Augustine's Anthropological Hermeneutic and Political Thought
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Bishop Robert Barron Recommended Books
BISHOP ROBERT BARRON’S Recommended Books 5 FAVORITE BOOKS of ALL TIME SUMMA THEOLOGIAE Thomas Aquinas THE DIVINE COMEDY Dante Alighieri THE SEVEN STOREY MOUNTAIN Thomas Merton MOBY DICK Herman Melville MACBETH William Shakespeare FAVORITE Systematic Theology BOOKS CLASSICAL: • Summa Theologiae St. Thomas • On the Trinity (De trinitate) St. Augustine • On First Principles (De principiis) Origen • Against the Heresies (Adversus haereses) Irenaeus • On the Development of Christian Doctrine John Henry Newman MODERN/CONTEMPORARY: • The Spirit of Catholicism Karl Adam • Catholicism Henri de Lubac • Glory of the Lord, Theodrama, Theologic Hans Urs von Balthasar • Hearers of the Word Karl Rahner • Insight Bernard Lonergan • Introduction to Christianity Joseph Ratzinger • God Matters Herbert McCabe FAVORITE Moral Theology BOOKS CLASSICAL: • Secunda pars of the Summa theologiae Thomas Aquinas • City of God St. Augustine • Rule of St. Benedict • Philokalia Maximus the Confessor et alia MODERN/CONTEMPORARY: • The Sources of Christian Ethics Servais Pinckaers • Ethics Dietrich von Hilldebrand • The Four Cardinal Virtues and Faith, Hope, and Love Josef Pieper • The Cost of Discipleship Dietrich Bonhoeffer • Sanctify Them in the Truth: Holiness Exemplified Stanley Hauerwas FAVORITE Biblical Theology BOOKS CLASSICAL: • Sermons Origen • Sermons and Commentary on Genesis and Ennarationes on the Psalms Augustine • Commentary on John, Catena Aurea, Commentary on Job, Commentary on Romans Thomas Aquinas • Commentary on the Song of Songs Bernard of Clairvaux • Parochial and Plain Sermons John Henry Newman MODERN/CONTEMPORARY: • Jesus and the Victory of God and The Resurrection of the Son of God N.T. Wright • The Joy of Being Wrong James Alison • The Theology of the Old Testament Walter Brueggemann • The Theology of Paul the Apostle James D.G. -
Aachen, 13 Absolutism, 12 Académie D'architecture, 100 Académie Des Beaux-Arts, 100 Académie Des Belles-Lettres De Caen, 12
The Information Master: Jean-Baptiste Colbert's Secret State Intelligence System Jacob Soll http://www.press.umich.edu/titleDetailDesc.do?id=243021 The University of Michigan Press, 2009. Index Aachen, 13 152; information management, 143–52; Absolutism, 12 and politics, 142 Académie d’Architecture, 100 Archives, 7, 11; archival pillages, 101–8, Académie des Beaux-Arts, 100 126; de Brienne archive, 103; Colbert Académie des Belles-Lettres de Caen, and archives, 37, 104–12; colonial 123–24 archives, 113–19; Dutch archives, 24; Académie des Inscriptions et Belles- ecclesiastical archives, 103–6; Fouquet’s Lettres, 100, 109, 128 archive, “la Cassette de Fouquet,” 46; Académie des Inscriptions et Médaillons, French parliamentary archives, 43–44, 100 108; French state archives, 28–30, Académie des Sciences, 100, 109 101–8; Fugger family archive, 19; ge- Académie Française, 31 nealogical archives, 182–83; medieval Académie Française de Rome, 100 archives, 14–15; nineteenth- Académie Politique of de Torcy, 156 century centralizing state archives, Accounting, 18, 34, 36, 54–58; and Louis 158–59; openness and archives, 166; XIV, 60–66 and Orientalism, 105–7; permanent Agendas, 6, 18; made for Louis XIV, state archives, 158; Renaissance 51–66; of Seignelay, 89 archives, 16; and royal authority, 162; D’Aguesseau, Henri de, intendant, 91 searchable archives, 158; and secrecy, Alberti, Leon Battista, 54, 57 166; Spanish Archives, 19–21 Amelot de La Houssaye, Abraham- Archivio di Stato di Torino, 163 Nicolas, 54, 57 Archivio Segreto del Vaticano, 22, 28 American Historical Association, 11 Arnoul, Nicolas, intendant, 73–74, 106 Amsterdam, 24–25 Arnoul, Pierre, ‹ls, intendant, 78–79 Ancient Constitution, the, 13, 29, 31, Ars apodemica, 70–72 49 Ars mercatoria, 18, 35 Ann of Austria, Queen of France, 38, 58 Atlantic World, lack of concept of, 115, Antiquarianism, 25–33; and government, 118 269 The Information Master: Jean-Baptiste Colbert's Secret State Intelligence System Jacob Soll http://www.press.umich.edu/titleDetailDesc.do?id=243021 The University of Michigan Press, 2009. -
Purgatório Político”: a Concepção De Poder Unitário De Dante Alighieri Na Florença Do Século Xiv
