Germany at Sxsw 2018 Guide
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Deutscher Bundestag
Deutscher Bundestag 44. Sitzung des Deutschen Bundestages am Freitag, 27.Juni 2014 Endgültiges Ergebnis der Namentlichen Abstimmung Nr. 4 Entschließungsantrag der Abgeordneten Caren Lay, Eva Bulling-Schröter, Dr. Dietmar Bartsch, weiterer Abgeordneter und der Fraktion DIE LINKE. zu der dritten Beratung des Gesetzentwurfs der Bundesregierung Entwurf eines Gesetzes zur grundlegenden Reform des Erneuerbare-Energien-Gesetzes und zur Änderung weiterer Bestimmungen des Energiewirtschaftsrechts - Drucksachen 18/1304, 18/1573, 18/1891 und 18/1901 - Abgegebene Stimmen insgesamt: 575 Nicht abgegebene Stimmen: 56 Ja-Stimmen: 109 Nein-Stimmen: 465 Enthaltungen: 1 Ungültige: 0 Berlin, den 27.06.2014 Beginn: 10:58 Ende: 11:01 Seite: 1 Seite: 2 Seite: 2 CDU/CSU Name Ja Nein Enthaltung Ungült. Nicht abg. Stephan Albani X Katrin Albsteiger X Peter Altmaier X Artur Auernhammer X Dorothee Bär X Thomas Bareiß X Norbert Barthle X Julia Bartz X Günter Baumann X Maik Beermann X Manfred Behrens (Börde) X Veronika Bellmann X Sybille Benning X Dr. Andre Berghegger X Dr. Christoph Bergner X Ute Bertram X Peter Beyer X Steffen Bilger X Clemens Binninger X Peter Bleser X Dr. Maria Böhmer X Wolfgang Bosbach X Norbert Brackmann X Klaus Brähmig X Michael Brand X Dr. Reinhard Brandl X Helmut Brandt X Dr. Ralf Brauksiepe X Dr. Helge Braun X Heike Brehmer X Ralph Brinkhaus X Cajus Caesar X Gitta Connemann X Alexandra Dinges-Dierig X Alexander Dobrindt X Michael Donth X Thomas Dörflinger X Marie-Luise Dött X Hansjörg Durz X Jutta Eckenbach X Dr. Bernd Fabritius X Hermann Färber X Uwe Feiler X Dr. Thomas Feist X Enak Ferlemann X Ingrid Fischbach X Dirk Fischer (Hamburg) X Axel E. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Capitalism and The
UNIVERSITY OF CALIFORNIA, SAN DIEGO Capitalism and the Production of Realtime: Improvised Music in Post-unification Berlin A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Music by Philip Emmanuel Skaller Committee in Charge: Professor Jann Pasler, Chair Professor Anthony Burr Professor Anthony Davis 2009 The Thesis of Philip Emmanuel Skaller is approved and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2009 iii DEDICATION I would like to thank my chair Jann Pasler for all her caring and knowledgeable feedback, for all the personal and emotional support that she has given me over the past year, and for being a constant source of positive inspiration and critical thinking! Jann, you are truly the best chair and mentor that a student could ever hope for. Thank you! I would also like to thank a sordid collection of cohorts in my program. Jeff Kaiser, who partook in countless discussions and gave me consistent insight into improvised music. Matt McGarvey, who told me what theoretical works I should read (or gave me many a contrite synopsis of books that I was thinking of reading). And Ben Power, who gave me readings and perspectives from the field of ethnomusicology and (tried) to make sure that I used my terminology clearly and consciously and also (tried) to help me avoid overstating or overgeneralizing my thesis. Lastly, I would like to dedicate this work to my partner Linda Williams, who quite literally convinced me not to abandon the project, and who's understanding of the contemporary zeitgeist, patient discussions, critical feedback, and related areas of research are what made this thesis ultimately realizable. -
The Music Column That Wouldn't Die: New Album Reviews
The Music Column That Wouldn’t Die: New Album Reviews. I told myself I was over this, that I had retired from the world of music reviews. I had moved onto bigger and better things (mostly staring at the wall and wondering why nobody calls me anymore). Yet here I am, a mere few months after burning my bridges, giving up on new music and making a world of enemies, back in the game. Did I miss the constant abuse, the being paid in soiled pennies and the lack of recognition which writing this unremembered column entailed? Funnily enough, I did! It was listening to the post punk genius of the new Dry Cleaning record that did it. I thought to myself ‘someone has to take it upon