Music Guide Germany at Sxsw 2018 Barracuda 611 E 7Th Street Contents Wunderbar Music Guide 2018
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Milla Berntsen (Voice) Performance 2A Recital Performance Space, City, University of London 2 June 2021 4:45PM
Milla Berntsen (voice) Performance 2A Recital Performance Space, City, University of London 2 June 2021 4:45PM Keshi, “Drunk” from the album always (2020). Written by Casey Luong (Keshi). Casey Luong, professionally known as Keshi, is a 26-year-old American singer, songwriter, producer, and multi-instrumentalist from Houston, Texas, USA. He began his musical career by sharing his music on Soundcloud, where he eventually gained enough popularity to gain confidence to quit his job as a nurse and fly to New York City to sign with Island Records. He’s best known for his falsetto vocals and textural instrumentals in alternative, indie, and R&B music. This alternative/indie song is about feeling alone and missing being in love. The main character is left by himself while his friends are drunk, which causes him to think about his past lovers. It has a soothing moodiness to it along with a bit of playfulness in its melodramatic kick. I’ve chosen this song because I want to begin this performance by allowing the audience to layback as the song plays with both the high and low register of the voice. Let us take a sip, shall we? The Neighbourhood, “Stargazing” from the album Chip Chrome & The Mono-Tones (2020). Written by Jesse James Rutherford (vocalist), Brandon Fried (drummer), Jeremiah Freedman (guitarist), Micheal Margott (bassist), Zachary Abels (guitarist), and Danny Parra. The Neighbourhood are an American rock band that formed in Newbury Park, California, in 2011. They use the British spelling of “neighbourhood” in order to distinguish themselves from a band already using the American spelling of “neighborhood.” Their musical style is described as alternative rock, indie rock/pop, and some elements of electronic, hip hop, and R&B. -
12-09 Traffic
Torino Cinema Massimo Mouse on Mars Venerdì 12.IX.08 ore 22 SPAZIO 211 Bonnie “Prince” Billy Venerdì 19.IX.08 ore 23 Hiroshima mon Amour Liars Giovedì 25.IX.08 ore 23 venerdì 12 settembre 2008 ore 22 Cinema Massimo – Sala 1 Mouse On Mars vs Schatten Proiezione del film Schatten di Arthur Robinson Germania, 1923, 84’ Mouse On Mars Jan St. Werner, elettronica Andi Toma, elettronica e percussioni n suono elettronico raffinato e complesso, risultante dalla convergenza fra diver- Usi vettori stilistici. Se infatti Jan St. Werner e Andi Toma, nel 1993 fondatori dei Mouse On Mars sull’asse Düsseldorf/Colonia, appartengono in senso anagrafico e bio- grafico alla generazione cresciuta con la techno da rave, d’altra parte li si può anno- verare fra gli epigoni della scuola tedesca – Kraftwerk, Can, Neu!, Cluster – afferma- tasi negli anni Settanta e inscritta per convenzione nell’alveo del cosiddetto Krau- trock. A quei due elementi di base via via ne sono stati addizionati altri che hanno contribuito a definirne l’identità: dalle sonorità ambient tipiche dei primi lavori (Vul- valand e Iaora Tahiti, datati rispettivamente 1994 e 1995) all’incorporazione di stru- mentazioni “rock” – chitarra e batteria – in Niun Niggung (2000), fino all’adesione ai canoni della forma canzone – con l’introduzione del canto, affidato al batterista Dodo Nkishi – testimoniata da Idiology (2001) e Radical Connector (2004). Un percorso discografico zigzagante, segnato nondimeno da un denominatore comune riconduci- bile alla rigorosa coerenza espressiva di Toma e St. Werner, ribadita dalle ultime prove sostenute: l’angoloso album realizzato per la Ipecac di Mike Patton, Varcharz (2006), e l’estemporanea partnership con il guru del post punk britannico Mark E. -
Physicality of the Analogue by Duncan Robinson BFA(Hons)
Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player. -
