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Guts and Tears Kinpira Jōruri and Its Textual Transformations
Guts and Tears Kinpira Jōruri and Its Textual Transformations Janice Shizue Kanemitsu In seventeenth-century Japan, dramatic narratives were being performed under drastically new circumstances. Instead of itinerant performers giving performances at religious venues in accordance with a ritual calendar, professionals staged plays at commercial, secular, and physically fixed venues. Theaters contracted artists to perform monthly programs (that might run shorter or longer than a month, depending on a given program’s popularity and other factors) and operated on revenues earned by charging theatergoers admission fees. A theater’s survival thus hinged on staging hit plays that would draw audiences. And if a particular cast of characters was found to please crowds, producing plays that placed the same characters in a variety of situations was one means of ensuring a full house. Kinpira jōruri 金平浄瑠璃 enjoyed tremendous though short-lived popularity as a form of puppet theater during the mid-1600s. Though its storylines lack the nuanced sophistication of later theatrical narra- tives, Kinpira jōruri offers a vivid illustration of how theater interacted with publishing in Japan during the early Tokugawa 徳川 period. This essay begins with an overview of Kinpira jōruri’s historical background, and then discusses the textualization of puppet theater plays. Although Kinpira jōruri plays were first composed as highly masculinized period pieces revolving around political scandals, they gradually transformed to incorporate more sentimentalism and female protagonists. The final part of this chapter will therefore consider the fundamental characteristics of Kinpira jōruri as a whole, and explore the ways in which the circulation of Kinpira jōruri plays—as printed texts— encouraged a transregional hybridization of this theatrical genre. -
©Copyright 2012 Sachi Schmidt-Hori
1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power. -
The Significance of the Atypical Samurai Image: A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UC Research Repository THE SIGNIFICANCE OF THE ATYPICAL SAMURAI IMAGE: A STUDY OF THREE NOVELLAS BY FUJISAWA SHŪHEI AND THE FILM TASOGARE SEIBEI BY YAMADA YŌJI A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Japanese at the University of Canterbury by S. J. Albrow University of Canterbury 2007 Table of Contents Acknowledgments ........................................................................... …..……..…2 Abstract ........................................................................................................... …3 Author's Notes ................................................................................................ …4 Introduction ........................................................................... ….…….…….…..5 I Historical Background to the Samurai and their Ideals ......................... ..11 1.1. Emergence of the Samurai... ...................................................... ……..11 1.2. Samurai Ethics during the Tokugawa Period ........................... ……..20 1.3. Anxiety and Change .......................................................... …..…..…...29 1.4. Modern Adaptation of Samurai Ideals ............................................... ..42 1.5. Re-examining Samurai Traditions ............................................ ….…..46 II The Atypical Samurai Image ........................................................... ….…..51 2.1. Corporate Society ..................................................................... -
Du Rite Au Sport
From Rite to Sport 0 From Rite to Sport 1 From Rite to Sport 2 Introduction Au printemps 1854, le commodore Matthew C. Perry de la Marine des Etats-Unis parvint à signer un traité de commerce et d’amitié avec le shogunat du Japon, entrouvrant ainsi une porte sur un pays exotique jusque là demeuré résolument fermé au monde occidental, depuis deux siècles et demi d’isolement volontaire. Après la signature des concessions, un échange mutuel et raffiné de cadeaux eut lieu : la maison du traité dans le port de Yokohama fut emplie de délicates pièces de mobilier laqué, de soies et de riches broderies, de porcelaines, d’éventails et de boîtes à pipes. L’interprète japonais traduisit la longue liste des cadeaux en néerlandais, et un membre de l’équipage de Perry se chargea de retranscrire le tout en anglais. Alors que le commodore s’apprêtait à repartir, les officiels japonais lui signalèrent qu’il restait encore un article destiné au Président des Etats-Unis qui n’avait pas encore été présenté, et ils le conduisirent sur la plage, où plusieurs centaines d’immenses sacs de riz étaient entassés, prêts à être chargés à bord des bateaux américains. « Alors que je contemplais ces preuves concrètes de la générosité japonaise », note Francis L. Hawkes, chroniqueur officiel des expéditions de Perry, dans son rapport à destination du Congrès américain, rédigé deux ans plus tard, « l’attention de tout le monde fut soudainement attirée par une masse de corps d’hommes monstrueux, qui déambulaient sur la plage comme une horde d’éléphants. -
