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Circuition: Concerto for Jazz Guitar and Orchestra
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2021 CIRCUITION: CONCERTO FOR JAZZ GUITAR AND ORCHESTRA Richard Alan Robinson University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2021.166 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Robinson, Richard Alan, "CIRCUITION: CONCERTO FOR JAZZ GUITAR AND ORCHESTRA" (2021). Theses and Dissertations--Music. 178. https://uknowledge.uky.edu/music_etds/178 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
The Music Column That Wouldn't Die: New Album Reviews
The Music Column That Wouldn’t Die: New Album Reviews. I told myself I was over this, that I had retired from the world of music reviews. I had moved onto bigger and better things (mostly staring at the wall and wondering why nobody calls me anymore). Yet here I am, a mere few months after burning my bridges, giving up on new music and making a world of enemies, back in the game. Did I miss the constant abuse, the being paid in soiled pennies and the lack of recognition which writing this unremembered column entailed? Funnily enough, I did! It was listening to the post punk genius of the new Dry Cleaning record that did it. I thought to myself ‘someone has to take it upon themselves to tell the world just how good this album is’. After a moment of quiet reflection where I drank a glass of lukewarm Ribena to calm the nerves, I decided that that person may as well be me. By JOHN BITTLES So, here we are. Bittles’ Magazine, like some particularly bothersome zombie with a bad haircut and worse breath, has been reborn. And what a re-introduction we have! In this month’s reviews there is the art heavy punk funk strut of Squid, the melancholy dream pop of White Flowers, Thomas Fehlmann’s rich ambiance, the return of living legends The Coral, the skewed pop of Dntel, and Dry Cleaning of course. So, tell all your friends, phone the tabloids, and let us begin… New Long Leg by Dry Cleaning. -
FESTIVAL SÓNAR EN VENTA Barcelona 16.17.18 Junio
18º Festival Internacional de Música Avanzada y Arte Multimedia www.sonar.es Barcelona 16.17.18 Junio FESTIVAL SÓNAR EN VENTA Se vende festival anual con gran proyección internacional Razón: Sr. Samaniego +34 672 030 543 [email protected] 2 Sónar Conciertos y DJs Venta de entradas Sónar de Día Entradas ya a la venta. JUEVES 16 VIERNES 17 SÁBADO 18 Se recomienda la SonarVillage SonarVillage SonarVillage compra anticipada. by Estrella Damm by Estrella Damm by Estrella Damm 12:00 Ragul (ES) DJ 12:00 Neuron (ES) DJ 12:00 Nacho Bay (ES) DJ Aforos limitados. 13:30 Half Nelson + Vidal Romero 13:30 Joan S. Luna (ES) DJ 13:30 Judah (ES) DJ play Go Mag (ES) DJ 15:00 Facto y los Amigos del Norte (ES) Concierto 15:00 No Surrender (US) Concierto 15:00 Toro y Moi (US) Concierto 15:45 Agoria (FR) DJ 15:45 Gilles Peterson (UK) DJ Entradas y precios 16:00 Floating Points (UK) DJ 17:15 Atmosphere (US) Concierto 17:15 Yelawolf (US) Concierto 17:30 Little Dragon (SE) Concierto 18:15 DJ Raff (CL-ES) DJ 18:15 El Timbe (ES) DJ Abono: 155€ Ninja Tune & Big Dada presentan 19:15 Four Tet (UK) Concierto 19:15 Shangaan Electro (ZA) Concierto En las taquillas del festival: 165€ 18:30 Shuttle (US) DJ 20:00 Nacho Marco (ES) DJ 20:00 DJ Sith & David M (ES) DJ Entrada 1 día Sónar de Día: 39€ 19:30 Dels (UK) Concierto 21:00 Dominique Young Unique (US) Concierto 21:00 Filewile (CH) Concierto En las taquillas del festival: 45€ 20:15 Offshore (UK) DJ Entrada 1 día Sónar de Noche: 60€ 21:15 Eskmo (CH) Concierto SonarDôme SonarDôme En las taquillas del festival: 65€ L’Auditori: -
Germany at Sxsw 2018 Guide