New Tribal America
SENTIREASCODIGITALLTA MAGAZINE FEBBRRAIOE N. 40 WHITE HINTERLAND MAGNETIC FIELDS ATLAS SOUND FIRE ON FIRE SETOLA DI MAIALE MICHAEL roTHER GLENN GOULD THE FRENCH COWBOYS NO KIDS THAO NEW TRIBAL AMERICA DIRETTORE Edoardo Bridda 4 NEWS COOR D IN A MENTO Teresa Greco CON S ULENTI A LL A RE da ZIONE 6 TURN ON Daniele Follero WHITE INTERLAND, THE CALORIFER IS VERY HOT, THAO NGUYEN... Stefano Solventi ST A FF Gaspare Caliri Nicolas Campagnari Antonello Comunale Antonio Puglia 16 TUNE IN DEAD MEADOW HA NNO C OLL A BOR A TO Gianni Avella, Davide Brace, Marco Braggion, Gaspare Caliri, Marco Canepari, Manfredi Lamartina, Paolo Grava, Massimo Padalino, Giulio Pasquali, 20 DroP OUT Stefano Pifferi, Andrea Provinciali, Italo Rizzo, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo MAGNETIC FIELDS, SETOLA DI MAIALE, NEW TRIBAL AMERICA Turra, Fabrizio Zampighi, Giuseppe Zucco GUI da S PIRITU A LE 46 RECENSIONI Adriano Trauber (1966-2004) BLACK LIPS, CASS MCCOMBS, VAMPIRE WEEKEND, BEACH HOUSE... GR A FI ca Edoardo Bridda 90 WE ARE DEMO IN C OPERTIN A Aa (Daniel Arnold) 92 REARVIEW MIrror SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 MICHAEL ROTHER, DISCO NOT DISCO, CARL CRAIG, COMMON... Editore Edoardo Bridda Direttore responsabile Antonello Comunale Provider NGI S.p.A. Copyright © 2008 Edoardo Bridda. Tutti i diritti riservati.La ripro- 108 LA SERA DELLA PRIMA duzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di AMERICAN GANGSTER, COUS -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
The Music Column That Wouldn't Die: New Album Reviews
The Music Column That Wouldn’t Die: New Album Reviews. I told myself I was over this, that I had retired from the world of music reviews. I had moved onto bigger and better things (mostly staring at the wall and wondering why nobody calls me anymore). Yet here I am, a mere few months after burning my bridges, giving up on new music and making a world of enemies, back in the game. Did I miss the constant abuse, the being paid in soiled pennies and the lack of recognition which writing this unremembered column entailed? Funnily enough, I did! It was listening to the post punk genius of the new Dry Cleaning record that did it. I thought to myself ‘someone has to take it upon themselves to tell the world just how good this album is’. After a moment of quiet reflection where I drank a glass of lukewarm Ribena to calm the nerves, I decided that that person may as well be me. By JOHN BITTLES So, here we are. Bittles’ Magazine, like some particularly bothersome zombie with a bad haircut and worse breath, has been reborn. And what a re-introduction we have! In this month’s reviews there is the art heavy punk funk strut of Squid, the melancholy dream pop of White Flowers, Thomas Fehlmann’s rich ambiance, the return of living legends The Coral, the skewed pop of Dntel, and Dry Cleaning of course. So, tell all your friends, phone the tabloids, and let us begin… New Long Leg by Dry Cleaning. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Germany at Sxsw 2018 Guide
GUIDE GERMANY AT SXSW 2018 MARCH 9–18 AUSTIN, TEXAS CONTENTS WUNDERBAR 2018 INTRODUCTION 4 STATE OF MIND – STARTUP GERMANY 10 SMARTER CITIES & TECHNOLOGY 12 NEW TECHNOLOGIES & NEW INDUSTRIES 14 NEW MEDIA & NEW WORK 16 INTERNATIONAL CULTURE TECH DAY 18 WUNDERBAR – MULTIFACETED GERMAN MUSIC SCENE 20 BLOCKHAIN & THE MUSIC INDUSTRY 22 GERMAN ARTISTS AT SXSW 24 FESTIVALS & CONFERENCES 2018/19 30 EXHIBITORS & DELEGATES 41 PARTNERS 89 DETAILED INDEX 108 MAP OF AUSTIN 111 FIND OUT EVERYTHING ABOUT THE GERMAN DELEGATES, BANDS AND EVENTS GERMANY AT SXSW 2018 — WUNDERBAR 3 GREETINGS FROM PROFESSOR BRIGITTE ZYPRIES DIETER GORNY FEDERAL MINISTER FOR ECONOMIC AFFAIRS AND ENERGY CHAIRMAN OF THE INITIATIVE MUSIK ADVISORY BOARD The annual South by Southwest (SXSW) Welcome to WUNDERBAR! This