Sengoku Revised Edition E-Book
SENGOKUSENGOKUTM CHANBARA ROLEPLAYING IN FEUDAL JAPAN Revised Edition CREDITS Authors: Anthony J. Bryant and Mark Arsenault Michelle Knight, Charles Landauer, Bill Layman, Greg Lloyd, Fuzion Roleplaying Rules: David Ackerman-Gray, Bruce Paradise Long, Steve Long, Jonathan Luse, Kevin MacGregor, Harlick, Ray Greer, George MacDonald, Steve Peterson, Mike Shari MacGregor, Paul Mason, John Mehrholz, Edwin Pondsmith, Benjamin Wright Millheim, Mike Montesa, Dale Okada, Arcangel Ortiz, Jr., Sengoku-specific Rules: Mark Arsenault Ken Pryde, Mauro Reis, David Ross, Arzhange Safdarzadeh, Project Developer & Revisions: Mark Arsenault Rick Sagely, Janice Sellers, Matt Smith, Susan Stafford, Editorial Contributions: David Carroll, Dorian Davis, Paul Patrick Sweeney, Simon Taylor, Andy Vetromile, Marissa Mason, Andrew Martin, Sakai Naoko Way, Paul Wilcox, Chris Wolf. Cover Illustration: Jason A, Engle Additional Thanks: To Paul Hume, and to everyone on the Interior Illustrations: Paul Abrams, Mark Arsenault, Heather Sengoku mailing list for their suggestions and encouragement, Bruton, Nancy Champion, Storn Cook, Audrey Corman, Steve especially Dorian Davis, Anthony Jackson, Dave Mattingly, Goss, John Grigni, Kraig Horigan, Bryce Nakagawa, J. Scott Mike Montesa, Simon Seah, and Paul Wilcox. Reeves, Greg Smith, Tonya Walden Revised Edition Thanks: To Peter Corless for helping us real- Layout Design & Graphics: Mark Arsenault ize the “new” dream, Sakai Naoko and David Carroll for edi- Cartography: Mark Arsenault & Anthony J. Bryant torial contributions, Kurosawa Akira and Mifune Toshirô for Playtesters: Margaret Arsenault, Mark Arsenault, Andrew feuling the fire, Margaret for continued support, and to all the Bordner, Theron Bretz, Matt Converse-Willson, Josh Conway, fans for keeing Sengoku alive! Mark Craddock, Dorian Davis, Paul Delon, Frank Foulis, Scott Sengoku Mailing List: To join the Sengoku e-mail list just Galliand, Steve B. -
Volume 18 (2011), Article 1
Volume 18 (2011), Article 1 http://chinajapan.org/articles/18/1 Ng, Wai-ming “Redefining Legitimacy in Tokugawa Historiography” Sino-Japanese Studies 18 (2011), article 1. Abstract: Due to the different historical developments and political traditions of China and Japan, Chinese concepts of legitimacy could not be applied to Japan without major modifications. Tokugawa historians demonstrated a high level of flexibility and creativity in their discussion of political legitimacy. Some Chinese concepts were reinterpreted to fit into the Tokugawa system. For instance, the mandate of heaven was used primarily to discuss the right to govern and denied a Chinese-style “revolution” and dynastic change. Using major Tokugawa historical writings as the main references and highlighting the legitimacy of the Southern or Northern Courts as well as the legitimacy of the Edo bakufu, this study examines the making of Japanized concepts of legitimacy in Tokugawa historiography. It sheds light on understanding how Tokugawa historians creatively modified and appropriated Chinese historical ideas and terms to accommodate Japanese tradition and the Tokugawa political system. Sino-Japanese Studies http://chinajapan.org/articles/18/1 Redefining Legitimacy in Tokugawa Historiography Wai-ming Ng Chinese University of Hong Kong Introduction Both the Chinese and the Japanese have a tradition of compiling and using history. Chinese historical writings, in particular, Sima Guang’s 司馬光 (1019-1086) Zizhi tongjian 資治通鑑 (Comprehensive Mirror for Aid in Government, 1084) and Zhu Xi’s 朱熹 (1130-1200) Tongjian gangmu 通鑑綱目 (Summary of the Comprehensive Mirror, 1172), were also influential in shaping historical critique and terminology in Japanese historiography. Legitimizing the current regime was a hidden political agenda in many historical writings in China and Japan in which the discussion of political “legitimacy” (正統 zhengtong in Chinese, seitō in Japanese) was passionately engaged. -