GUIDE GERMANY AT SXSW 2018 MARCH 9–18 AUSTIN, TEXAS CONTENTS WUNDERBAR 2018 INTRODUCTION 4 STATE OF MIND – STARTUP GERMANY 10 SMARTER CITIES & TECHNOLOGY 12 NEW TECHNOLOGIES & NEW INDUSTRIES 14 NEW MEDIA & NEW WORK 16 INTERNATIONAL CULTURE TECH DAY 18 WUNDERBAR – MULTIFACETED GERMAN MUSIC SCENE 20 BLOCKHAIN & THE MUSIC INDUSTRY 22 GERMAN ARTISTS AT SXSW 24 FESTIVALS & CONFERENCES 2018/19 30 EXHIBITORS & DELEGATES 41 PARTNERS 89 DETAILED INDEX 108 MAP OF AUSTIN 111 FIND OUT EVERYTHING ABOUT THE GERMAN DELEGATES, BANDS AND EVENTS GERMANY AT SXSW 2018 — WUNDERBAR 3 GREETINGS FROM PROFESSOR BRIGITTE ZYPRIES DIETER GORNY FEDERAL MINISTER FOR ECONOMIC AFFAIRS AND ENERGY CHAIRMAN OF THE INITIATIVE MUSIK ADVISORY BOARD The annual South by Southwest (SXSW) Welcome to WUNDERBAR! This year our festival in Austin has become one of the WUNDERBAR presentations at SXSW again most acclaimed gatherings of artists, cre- include impressive offerings from the wide ators, and startups. I am therefore pleased array of creative activities in the German digi- that Germany will be represented at SXSW tal, startup, film, and music industries. With 2018 with one of the largest international over one thousand conference participants delegations. This is proof of the strength of and musicians attending in 2018, Germany the German cultural and creative industries. is again ranked among the top five interna- tional participants at SXSW. We will greet The cultural and creative industries will you and other guests from around the world play an increasingly important role in the at our trade show stand and at German Haus, economy of the future. The boundaries of which is just five walking minutes away from traditional industries, such as automotive the Austin Convention Center. -
Digimag46.Pdf
DIGICULT Digital Art, Design & Culture Founder & Editor-in-chief: Marco Mancuso Advisory Board: Marco Mancuso, Lucrezia Cippitelli, Claudia D'Alonzo Publisher: Associazione Culturale Digicult Largo Murani 4, 20133 Milan (Italy) http://www.digicult.it Editorial Press registered at Milan Court, number N°240 of 10/04/06. ISSN Code: 2037-2256 Licenses: Creative Commons Attribution-NonCommercial-NoDerivs - Creative Commons 2.5 Italy (CC BY- NC-ND 2.5) Printed and distributed by Lulu.com E-publishing development: Loretta Borrelli Cover design: Eva Scaini Digicult is part of the The Leonardo Organizational Member Program TABLE OF CONTENTS Marco Mancuso Persepolis 2.0: Creative Support To Iran .................................................................. 3 Mark Hancock Vlogging, Networked Cinematic Poetics ................................................................. 9 Marco Mancuso Pirates At The Parliament: The Big Dream?! .......................................................... 14 Davide Anni A New Center For Art and Technologies ............................................................... 24 Loretta Borrelli Hackmeeting 2009: Meeting With The Debian Community .............................. 27 Philippa Barr Alessandro De Gloria, From Child’s Play To Serious Games ............................... 33 Alessio Galbiati Rip: A Remix Manifesto. A Specter Wanders In The Net .................................... 39 Silvia Casini The Ethics Of Gaze: Raymond Depardon and William Kentridge ...................... 43 Giulia Baldi Soundclusters: -
Hiv Alliance Event Featuring Piksix
K k NOVEMBER 2018 K g VOL. 30 #10 H WOWHALL.ORGk carols that still haunted us. We included a few original tunes and called our wintry mix The Darkest Night Of The Year. We played a special “darkest night” release concert on winter solstice in an old theater in Cincinnati. Folks began snatching up copies and seemed to agree that they hadn’t heard anything quite like it. “We began playing concerts around the Midwest every December and found that the rooms were usually packed full of people who had bundled in out of the cold with prized compatriots. Hats and scarves abounded. If you stepped outside during intermission, you could make ghosts with your breath in the crisp night