Dante: Christian Thought Expressed Through Poetry
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Purgatório Político”: a Concepção De Poder Unitário De Dante Alighieri Na Florença Do Século Xiv
“PURGATÓRIO POLÍTICO”: A CONCEPÇÃO DE PODER UNITÁRIO DE DANTE ALIGHIERI NA FLORENÇA DO SÉCULO XIV “POLITICAL PURGATORY”: DANTE ALIGHIERI’S CONCEPTION OF UNITARY POWER IN THE 14TH CENTURY FLORENCE “PURGATORIO POLÍTICO”: EL CONCEPTO DE PODER UNITARIO DE DANTE ALIGUIERI EN LA FLORENCIA DEL SIGLO XIV Rodrigo Peixoto de Lima1 Mariana Bonat Trevisan2 Resumo Através desse estudo buscamos compreender as concepções políticas defendidas por Dante Alighieri, pensador laico florentino do século XIV, em suas obras. Particularmente, pretendemos analisar as voltadas à valorização do pensamento e do poder laicos (o poder temporal em comparação com o poder espiritual) presentes em sua obra Divina Comédia (em específico, no texto referente ao Purgatório), traçando comparativos com outro escrito do autor: De Monarchia. Palavras-chave: Dante Alighieri. Divina Comédia. Da Monarquia. Pensamento político na Baixa Idade Média. Abstract Through this study, we seek to understand the political conceptions defended by Dante Alighieri, a 14th century Florentine secular thinker, in his works. In particular, we intend to analyze the political conceptions aimed at valuing secular thought and power (the temporal power in comparison with the spiritual power) present in his work Divine Comedy (specifically, in the text referring to Purgatory), drawing comparisons with another writing by the author: De Monarchia. Keywords: Dante Alighieri. The Divine Comedy. The Monarchy. Political thought in the Late Middle Age. Resumen A través de este estudio tratamos de comprender las concepciones políticas defendidas por Dante Aliguieri, pensador laico florentino del siglo XIV, en sus obras. Particularmente, pretendemos analizar aquellas dirigidas a la valoración del pensamiento y poder laicos (el poder temporal en comparación con el poder espiritual) presente en su obra Divina Comedia (en específico, en el texto referido al Purgatorio), estableciendo comparaciones con otro escrito del autor: De la Monarquía. -
Appendix A: Selective Chronology of Historical Events
APPENDIX A: SELECTIVE CHRONOLOGY OF HIsTORICaL EVENTs 1190 Piero della Vigna born in Capua. 1212 Manente (“Farinata”) degli Uberti born in Florence. 1215 The Buondelmonte (Guelf) and Amidei (Ghibelline) feud begins in Florence. It lasts thirty-three years and stirs parti- san political conflict in Florence for decades thereafter. 1220 Brunetto Latini born in Florence. Piero della Vigna named notary and scribe in the court of Frederick II. 1222 Pisa and Florence wage their first war. 1223 Guido da Montefeltro born in San Leo. 1225 Piero appointed Judex Magnae Curia, judge of the great court of Frederick. 1227 Emperor Frederick II appoints Ezzelino da Romano as commander of forces against the Guelfs in the March of Verona. 1228 Pisa defeats the forces of Florence and Lucca at Barga. 1231 Piero completes the Liber Augustalis, a new legal code for the Kingdom of Sicily. 1233 The cities of the Veronese March, a frontier district of The Holy Roman Empire, transact the peace of Paquara, which lasts only a few days. © The Author(s) 2020 249 R. A. Belliotti, Dante’s Inferno, https://doi.org/10.1007/978-3-030-40771-1 250 AppeNDiX A: Selective ChrONOlOgY Of HistOrical EveNts 1234 Pisa renews war against Genoa. 1235 Frederick announces his design for a Holy Roman Empire at a general assembly at Piacenza. 1236 Frederick assumes command against the Lombard League (originally including Padua, Vicenza, Venice, Crema, Cremona, Mantua, Piacenza, Bergamo, Brescia, Milan, Genoa, Bologna, Modena, Reggio Emilia, Treviso, Vercelli, Lodi, Parma, Ferrara, and a few others). Ezzelino da Romano controls Verona, Vicenza, and Padua. -
“TWO SUNS THEORY” and the MONARCHIA of DANTE 99 Ministro Seu Vicario4 (1.2.3)