year our festival in Austin has become one of the WUNDERBAR presentations at SXSW again most acclaimed gatherings of artists, cre- include impressive offerings from the wide ators, and startups. I am therefore pleased array of creative activities in the German digi- that Germany will be represented at SXSW tal, startup, film, and music industries. With 2018 with one of the largest international over one thousand conference participants delegations. This is proof of the strength of and musicians attending in 2018, Germany the German cultural and creative industries. is again ranked among the top five interna- tional participants at SXSW. We will greet The cultural and creative industries will you and other guests from around the world play an increasingly important role in the at our trade show stand and at German Haus, economy of the future. The boundaries of which is just five walking minutes away from traditional industries, such as automotive the Austin Convention Center. -
'And I Swear...' – Profanity in Pop Music Lyrics on the American Billboard Charts 2009-2018 and the Effect on Youtube Popularity
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 02, FEBRUARY 2020 ISSN 2277-8616 'And I Swear...' – Profanity In Pop Music Lyrics On The American Billboard Charts 2009-2018 And The Effect On Youtube Popularity Martin James Moloney, Hanifah Mutiara Sylva Abstract: The Billboard Chart tracks the sales and popularity of popular music in the United States of America. Due to the cross-cultural appeal of the music, the Billboard Chart is the de facto international chart. A concern among cultural commentators was the prevalence of swearing in songs by artists who were previously regarded as suitable content for the youth or ‗pop‘ market. The researchers studied songs on the Billboard Top 10 from 2009 to 2018 and checked each song for profanities. The study found that ‗pop‘, a sub-genre of ‗popular music‘ did contain profanities; the most profane genre, ‗Hip-hop/Rap‘ accounted for 76% of swearing over the ten-year period. A relationship between amount of profanity and YouTube popularity was moderately supported. The researchers recommended adapting a scale used by the British television regulator Ofcom to measure the gravity of swearing per song. Index Terms: Billboard charts, popularity, profanity, Soundcloud, swearing, YouTube. —————————— —————————— 1 INTRODUCTION Ipsos Mori [7] the regulator of British television said that profane language fell into two main categories: (a) general 1.1 The American Billboard Charts and ‘Hot 100’ swear words and those with clear links to body parts, sexual The Billboard Chart of popular music was first created in 1936 references, and offensive gestures; and (b) specifically to archive the details of sales of phonographic records in the discriminatory language, whether directed at older people, United States [1]. -
Das Schicksal Schlug Gleich Zweimal Zu
und es ist Wochenende 26. Juni 2021 | Nr. 25 Zweibrücken Jahrgang 8 Bodymed Center Ommersheim Um Saarbrückerstraße 25 b „ZW on Air“ Ihr Weg zum Voranmeldung Helmholtz-Mehrzweckhalle fast fertig wird gebeten. 66399 Ommersheim Stadt-Fest light: Vier Wochen lang wird Wohlfühlgewicht. Tel.: 0 68 03 . 98 18 81 Schüler und Lehrer hatten bei einem Sponsorenlauf der Herzogplatz zur Partymeile Ernährungskurse jeden Dienstag um [email protected] Geld für die technische Ausstattung gesammelt 18:30 Uhr wieder vor Ort in Ommersheim! www.bodymed-ommersheim.de LEADER-Region Pfälzerwald Vier Millionen Euro für mehr als 100 Projekte Landkreis Südwestpfalz. Von 2015 sich die LEADER-Region Pfäl- bis Ende 2020 wurden über 100 zerwald plus mit leicht geän- Projekte in der LEADER-Region dertem Gebietszuschnitt wieder Pfälzerwald plus bewilligt. Sie als Förder-Region beim Land erhalten finanzielle Unterstüt- Rheinland-Pfalz bewerben. zung durch Fördergelder