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Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
The Auspicious Image at the Court of Huizong Author(S): Peter C
The Smithsonian Institution Regents of the University of Michigan Cranes above Kaifeng: The Auspicious Image at the Court of Huizong Author(s): Peter C. Sturman Source: Ars Orientalis, Vol. 20 (1990), pp. 33-68 Published by: Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan Stable URL: http://www.jstor.org/stable/4629400 . Accessed: 05/08/2011 12:38 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Smithsonian Institution and Regents of the University of Michigan are collaborating with JSTOR to digitize, preserve and extend access to Ars Orientalis. http://www.jstor.org CRANESABOVE KAIFENG:THE AUSPICIOUS IMAGEAT THE COURT OF HUIZONG BY PETER C. STURMAN AMONG THE MANYBEAUTIFUL PAINTINGS ATTIRIBUTED TO THE consider to be the much more significant issue of late Northern Song emperor Huizong (r. A.D. 1100- style. Gathering support from textual sources, includ- 1125), none is so enchanting as the short handscroll ing one written by a contemporary witness to the entitled "Auspicious Cranes" (Fig. 1).' Twenty white activities of Huizong's court, Xu Bangda has argued cranes appear against an azure sky above city gates that the "true"Huizongs are not these fine, jewel-like bathed in magical clouds. -
Submitted for the Phd Degree at the School of Oriental and African Studies, University of London
THE CHINESE SHORT STORY IN 1979: AN INTERPRETATION BASED ON OFFICIAL AND NONOFFICIAL LITERARY JOURNALS DESMOND A. SKEEL Submitted for the PhD degree at the School of Oriental and African Studies, University of London 1995 ProQuest Number: 10731694 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731694 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 A b s t ra c t The short story has been an important genre in 20th century Chinese literature. By its very nature the short story affords the writer the opportunity to introduce swiftly any developments in ideology, theme or style. Scholars have interpreted Chinese fiction published during 1979 as indicative of a "change" in the development of 20th century Chinese literature. This study examines a number of short stories from 1979 in order to determine the extent of that "change". The first two chapters concern the establishment of a representative database and the adoption of viable methods of interpretation. An important, although much neglected, phenomenon in the make-up of 1979 literature are the works which appeared in so-called "nonofficial" journals. -
I. Guides to the State of the Field Song Research Tools
I. Guides to the State of the Field Page 1 of 125 Song Research Tools home | about | faq I. Guides to the State of the Field The late Etienne Balazs began formulating plans for an international, collaborative study of the Sung period as early as 1949 and formally initiated the "Sung Project" in 1954. The Project was responsible for some of the most valuable reference tools in this guide. Its history is related in: Ref (W) DS751.S86 1978x Yves Hervouet, "Introduction," (W) DS751.S86 1978x A Sung Bibliography Loc: Z3102 .S77 Hong Kong: The Chinese University Press, 1978, pp. vii-xiv. I.A. SOCIETIES, NEWSLETTERS, AND JOURNALS Societies Japan: Sōdaishi kenkyūkai 宋代史研究会 (Society for Song Studies): http://home.hiroshima-u.ac.jp/songdai/songdaishi-yanjiuhui.htm This site contains announcements for and reports on the annual meetings of the society, links to related sites, a bibliography of Japanese scholarship on Song studies (1982-2002) and a directory of Japanese scholars working in the field. Sōdaishi danwakai 宋代史談話會 (Society for the Study of Song History in Japan) http://www2u.biglobe.ne.jp/~songsong/songdai/danwakai.html Established in 1997 as a forum and reading group for young scholars of Song history active in Kyoto-Osaka-Kobe region. Includes meeting information, list of readings, and an announcement board. Sōdai shibun kenkyūkai 宋代詩文研究會 (Society for the Study of Song Literature) http://www9.big.or.jp/~co-ume/song/ http://www9.big.or.jp/~co-ume/song/danwakai.htm Includes announcements and a mailing list. Registration is required to get access to the full site. -
Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
2013 Collaborative Middle School Tournament Round 2
2013 Collaborative Middle School Tournament Round 2 Tossups 1. This author wrote a story in which the inhabitants of Lagash experience darkness for the first time. Along with "Nightfall," this author wrote a series of novels featuring the investigative interactions of Elijah Baley and R. Daneel Olivaw. Hari Selden invents the science of psychohistory in this author's novel (*) Foundation. For 10 points, name this Russian-American science fiction writer who depicted the Three Laws of Robotics in his collection, I, Robot. ANSWER: Isaac Asimov [or Isaak Yudovich Ozimov] 2. Combustion reactions produce carbon dioxide, energy, and this substance. Sometimes called the "universal solvent", it has high surface tension because it forms many hydrogen bonds. This compound is unusual in that as it is cooled, it becomes less dense, so its solid form (*) floats on top of its liquid form. For 10 points, name this compound that boils at 100 degrees Celsius, freezes at zero degrees Celsius, and has formula H2O. ANSWER: water [or H2O before it is mentioned] 3. These figures sent the dragon Campe to guard their more monstrous brothers in Tartarus. After losing a war in which he led these gods, Atlas was forced to lift the sky on his shoulders. Though he was one of them, (*) Prometheus left their side and joined with Zeus, who was the son of two of these gods named Rhea and Cronus. For 10 points, name these gods who preceded and fought a war with the Olympians. ANSWER: Titans 4. J.M.W. Turner painted one of these things before it was to be "broken up" in his The Fighting Temeraire. -
三國演義 Court of Liu Bei 劉備法院
JCC: Romance of the Three Kingdoms 三國演義 Court of Liu Bei 劉備法院 Crisis Directors: Matthew Owens, Charles Miller Emails: [email protected], [email protected] Chair: Isis Mosqueda Email: [email protected] Single-Delegate: Maximum 20 Positions Table of Contents: 1. Title Page (Page 1) 2. Table of Contents (Page 2) 3. Chair Introduction Page (Page 3) 4. Crisis Director Introduction Pages (Pages 4-5) 5. Intro to JCC: Romance of the Three Kingdoms (Pages 6-9) 6. Intro to Liu Bei (Pages 10-11) 7. Topic History: Jing Province (Pages 12-14) 8. Perspective (Pages 15-16) 9. Current Situation (Pages 17-19) 10. Maps of the Middle Kingdom / China (Pages 20-21) 11. Liu Bei’s Domain Statistics (Page 22) 12. Guiding Questions (Pages 22-23) 13. Resources for Further Research (Page 23) 14. Works Cited (Pages 24-) Dear delegates, I am honored to welcome you all to the Twenty Ninth Mid-Atlantic Simulation of the United Nations Conference, and I am pleased to welcome you to JCC: Romance of the Three Kingdoms. Everyone at MASUN XXIX have been working hard to ensure that this committee and this conference will be successful for you, and we will continue to do so all weekend. My name is Isis Mosqueda and I am recent George Mason Alumna. I am also a former GMU Model United Nations president, treasurer and member, as well as a former MASUN Director General. I graduated last May with a B.A. in Government and International politics with a minor in Legal Studies. I am currently an academic intern for the Smithsonian Institution, working for the National Air and Space Museum’s Education Department, and a substitute teacher for Loudoun County Public Schools. -