History Research, April-June, 2015, Vol. 5, No. 2, 98-108 doi: 10.17265/2159-550X/2015.02.003 D DAVID PUBLISHING Further Discussion on the “Two Suns Theory” and the Monarchia of Dante* Sabina Tuzzo Università del Salento, Italy The De Monarchia can be considered the summa of Dante’s political thought, of which we can also find some starting points in the Convivio, in the Epistles and in the Divine Comedy. Here, in Purgatorio XVI, Marco Lombardo, after stating that the misrule of the popes led the world to the sin, articulates Dante’s view of the Empire and Papacy as separate authorities and cites the instance of Rome at the pagan Age, when Rome used to possess two autonomous institutions to drive mankind both towards the material happiness and the spiritual one (vv. 106 ff. “soleva Roma, che ‘l buon mondo feo/ due soli aver, che l’una e l’altra strada/ facean vedere, e del mondo e di Dio”). The image of “two suns” also returns in the III Book of De Monarchia by Dante. Here Dante, inquiring into the relationship between “the two greatest luminaries”, that is the Roman Pontiff and the Roman Prince, wonders if the authority of the Roman ruler descends directly from God or from someone of His ministers. For Dante the Emperor, whose authority is given to him directly by God, does not depend on the Pope, but the Emperor is absolutely independent of the Pope. Keywords: Two Suns, Dante, De Monarchia, Empire and Papacy Dante’s Monarchia1, probably completed in the last years of his life2, can be considered the summa of his political thought3. -
American Dante Bibliography for 1969.Pdf
American Dante Bibliography for 1969 Anthony L. Pellegrini This bibliography is intended to include the Dante translations published in this country in 1969, and all Dante studies and reviews published in 1969 that are in any sense American. The latter criterion is construed to include foreign reviews of American publications pertaining to Dante. Translations “Al poco giorno . / To the Scant Day.” Translated by Joseph De Grazia III. In Le parole e le idee, XI, no. 12 (1969), 112-113. The verse translation, facing the Italian text, observes the original rhyme-scheme. [Donne ch’avete intelletto d’amore (Vita Nuova, Canzone I)] “Two Medieval Poems in Translation, with an Introduction,” by Robert S. Dupree. In Arlington Quarterly, II, no. I (1969), 22-31. Italian text followed by a “twentieth-century version” in the rhyme-scheme of the original, done out of dissatisfaction with the translation by D.G. Rossetti. (The second poem is Villon’s Ballade des dames du temps jadis.) The Divine Comedy. Translated by Thomas G. Bergin and illustrated by Leonard Baskin. New York: Grossman Publishers, 1969. 3 v. boxed. illus. This deluxe edition comes with Professor Bergin’s well-known translation in blank verse, originally prepared for the “Crofts Classics,” and 120 full-page, black-and-white washed line drawings by the contemporary artist Leonard Baskin. The work was printed in the type-face “Dante,” designed by Giovanni Mardersteig in 1953-54, at the fine printing house Stamperia Valdonega of Verona. The special paper, “Antiqua,” is also of Italian manufacture, while the illustrations were reproduced by Meriden Gravure of Meriden, Connecticut. -
The New Life (La Vita Nuova) of Dante Alighieri
:-NRLF SB ES7 Ml? MEW L! ALIGH1E D. C LIBRARY UNIVERSITY OF CALIFORNIA ^, '' ** ** f^s */ " * (2 asi^^s t, &/zif' si THE NEW LIFE ^ THE SIDDAL EDITION - THE NEW LIFE (LA VITA NUOVA) OF DANTE ALIGHIERI TRANSLATED BY DANTE GABRIEL ROSSETTI ELLIS AND ELVEY LONDON 1899 tEPLACINQ London and Printed by Hazell, Watson, & Viney, Ld., Aylesbury. PREFATORY NOTE <+* GABRIEL ROSSETTI, being the DANTEson of an Italian who was greatly im- mersed in the study of Dante Alighieri, and who produced a Comment on the Inferno, and other books relating to Dantesque literature, was from his earliest childhood familiar with the name of the stupendous Florentine, and to some extent aware of the range and quality of his writings. Nevertheless or perhaps indeed it may have been partly on that very account he did not in those opening years read Dante to any degree worth mentioning : he was well versed in Shakespeare, Walter Scott, Byron, and some other writers, years before he applied himself to Dante. He may have been fourteen years of age, or even fifteen (May 1843), before he took seriously to the author of the Divina Commedia. He then read him eagerly, and with the profoundest admiration and and from the he delight ; Commedia proceeded 045 -* prefatory IRote to the lyrical poems and the Vita Nuova. I question whether he ever read unless in the most cursory way other and less fascinating writings of Alighieri, such as the Convito and the De Monarchia. From reading, Rossetti went on to translating. He translated at an early age, chiefly between 1845 and 1849, a great number of poems by the Italians contemporary with Dante, or preceding other he made a version him ; and, among things, of the whole Vita Nuova^ prose and verse. -
