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Performance & Sustainability Report
Performance & Sustainability Report 2016 ABOUT FIRMENICH ORGANIZATIONAL PROFILE TABLE OF CONTENTS Firmenich is the world’s largest privately owned company in the Chairman and CEO Letter 02 fragrance and flavor business. Founded in 1895 and headquartered in Geneva, Switzerland, R&D Perspectives 04 Firmenich has created many of the world’s best-known perfumes Ingredient Perspectives 04 and flavors enjoyed around the world, every day. Firmenich reports its financial results and sustainability initiatives Perfumery Perspectives 05 (following the GRI guidelines) on a fiscal year basis ending June 30. Flavor Perspectives 06 In this report, all references to “FY16” relate to the 12 months ended June 30, 2016. Sustainability at Firmenich 07 Pathways to Positive 08 6,500 Employees 36 Countries Ethics and Excellence 10 Environment and 18 Resources 25 Manufacturing 3.2bn Swiss francs Innovation, Science 26 sites (CHF) sales and Society Partnerships 32 People and Communities 40 3 R&D centers About this Report 48 OUR WORLD Firmenich operates in three business divisions: Ingredients, Fragrances and Flavors. • The Ingredient Division designs natural and synthetic perfumery and flavoring ingredients. This division was the first created 120 years ago. • The Fragrance Division creates home care, body care and fine fragrances featuring Firmenich molecules and raw materials bought from suppliers. • The Flavor Division crafts flavors used in Sweet Goods, Beverages, and Savory Products. Firmenich’s Flavor Division aims to capture and capitalize on the continued consumer demand for healthier products. As a supplier to the world’s largest consumer goods companies and to a multitude of regional and local customers, Firmenich’s environmental footprint and governance standards matter to our customers. -
Annual Report 2011 Contents
Annual Report 2011 Contents Overview Sustainable business model 2 Financial highlights 46 Sustainable business model 3 Distinct capabilities 46 – Compliance 4 Our business 47 – Shareholders (2011) 6 Key events of the year 48 – Customers 8 Chairman’s letter 49 – Our people 10 Chief Executive’s review 52 – Suppliers Strategy 52 – Supply chain 53 – Information technology 16 Developing markets 53 – Environment, Health and Safety (EHS) 18 Research and Development 55 – Risk management 26 Health and Wellness 57 – Regulatory 28 Sustainable sourcing of raw materials 30 Targeted customers and segments Corporate governance Performance 60 Corporate governance 60 – Group structure and shareholders 34 Business performance 61 – Capital structure 36 Fragrance Division 62 – Board of Directors 37 – Fine Fragrances 72 – Executive Committee 38 – Consumer Products 75 – Compensation, shareholdings and loans 39 – Fragrance Ingredients 75 – Shareholders’ participation 39 – Research and Development 76 – Change of control and defence measures 40 Flavour Division 77 – Auditors 41 – Asia Pacific 77 – Information policy 42 – Europe, Africa, Middle East (EAME) 78 Compensation report 43 – North America 43 – Latin America Financial report 43 – Research and Development 87 Financial review 90 Consolidated financial statements 95 Notes to the consolidated financial statements 145 Report of the statutory auditors on the consolidated financial statements 146 Statutory financial statements of Givaudan SA 148 Notes to the statutory financial statements 152 Appropriation of available earnings of Givaudan SA 153 Report of the statutory auditors on the financial statements Our Brand: Engaging the Senses Introduction As the leading company in the fragrance and flavour industry, Givaudan develops unique and innovative fragrance and flavour creations for its customers around the world. -
Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
According to Said Regulation, the Presence of 26 Potential Fragrance
