lebens Zeit) h Ymnum dicamus domino (Gott sagen wir Gnade- und Chrendank) 6 Ave Maria (Ave Maria, ein Ros' ohn alle Dorn) 7 Spervogel (der ältere) - . 8 Das Erlösungswerk (Cr ist gewaltig und ist stark) .... 8 Hartmann von Aue 9 Kreuzlied (Dem Kreuze ziemet frommer Mut) 9 Matther von der Bogelweide 11 Morgensegen (Mit Segen laß mich heut ersteh») 11 Gott, hilf und vergib (Du hochgelobter Gott, wie selten ich dich preise) 11 Kreuzigung 1 (Sünder, du sollst der großen Not bei dir gedenken) 12 Kreuzigung 2 (Der Blinde sprach zu seinem Knechte: „Du sollst kehren") 12 Der große Sturm (O weh, vernehmt's gewiß, es kommt ein Sturm) 12 Im gelobten Lande (Nun erst leb ich ohne Fährde) .... 13 Gottfried von Straßburg 16 Von der Armut (Kind, und wollte dich das Glück auch meiden) 16 Unbekannter Verfasser 18 Lied von der Gottesminne (Wer Gottes Minne will erjagen) 18 Reinmar von Zweter 22 Gott aller guten Dinge Ursprung (Gott, Ursprung aller guten Ding) 22 Der Marner 22 Sieh nach allen Seiten (Sieh, Sünder, an die Straßen) . -
The Treatment of the Chorale Wie Scan Leuchtet Der Iorgenstern in Organ Compositions from the Seven Teenth Century to the Twentieth Century
379 THE TREATMENT OF THE CHORALE WIE SCAN LEUCHTET DER IORGENSTERN IN ORGAN COMPOSITIONS FROM THE SEVEN TEENTH CENTURY TO THE TWENTIETH CENTURY THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Paul Winston Renick, B. M. Denton, Texas August, 1961 PREFACE The chorale Wie schn iihtet derMorgenstern was popular from its very outset in 1589. That it has retained its popularity down to the present day is evident by its continually appearing in hymnbooks and being used as a cantus in organ compositions as well as forming the basis for other media of musical composition. The treatment of organ compositions based on this single chorale not only exemplifies the curiously novel attraction that this tune has held for composers, but also supplies a common denominator by which the history of the organ chorale can be generally stated. iii TABLE OF CONTENTS Page PREFACE . * . * . * . * * * . * . LIST OF ILLUSTRATIONS . .0.0..0... 0 .0. .. V Chapter I. THE LUTHERAN CHORALE. .. .. The Development of the Chorale up to Bach The Chorale Wie sch8n leuchtet der Morgenstern II. BEGINNINGS OF THE ORGAN CHORALE . .14 III* ORGAN CHORALS BASED ON WIE SCHN IN THE BAROQUE ERA .. *. .. * . .. 25 Samuel Scheidt Dietrich Buxtehude Johann Christoph Bach Johann Pachelbel Johann Heinrich Buttstet Andreas Armsdorf J. S. Bach IV. ORGAN COMPOSITIONS BASED ON WIE SCHON ...... 42 AFTER BACH . 4 Johann Christian Rinck Max Reger Sigf rid Karg-Elert Heinrich Kaminsky Ernst Pepping Johann Nepomuk David Flor Peeters and Garth Edmund son V. -
Always Advent
Always Advent Festival of Hymns July 13, 2009 WTPTRTEIM NEN U RA HU an Can UP niR an URN Ecar in Bertrtin Paw aaven The worship theme for LSM 2009 has been “Always Advent.” Throughout ou together, we have explored the ways in which the themes of the Advert season themes of the Church’s life in all times and places. Tonight's hymn festival hieh connection, bringing together music and texts both ancient and new. We will sh penned by Martin Luther, C.S. Lewis, Charles Wesley, Susan Briehl, an, Farjeon. We will sing and hear tunes from Sweden, Latvia, France, italy, | Appalachia, and Ireland, written or arranged by musicians such as Praetorius, J.S. Bach, Philipp Nicolai, Paul Bouman, and André Thomas. A hymn festival falls somewhere on the spectrum between worship serv performance; to that end, tonight’s program will proceed without interruption. Follo the closing hymn, you are invited to applaud in appreciation of the many Peet) wi shared their gifts with us this evening. 2 GATHERING Prelude The Kyng’s Pavan The Emperor’s Pavan & Gallyard Collegium Recorder Consort Wake, Awake arr. Jeffrey Hon LSM Handbell Choir Wachet Auf (Wake, Awake) Johann Ludwig Kreb Christiaan Teeuwsen, organ; Paul Morton, trumpet Introit The Lord Shall Come and Not Be Slow Zebulon Hig! The Lord shall come and not be slow; his light is soon appearing. Prepare, you sinners here below who are these tidings hearing: Arise, O sleepers, trim your lamps! Their flames, so swiftly burning, reveal the path to hope and peace — the dawn for which you’re yearning, Come forth, you weary, meek, and poor! Forget your strife and labor. -
FASCH-REPERTORIUM (FR) - Vokalmusik Von Johann Friedrich Fasch