Civic Genealogy from Brunetto to Dante
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 The Root Of All Evil: Civic Genealogy From Brunetto To Dante Chelsea A. Pomponio University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Medieval Studies Commons Recommended Citation Pomponio, Chelsea A., "The Root Of All Evil: Civic Genealogy From Brunetto To Dante" (2016). Publicly Accessible Penn Dissertations. 2534. https://repository.upenn.edu/edissertations/2534 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2534 For more information, please contact [email protected]. The Root Of All Evil: Civic Genealogy From Brunetto To Dante Abstract ABSTRACT THE ROOT OF ALL EVIL: CIVIC GENEALOGY FROM BRUNETTO TO DANTE Chelsea A. Pomponio Kevin Brownlee From the thirteenth century well into the Renaissance, the legend of Florence’s origins, which cast Fiesole as the antithesis of Florentine values, was continuously rewritten to reflect the changing nature of Tuscan society. Modern criticism has tended to dismiss the legend of Florence as a purely literary conceit that bore little relation to contemporary issues. Tracing the origins of the legend in the chronicles of the Duecento to its variants in the works of Brunetto Latini and Dante Alighieri, I contend that the legend was instead a highly adaptive mode of legitimation that proved crucial in the negotiation of medieval Florentine identity. My research reveals that the legend could be continually rewritten to serve the interests of collective and individual authorities. Versions of the legend were crafted to support both republican Guelfs and imperial Ghibellines; to curry favor with the Angevin rulers of Florence and to advance an ethnocentric policy against immigrants; to support the feudal system of privilege and to condemn elite misrule; to denounce the mercantile value of profit and ot praise economic freedom. -
The Liberdecausis and the Potentiasivevirtus Intellectiva
chapter 16 The Liber de causis and the potentia sive virtus intellectiva Formula in Dante’s Political Philosophy Victoria Arroche Universidad de Buenos Aires In the Monarchia and the Convivio, Dante explains that human beings are the only entity situated between corruptibility and incorruptibility. Created as a union of soul and body, human beings are, in fact, endowed with a dual nature. With respect to the human condition, i.e. their bipartite essence, each person may be conceived of as both perishable and, on the count of the soul, not perishable, at the same time.1 Parting from this dual nature, the Italian poet establishes how humanity as a whole could achieve its proper and distinctive end: earthly happiness. This ethical aim hinges on a specific and higher capa- city, which Dante describes as a potentia or virtus intellectiva. In fact, humanity as a whole could achieve its end by exercising its proper function, which is to actualize the potentia intellectiva entirely, simultaneously, and continually (actuetur vis ultima tota simul semper).2 According to him, this would be pos- sible if humanity correctly ordered temporal affairs under a sole Monarch. And this is, clearly, the political aspect of Dante’s thought. Dante presupposes a par- ticular connection between the people and the government—one that differs from other social interrelations. The subject of this study is to analyze some of the passages of Dante’s polit- ical work in the Convivio and the Monarchia, taking detailed account of the notions of potentia and virtus and the way they operate in these political treat- ises. -
Pioneers of the Spirit: Dante Alighieri Companion Guide