aus Neben der Verabschiedung des EU-, Bundes und Landestöpfen Haushaltsplanes 2021 und der von insgesamt nahezu 4 Millio- Entlastung des Vorstandes war nen Euro. Das Spektrum er- der dazu vorbereitete Fahrplan streckt sich dabei vom kleinen das Hauptthema der digitalen Bürgerprojekt engagierter Pri- Versammlung. Bis Anfang vatpersonen oder örtlicher Ver- nächsten Jahres wird unter Be- eine bis zu größeren Investi- gleitung durch das Büro entra tionsmaßnahmen kommunaler Regionalentwicklung GmbH Gebietskörperschaften wie bei- (Winnweiler) eine Entwick- spielsweise die Umgestaltung lungsstrategie als Bewerbung einer Sporthalle zu einem mul- erarbeitet. Dabei liegt der Fokus tifunktional nutzbaren Dorf- auf einer starken Bürgerbeteili- zentrum. Dies geht aus dem gung. Start der Bewerbungs- Jahresbericht der Geschäftsstel- und Beteiligungsphase ist am le hervor, der auf der Mitglie- 30. -
SWR2 Musikpassagen
SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE __________________________________________________________________________ SWR2 Musikpassagen Geburtshelfer am Mischpult Das westdeutsche Produzentengenie Conny Plank Von Bernd Gürtler Sendung: Sonntag, 3. Januar 2016, 23.03 Uhr Redaktion: Anette Sidhu-Ingenhoff Produktion: SWR 2016 _____________________________________________________________________ Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. _____________________________________________________________________ Service: Mitschnitte aller Sendungen der Redaktion SWR2 Musikpassagen sind auf CD erhältlich beim SWR Mitschnittdienst in Baden-Baden zum Preis von 12,50 Euro. Bestellungen über Telefon: 07221/929-26030 _____________________________________________________________________ Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de Und heute, ein Geburtshelfer am Mischpult. Das westdeutsche Produzentengenie Conny Plank steht auf dem Programm dieser Stunde. Es gibt Interviews und Musik. Als erstes ein Song der Eurythmics, viel -
The Wiki Music Dataset: a Tool for Computational Analysis of Popular Music
The Wiki Music dataset: A tool for computational analysis of popular music Fabio Celli Profilio Company s.r.l. via sommarive 18, 38123 Trento, Italy Email: fabio@profilio.co Abstract—Is it possible use algorithms to find trends in monic and timbral properties that brought changes in music the history of popular music? And is it possible to predict sound around 1964, 1983 and 1991 [14]. Beside these research the characteristics of future music genres? In order to answer fields, there is a trend in the psychology of music that studies these questions, we produced a hand-crafted dataset with the how the musical preferences are reflected in the dimensions intent to put together features about style, psychology, sociology of personality [11]. From this kind of research emerged the and typology, annotated by music genre and indexed by time MUSIC model [20], which found that genre preferences can and decade. We collected a list of popular genres by decade from Wikipedia and scored music genres based on Wikipedia be decomposed into five factors: Mellow (relaxed, slow, and ro- descriptions. Using statistical and machine learning techniques, mantic), Unpretentious, (easy, soft, well-known), Sophisticated we find trends in the musical preferences and use time series (complex, intelligent or avant-garde), Intense (loud, aggressive, forecasting to evaluate the prediction of future music genres. and tense) and Contemporary (catchy, rhythmic or danceable). Is it possible to find trends in the characteristics of the genres? Keywords—Popular Music, Computational Music analysis, And is it possible to predict the characteristics of future genres? Wikipedia, Natural Language Processing, dataset To answer these questions, we produced a hand-crafted dataset with the intent to put together MUSIC, style and sonic features, I.