P020110307527551165137.Pdf
CONTENT 1.MESSAGE FROM DIRECTOR …………………………………………………………………………………………………………………………………………………… 03 2.ORGANIZATION STRUCTURE …………………………………………………………………………………………………………………………………………………… 05 3.HIGHLIGHTS OF ACHIEVEMENTS …………………………………………………………………………………………………………………………………………… 06 Coexistence of Conserve and Research----“The Germplasm Bank of Wild Species ” services biodiversity protection and socio-economic development ………………………………………………………………………………………………………………………………………………… 06 The Structure, Activity and New Drug Pre-Clinical Research of Monoterpene Indole Alkaloids ………………………………………… 09 Anti-Cancer Constituents in the Herb Medicine-Shengma (Cimicifuga L) ……………………………………………………………………………… 10 Floristic Study on the Seed Plants of Yaoshan Mountain in Northeast Yunnan …………………………………………………………………… 11 Higher Fungi Resources and Chemical Composition in Alpine and Sub-alpine Regions in Southwest China ……………………… 12 Research Progress on Natural Tobacco Mosaic Virus (TMV) Inhibitors…………………………………………………………………………………… 13 Predicting Global Change through Reconstruction Research of Paleoclimate………………………………………………………………………… 14 Chemical Composition of a traditional Chinese medicine-Swertia mileensis……………………………………………………………………………… 15 Mountain Ecosystem Research has Made New Progress ………………………………………………………………………………………………………… 16 Plant Cyclic Peptide has Made Important Progress ………………………………………………………………………………………………………………… 17 Progresses in Computational Chemistry Research ………………………………………………………………………………………………………………… 18 New Progress in the Total Synthesis of Natural Products ……………………………………………………………………………………………………… -
Exploration of the Unique Aspects of Chinese Rhetoric Xiūcí 修辞
Vassar College Digital Window @ Vassar Senior Capstone Projects 2021 Exploration of the unique aspects of Chinese Rhetoric Xiūcí 修辞 Spencer D. McGrath Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Part of the Chinese Studies Commons, and the Rhetoric Commons Recommended Citation McGrath, Spencer D., "Exploration of the unique aspects of Chinese Rhetoric Xiūcí 修辞" (2021). Senior Capstone Projects. 1099. https://digitalwindow.vassar.edu/senior_capstone/1099 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Exploration of the unique aspects of Chinese Rhetoric Xiūcí 修辞 Senior Project for the Chinese major Spencer Di Pasquale McGrath 唐沅希 Advisor: Wenwei Du Date: May 2021 Table of Contents 1. Introduction………………………………………………………………………………………………3 1.1 Presenting Purpose of Study…………………………………………………………………...4 1.2 Introducing Different Types of Rhetoric Xiūcí 修辞…………………………………………..5 1.3 Introducing Different Types of Idioms Shúyǔ 熟语……………………………………………6 2. Characteristics of the Different Types of Idioms………………………………………………………...7 2.1 Characteristics of Shúyǔ 熟语………………………………………………………………….7 2.2 Characteristics of Chéngyǔ 成语………………………………………………………………8 2.2.1 Presence of Numbers in Chéngyǔ 成语……………………………………………..9 2.2.2 Usage of Negation in Chéngyǔ 成语………………………………………………11 2.3 Characteristics of Xiēhòuyǔ 歇后语………………………………………………………….12 3. Cultural Elements in Different Types of Idioms………………………………………………………..13 3.1 Cultural Elements in Shúyǔ 熟语……………………………………………………………..13 3.2 Cultural Elements in Chéngyǔ 成语………………………………………………………….14 3.2.1 Five Categories of Metaphor………………………………………………………16 3.3 Cultural Elements in Xiēhòuyǔ 歇后语………………………………………………………17 4. -
The Literature of China in the Twentieth Century