Companion guide for the video program Dante Alighieri Prepared by Ann T. Snyder and Lisa Hamilton 2 Pioneers of the Spirit DANTE ALIGHIERI Background Dante Alighieri (1265-1321) was born in Florence, Italy, the son of a notary. His name is a contraction of Durante. We know from his writings that he had an excellent education in both secular and religious studies. He may have studied at the University of Bologna, and he refers to the influence of Ser Brunetto Latini, one of the learned men of his time. The earliest fact we have of his life is that he was betrothed when he was only 12 years old. But Dante had only two major loves — the city of Florence and a woman he wrote about as Beatrice. It is believed that his Beatrice was Bice, daughter of Folco Portinari. Dante first saw her in 1274 when he was nine years old, and she became the inspiration for his later poetic works. About 1287 she became the wife of Simon dei Bardi, a wealthy banker. The lady’s death in 1290 was a profound shock to Dante, but we do know that in 1293 he finally married Gemma Maneto Donati, who bore him two sons, Pietro and Jacopo and a daughter, Antonia. A third son, Giovanni, is sometimes mentioned. These were the days of the conflicts between the Guelphs (middle class and tradesmen) and the Ghibellines (nobles). Dante served as a soldier and was a participant in the battle at Campaldino in 1289 and later in the siege of Caprona Castle at Pisa on the side of the Guelphs. -
De Monarchia (A Work of Political the Reading Assignments for This
E N G L H 2 9 5 --- 0 3 4 DDD A N T E ’’’ S “ B“BB EAUTIFUL LLL I E S ” :”:: AAA LLEGORY AAA N D III NTERPRETATION Fall 2008 • TR 2:00-3:15 • [Room number] • 3 credits Prerequisites: open to students in the University HonorsHonors Program and others with permission This course satisfies the Honors English requirement and can be taken for MedievalMedieval Studies or Catholic Studies credit. Dr. John T. Sebastian • [email protected] 324 Bobet Hall • 504.865.2277 Office hours MW 1:30-4:00 p.m. • by appointment In his Convivio , the great Florentine poet Dante distinguishes between an allegory of the poets and one of the theologians: the former, he claims, hides truth underneath a “beautiful lie.” In this course, students will examine Dante’s philosophical, linguistic, political, and above all his poetic writings (his beautiful lies) from the perspective of medieval concepts of allegory. In the Middle Ages allegory was a compositional mode (Dante’s allegory of the poets) as well as a hermeneutic, a tool for interpreting a text (the allegory of the theologians). Beginning with selections from Augustine’s De doctrina Christiana , students will explore how medieval poets and theologians used allegory both to create imaginary worlds and to interpret reality. Other readings will include Dino Compagni’s chronicle of medieval Florence, selections from Virgil’s Aeneid , Italian love poetry, Boccaccio’s writings on poetics, and Dante’s Convivio , De vulgari eloquentia (on language), De monarchia (a work of political philosophy), Vita nuova (a collection of love poems with accompanying commentary), and his masterpiece, the Commedia (in its entirety: Inferno , Purgatorio , and Paradiso ), all in translation, although students with some Italian or Latin will be encouraged to form an occasional reading group in order to study the original languages. -
Dante's Hidden
Dominican Scholar Graduate Master's Theses, Capstones, and Culminating Projects Student Scholarship 5-2016 Dante’s Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries Michael J. Rupers Dominican University of California https://doi.org/10.33015/dominican.edu/2016.hum.01 Survey: Let us know how this paper benefits you. Recommended Citation Rupers, Michael J., "Dante’s Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries" (2016). Graduate Master's Theses, Capstones, and Culminating Projects. 214. https://doi.org/10.33015/dominican.edu/2016.hum.01 This Master's Thesis is brought to you for free and open access by the Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Graduate Master's Theses, Capstones, and Culminating Projects by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Dante’s Hidden Sin: Wrath How Dante Vindictively Used The Inferno Against Contemporaries by Michael Rupers A culminating thesis submitted to the faculty of Dominican University of California in partial fulfillment of the requirements for the degree of Master of Arts in Humanities San Rafael, California May 2016 This thesis, written under the direction of the candidate’s thesis advisor and approved by the department chair, has been presented to and accepted by the Department of Humanities in partial fulfillment of the requirements for the degree of Master of Arts. The content and research presented in this work represent the work of the candidate alone. Michael Rupers May 2016 Candidate Joan Baranow, Ph.D. May 2016 MAH Program Director Sister Aaron Winkelman, Ph.D., Professor Emerita (English) May 2016 Thesis Advisor Leslie Ross, Ph.D., Professor (Art History) May 2016 Secondary Thesis Advisor "II Copyright @ 2016 by Michael Rupers All Rights Reserved "III Table of Contents Introduction: Contemporaries of Dante in The Inferno ……………….……… 1 Pope Celestine V ………………………………………………………………. -