themselves to tell the world just how good this album is’. After a moment of quiet reflection where I drank a glass of lukewarm Ribena to calm the nerves, I decided that that person may as well be me. By JOHN BITTLES So, here we are. Bittles’ Magazine, like some particularly bothersome zombie with a bad haircut and worse breath, has been reborn. And what a re-introduction we have! In this month’s reviews there is the art heavy punk funk strut of Squid, the melancholy dream pop of White Flowers, Thomas Fehlmann’s rich ambiance, the return of living legends The Coral, the skewed pop of Dntel, and Dry Cleaning of course. So, tell all your friends, phone the tabloids, and let us begin… New Long Leg by Dry Cleaning. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Music Guide Germany at Sxsw 2018 Barracuda 611 E 7Th Street Contents Wunderbar Music Guide 2018
Lali Puna GERMANY AT SXSW 2018 GERMANY AT MUSIC GUIDE Ace Tee Sea Moya BARRACUDA 611 E 7TH STREET CONTENTS WUNDERBAR MUSIC GUIDE 2018 AUSTIN GERMAN PAVI BOOTHLION WELCOME 4 #909 ON THE MOVE 5 WUNDERBAR 8 NEXT GENERATION KRAUTROCK & CONNY PLANK TIMETABLE 15 BRIDGE CONGRESS GERMAN BANDS 20 INITIATIVE MUSIK 31 C O L O R A D O R I V E R GERMANY AT SXSW 2018 — WUNDERBAR 3 ON THE MOVE GERMANY'S MUSIC SCENE CONTINUES TO EMANCIPATE ITSELF Author: NORMAN FLEISCHER IT ALL COMES DOWN TO KRAFTWERK IN THE END, DOESN’T IT? THE FACT THAT THE ICONIC GERMAN ELECTRONIC PIONEERS JUST WON A GRAMMY FOR THEIR COMPILATION '3D KATALOG' ONLY FOUR YEARS AFTER RECEIVING A LIFETIME ACHIEVEMENT AWARD CAN BE SEEN AS A SYNONYM FOR THE GERMAN MUSIC SCENE. The Initiative Musik extends a very warm ing them with their international activities in and enthusiastic welcome to the SXSW 2018 the world’s largest music market. Come hear Music Festival. One of the main goals of Ger- for yourself how exciting and diverse music many’s export office Initiative Musik is to created in Germany can be at the GERMAN promote emerging German talents. Included HAUS and other clubs during the SXSW Music in this brochure are some of the highlights Festival. at the SXSW Music Festival 2018 as well as information about the German music scene. Furthermore, we would especially like to invite you to the WUNDERBAR DAY at the Over six days, the stages at GERMAN HAUS GERMAN HAUS on Wednesday, March 14 for will host a lineup of inspiring keynotes, pitch- exciting showcases by the “Next Generation es, and talks on a wide array of topics in the Krautrock.“ German digital, startup, film, and music in- dustries. -
The Alien Disko: an Interview with Markus Acher
Welcome To The Alien Disko: An Interview With Markus Acher Music | Bittles’ Magazine: The music column from the end of the world There comes a time in everyone’s life when you find yourself standing in a muddy field with a plastic glass of warm ‚beer‘, straining to hear the muffled soundsystem in the far off distance thinking to yourself, »I’d rather be home watching EastEnders«. By JOHN BITTLES With shoddy promoters, phoned-in performances, crazed space cadets wanting to lick your face, and the usual array of drunken louts, going to a musical gathering these days can be as much fun as watching the new Justice League movie. With an eclectic line-up, an inviting venue, and organisers who seem to love music rather than the contents of your bank account, Alien Disko II is the type of event capable of getting us all excited about festivals again. Founded by brothers Markus and Micha Acher of the band The Notwist, the festival runs on the 15th and 16th of December and will be held at Munich’s lush theatre space Kammerspiele. Full details can be found here. Last year’s inaugural event (which included performances from Ras G, Cala Del Forno, Tenniscoats, Joanna Gruesome, etc) proved to be a huge success, so it made sense to repeat the feat in 2017. Spread over three rooms, this year’s line-up is wonderfully diverse, with intergalactic hip hop sitting next to Congolese rhythms, glitchy electronica, and more. Acts including Shabazz Palaces, Amiina, Ms. John Soda, Konono N.1, Michaela Melián and The Notwist have all been confirmed, ensuring that, for anyone in or near Munich, the purchase of a ticket is a must. -