BONNIE S. MCDOUGALL KA此1 LOUIE The Literature of China in the Twentieth Century 陪詞 Hong Kong University Press 挫芋臨眷戀犬,晶 lll 聶士 --「…- pb HOMAMnEPgUimmm nrRgnIWJM inαJ m1ιLOEbq HHny可 rryb的問可c3 們 unn 品 Fb 心 油 β 7 叫 J『 。 Bonnie McDougall and Kam Louie, 1997 ISBN 962 209 4449 First published in the United Kingdom in 1997 by C. Hurst & Co. (Publishers) Ltd. This soft cover edition published in 1997 by Hong Kong University Press is available in Hong Kong, China and Taiwan All righ臼 reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the Publisher. Printed in England CONTENTS Acknowledgements page v Chapters 1. Introduction 1 Part I. 1900-1937 2. Towards a New Culture 13 3. Poetry: The Transformation of the Past 31 4. Fiction: The Narrative Subject 82 5. Drama: Writing Performance 153 Part II. 1938-1965 6. Return to Tradition 189 7. Fiction: Searching for Typicality 208 8. Poetry: The Challenge of Popularisation 261 9. Drama: Performing for Politics 285 Part III. 1966-1989 10. The Reassertion of Modernity 325 11. Drama: Revolution and Reform 345 12. Fiction: Exploring Alternatives 368 13. Poe世y: The Challenge of Modernity 421 14. Conclusion 441 Further Reading 449 Glossary of Titles 463 Index 495 Vll INTRODUCTION Classical Chinese poet可 and the great traditional novels are widely admired by readers throughout the world. Chinese literature in this centu可 has not yet received similar acclaim. -
Chinese Literature in the Second Half of a Modern Century: a Critical Survey
CHINESE LITERATURE IN THE SECOND HALF OF A MODERN CENTURY A CRITICAL SURVEY Edited by PANG-YUAN CHI and DAVID DER-WEI WANG INDIANA UNIVERSITY PRESS • BLOOMINGTON AND INDIANAPOLIS William Tay’s “Colonialism, the Cold War Era, and Marginal Space: The Existential Condition of Five Decades of Hong Kong Literature,” Li Tuo’s “Resistance to Modernity: Reflections on Mainland Chinese Literary Criticism in the 1980s,” and Michelle Yeh’s “Death of the Poet: Poetry and Society in Contemporary China and Taiwan” first ap- peared in the special issue “Contemporary Chinese Literature: Crossing the Bound- aries” (edited by Yvonne Chang) of Literature East and West (1995). Jeffrey Kinkley’s “A Bibliographic Survey of Publications on Chinese Literature in Translation from 1949 to 1999” first appeared in Choice (April 1994; copyright by the American Library Associ- ation). All of the essays have been revised for this volume. This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by David D. W. Wang All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
Volume I. Documents
International Institute of Social History www.iisg.nl/collections/tiananmen/ INVENTORY OF THE COLLECTION CHINESE PEOPLE'S MOVEMENT, SPRING 1989 VOLUME I: DOCUMENTS at the International Institute of Social History (IISH) International Institute of Social History www.iisg.nl/collections/tiananmen/ For a list of the Working Papers published by Stichting beheer IISG, see page 123. International Institute of Social History www.iisg.nl/collections/tiananmen/ Frank N. Pieke and Fons Lamboo INVENTORY OF THE COLLECTION CHINESE PEOPLE'S MOVEMENT, SPRING 1989 VOLUME I: DOCUMENTS at the International Institute of Social History (IISH) Stichting Beheer IISG Amsterdam, August 1990 International Institute of Social History www.iisg.nl/collections/tiananmen/ CIP-GEGEVENS KONINLIJKE BIBLIOTHEEK, DEN HAAG Pieke, Frank N. Inventory of the Collection Chinese People's Movement, spring 1989 / Frank N. Pieke and Fons Lamboo. - Amsterdam: Stichting beheer IISG Vol. I: Documents at the International Institute of Social History (IISH). - (IISG-working papers, ISSN 0921-4585 ; 14) Met reg. ISBN 90-6861-057-0 SISO az-chin 942 UDC 323.26(510)"1989"(083.82) NUGI 641 Trefw.: Chinese volksbeweging (collectie) ; IISG ; catalogi. c 1990 Stichting beheer IISG All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Niets uit deze uitgave mag worden vermenigvuldigd en/of openbaar worden gemaakt door middel van druk, fotocopie, microfilm of op welke andere wijze ook zonder voorafgaande schriftelijke toestemming van de uitgever. Printed in the Netherlands International Institute of Social History www.iisg.nl/collections/tiananmen/ TABLE OF CONTENTS Table of Contents v Preface vi 1.