air. And it was dark – oh so dark: a time of year with its own music. “A decade later, in 2006, we released our first full collection of original Christmas/holiday songs called Snow Angels. What is it OVER THE RHINE CHRISTMAS SHOW about Christmas music and the On Sunday, December 2, the originals, which invoke hard times public radio station in Cincinnati. the radio broadcast, because we undeniable gravitational pull it Community Center for the and celebrate the survival of the It was Christmastime and began receiving inquiries as to exerts on some songwriters? So Performing Arts proudly welcome’s least fit.” apparently they thought we were whether we had recorded any of many Christmas songs had already Over The Rhine’s Christmas Show Over the Rhine will return to up to the task. We worked up a our Christmas songs. -
Jesus Is the Gateway
theadvocate.tv SEPTEMBER 2015 In Conversation Australian author Naomi Reed talks “Not drowning, just waving: Six thoughts on serving without about The Plum Tree in the Desert. PAGE 12 >> sinking in your local church.” RORY SHINER PAGE 13 >> 4 Leaders’ mission Global Interaction and Baptist World Aid Australia in Malawi >> 5 Sexuality discussed Vose Seminary Principal speaks at seminar hosted by BCWA >> Photo: Baptist World Alliance Vibrancy and diversity left wonderful memories for delegates at the 21st Baptist World Congress held in Durban, South Africa. Jesus is the gateway Keith Jobberns Other Australian Baptists that count, from every nation and all 8 Bordered by love are members of Committees and tribes and peoples and tongues, Australia’s treatment of Commissions included John standing before the throne and refugees and asylum Over 2,500 delegates from more than 80 countries Beasy, Rod Benson, Bill Brown, before the Lamb, clothed in seekers >> came together for the 21st Baptist World Congress in Ross Clifford, Heather Coleman, white robes, and palm branches Durban, South Africa in July. Ken Edmonds, Brian Harris, were in their hands; and they John Hickey, Keith Jobberns, cry out with a loud voice, saying, Sue Peters, Frank Rees, “Salvation to our God who sits African Baptists hosted and the quality of the preaching. Mark Wilson and Stephen Vose. on the throne, and to the Lamb.”’ welcomed the delegates and the The sermon can viewed on the The 22nd Baptist World [Revelation 7:9-10] induction of Rev. Paul Msiza from BWA website. Congress will be held in Rio Preceding the BWA Congress Building South Africa as the President of Forums covered topics de Janeiro, Brazil in 2020. -
Arab Strap Elephant Shoe Mp3, Flac, Wma
Arab Strap Elephant Shoe mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Elephant Shoe Country: UK & Europe Released: 1999 Style: Downtempo, Indie Rock MP3 version RAR size: 1596 mb FLAC version RAR size: 1824 mb WMA version RAR size: 1787 mb Rating: 4.9 Votes: 646 Other Formats: AA MIDI VOX MP4 AAC FLAC AU Tracklist Hide Credits Cherubs 1 4:59 Featuring [Elements Performed By] – Carmen Cavallaro 2 One Four Seven One 5:28 3 Pyjamas 4:39 4 Autumnal 7:24 5 Leave The Day Free 5:19 6 Direction Of Strong Man 4:23 7 Tanned 6:31 8 Aries The Ram 4:49 9 The Drinking Eye 5:24 10 Pro-(Your)Life 3:34 11 Hello Daylight 4:17 Companies, etc. Phonographic Copyright (p) – Go! Beat Copyright (c) – Go! Beat Pressed By – Universal M & L, Germany Recorded At – Cava Studios Recorded At – Apollo Studios Mixed At – Cava Studios Mixed At – Apollo Studios Mastered At – Metropolis Mastering Credits Layout – Adam Piggot Mastered By – Miles Showell Music By – Arab Strap Performer [Guest Performances] – Alan Wylie, Barry Burns, Cora Bissett Recorded By [Apollo], Mixed By [Apollo] – Jason Famous Recorded By [Cava], Mixed By [Cava] – Geoff Allan Notes ℗ 1999 Go Beat © 1999 Go Beat Made in the E.U. Includes an 8-page booklet. 'Cherubs' contains elements of 'Shikararete' by Ryutaro Hirota used courtesy of Decca Records under licence from Universal Music Special Markets Inc. Sticker on cover: 'Parental Advisory. Explicit Lyrics' Barcode and Other Identifiers Barcode (Text): 7 31454 78052 0 Barcode (String): 731454780520 Matrix / Runout: 07314 547 805-2 01 + MADE IN GERMANY BY UNIVERSAL M & L C Mastering SID Code: IFPI L002 Mould SID Code: IFPI 01S3 Rights Society: BIEM. -