“PURGATÓRIO POLÍTICO”: A CONCEPÇÃO DE PODER UNITÁRIO DE DANTE ALIGHIERI NA FLORENÇA DO SÉCULO XIV “POLITICAL PURGATORY”: DANTE ALIGHIERI’S CONCEPTION OF UNITARY POWER IN THE 14TH CENTURY FLORENCE “PURGATORIO POLÍTICO”: EL CONCEPTO DE PODER UNITARIO DE DANTE ALIGUIERI EN LA FLORENCIA DEL SIGLO XIV Rodrigo Peixoto de Lima1 Mariana Bonat Trevisan2 Resumo Através desse estudo buscamos compreender as concepções políticas defendidas por Dante Alighieri, pensador laico florentino do século XIV, em suas obras. Particularmente, pretendemos analisar as voltadas à valorização do pensamento e do poder laicos (o poder temporal em comparação com o poder espiritual) presentes em sua obra Divina Comédia (em específico, no texto referente ao Purgatório), traçando comparativos com outro escrito do autor: De Monarchia. Palavras-chave: Dante Alighieri. Divina Comédia. Da Monarquia. Pensamento político na Baixa Idade Média. Abstract Through this study, we seek to understand the political conceptions defended by Dante Alighieri, a 14th century Florentine secular thinker, in his works. In particular, we intend to analyze the political conceptions aimed at valuing secular thought and power (the temporal power in comparison with the spiritual power) present in his work Divine Comedy (specifically, in the text referring to Purgatory), drawing comparisons with another writing by the author: De Monarchia. Keywords: Dante Alighieri. The Divine Comedy. The Monarchy. Political thought in the Late Middle Age. Resumen A través de este estudio tratamos de comprender las concepciones políticas defendidas por Dante Aliguieri, pensador laico florentino del siglo XIV, en sus obras. Particularmente, pretendemos analizar aquellas dirigidas a la valoración del pensamiento y poder laicos (el poder temporal en comparación con el poder espiritual) presente en su obra Divina Comedia (en específico, en el texto referido al Purgatorio), estableciendo comparaciones con otro escrito del autor: De la Monarquía. -
Appendix A: Selective Chronology of Historical Events
APPENDIX A: SELECTIVE CHRONOLOGY OF HIsTORICaL EVENTs 1190 Piero della Vigna born in Capua. 1212 Manente (“Farinata”) degli Uberti born in Florence. 1215 The Buondelmonte (Guelf) and Amidei (Ghibelline) feud begins in Florence. It lasts thirty-three years and stirs parti- san political conflict in Florence for decades thereafter. 1220 Brunetto Latini born in Florence. Piero della Vigna named notary and scribe in the court of Frederick II. 1222 Pisa and Florence wage their first war. 1223 Guido da Montefeltro born in San Leo. 1225 Piero appointed Judex Magnae Curia, judge of the great court of Frederick. 1227 Emperor Frederick II appoints Ezzelino da Romano as commander of forces against the Guelfs in the March of Verona. 1228 Pisa defeats the forces of Florence and Lucca at Barga. 1231 Piero completes the Liber Augustalis, a new legal code for the Kingdom of Sicily. 1233 The cities of the Veronese March, a frontier district of The Holy Roman Empire, transact the peace of Paquara, which lasts only a few days. © The Author(s) 2020 249 R. A. Belliotti, Dante’s Inferno, https://doi.org/10.1007/978-3-030-40771-1 250 AppeNDiX A: Selective ChrONOlOgY Of HistOrical EveNts 1234 Pisa renews war against Genoa. 1235 Frederick announces his design for a Holy Roman Empire at a general assembly at Piacenza. 1236 Frederick assumes command against the Lombard League (originally including Padua, Vicenza, Venice, Crema, Cremona, Mantua, Piacenza, Bergamo, Brescia, Milan, Genoa, Bologna, Modena, Reggio Emilia, Treviso, Vercelli, Lodi, Parma, Ferrara, and a few others). Ezzelino da Romano controls Verona, Vicenza, and Padua. -
Download a Pdf File of This Issue for Free
