Hollywood Studio Magazine (May 1971)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Culinary Tour Through the Old and New Dresden
Breakfast-buffet Mo. - Sat. / 8:00 - 11:00 am have a cozy breakfast in the DRESDEN 1900 from 9,90 € * M U S E U M S G A S T R O N O M I E * incl. 1 glass orange juice or prosecco Incl. coffee & tea from the buffet 12,90 . Conductor's Cap Drinking € Culinary tour through the ...over the brim, into the mouth, Experience the Conductor's Cap Drinking only old and new Dresden otherwise it trickles! with us in the DRESDEN 1900. Order for you and your dear family and friends the original „Conductor's Drink“. Raise a toast to each other, look in each other's eyes and just tell them once again: “You are a real beautiful person”! 2 cl 2,80 € 4 cl 4,50 € P Plate with recipe Conductor‘s Cap Button saxon potato soup O without filling Dresden 1900 4,50 € 12,90 € H 3,50 € S Liqueur Weichensteller Book from Karl-Heinz Bellmann & Notbremse Zwischen Tür und Angel je 2,90 € 6,66 € DRESDEN1900 Contact Dresden1900 Museumsgastronomie GmbH Monday - thursday 8 a.m. - Midnight An der Frauenkirche 20 Friday, Saturday 8 a.m. - 1 a.m. Sunday 9 a.m. - Midnight 01067 Dresden Germany Monday - Saturday 8 a.m. - 11 a.m. breakfast buffet Sunday 9 a.m. - 2 p.m. famil y brunch WWW.DRESDEN1900.DE Table booking Groups / Celebrations [email protected] [email protected] Fax: +49 351 / 48 20 58 56 Tel.: +49 351 / 48 20 58 58 Tel.: +49 351 / 48 20 58 57 Breakfast buffet M U S E U M S G A S T R O N O M IIE Mo. -
Manual Combi-Steamer CCD Your Customer Service
Manual Combi-Steamer CCD Your customer service We grant a 12 month guarantee which is valid from the date of invoice, exempted are damages to glass, light bulbs and gaskets. All rights are reserved for technical changes. For inquiries please indicate the following: Type of unit: RATIONAL Combi-Steamer CCD Unit serial number: ______________________________ Your unit was checked by: ______________________________ In case you may need further assistance, please do not hesitate to call us Telephone: Germany (08191) 3270. For operational problems call our “Hot Line”: Telephone: Germany (08191) 327300. Your RATIONAL U.K. Team: (01582) 480388. 2 Contents Control panel 5 Features 6 Loading und unloading 7 Safety hints 8 Cooking methods of RATIONAL CCD model 9 Steam mode 11 Hot Air mode 13 Combi-Steam mode 16 Combi-Steam mode: Forced steaming 19 Combi-Steam mode: Reheating 21 Cooking with core temperature (optional) 22 Additional function: Cool down 25 Accessories 26 Cooking examples 32 Cleaning 50 Descaling 51 Important installation information 52 Maintenance 56 3 Dear Customer, we congratulate you on your wise choice to buy a RATIONAL Combi-Steamer. With this RATIONAL Combi-Steamer you possess the best unit amongst those which are available on the mar- ket. The Combi-Steamers further development is a result of close contact with our customers – an innovation for the demanding chef, a unit with almost unlimited possibilities. We have specialised in solid workmanship, high functional safety and precise control systems and most of all simple, practical operation. However we still recommend you to study this manual for the RATIONAL Combi-Steamer carefully. -
10,1990 Postage Paid Cranford, N.J
;, I I Page B-1G CRANFORD CHRONICLE Thursday, May 3, 1990 SERVING CRANFORD, GARWOOD and KENILWORTH A Forbes Newspaper USPS 136 800 Second Class Vol. 97 NO. 19 Published Every Thursday Thursday, May 10,1990 Postage Paid Cranford, N.J. 50 Cents,- In brief Town Comniittee tells school board to cut Moth spraying The state.Department of Ag- riculture is expected to spray $100,000 from budget the northeast corner of town By Rosalie Gross ing body will meet Monday to vote by aircraft today to control the The Township Committee is formally on the recommendation. gypsy moth population. Spray- recommending $62,000 in cuts to Monday is the last day to certify a ing time can range from 5:30 the defeated $21.5-million school ' tax rate. a.m. to noon. budget plus another $38,000 from Schools superintendent Robert Our Reputation D. Paul said yesterday that the the board's surplus account for a management study. The decisions $50,000 cut in administrative costs School meeting were reached following a nearly "has to be more specific," He said twc^hoiir meeting Tuesday be- the governing body is "responsi- The Cranford school board tween the governing body and ble" for identifying "where they has rescheduled its monthly Board of Education. want the cut to be taken and some meeting to May 14. Mayor Ed Force said the com- justification as to why the board mittee specified that $50,000 be does not need that money for a One Customer At a Time* taken from administrative, costs thorough and efficient education." Buckle up and $12,000 from maintenance. -
PATTO – the JOHN HALSEY INTERVIEW
PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier. -
Leisen, Mitchell (1898-1972) by Craig Kaczorowski