Recording Artist Recording Title Price 2Pac Thug Life
Recording Artist Recording Title Price 2pac Thug Life - Vol 1 12" 25th Anniverary 20.99 2pac Me Against The World 12" - 2020 Reissue 24.99 3108 3108 12" 9.99 65daysofstatic Replicr 2019 12" 20.99 A Tribe Called Quest We Got It From Here Thank You 4 Your Service 12" 20.99 A Tribe Called Quest People's Instinctive Travels And The Paths Of Rhythm 12" Reissue 26.99 Abba Live At Wembley Arena 12" - Half Speed Master 3 Lp 32.99 Abba Gold 12" 22.99 Abba Abba - The Album 12" 12.99 AC/DC Highway To Hell 12" 20.99 Ace Frehley Spaceman - 12" 29.99 Acid Mothers Temple Minstrel In The Galaxy 12" 21.99 Adele 25 12" 16.99 Adele 21 12" 16.99 Adele 19- 12" 16.99 Agnes Obel Myopia 12" 21.99 Ags Connolly How About Now 12" 9.99 Air Moon Safari 12" 15.99 Alan Marks Erik Satie - Vexations 12" 19.99 Aldous Harding Party 12" 16.99 Alec Cheer Night Kaleidoscope Ost 12" 14.99 Alex Banks Beneath The Surface 12" 19.99 Alex Lahey The Best Of Luck Club 12" White Vinyl 19.99 Algiers There Is No Year 12" Dinked Edition 26.99 Ali Farka Toure With Ry Cooder Talking Timbuktu 12" 24.99 Alice Coltrane The Ecstatic Music Of... 12" 28.99 Alice Cooper Greatest Hits 12" 16.99 Allah Las Lahs 12" Dinked Edition 19.99 Allah Las Lahs 12" 18.99 Alloy Orchestra Man With A Movie Camera- Live At Third Man Records 12" 12.99 Alt-j An Awesome Wave 12" 16.99 Amazones D'afrique Amazones Power 12" 24.99 American Aquarium Lamentations 12" Colour Vinyl 16.99 Amy Winehouse Frank 12" 19.99 Amy Winehouse Back To Black - 12" 12.99 Anchorsong Cohesion 12" 12.99 Anderson Paak Malibu 12" 21.99 Andrew Bird My Finest Work 12" 22.99 Andrew Combs Worried Man 12" White Vinyl 16.99 Andrew Combs Ideal Man 12" Colour Vinyl 16.99 Andrew W.k I Get Wet 12" 38.99 Angel Olsen All Mirrors 12" Clear Vinyl 22.99 Angelo Badalamenti Twin Peaks - Ost 12" - Ltd Green 20.99 Ann Peebles Greatest Hits 12" 15.99 Anna Calvi Hunted 12" - Ltd Red 24.99 Anna St. -
Essex Green • Tralala • Totalt Jävla Mörker • Gentleman • the Pipettes Ed Harcourt • the Doits • Ebb • Existensm
Nummer 5 • 2006 Sveriges största musiktidning Essex Green • Tralala • Totalt jävla mörker • Gentleman • The Pipettes Ed Harcourt • The Doits • Ebb • Existensminimum • Molotov Jive • The Motorcycle Boy ME?X?JUNIJPDF ME?X ?JUNIJPDF ME?X ?JUNIJPDF Groove 5 • 2006 Gentleman sidan 7 Tre frågor till Ed Harcourt sidan 7 Att dela eller inte Se upp! sidan 7 Visst är det uppfriskande att följa priset att betala är ju bara urholkat Essex Green sidan 8 fildelningsdebatten som blossat upp personligt livsrum som ju inte är kvan- i samband med Storebrors tillslag i tifierbart på samma sätt. I kriget mot Titta en bilkrasch! sidan 8 Sverige på order av Bush den yngre. terrorismen måste vi ju alla räkna med Wolfmother sidan 9 Denna gång har globala vinstintressen att vårt privatliv inte längre förblir lika tagit av sig silkesvantarna och istället privat. Eller? Vad skulle Aldous Hux- Favvoplattor sidan 9 skjutit sig i foten. Några mäktiga före- ley säga? Eller George Orwell? Omslag The Pipettes sidan 10 tagsledare har likt Shakespeares skugg- Är det inte en gång för alla dags EMI Totalt jävla mörker sidan 10 figur Jago viskat i George W:s öra och att lagstifta bort vår fria vilja och fått svenska myndigheter att ta i med unika behov? Hur intresserade är vi Groove är en oberoende musiktidning The Doits sidan 12 hårdhandskarna. Man har därmed egentligen av att ta alla dagliga job- som ges ut av Musiktidning i Göteborg AB. Ebb sidan 12 lyckats med konststycket att alienera biga beslut själva, är det så självklart Groove åtminstone en hel generation trafi- att det är nödvändigt att vi ska kunna Box 112 91 Existensminimum sidan 12 kanter på informationsmotorvägen – utbyta idéer och information med 404 26 Göteborg Molotov Jive sidan 13 generationsklyftan har sällan öppnat varandra utan statliga riktlinjer? Telefon 031–833 855 sig så tydligt som sommaren 2006. -