Aikijujutsu.Pdf
Aikijujutsu door Cees Freke 2 Aikijujutsu door Cees Freke Copyright © 2002 Cees Freke, Leiden, Nederland. Alle rechten voorbehouden. Uit deze uitgave mag niets worden verveelvoudigd en/of openbaar gemaakt worden door middel van fotokopie, microfilm of op welke andere wijze dan ook, zonder voorafgaande schriftelijke toestemming van de schrijver en/of uitgever. 3 Curriculum sensei Cees Freke. Geboren 09 juli 1941 te Katwijk a/d Rijn in Nederland. Cees Freke is rijksgediplomeerd docent martial arts A (F.O.G.), 4e dan aikido, 3e dan aikijujutsu, 3e dan police selfdefence, 2e dan aikibudo en instructeur kyusho jutsu. Cees Freke studeerde aikibudo en aikijutsu bij shihan Cees de Jongh en aikijujutsu bij shihan Jan Janssens in België. Ook volgde hij stages aikibudo bij Alain Floquet en M. Harmant in Frankrijk; en stages aikido bij meerdere bekende Japanse aikido sensei. Daarnaast beoefende Cees Freke het koryu wapenvechtsysteem Tenshin Shoden Katori Shinto Ryu. Zijn leraren daarbij waren Erik Louw, 5e dan Aikikai aikido en 7e dan en menkyo okuden Katori Shinto Ryu, in Amsterdam en Jan Janssens, 1e dan Katori Shinto Ryu, in België. Tevens volgde hij stages bij sensei Goro Hatakeyama, menkyo kaiden Katori Shinto Ryu en hoofdleraar in de dojo van wijlen Yoshio Sugino in Japan. Ook volgde Cees Freke stages kyusho jutsu (drukpunten jutsu) bij de bekende Engelse 7e dan karate P.M.V. (Vince) Morris en de Australier Patrick McCarthy 7e dan karate. Verder heeft Cees Freke lessen jujutsu en judo gevolgd bij de bekende budoka Louis Marchant in Boskoop, o.a. 5e dan judo en 5e dan jujutsu. Tenslotte volgde Cees Freke cursussen shiatsu therapie en beoefent hij “reiki” volgens de “Usui” methode 1e niveau. -
(Red Suit of Armor), 309. Ake No Tamagaki 朱の
INDEX A Azuchi 安土 (also Azuchiyama 安土山; castle), Aizen Myōō 愛染明王 (Wisdom King), 164/fn. 19, 28, 130, 130/fn. 289, 144–147, 225, 250, 386, 205. 291, 291/fn. 805, 295, 303, 303/fn. 832. akazonae 赤備え (red suit of armor), 309. Azuchi nikki 安土日記 (Diary of Azuchi), 145/fn. 331. ake no tamagaki 朱の玉垣 (“cinnabar fence”), Azuma kagami 吾妻鏡 (The Mirror of the East), 174/fn. 416. 218/fn. 577. Amaterasu Ōmikami天照大御神 (deity), 190, 214, fn. 551, 217. B Amida 阿弥陀 (Buddha), 121, 124, 125, 160/fn. basabasa ni naru バサバサニ成る (“to be cha- 377, 183–184, 186, 205/fn. 510, 227/fn. 614, otic,” “to degenerate”), 310/fn. 859. 330/fn. 896. basara 婆娑羅, 波佐羅 (extravagance), 180/fn. Amida kyō 阿弥陀経 (Scripture on Amida), 183/ 438, 310–314, 317, 318. fn. 453. Basara Taishō 伐折羅大将 (Thunderbold Gen- Arima Harunobu 有馬晴信 (also Protasio; 1567– eral, one of the jūni shinshō 十二神将, Twelve 1612), 56/fn. 139. Heavenly Generals), 310/fn. 859. armor (tōsei gusoku ), 131/fn. 291, 312–313; pl. bengara 弁柄 (red pigment), 174/fn. 415. 16. bettō 別当 (shrine/temple steward), 206, 225/fn. armor surcoat (jinbaori 陣羽織), 131/ fn. 291, 606, 345. 312; pl. 15. bird-like being, see karyōbinga. ashigaru 足軽 (foot soldiers), 258, 258/fn. 717. biwa ita 琵琶板 (board fillings), 94/fn. 193. Ashikaga Mochiuji 足利持氏 (1398–1439), 219/ Black Tortoise (genbu 玄武, also “black warrior;” fn. 581. one of the Four Divine Creatures), 108/fn. 224. Ashikaga Takauji 足利尊氏 (1305–1358), 130, Blue-Green Dragon (qinglong 青龍; one of the 130/fn. -
Table Des Matières Nouvel Archétype
Table des matières Nouvel archétype...............................................3 Archétype : On'Jin...........................................38 AKAZOME EMON....................................38 Archétype : Duelliste.........................................4 CHUJO HIME.............................................39 CHOEI TAKANO.........................................4 DOGEN.......................................................40 FUJIWARA NO MICHINAGA....................5 EISAI...........................................................41 GO FUKAKUSA IN NO NIJO.....................6 EKAKU.......................................................42 GORO NYUDO MASAMUNE....................7 HONEN.......................................................43 HIROMITSU HIKOSHIRO..........................8 KUKAI........................................................44 KANEHIRA IMAI........................................9 MATSUO BASHO......................................45 KASUGA NO TSUBONE..........................10 NICHIREN..................................................46 KONDO ISAMI..........................................11 OGATA KOAN...........................................47 MYAMOTO MUSASHI.............................12 RYOKAN....................................................48 SEN NO RIKYU.........................................13 SAICHO......................................................49 SHIBATA KATSUI.....................................14 SHINRAN...................................................50 SHOTOKU TAISHI....................................15 -