Music in B Erlin September 7–14, 2015 Gendarmenmarkt Square, Berlin
BETCHART EXPEDITIONS Inc. 17050 Montebello Road, Cupertino, CA 95014-5435 MUSIC IN B ERLIN September 7–14, 2015 Gendarmenmarkt square, Berlin Dear Traveler, Throughout its history, Berlin has been one of Germany’s musical epicenters. Eighteenth-century Berlin was considered the “Golden Age” for music making (corresponding with the coronation of Frederick II, himself a musician), and many important musical figures have lived and worked in this dynamic city, including Johann Joachim Quantz, Carl Philipp Emanuel Bach, Felix Mendelssohn, and Richard Strauss. In the 20th century, the fall of the wall turned Berlin into one of the most musically endowed places in the world—orchestras previously divided between east and west were now merged under the banner of one, unified city. This special program thoroughly immerses travelers in Berlin’s musical heritage, history, and artistic ambitions with a six-night exploration of the city combined with the opportunity to enjoy three private performances by superbly talented local chamber musicians, played at historic venues. Carefully-crafted, these personalized concerts will explore the themes of Baroque, classical, and romantic musical styles. While evenings will be spent appreciating Berlin’s classical music traditions, daytime excursions will introduce you to this splendid city, where history greets Demetrios Karamintzas and Kim Barbier perform a visitors at every turn. Delve into the city’s cultural institutions, including the famed private concert Pergamon Museum, with its unrivaled collection of ancient art and architecture, Cover: Brandenburg Gate and the Gemaldegalerie, home to one of the world’s greatest collections of 13th- to 18th-century European paintings. Berlin’s Jewish Museum, Cold War-era Brandenburg Gate, and Checkpoint Charlie all speak to the city’s tumultuous 20th-century history. -
Dissertation Committee for Michael James Schmidt Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Michael James Schmidt 2014 The Dissertation Committee for Michael James Schmidt certifies that this is the approved version of the following dissertation: The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany Committee: David F. Crew, Supervisor Judith Coffin Sabine Hake Tracie Matysik Karl H. Miller The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany by Michael James Schmidt, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 To my family: Mom, Dad, Paul, and Lindsey Acknowledgements I would like to thank, above all, my advisor David Crew for his intellectual guidance, his encouragement, and his personal support throughout the long, rewarding process that culminated in this dissertation. It has been an immense privilege to study under David and his thoughtful, open, and rigorous approach has fundamentally shaped the way I think about history. I would also like to Judith Coffin, who has been patiently mentored me since I was a hapless undergraduate. Judy’s ideas and suggestions have constantly opened up new ways of thinking for me and her elegance as a writer will be something to which I will always aspire. I would like to express my appreciation to Karl Hagstrom Miller, who has poignantly altered the way I listen to and encounter music since the first time he shared the recordings of Ellington’s Blanton-Webster band with me when I was 20 years old. -
Deutscher Bundestag
Deutscher Bundestag 171. Sitzung des Deutschen Bundestages am Freitag, 13.Mai 2016 Endgültiges Ergebnis der Namentlichen Abstimmung Nr. 1 Gesetzentwurf der Bundesregierung Entwurf eines Gesetzes zur Einstufung der Demokratischen Volksrepublik Algerien, des Königreichs Marokko und der Tunesischen Republik als sichere Herkunftsstaaten Drs. 18/8039 und 18/8311 Abgegebene Stimmen insgesamt: 572 Nicht abgegebene Stimmen: 58 Ja-Stimmen: 424 Nein-Stimmen: 145 Enthaltungen: 3 Ungültige: 0 Berlin, den 13.05.2016 Beginn: 10:05 Ende: 10:08 Seite: 1 Seite: 2 Seite: 2 CDU/CSU Name Ja Nein Enthaltung Ungült. Nicht abg. Stephan Albani X Katrin Albsteiger X Peter Altmaier X Artur Auernhammer X Dorothee Bär X Thomas Bareiß X Norbert Barthle X Günter Baumann X Maik Beermann X Manfred Behrens (Börde) X Veronika