ROCK 'DO: RESURGENCE of a RESILIENT SOUND in U.S., Fresh Spin Is Put on Format Globally, `No- Nonsense' Music Thrives a Billboard Staff Report
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) ZOb£-L0906 VO H3V38 9N01 V it 3AV W13 047L£ A1N331J9 A1NOW 5811 9Zt Z 005Z£0 100 lllnlririnnrlllnlnllnlnrinrllrinlrrrllrrlrll ZL9 0818 tZ00W3bL£339L080611 906 1I9I0-£ OIE1V taA0ONX8t THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT r MARCH 6, 1999 ROCK 'DO: RESURGENCE OF A RESILIENT SOUND In U.S., Fresh Spin Is Put On Format Globally, `No- Nonsense' Music Thrives A Billboard staff report. with a host of newer acts being pulled A Billboard international staff Yoshida says. in their wake. report. As Yoshida and others look for NEW YORK -In a business in which Likewise, there is no one defining new rock -oriented talent, up -and- nothing breeds like success, "musical sound to be heard Often masquerading coming rock acts such as currently trends" can be born fast and fade among the pack, only as different sub-gen- unsigned three -piece Feed are set- faster. The powerful resurgence of the defining rock vibe res, no-nonsense rock ting the template for intelligent, rock bands in the U.S. market -a and a general feeling continues to thrive in powerful Japanese rock (Global phenomenon evident at retail and that it's OK to make key markets. Music Pulse, Billboard, Feb. 6) with radio, on the charts, and at music noise again. "For the THE FLYS Here, Billboard cor- haunting art rock full of nuances. video outlets -does not fit the proto- last few years, it wasn't respondents take a Less restrained is thrashabilly trio typical mold, however, and shows no cool to say you were in a global sound -check of Guitar Wolf, whose crazed, over -the- signs of diminishing soon. -
Rolling Stone “Danger Mouse Looks Through a Label Darkly”
Danger Mouse Looks Through A Label, Darkly | Music News | Rolling Stone Page 1 of 2 Danger Mouse Looks Through A Label, Darkly Behind his "Dark Night of the Soul" collaboration with Mark Linkous and David Lynch by: Austin Scaggs The final product isn't exactly what Danger Mouse envisioned, but the cutting-edge producer breathed a heavy sigh of relief with the release of Dark Night of the Soul , a multimedia package he created in tandem with songwriter Mark Linkous (the creative force behind Sparklehorse) consisting of a record and a large-form book of photos commissioned from filmmaker David Lynch. For the album, Danger Mouse and Linkous created moody backing tracks, then offered them to 10 vocalists who were charged to write lyrics and vocal melodies (contributors include Iggy Pop, the Strokes' Julian Casablancas, the Shins' James Mercer, Suzanne Vega and Pixies' Black Francis). "We had no intention of making a star-studded record," says Danger Mouse, born Brian Burton. "It's just when we started thinking about these people we just thought, 'Well, of course they'd sound good on a record together.' " The catch, which Danger Mouse describes as "bittersweet," is that the CD mounted in Dark Night of the Soul package is completely blank. Buyers are slyly encouraged to use the recordable disc to capture the music from the Internet, where it is widely available as a free, though illegal, download. Danger Mouse's inability to package the music with the book stems from a long-standing contractual disagreement with EMI, who retainrights to some of his music.