The Taiko in the Bugei by Roald Knutsen
Editor: Well House, 13 Keere Street, Lewes, East Sussex, England No. 287 Winter 2007/08 The Taiko in the Bugei by Roald Knutsen Two drums being struck simultaneously during a ceremony at the famous Izumo Ōyashiro, western Shimane-ken, April 1998. The illustration shows the use of two drums being struck simultaneously at the Izumo ō-yashiro in western Shimane prefecture and was taken ten years ago when Ric Bithell and Roald Knutsen visited this famous shrine. Observing the formal use of the taiko in ritual situations is best done in the precincts of Shint ō shrines. This is necessary because while taiko are often found as part of the Kend ō d ōjō ‘furnishings’, they are rarely beaten as part of normal training. The technique of beating these drums by the taiko-yaku , or drummer, is very interesting, the ō-daiko is placed sideways on and the smaller drum, supported on its ingenious three-legged stand, faces the drummer to his right front. The ō-daiko is struck by the bachi , drumstick, grasped in the right hand while the smaller drum is struck by the stick held in the left hand. The respective drums are played with different rhythms. This is the Shint ō method. Where the ō-daiko is used by itself, the drum is still struck from the side with bachi in the right hand. In Shint ō shrines the drum is employed in the ceremony called ‘ kōshin’ , ‘begging the presiding deity to bestow his spirit on the spot’, or, putting this another way, ‘inviting the deity to be present’. -
Karaito Sōshi
University of Alberta Karaito s!shi: A Tale of Optimism and Good Fortune by Lora Gale Slobodian A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Japanese Literature East Asian Studies ©Lora Gale Slobodian Fall 2011 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. ABSTRACT .DUDLWRVǀVKL is a short narrative that falls within a genre of stories from fourteenth-century Japan known as otogi-]ǀVKLor ‘companion tales’. Karaito VǀVKL was included in the 1716 Otogi-bunko (Companion library) anthology and was advertised as educational reading for new brides, its didactic value lyingin the prominence it gives to the themes of female loyalty and filial piety. Taking the events of the Genpei War of 1180-85 as its setting, the tale also forms part of the reception of the Heike monogatari (The Tale of the Heike, thirteenth century). The transitional nature of .DUDLWRVǀVKL as a Muromachi-period work is brought to light when placed next to the tales of Shizuka and *Lǀ, which also act as Heike reception texts and which also existed during the Muromachi period (1336-1573). -
Decline and Fall of the Silla and the Yamato Kingdom
KOREA AND JAPAN IN EAST ASIAN HISTORY Vol. 2. No. 15. 2005. 7. 16. 1 1 In 645, prince Naka no Ōe IC-13.S-1.5-0716 (Tenji, r.661-71), assisted by Nakatomi Kamatari (614-69), eliminated the Soga clan. Kamatari’s son, Fujiwara Fubito (659-720), tried to implement the Taika Reform, and also to Decline and Fall of the Silla establish the first permanent capital to accommodate the and the Yamato Kingdom growing bureaucracy. Jitō (r.686-97) made the final FALL OF THE DYNASTIES decision of the transfer to Fujiwara-kyō in 694. After a mere 16 years, however, Fubito decided Wontack Hong to relocate the capital yet again to Professor, Seoul University Heijō-kyō (Nara), about 16 km north of Fujiwara-kyō. APPEARANCE OF THE NEW RULING CLASS: SAMURAI Yamato court used to change the The overthrow of the Soga clan and the Taika location of its capital within the Reforms in 645 were soon followed by the fall of Paekche in Asuka area each time a new king 663, the frantic efforts of the Yamato court to fortify the came to the throne. possible Tang invasion route on the Japanese islands, and the reinforcement of the Ritsuryō system for nation-wide military 2 Peasants came to be conscripted mobilization.1 By issuing the Taihō law codes in 701, the entire directly by the state to serve (for populace came under the rule of Tang-style national statute law three years) either in their own with a centralized bureaucratic government. On the basis of provinces (led by provincial state ownership of land, peasants were allotted parcels of land, officials), in the capital, on the paying taxes and providing corvèe service.