Issue 70: Dante's Guide to Heaven and Hell Dante and the Divine Comedy: Did You Know? What a famous painting suggests about Dante's life, legend, and legacy. Big Man in the Cosmos A giant in the world of which he wrote, laurel-crowned Dante stands holding his Divine Comedy open to the first lines: "Midway this way of life we're bound upon, / I woke to find myself in a dark wood, / Where the right road was wholly lost and gone." Of course, his copy reads in Italian. Dante was the first major writer in Christendom to pen lofty literature in everyday language rather than in formal Latin. Coming 'Round the Mountain Behind Dante sits multi-tiered Mount Purgatory. An angel guards the gate, which stands atop three steps: white marble for confession, cracked black stone for contrition, and red porphyry for Christ's blood sacrifice. With his sword, the angel marks each penitent's forehead with seven p's (from Latin peccatum, "sin") for the Seven Deadly Sins. When these wounds are washed away by penance, the soul may enter earthly paradise at the mountain's summit. Starry Heights In Paradiso, the third section of the Comedy, Dante visits the planets and constellations where blessed souls dwell. The celestial spheres look vague in this painting, but Dante had great interest in astronomy. One of his astronomical references still puzzles scholars. He notes "four stars, the same / The first men saw, and since, no living eye" (Purgatorio, I.23-24), apparently in reference to the Southern Cross. But that constellation was last visible at Dante's latitude (thanks to the earth's wobbly axis) in 3000 B.C., and no one else wrote about it in Europe until after Amerigo Vespucci's voyage in 1501. -
Dante: Christian Thought Expressed Through Poetry
CVSP 202/205: DANTE 1 Dante: Christian Thought Expressed through Poetry Dante Alighieri (1265-1321) Key writings: La Vita Nuova De vulgari eloquentia Convivio De monarchia La (Divina) Commedia -Inferno -Purgatorio -Paradiso (Domenico di Michelino, 1465) LECTURE TOPICS • Beginnings, Middles, Ends • The Divine Comedy: Structure and Narrative • The Divine Comedy: Christianity and Antiquity • Medieval reading practices • Dante and Florence: politics and exile ANTIQUITY CHRISTIANITY Reason (philosophy) Faith (theology) Representative authors: Representative authors: -Aristotle, Virgil -Augustine, Aquinas Virgil leads Dante from the gates of Beatrice leads Dante from the Hell to the ascent of Mount Earthly Paradise through the Purgatory heavenly spheres STRUCTURE NARRATIVE 3 Spaces, subdivided: 3 Canticles, subdivided -Hell (circles) -Inferno (34 cantos) -Purgatory (terraces) -Purgatorio (33 cantos) -Heaven (spheres) -Paradiso (33 cantos) Organizing principle: divine love Organizing principle: journey Comprehended by: Dante the poet Apprehended by: Dante the pilgrim “Io non Enëa, io non Paulo sono” (“I am not Aeneas, I am not Paul” Inf. II.32) CVSP 202/205: DANTE 2 DANTE’S VERSE Dante’s epic is composed in a verse form of his own invention known as terza rima: staggered, alternating triplets of lines rhyme, while consecutive lines are grouped into “tercets” of three lines each. The result: the first and last lines of each tercet rhyme, while the ending of the middle line gives the rhyme-sound that will appear in the next tercet. Follow this effect in the poem’s opening (Inferno I.1-9) both in the Italian text and the rhymed translation by M. Palma. Nel mezzo del cammin di nostra vita Midway through the journey of our life, I found mi ritrovai per una selva oscura myself in a dark wood, for I had strayed ché la diritta via era smarrita. -
Dante on the Incarnation
DOMINICAN A Vol. XVII D ECEMBER, 1932 No. 4 DANTE ON THE INCARNATION ANTON/NUS BAVERSO, O.P. HE Summa Theologica of St. Thomas Aquinas presents clearly and distinctly a complete summation of Catholic doctrine. To Dante is due its transmutation into immortal verse, however without loss of doctrinal content. "Were all the libraries in the world destroyed and the Sacred Scriptures with them, the whole system of doctrine and morals might be almost reconstructed out of the Divina C mmnedia" .1 Dante has been called the "Poetic Thomas Aquinas." It is a source of wonder how St. Thomas covered so vast a field of learning in so short a span of life; it is equally wonderful how Dante converted his doctrine into golden poetry. The Summa and the Commedia almost go hand in hand. The subject matter in numerous places is the same. In one we have a subject treated with the clear, precise, philosophical exactness of the Angelic Doctor, in the other the same subject caught up in poetic fancy and presented in an imaginative form that loses nothing of its depth by being converted into high poetry. The chief dogmas of the Catholic Faith are to be found in Dante. Their expression often is so similar to the treatment given them by Aquinas that one may well imagine that there was but one author for both expositions. The Incarnation, for instance, is a splendid examp~e of how Dante would take a doctrine from Thomas and present it" in resplendent poetic form. There is a logical order in the poet's elucidation of the doc trine, although the doctrine itself has to be culled in fragments from diverse parts of the Commedia. -