The perfume industry profoundly changed with the advent According to said regulation, the presence of 26 potential of modern synthetic organic chemistry. A turning point was fragrance allergens must be indicated in the label (list of the discovery of the vanillin synthesis from coniferin in 1874 ingredients), if concentration exceeds 0.001% in leave-on (the Reimer-Tiemann chemical reaction), which led to the product. Substances classified as carcinogenic, mutagenic or foundation in Germany of what is today one of the world’s toxic for reproduction are prohibited and will be reviewed by largest fragrance suppliers (Symrise). the Scientific Committee on Consumer Safety (SCCS) before In 1889, Aimé Guerlain used synthetic vanillin as the “base use is granted. note” of his commercial perfume Jicky introducing the To date, for example, the SCCS consider data insufficient concept of a perfume with a top note, a middle note to ban diethyl phthalates (DEP) and 4-hydroxybenzoic acid and a bottom note. Recognized immediately upon derivatives (parabens) from cosmetics (14), even though the application of the perfume, the top notes of a fragrance European Commission on Endocrine Disruption has listed DEP are generally comprised of the most volatile molecules such as a Category 1 priority substance, based on evidence that as d-limonene in citrus (lemon, orange zest, bergamot). they interfere with hormone function, decrease sperm counts Abundant in lavender and jasmine, the middle notes are in man, inducing early puberty in girls, and reproductive those -
Perfume Engineering Perfume Engineering Design, Performance & Classification
Perfume Engineering Perfume Engineering Design, Performance & Classification Miguel A. Teixeira, Oscar Rodríguez, Paula Gomes, Vera Mata, Alírio E. Rodrigues Laboratory of Separation and Reaction Engineering (LSRE) Associate Laboratory Department of Chemical Engineering Faculty of Engineering of University of Porto Porto, Portugal P. Gomes and V. Mata are currently at i-sensis company S. João da Madeira, Portugal AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Butterworth-Heinemann is an imprint of Elsevier Butterworth-Heinemann is an imprint of Elsevier The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK 225 Wyman Street, Waltham, MA 02451, USA First published 2013 Copyright r 2013 Elsevier Ltd. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangement with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. -
A Lexicon of Alchemy
A Lexicon of Alchemy by Martin Rulandus the Elder Translated by Arthur E. Waite John M. Watkins London 1893 / 1964 (250 Copies) A Lexicon of Alchemy or Alchemical Dictionary Containing a full and plain explanation of all obscure words, Hermetic subjects, and arcane phrases of Paracelsus. by Martin Rulandus Philosopher, Doctor, and Private Physician to the August Person of the Emperor. [With the Privilege of His majesty the Emperor for the space of ten years] By the care and expense of Zachariah Palthenus, Bookseller, in the Free Republic of Frankfurt. 1612 PREFACE To the Most Reverend and Most Serene Prince and Lord, The Lord Henry JULIUS, Bishop of Halberstadt, Duke of Brunswick, and Burgrave of Luna; His Lordship’s mos devout and humble servant wishes Health and Peace. In the deep considerations of the Hermetic and Paracelsian writings, that has well-nigh come to pass which of old overtook the Sons of Shem at the building of the Tower of Babel. For these, carried away by vainglory, with audacious foolhardiness to rear up a vast pile into heaven, so to secure unto themselves an immortal name, but, disordered by a confusion and multiplicity of barbarous tongues, were ingloriously forced. In like manner, the searchers of Hermetic works, deterred by the obscurity of the terms which are met with in so many places, and by the difficulty of interpreting the hieroglyphs, hold the most noble art in contempt; while others, desiring to penetrate by main force into the mysteries of the terms and subjects, endeavour to tear away the concealed truth from the folds of its coverings, but bestow all their trouble in vain, and have only the reward of the children of Shem for their incredible pain and labour. -
The Senses in Early Modern England, 1558–1660
5 Seeing smell Holly Dugan In January 2013, the Institute for Art and Olfaction commissioned graphic artist Micah Hahn and his design studio AutumnSeventy to create a series of prints on perfumery to commemorate its opening in Los Angeles.1 The result was Molecules, Series 1, which depicts three of the most influential molecules that defined twentieth-century perfumery – aldehyde C12, Iso E Super®, and Galaxolide.2 Gilded and embossed, the prints emphasize the chemical structure of these molecules, even as it renders them as fine art. That the prints are also lightly scented with each aromachemical depicted on it emphasizes the broader, and one might say synaesthetic, take on the mission of the institute: to connect fineart with olfaction. Although it is a visual representation of molecules that define modern perfumery, Molecules, Series 1 thus joins a long art historical tradition of cross-modal representations of sensation, particularly smell. Can a molecule be considered fine art? And, if so, which representation