Bellmann X Sybille Benning X Dr. André Berghegger X Dr. Christoph Bergner X Ute Bertram X Peter Beyer X Steffen Bilger X Clemens Binninger X Peter Bleser X Dr. Maria Böhmer X Wolfgang Bosbach X Norbert Brackmann X Klaus Brähmig X Michael Brand X Dr. Reinhard Brandl X Helmut Brandt X Dr. Ralf Brauksiepe X Dr. Helge Braun X Heike Brehmer X Ralph Brinkhaus X Cajus Caesar X Gitta Connemann X Alexandra Dinges-Dierig X Alexander Dobrindt X Michael Donth X Thomas Dörflinger X Marie-Luise Dött X Hansjörg Durz X Iris Eberl X Jutta Eckenbach X Dr. Bernd Fabritius X Hermann Färber X Uwe Feiler X Dr. Thomas Feist X Enak Ferlemann X Ingrid Fischbach X Dirk Fischer (Hamburg) X Axel E. Fischer (Karlsruhe-Land) X Dr. Maria Flachsbarth X Klaus-Peter Flosbach X Seite: 3 CDU/CSU Name Ja Nein Enthaltung Ungült. -
THE CULTURE and MUSIC of AMERICAN CABARET Katherine Yachinich
Trinity University Digital Commons @ Trinity Music Honors Theses Music Department 5-2014 The ulturC e and Music of American Cabaret Katherine Anne Yachinich Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/music_honors Part of the Music Commons Recommended Citation Yachinich, Katherine Anne, "The ulturC e and Music of American Cabaret" (2014). Music Honors Theses. 5. http://digitalcommons.trinity.edu/music_honors/5 This Thesis open access is brought to you for free and open access by the Music Department at Digital Commons @ Trinity. It has been accepted for inclusion in Music Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. 2 THE CULTURE AND MUSIC OF AMERICAN CABARET Katherine Yachinich A DEPARTMENT HONORS THESIS SUBMITTED TO THE DEPARTMENT OF MUSIC AT TRINITY UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR GRADUATION WITH DEPARTMENTAL HONORS DATE 04/16/2014 Dr. Kimberlyn Montford Dr. David Heller THESIS ADVISOR DEPARTMENT CHAIR Dr. Sheryl Tynes ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES Student Copyright Declaration: the author has selected the following copyright provision (select only one): [X] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
17-06-27 Full Stock List Drone
DRONE RECORDS FULL STOCK LIST - JUNE 2017 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13 PM Anus Dei (CD, 2012, 213Records 213cd07, €10) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat STCD 187, €8) @C 0° - 100° (CD, 2010, Monochrome -
The Electronic Music Scene's Spatial Milieu
The electronic music scene’s spatial milieu How space and place influence the formation of electronic music scenes – a comparison of the electronic music industries of Berlin and Amsterdam Research Master Urban Studies Hade Dorst – 5921791 [email protected] Supervisor: prof. Robert Kloosterman Abstract Music industries draw on the identity of their locations, and thrive under certain spatial conditions – or so it is hypothesized in this article. An overview is presented of the spatial conditions most beneficial for a flourishing electronic music industry, followed by a qualitative exploration of the development of two of the industry’s epicentres, Berlin and Amsterdam. It is shown that factors such as affordable spaces for music production, the existence of distinctive locations, affordability of living costs, and the density and type of actors in the scene have a significant impact on the structure of the electronic music scene. In Berlin, due to an abundance of vacant spaces and a lack of (enforcement of) regulation after the fall of the wall, a world-renowned club scene has emerged. A stricter enforcement of regulation and a shortage of inner-city space for creative activity in Amsterdam have resulted in a music scene where festivals and promoters predominate. Keywords economic geography, electronic music industry, music scenes, Berlin, Amsterdam Introduction The origins of many music genres can be related back to particular places, and in turn several cities are known to foster clusters of certain strands of the music industry (Lovering, 1998; Johansson and Bell, 2012). This also holds for electronic music; although the origins of techno and house can be traced back to Detroit and Chicago respectively, these genres matured in Germany and the Netherlands, especially in their capitals Berlin and Amsterdam.