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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Paul Grabowsky
PAUL GRABOWSKY SELECTED CREDITS DAISY WINTERS (2017) THE MENKOFF METHOD (2015) WORDS AND PICTURES (2013) EMPIRE FALLS (2005) THE JUNGLE BOOK 2(2003) (Original Songs, Lyrics – “Jungle Rhythm”, “W-I-L-D”, “Jungle Rhythm (Mowgli Solo)”) BIOGRAPHY Paul Grabowsky is a pianist, composer, arranger and conductor, and is one of Australia’s most distinguished artists. Born in Papua New Guinea in 1958, Paul was raised in Melbourne where he attended Wesley College. He began classical piano lessons at the age of five, studying with Mack Jost from 1965-1978. He began informal studies in jazz around 1976, and fully devoted his energies to improvised music from 1978. During the 70’s he became prominent in the music scene in Melbourne, working in various jazz, theatre and cabaret projects. He lived in Munich, Germany from 1980-1985, where he was active on the local and European jazz scenes, performing and recording with Johnny Griffin, Chet Baker, Art Farmer, Benny Bailey, Guenther Klatt, Marty Cook and many others. He returned to Australia in 1986. In 1983, he formed the Paul Grabowsky Trio, winner of four ARIA awards and one of Australia’s longest-living and most influential jazz ensembles. He has also won two Helpmann awards, several Bell awards and a Deadly award. He was the Sydney Myer Performing Artist of the year in 2000, and received the Melbourne Prize for Music in 2007. As a performer, he became known for his work with the ‘Wizards of Oz’, a group he co- led with saxophonist Dale Barlow from 1987-1989 and Vince Jones, for whom he was musical director in 1988-89. -
2004 Edition 1 (PDF 2.5MB)
ORIG IN2004 EDITION 1 S Vice Chancellor’s comment Welcome to the first edition of Origins which profiles Australia’s newest university. Established in November 2003, Charles Darwin University is a place for fresh thought, bold vision and renewed focus. The first step has been to develop a new framework for the institution and we have been heartened by the support and input from our stakeholders in making sure we build the right framework to deliver outcomes for the Territory. The energy and enthusiasm that Charles Darwin University is harnessing in finding knowledge solutions is inspirational – and we have only just opened for business. With campuses and study centres located across the Northern Territory, we offer opportunities beyond what is normally expected of a University. We provide pathways into a broad range of courses in traditional areas as well as specialist areas unique to our location including tropical and desert studies and Indigenous research and education. For a place steeped in Aboriginal tradition and culture which enjoys a close interaction with the peoples of Southeast Asia, our location affords boundless research opportunities to create local knowledge with global applications. We are a University that dares to be different. We welcome researchers, teachers and students who are prepared to take on challenges and are committed to making a difference. This first edition of Origins provides a snapshot of the diversity and strengths on which we are building Vice Chancellor Professor Helen Garnett Vice Chancellor Professor the new institution. 1 Northern attraction Some of Australia’s leading academics have joined Charles Darwin University, strengthening the organisation’s role as a leading research and education provider in specialist areas. -
14Th Annual Peggy Glanville-Hicks Address 2012
australian societa y fo r s music educationm e What Would Peggy Do? i ncorporated 14th Annual Peggy Glanville-Hicks Address 2012 Michael Kieran Harvey The New Music Network established the Peggy Glanville-Hicks Address in 1999 in honour of one of Australia’s great international composers. It is an annual forum for ideas relating to the creation and performance of Australian music. In the spirit of the great Australian composer Peggy Glanville-Hicks, an outstanding advocate of Australian music delivers the address each year, challenging the status quo and raising issues of importance in new music. In 2012, Michael Kieran Harvey was guest speaker presenting his Address entitled What Would Peggy Do? at the Sydney Conservatorium on 22 October and BMW Edge Fed Square in Melbourne on 2 November 2012. The transcripts are reproduced with permission by Michael Kieran Harvey and the New Music Network. http://www.newmusicnetwork.com.au/index.html Australian Journal of Music Education 2012:2,59-70 Just in case some of you are wondering about I did read an absolutely awe-inspiring Peggy what to expect from the original blurb for this Glanville-Hicks Address by Jon Rose however, address: the pie-graphs didn’t quite work out, and and I guess my views are known to the address powerpoint is so boring, don’t you agree? organisers, so, therefore, I will proceed, certain For reasons of a rare dysfunctional condition in the knowledge that I will offend many and I have called (quote) “industry allergy”, and for encourage, I hope, a valuable few. -
Juice Newton Fan Club Spring Newsletter 2013 Birthday Wishes!!