Leisen, Mitchell (1898-1972) by Craig Kaczorowski Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com Mitchell Leisen was a noted director during Hollywood's Golden Age. He is credited with more than 40 feature films, which are celebrated for their stylishness and visual elegance. He excelled at witty, romantic comedies that are often tinged with a touch of melancholy, such as the classic "screwball" comedy Easy Living (1937) and the clever, cosmopolitan farce Midnight (1939). Leisen has also been hailed for his "gender role-reversal" films, where the male lead is cast as the sex object and the female lead as the aggressor. Not surprising for a bisexual director working in Hollywood, Leisen's other thematic obsessions included mistaken identity, role-playing, and deception. Leisen returned to the same performers film after film, developing strong working partnerships. Although he was instrumental in shaping the careers of such actors as Fred MacMurray and Ray Milland, Leisen became typed as a "woman's director" for the fastidious, detailed attention he paid to the costuming and art direction of his productions, as well as for the nuanced, spontaneous performances he coaxed from such actresses as Carole Lombard, Claudette Colbert, and Olivia de Havilland. Among many film historians, Leisen's artistic reputation has been tarnished somewhat by the stormy relationships he became embroiled in with some of his screenwriters, most notably Preston Sturges and Billy Wilder. After working on several films with Leisen, both writers demanded to be allowed to direct their own scripts, in part because they objected to the sophisticated veneer of Leisen's directorial style and to the changes he frequently made to their screenplays. -
Outlook Gloomy for Area Farmers Village Gets Street, Sewage Plan Funds
Market prices too low Outlook gloomy for area farmers Al Seurynck puts it bluntly : Although prices are low, Randall, the bank's vice- commodity loans last year. Bouck cautioned farmers The PCA gives loans ot up ers are patching their equip- creased, but sales of such "There's no money in cash they may get lower. Seury- president and cashier, pre- Farmers can borrow $2.22 that in order to participate in to 7 years for operating ment together "with baling items as middle-size tractors cropping today." nck, who farms with his dicted a few farmers may not per bushel for 90 per cent of the loan program, if they expenses and machinery. wire and scotch tape, but if is healthy. Prospects this fall both brother, David, almost 1,800 be able to make it financially, the crop. If the price -- don't have on-the-farm stor- Collins said a few cash crop they had the money,- .they Parts sales and repairs locally and nationally are for acres of wheat, dry beans, and will be forced to sell out. currently around $1.70 -- goes age, they will need negotiable farmers may make money would replace it." remain about the same or a bountiful harvest. That, corn, and barley near Gage- Current.prices, the banker above $2.22, growers can receipts for their grain from this year, but most won't. Two implement dealers have increased slightly, he plus carryover from past town, talked on the phone last said, "look like they won't redeem their wheat by paying elevators. -
Film, Philosophy Andreligion
FILM, PHILOSOPHY AND RELIGION Edited by William H. U. Anderson Concordia University of Edmonton Alberta, Canada Series in Philosophy of Religion Copyright © 2022 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Series in Philosophy of Religion Library of Congress Control Number: 2021942573 ISBN: 978-1-64889-292-9 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image: "Rendered cinema fimstrip", iStock.com/gl0ck To all the students who have educated me throughout the years and are a constant source of inspiration. It’s like a splinter in your mind. ~ The Matrix Table of contents List of Contributors xi Acknowledgements xv Introduction xvii William H. -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives. -
Are We Still Rolling?
Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone. -
CD Review: Bryan Ferry’S Avonmore
CD Review: Bryan Ferry’s Avonmore Last Monday, former Roxy Music frontman Bryan Ferry released his 15th studio album, Avonmore. The album was produced by longtime Roxy Music/Ferry associate, Rhett Davies, but he also got some help from a long list of talented musicians, most notably Nile Rodgers of Chic (and everything lately) and Flea from the Red Hot Chili Peppers. Nile Rodgers makes his influence known not only by his signature funky, choppy guitar sound that is featured in most of the songs, but an overall sleek tone to the songs and the production. The title track has a driving disco backbeat with impressive bass fills sprinkled throughout that can only be Flea. But occasionally the lushness goes a little too far. “A Special Kind of Guy,” for example, takes the smoothness to a sickly sweet parody level, complete with some tepid wah-wah guitar in the background. Perhaps the overproduction is due to an overblown cast of characters; on “Loop De Li” alone there appears Nile Rodgers, Johnny Marr, well-known blues guitarist Neil Hubbard, Sex Pistols axeman Steve Jones, session guitarist David Williams, and jazz legend Marcus Miller on bass, and that’s not even everybody playing a guitar. Ferry’s status as a UK national treasure is definitely secure, but it seems like he may be a little too focused on partying with rockstars. One of the elements (other than the top-tier musicians) that made Roxy Music so special in the ’70s was Ferry’s somehow-masculine cooing vocal technique. It’s undeniable that age isn’t the best thing for your vocals; unless you’re some kind of immortal weirdo like James Taylor, you probably won’t be hitting the high notes you did in your 20s when you’re 69 (Ferry’s age). -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.