Marco Polo, Interest, Cosimo De'medici, Renaissance, Humanism
Social studies week 33 week 8 Monday Terms to know Marco Polo, Interest, Cosimo de'Medici, Renaissance, Humanism, Dante Alighieri, Petrarch, Perspective, Michelangelo, Leonardo da Vinci, Johann Gutenberg, Christian Humanism, Desiderius Erasmus, Albrecht Durer, Miguel de Cervantes, William Shakespeare, Reformation, Indulgences, Purgatory, Martin Luther, Protestants, John Calvin, King Henry VIII, Catholic Reformation, Ingatius of Loyola Jesuits, Francis Xavier, Huguenots, Edict of Nantes, Thirty Years' War, Congregation, Federalism simulation of students taking a "Walking Tour Through Florence"; students will visit various stations with information about Florence and complete the "Tour Guide" form for each location; play Italian music as the students travel throughout; students to complete the "Travel Guide Wrap-Up" when complete with the simulation; discuss as a class - 50 min Hw Work on your Crusades Project Tuesday students to go to the website "www.clevelandart.org/" and type the word "Renaissance" into the search bar; 498 images of Renaissance art will appear that are displayed at the museum; Teacher and students to review the art; students will write down three things that they notice specifically about the artwork; discuss and review findings as a class - 15 min Students to illustrate, color, and write a caption for one of the pieces of artwork from the Cleveland Museum of Art website about Renaissance art; the illustration should be in full-color; avoid having white-space on the paper; caption should include why students chose this -
Justifying Religious Freedom: the Western Tradition
Justifying Religious Freedom: The Western Tradition E. Gregory Wallace* Table of Contents I. THESIS: REDISCOVERING THE RELIGIOUS JUSTIFICATIONS FOR RELIGIOUS FREEDOM.......................................................... 488 II. THE ORIGINS OF RELIGIOUS FREEDOM IN EARLY CHRISTIAN THOUGHT ................................................................................... 495 A. Early Christian Views on Religious Toleration and Freedom.............................................................................. 495 1. Early Christian Teaching on Church and State............. 496 2. Persecution in the Early Roman Empire....................... 499 3. Tertullian’s Call for Religious Freedom ....................... 502 B. Christianity and Religious Freedom in the Constantinian Empire ................................................................................ 504 C. The Rise of Intolerance in Christendom ............................. 510 1. The Beginnings of Christian Intolerance ...................... 510 2. The Causes of Christian Intolerance ............................. 512 D. Opposition to State Persecution in Early Christendom...... 516 E. Augustine’s Theory of Persecution..................................... 518 F. Church-State Boundaries in Early Christendom................ 526 G. Emerging Principles of Religious Freedom........................ 528 III. THE PRESERVATION OF RELIGIOUS FREEDOM IN MEDIEVAL AND REFORMATION EUROPE...................................................... 530 A. Persecution and Opposition in the Medieval -
Dante, Aquinas, and the Roots of the Modern Aesthetization of Reality
Dante, Aquinas, and the Roots of the Modern Aesthetization of Reality Patrick Downey When a philosopher with the stature of Nietzsche can seriously ask: "Why couldn't the world that concerns us-be a fictionTl we are dealing with what one might call the "aesthetization of reality." Whereas before the an cient philosophers were concerned with reality as a world of nature, a world that brought itself into existence and could be known through the highest human endeavor of a receptive theoria, the modern "aesthetization" of reality knows only what it has itself made, and the aesthetic contemplation of reality is more akin to a painter contemplating his