Juice Newton Fan Club Spring Newsletter 2013 Hello everyone and Happy Spring!! We certainly hope you all have enjoyed your holidays and the new year thus far. The JNFC has grown with more members. I certainly and delighted that the club is solid and strong and that the members are so devoted to Juice and her music. (Thanks to Cindy Lane Adams for the photo of Juice) Birthday Wishes!! Thank you to everyone who wished Juice “Happy Birthday” on her special day! Please know that Juice sincerely appreciates everybody for remembering her. I too, wish to thank everyone for remembering me on my birthday this past March. Some of the communications that were sent in are so inspiring and rewarding. I want to shine the light on a JNFC member Geremar Donato who is a special member of the JNFC. He writes… “ Hi Paul! I just want to wish you a Happy Birthday! I hope you have everything you wished for. I want to thank you again for doing a great job on the Juice Newton fan club. All the fans are so lucky to have you. You care so much for us and you always do what it takes to make it the best. Keep up the good work. A good person like you deserves the very best. I've been a fan of Juice Newton for over 30 years. Yeah, I will always be her fan forever!” Geremar Once again, thank you Geremar and thank you all for your unwavering support of not only Juice, but also the JNFC!! 1 New Songs!! The wait is over for new material from Juice!! Juice is one of the many talents featured on the new duets album of Carla Olson! Carla Olson's new duets album "Have Harmony, Will Travel" will be released in April 28, 2013!! The tracks of the album consist of: From the 'Have Harmony, Will Travel' recording sessions: L-R: James Intveld, Juice Newton, Tom Fillman, Carla Olson and Tony Marsico. -
Drinking Your Way Through the First Coast St
drinking guide 2007 drinking your way through the first coast st. johns town center phase two | ragtime restaurant review | polyphonic spree interview | brittni wood solo exhibit free weekly guide to entertainment and more | november 8-14, 2007 | www.eujacksonville.com 2 november 8-14, 2007 | entertaining u newspaper COVER PHOTO BY ERIN THURSBY, TAKEN AT TWISTED MARTINI table of contents feature Sea & Sky Spectacular ..........................................................................................................PAGE 13 Town Center - Phase 2 ..........................................................................................................PAGE 14 Town Center - restaurants .....................................................................................................PAGE 15 Cafe Eleven Big Trunk Show ..................................................................................................PAGE 16 Drinking Guide .............................................................................................................. PAGES 20-23 movies Movies in Theaters this Week ............................................................................................ PAGES 6-8 Martian Child (movie review) ...................................................................................................PAGE 6 Fred Claus (movie review) .......................................................................................................PAGE 7 P2 (movie review) ...................................................................................................................PAGE -
Essex Green • Tralala • Totalt Jävla Mörker • Gentleman • the Pipettes Ed Harcourt • the Doits • Ebb • Existensm
Nummer 5 • 2006 Sveriges största musiktidning Essex Green • Tralala • Totalt jävla mörker • Gentleman • The Pipettes Ed Harcourt • The Doits • Ebb • Existensminimum • Molotov Jive • The Motorcycle Boy ME?X?JUNIJPDF ME?X ?JUNIJPDF ME?X ?JUNIJPDF Groove 5 • 2006 Gentleman sidan 7 Tre frågor till Ed Harcourt sidan 7 Att dela eller inte Se upp! sidan 7 Visst är det uppfriskande att följa priset att betala är ju bara urholkat Essex Green sidan 8 fildelningsdebatten som blossat upp personligt livsrum som ju inte är kvan- i samband med Storebrors tillslag i tifierbart på samma sätt. I kriget mot Titta en bilkrasch! sidan 8 Sverige på order av Bush den yngre. terrorismen måste vi ju alla räkna med Wolfmother sidan 9 Denna gång har globala vinstintressen att vårt privatliv inte längre förblir lika tagit av sig silkesvantarna och istället privat. Eller? Vad skulle Aldous Hux- Favvoplattor sidan 9 skjutit sig i foten. Några mäktiga före- ley säga? Eller George Orwell? Omslag The Pipettes sidan 10 tagsledare har likt Shakespeares skugg- Är det inte en gång för alla dags EMI Totalt jävla mörker sidan 10 figur Jago viskat i George W:s öra och att lagstifta bort vår fria vilja och fått svenska myndigheter att ta i med unika behov? Hur intresserade är vi Groove är en oberoende musiktidning The Doits sidan 12 hårdhandskarna. Man har därmed egentligen av att ta alla dagliga job- som ges ut av Musiktidning i Göteborg AB. Ebb sidan 12 lyckats med konststycket att alienera biga beslut själva, är det så självklart Groove åtminstone en hel generation trafi- att det är nödvändigt att vi ska kunna Box 112 91 Existensminimum sidan 12 kanter på informationsmotorvägen – utbyta idéer och information med 404 26 Göteborg Molotov Jive sidan 13 generationsklyftan har sällan öppnat varandra utan statliga riktlinjer? Telefon 031–833 855 sig så tydligt som sommaren 2006. -