of that molecule best captures its olfactory beauty and renders it ‘visible’? Consider, for example, Hahn’s Galaxolide (Figure 3). It playfully invokes a wide variety of sensory modes to capture the aesthetic of Galaxolide. The print highlights both its chemical formula – C18H26 O – and its structural formula. Both are linked to its cultural associations with perfumery and public health. Galaxolide is a second-generation polycyclic synthetic musk, discovered in the 1960s, meant to synthesize the natural scent of deer musk. Translated into the language of public health, it is a hydrophobic but lipophilic ‘toxin’: it won’t wash off in water and is easily stored in human fat.3 Rendered into the language of commercial perfumery, however, it smells ‘clean’, a ‘musky, flowery, woody odor’ with a ‘sweet, powdery nuance’.4 Both its scent and its structure made it ideal for use in laundry detergents and soaps. -
Le Chypre, Un Parfum Au Cours Des Ages, Cahier Des Alpes –Maritimes N°8 1910’S
Saturday April, 7th - h. 12.30 pm « » With Bruno Hervé OSMOTHEQUE Perfumer and Osmocurator L’Osmothèque - A few figures 4000 PERFUMES IN THE COLLECTION 800 DiSCONTINUED PERFUMES 200 PERFUMES RE-CREATED BASED ON ORIGINAL FORMULAS 27 YEARS OLD INSTITUTION 100 000 VISITORS SINCE IT’S CREATION 5 000 VISITORS EACH YEAR 1500 RARE OR DISCONTUNUED RAW MATERIALS 12 OSMOCURATORS – PERFUMERS INVOLVED 2 SUBSIDIARIES: AU MIP GRASSE / NEW YORK The origin of Chypre Iconic Fragance XVII th – Early XVIII th centuries « La poudre de Chypre » The word “Chypre” or “Cypre” designates an oak tree in Old French. Chypre powder, which has given its name to the Chypre family in perfumery, is made mostly from the moss that lives as a parasite on oak trees. Oak moss is always mixed with bits of bark torn off when moss is harvested, so its smell mingles with the scent of the tannin, a fragrant green component of the oak wood. Long ago fashionable people used Chypre powder to powder their skin or their wig. It was also used in making potpourri, “sachets” and baskets of fragrances. The chypre family The Chypre Family The differents notes: - Bergamot Chypre - Rose - Jasmin Fruity Chypre - Cistus – Labdanum - Oak’s Moss Floral Aldehydic - Patchouli Chypre Leather Chypre Aromatic Chypre Green Chypre Floral Chypre The first Chypres (before 1917) Eau de Chypre Cyprisine Chypre de Paris Guerlain Guerlain Guerlain 1850 1894 1909 Chypre de Tentation Chypre Roger & Gallet Lubin 1893 1898 • Eau de Chypre (Guerlain, near 1850) • Poudre de Riz Chypre (Florida, near 1900) • Chypre -
Remarks Upon Alchemy and the Alchemists
Digitized by the Internet Archive in 2010 with funding from Research Library, The Getty Research Institute http://www.archive.org/details/remarksuponalcheOOhitc NEW THOUGTIT LIBRARY ASSOCIATION' No. REMARKS ALCHEMY AND THE ALCHEMISTS, INDICATIXG A METHOD OF DISCOVEKI^'G THE TEUE NATURE OF HERMETIC PHILOSOPHY; A^D SHOWING THAT THE SEARCH AFTER HAD NOT FOR ITS OBJECT THE DISCOVERY OF AN AGENT FOR THE TRANSMUTATION OF METALS. BEING ALSO AS ATTEMPT TO RESCUE FROM UNDESERVED OPPROBRIUM THE REPUTATION OF A CLASS OF EXTEAORDIXARY THINKEES IN PAST AGES. ' Man shall not live by bread alone." BOSTON: CROSBY, NICHOLS, AND COMPANY, 111 Washington Street. 1857. Entered according to Act of Congress, in the year 1857, by Crosby, Nichols, and Company, in the Clerk's Office of the District Court of the District of Massachusetts. cambsidge: metcalf and company, printers to the tjnrversitt. NE¥/ THOUGHT LIBRARY ASSOCIATION No. PEEFACE. ED.W. PARKER, L ittle Ruc k, Ark. It may seem superfluous in the author of the fol- lowing remarks to disclaim the purpose of re vivino- the study of Alchemy, or the method of teaching adopted by the Alchemists. Alchemical works stand related to moral and intellectual geography, some- what as the skeletons of ichthyosauri and plesio- sauri are related to geology. They are skeletons of thought in past ages. It is chiefly from this point of view that the writer of the following pages submits his opinions upon Alchemy to the public. He is convinced that the character of the Alchemists, and the object of their study, have been almost universally misconceived ; and as a matter of fact^ though of the past, he thinks it of sufficient importance to take a step in the right direction for developing the true nature of the studies of that extraordinary class of thinkers. -
Free Agent | BEAUTY INC