Augustine's Anthropological Hermeneutic and Political Thought
Augustine’s Anthropological Hermeneutic and Political Thought in Dante Alighieri’s De Monarchia La hermenéutica antropológica 2 de Agustín y su pensamiento político en De Monarchia de Dante Alighieri Piotr M. Paciorek Independent researcher, United States of America Abstract This essay aims to evaluate the concept of peace that Dante Alighieri inscribed in De Monarchia, a work that is recognized as one of the major achievements of medieval political philosophy. Articulating peace as the main component of the Christian civilization of Western Europe, Dante remained under the influ- ence of Aristotelian ethical and political thought, an- cient Christian theologians, and the great authority of Augustine of Hippo. Since ancient thinkers believed that anthropological concepts should be subject to any socio-political investigation, peace, too, was ex- amined from an anthropological perspective. Aristo- tle’s anthropological hermeneutic employed the triad of body-soul-spirit to understand human nature and exposed the notion of universal peace to mean caritas, unity, and justice. Relying on Aristotle’s triad and over- all hermeneutic, Augustine’s anthropological explo- ration of human nature is a metaphorical portrait of man in a constant struggle for harmony between soul and body, a harmony which could then be projected in society under governing nations. Guided by this initial examination of the Augustinian and Aristotelian her- meneutic, this essay explore De Monarchia in depth, so as to demonstrate Augustine’s impact and inspira- tion on Dante’s monarchical beliefs. The inquiry herein will specifically outline how Dante applied Augustine’s concept of peace to his current socio-political system, both among individuals and particular communities. -
ON WORLD-GOVERNMENT Or DE MONARCHIA Library of Liberal Arts
60 cents DANTE ALIGHIERI ON WORLD-GOVERNMENT or DE MONARCHIA Library of Liberal Arts DANTE ALIG HIERI ON WORLD-GOVERNMENT or DE MONARCHIA T ranslated by HERBERT W. SCHNEIDER Profes.wr of Philosophy, Columbia University With an Introduction by DINO BIGONGIARI DaPonte P rofessor of Italian Em eritw Colum bia University II I IAP~I THE LIBERAL ARTS PRESS NEW YORK CONTENTS TRANSLATOR's PREFACE ........... ... .............................................. ix INTRODUCTION xi SELECTED BIBLIOGRAPHY . ........... ... ................. .... ................... .. XV NOTE ON THE TEXT .. ..... .. .. ..... .. ... ...... .. ... .... ........ ................ XVI ON WORLD-GOVER ME T Analysis of Contents BooK ONE: THAT MANKIND EEDS NITY AND PEACE The knowledge of a single temporal government over mankind is most important and least explored ...... 3 2 Since this theory i a practical science, its first prin ciple is the goal of human civilization, which must be one and the same for all particular civilizations 4 3 This goal is proved to be the realization of man's ability to grow in intelligence .................................... 5 4 The best means toward this end is universal peace .... 7 5 To achieve this state of universal well-being a single world-government is necessary ......... .... ....................... 8 6 Since any particular institution needs unity of direc- tion, mankind as a whole must also need it ............ 9 7 Human government is but a part of that single world- administration which has its unity in God .. .... .... .. .. 10 8 Man is by nature in God's likeness and therefore should, like God, be one ..... ... .. ....... ... .. .......... ..... ... .. .. 10 9 The heavens are ruled by a single mover, God, and man is at his best when he follows the pattern of the heavens and the heavenly father .............