ROCK 'DO: RESURGENCE of a RESILIENT SOUND in U.S., Fresh Spin Is Put on Format Globally, `No- Nonsense' Music Thrives a Billboard Staff Report
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) ZOb£-L0906 VO H3V38 9N01 V it 3AV W13 047L£ A1N331J9 A1NOW 5811 9Zt Z 005Z£0 100 lllnlririnnrlllnlnllnlnrinrllrinlrrrllrrlrll ZL9 0818 tZ00W3bL£339L080611 906 1I9I0-£ OIE1V taA0ONX8t THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT r MARCH 6, 1999 ROCK 'DO: RESURGENCE OF A RESILIENT SOUND In U.S., Fresh Spin Is Put On Format Globally, `No- Nonsense' Music Thrives A Billboard staff report. with a host of newer acts being pulled A Billboard international staff Yoshida says. in their wake. report. As Yoshida and others look for NEW YORK -In a business in which Likewise, there is no one defining new rock -oriented talent, up -and- nothing breeds like success, "musical sound to be heard Often masquerading coming rock acts such as currently trends" can be born fast and fade among the pack, only as different sub-gen- unsigned three -piece Feed are set- faster. The powerful resurgence of the defining rock vibe res, no-nonsense rock ting the template for intelligent, rock bands in the U.S. market -a and a general feeling continues to thrive in powerful Japanese rock (Global phenomenon evident at retail and that it's OK to make key markets. Music Pulse, Billboard, Feb. 6) with radio, on the charts, and at music noise again. "For the THE FLYS Here, Billboard cor- haunting art rock full of nuances. video outlets -does not fit the proto- last few years, it wasn't respondents take a Less restrained is thrashabilly trio typical mold, however, and shows no cool to say you were in a global sound -check of Guitar Wolf, whose crazed, over -the- signs of diminishing soon. -
David Mccomb Was a Conscious Craftsman and a Scintillating Thinker About His Craft
214 S PATIAL R ELATIONS a only you can hear. With “Good Evening Dear Miss Alach,” the book finishes in a very different register from the rest. It is self-referencing regarding the foulness (I use the antiquated term) of the music industry, snobbishness, false values. A goodbye with irony writ large. Its modest proposal eats us all. It is an epilogue. In this journey through his poetry, I hope to have shown that David McComb was a conscious craftsman and a scintillating thinker about his craft. It was no mere utilitarian device of expression and opinion for him, but some- thing of his body, of the place he came from and where he went. Poetry was necessity. It was a survival kit that kept him searching for reason, for purpose, for a logic in a traumatized but also compelling world. Beauty never faded, even if it struggled for expression. Love was about separation and loss as well as about having and possession. Irony was the safety-net that always gave way when the poet went out on the tightrope. Furthermore, McComb was an ecologist of body and land, and wrote against invasiveness in all its forms. Sometimes he had to deal with that invasiveness and come up with whatever ‘escapes’ he could manage. He was a poet of total liminality. David McComb: Beautiful Waste107 INCE THE BROADER RECOGNITION of Born Sandy Devotional (re- corded 1985, released 1986) as one of the great Australian music S albums, there has been a pleasing ‘growth’ in publications relating to definitively West Australian band The Triffids (named, of course, after the John Wyndham novel) and their singer–songwriter Dave McComb. -
Abc Music Wins Three Awards at the 2020 Aria Awards Abc Music Lifetime Award Wins Now at 188
THURSDAY, NOVEMBER 26 FOR IMMEDIATE RELEASE ABC MUSIC WINS THREE AWARDS AT THE 2020 ARIA AWARDS ABC MUSIC LIFETIME AWARD WINS NOW AT 188 Following the 2020 ARIA Awards last night, ABC Music has collected three awards across the Best Children’s Album, Best World Music Album & Best Classical Album categories. The awards were won by Teeny Tiny Stevies ‘Thoughtful Songs for Little People’ (Best Children’s Album), Joseph Tawadros ‘Live at the Sydney Opera House’ (Best World Music Album) and Richard Tognetti & Erin Helyard ‘Beethoven & Mozart Violin Sonatas’ (Best Classical Album). Last night’s event saw Teeny Tiny Stevies win their first-ever ARIA Award. “We’ve been working musicians for so long now, this nod from the industry is definitely a proud moment. If I’m lucky I’ll get a few high fives from other parents at school drop off today,” said Byll Stephen, half of the sister duo. The night marked the fifth ARIA win for Tawadros and Tognetti. “It’s been a hard year for musicians everywhere - like me, most have had no live shows and it’s devastating. This recognition of my music is extra special, especially as it’s a live concert recording with a lively audience. I want to thank everyone who was involved in making it happen. It’s some much-needed light in a very challenging year,” said Joseph. On winning Best Classical Album with Richard Tognetti, Erin Helyard said, “Richard & I are old mates and are delighted to have won. We wanted to present a kind of history of the evolution of the eighteenth-century violin sonata, and the city of Vienna.