@ g-s-, ffi After a hishlv public breaku reed, marketer Lagrice Rahmd ^Bfffinair"bi.f,iii"thdis back in"thd driverbdriver's seats-eai witffirwi lateqtJenture, Bond No. 9. Wood Photographs by David Turner Scorched earth: Love her or loathe her, fewwould argue serve her ultradiscerning target market. is that it gives that Laurice Rahmd has left a trail of it in her wake. "The simple definition of a niche brand Idealistic, famously blunt and possessed of a fiery temper' the consumer choices-as many as possible," Rahmd says NoHo the fragrance industry veteran freely admits to having over a cup of tea at Bond's 3,000-square-foot us' but even with accrued a few enemies over the course ofher storied 30- flagship. "People do buy a wardrobe with have one for yeat career. 30,40 or even 50 fragrances, you still won't But here's the catch: Her admirers are legion' And with everyone. So the more the better." what her her latest venture-the Manhattan-centric Bond No.9 Of equal importance to Rahmd is determining brand-even Rahm6's detractors have to concede she's customers dorlt want. "We always hear consumers say,'I does knocked one clear out of Central Park. In fact, from just hate to be attacked by spritzers,'yet everybody still it' and the about any vantage point-the $6 million volume, the It's because the industry hasn't found another way, 'If multiple FiFiAward nominations or the aggressive growth competition is so great that there's this feeling of I don t plan-the three-year-old brand looks like a certifiable hit. -
Alchemylab Articles\374
Alchemical Theory The One Thing (or the Subtle Ether) Space, whether interplanetary, inner matter, or inter-organic, is filled with a subtle presence emanating from the One Thing of the universe. Later alchemists called it, as did the ancients, the subtle Ether. This primordial fluid or fabric of space pervades everything and all matter. Metal, mineral, tree, plant, animal, man; each is charged with the Ether in varying degrees. All life on the planet is charged in like manner; a world is built up in this fluid and move through a sea of it. Alchemical Ether, which some Hermeticists call the Astral Light, determines the constitution of bodies. Hardness and softness, solidity and liquidity, all depend on the relative proportion of ethereal and ponderable matter of which they me composed. The arbitrary division and classification of physical science, the whole range of physical phenomena, proceeds from the primary Ether, for science has reduced matter as we know it to nothing but Ether, which, although not solid matter, is still matter, the First Matter of the alchemists. When most of us speak of matter, of course, we usually visualize solid substance, but it has been proved by that matter is not actually solid, but merely a stress, a strain in the etheric field of time and space. The atom and the electrons and protons of which it is composed, all move in a sea of Ether, so, that in accordance with this theory of alchemy, the very air we breathe, the very bodies we inhabit, all things most likewise be moving in this sea of Ether, the parent element from which all manifestation has come. -
Perfume: a Century of Scents Download Free Book
PERFUME: A CENTURY OF SCENTS DOWNLOAD FREE BOOK Lizzie Ostrom | 384 pages | 22 Oct 2015 | Cornerstone | 9780091954536 | English | London, United Kingdom Scents of time: Perfect perfumes from the past century Sorry to disappoint but it was the other way round I think I'd done the first event, and then when I decided to run more as a series, my friend Rohan said I needed a stage name now my 'nom de perfume', gross And he came up with Odette Toilette. Perfume is a symbol of the high society privileges and the population rejects it as a sign of contestation. Bing Site Web Enter search term: Search. Did you want to write a toilet book? And also perfume houses of course create their own mythology and so I was trying to reconcile, in particular, Coty's 'official' narrative with what I was finding. The s began with a global recession and the denunciation of consumerism. Perfumer Guy Robert created a new type of floral scent that opens with a burst of fresh sparkling citrus notes including bergamot, mandarin and lemon. When I was writing about I'm of course covering a period just out of most peoples' remembered history, so there was quite a lot of elucidating the times, and some absolute gems which conveyed the role of fragrance in the times. The perfumery industry froze, and every major launch was put on hold for two years — after which the houses started to spew out fragrances in an abandoned frenzy, the majority of them unimaginative, chemical concoctions. Chypre scents have always risen from the ashes of Perfume: A Century of Scents or the ravages of recession.