painting than an astronomer con templating the stars. Whereas in the ancients the relation to reality was that of the knower and the known, in the moderns it is the relation of the poet or au tHence to a poem. If we recall what was already in Plato's own day the "an cient quarrel between the poets and the philosophers," we might say that the poets have now won that q.uarrel; and that what goes along with that victory is the ascendancy of fiction over reality, lying over truth, and making over knowing. How was that quarrel decided? How did the poets, who since Plato's day seemed roundly defeated, finally end up victorious? Did they win all at once, with a sudden reversal? Or was this more a gradual affair where the battle was perhaps subtly lost early on, with victory becoming manifest only later as small losses accumulated into a final and wholesale rout? The latter, I believe, may well be what happened. -
Lecture Notes
“Modern, Anti- and Post- Modern Augustines” for “In Dialogue with Augustine” Villanova University July 23-27, 2001. An intensive seminar (three hours, Monday through Friday). Fifteen Hours Taking Descartes’ use and reworking of Augustine as defining his modern reception, the course will examine this modern Augustine, its developments, the alternatives to it and reactions against it. Topics and figures considered will include Early Modern Augustinian predecessors of Descartes like Jean Calvin, Richard Hooker and the Cardinal de Bérulle; fellows in the Cartesian project to employ an Augustinian logic for a revolution in the Christian relation to the cosmos like Galileo; the continuation of Augustinian scholasticism; the modern Augustinian reactions against modern secularity like those of Pascal, his Jansenist friends, and Kierkegaard; continuations of Augustinian Christian Platonism in the Cambridge Platonists, Ontologism, German Idealism, and in the retrieval of the Fathers of the Church. Other Twentieth-century interpretations will include the reassertion of a modern Augustinianism with Phenomenology, Charles Taylor and Stephen Menn and its opposite in the Protestant Orthodoxy of Karl Barth and his postmodern heirs, Jean-Luc Marion and Radical Orthodoxy. Finally, connections of these with the Jewish Augustine of Jacques Derrida and the revival of theurgic Neoplatonism will be considered. The aim will be to demonstrate the mutual dependence of the modern and anti-modern, the philosophical and religious forms of our following of Augustine. A Note on the Reading List It is not intended that every item on the list be required for each participant, although it will be clear that some of the readings are necessary for everyone. -
“TWO SUNS THEORY” and the MONARCHIA of DANTE 99 Ministro Seu Vicario4 (1.2.3)
History Research, April-June, 2015, Vol. 5, No. 2, 98-108 doi: 10.17265/2159-550X/2015.02.003 D DAVID PUBLISHING Further Discussion on the “Two Suns Theory” and the Monarchia of Dante* Sabina Tuzzo Università del Salento, Italy The De Monarchia can be considered the summa of Dante’s political thought, of which we can also find some starting points in the Convivio, in the Epistles and in the Divine Comedy. Here, in Purgatorio XVI, Marco Lombardo, after stating that the misrule of the popes led the world to the sin, articulates Dante’s view of the Empire and Papacy as separate authorities and cites the instance of Rome at the pagan Age, when Rome used to possess two autonomous institutions to drive mankind both towards the material happiness and the spiritual one (vv. 106 ff. “soleva Roma, che ‘l buon mondo feo/ due soli aver, che l’una e l’altra strada/ facean vedere, e del mondo e di Dio”). The image of “two suns” also returns in the III Book of De Monarchia by Dante. Here Dante, inquiring into the relationship between “the two greatest luminaries”, that is the Roman Pontiff and the Roman Prince, wonders if the authority of the Roman ruler descends directly from God or from someone of His ministers. For Dante the Emperor, whose authority is given to him directly by God, does not depend on the Pope, but the Emperor is absolutely independent of the Pope. Keywords: Two Suns, Dante, De Monarchia, Empire and Papacy Dante’s Monarchia1, probably completed in the last years of his life2, can be considered the summa of his political thought3.