FASCH-REPERTORIUM (FR) - Vokalmusik von Johann Friedrich Fasch - von Gottfried Gille Bad Langensalza, Deutschland Stand: September 2013 (Dateiversion: FaschRepertorium_092013.odt) Fasch-Repertorium (FR): Vokalmusik von Johann Friedrich Fasch Stand: September 2013 Verfasser: Gottfried Gille, Bad Langensalza (Deutschland) Das FR versucht den gegenwärtigen Stand der Forschung zur Vokalmusik Johann Friedrich Faschs (1688 – 1758) zusammenzufassen und in komprimierter Form darzustellen. Es erlaubt zugleich, den Umfang seines Schaffens zu überblicken. Sowohl Wissenschaftler als auch Praktiker können sich auf Grundlage der mitgeteilten Daten über seine Werke informieren. Einige anonym überlieferte Stücke konnten Fasch zugeordnet, andererseits mussten wenige ihm bis- her zugeschriebene Manuskripte als Incerta ausgesondert werden. Beigegeben sind dazu jeweils Be- gründungen. In einigen Fällen lassen sich Beziehungen zwischen einzelnen Stücken (Parodien) aufzeigen. Manche der Daten und Wertungen sind vorläufig und bedürfen der Überprüfung bzw. syste- matischen Ergänzung (z. B. Informationen zum Papier und den Schreibern der Quellen). Deshalb soll das FR laufend aktualisiert und erweitert werden. Darüber hinaus wäre ein Austausch von Beobachtungen und Bewertungen zu Faschs Vokal- werk wünschenswert: [email protected] Danksagung Für die freundliche Überlassung seiner Datensätze zur Lateinischen Kirchenmusik bin ich Herrn Dr. Raymond Dittrich, Regensburg, zu besonderem Dank verpflichtet. Frau Prof. Dr. Barbara Reul, Regina/Canada, hat mir mancherlei Material, besonders zum Verzeich- niß der gottesdienstlichen Handlungen in der Schlosskirche zu Zerbst während der Amtszeit J. F. Faschs dankenswerterweise zur Verfügung gestellt. Ebenso stand mir Brian Clark mit Rat und Tat zur Seite. Ratschläge, Korrekturen und praktische Hilfen bekam ich von den Mitarbeitern der Internationalen Fasch-Gesellschaft sowie den Mitgliedern des Wissenschaftlichen Beirates der IFG, insbesondere von Herrn Bert Siegmund, dem derzeitigen Präsidenten der IFG, und Herrn Stephan Blaut. -
Lutheran Service Book: Companion to the Hymns
Lutheran Service Book: Companion to the Hymns edited by Joseph Herl, Peter C. Reske, and Jon D. Vieker Quick facts 2,624 pages in two volumes 127 contributing authors 680 biographies, 638 hymn essays, 17 historical and topical essays 3,295 explanatory and source footnotes 2,813 texts, translations, tunes, and settings examined from 1,527 unique primary sources 308 libraries contributed primary sources 564 changed attributions published in December 2019 by Concordia Publishing House biographies separate from hymn essays hymn essays divided into sections for the general reader and for specialists theological commentary for each hymn all essays signed with authors’ names Significant kinds of information included earliest sources of each text, translation, tune, and harmonization, with page numbers date and place of origin for each text and tune historical category of each text and tune religious confession of each text textual changes in LSB from earliest source references to prose translations of foreign-language texts into English references to editions of texts and tunes, commentaries, and other companions original genre of tunes (hymn, folk song, choral music, etc.) origin of tune names statistical bar charts on origins of texts and tunes alternate forms of first lines and tune names performance suggestions, with tempos from 4 sources, plus composers’ tempos when available pronunciation of the names of recent Lutheran authors and composers indexes of individuals by year and by day of birth and death (anniversary -
The Scripture Cannot Be Broken.” ( John 10:35)
November 2018 VOL 61 NO. 5 “. .The Scripture Cannot Be Broken.” ( John 10:35) Lutheran Spokesman – VOL 61 NO. 5 – November 2018 1 What Is the World’s Expiration Date? Page 15 In This Issue Get and give the gift of the Gospel November 2018 — VOL. 61 NO. 5 Subscription to the Lutheran Spokesman is $18.00/year. ORDER SUBSCRIPTION ONLINE AT: What Is the World’s Expiration Date? ............ 3 www.lutheranspokesman.org Frequently Asked Questions Or mail subscription to: about HEAVEN ....................................................... 4 Rev. James Sandeen, Business Manager 501 Grover Road, Eau Claire, WI, 54701 A Hymn of Glory (TLH 609) “Wake, Awake, for Night is Flying” ................ 5 Postmaster: Periodicals postage paid at Eau Claire WI 54701 and additional offices (825-580). ISSN#0024-7537. Send address corrections (Form 3579) to “Purge Me with Hyssop” ................................ 6 Lutheran Spokesman, 501 Grover Road, Eau Claire, WI, 54701. The Lutheran Spokesman is published monthly by the Church of the Lutheran Let Us Have Grace ........................................... 7 Confession, 501 Grover Road, Eau Claire, WI, 54701, and is an official organ of the Church of the Lutheran Confession (CLC). Website address: www. “Religion makes no sense” ............................. 8 clclutheran.org. Editor: Paul Naumann, 3732 Claymore Lane, Eau Claire, WI, 54701, E-mail to Life of Luther — The Final Years .....................9 [email protected]; Assistant Editor: Craig Owings; Art Director, Graphic Designer, Print Production: Matthew Schaser; Proofreaders: David Lau and Bethel Lutheran Church Paula Naumann; Staff: James Albrecht, David Bernthal, Timothy Daub, Wayne Eichstadt, David Fuerstenau, Frank Gantt, Norman Greve, Mark Gullerud, John Morris, Minnesota ...........................................10 Klatt, Ross Kok, Joseph Lau, Delwyn Maas, Bruce Naumann, Nathan Pfeiffer, David Reim, Sam Rodebaugh, Michael Roehl, Robert Sauers, Thomas Schuetze, CLC Bible Correspondence Course ................12 Chad Seybt, Mark Weis.