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COIN in Afghanistan - Winning the Battles, Losing the War?
COIN in Afghanistan - Winning the Battles, Losing the War? MAGNUS NORELL FOI, Swedish Defence Research Agency, is a mainly assignment-funded agency under the Ministry of Defence. The core activities are research, method and technology development, as well as studies conducted in the interests of Swedish defence and the safety and security of society. The organisation employs approximately 1000 personnel of whom about 800 are scientists. This makes FOI Sweden’s largest research institute. FOI gives its customers access to leading-edge expertise in a large number of fields such as security policy studies, defence and security related analyses, the assessment of various types of threat, systems for control and management of crises, protection against and management of hazardous substances, IT security and the potential offered by new sensors. FOI Swedish Defence Research Agency Phone: +46 8 555 030 00 www.foi.se FOI Memo 3123 Memo Defence Analysis Defence Analysis Fax: +46 8 555 031 00 ISSN 1650-1942 March 2010 SE-164 90 Stockholm Magnus Norell COIN in Afghanistan - Winning the Battles, Losing the War? “If you don’t know where you’re going. Any road will take you there” (From a song by George Harrison) FOI Memo 3123 Title COIN in Afghanistan – Winning the Battles, Losing the War? Rapportnr/Report no FOI Memo 3123 Rapporttyp/Report Type FOI Memo Månad/Month Mars/March Utgivningsår/Year 2010 Antal sidor/Pages 41 p ISSN ISSN 1650-1942 Kund/Customer Försvarsdepartementet Projektnr/Project no A12004 Godkänd av/Approved by Eva Mittermaier FOI, Totalförsvarets Forskningsinstitut FOI, Swedish Defence Research Agency Avdelningen för Försvarsanalys Department of Defence Analysis 164 90 Stockholm SE-164 90 Stockholm FOI Memo 3123 Programme managers remarks The Asia Security Studies programme at the Swedish Defence Research Agency’s Department of Defence Analysis conducts research and policy relevant analysis on defence and security related issues. -
Ethnicity and the Political Reconstruction of Afghanistan
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Schetter, Conrad Working Paper Ethnicity and the political reconstruction of Afghanistan ZEF Working Paper Series, No. 3 Provided in Cooperation with: Zentrum für Entwicklungsforschung / Center for Development Research (ZEF), University of Bonn Suggested Citation: Schetter, Conrad (2005) : Ethnicity and the political reconstruction of Afghanistan, ZEF Working Paper Series, No. 3, University of Bonn, Center for Development Research (ZEF), Bonn, http://nbn-resolving.de/urn:nbn:de:0202-2008091124 This Version is available at: http://hdl.handle.net/10419/88366 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen -
"The Clam-Digger: Capitol Island": a Robinson Sonnet Recovered
Colby Quarterly Volume 10 Issue 8 December Article 7 December 1974 "The Clam-Digger: Capitol Island": A Robinson Sonnet Recovered Richard Cary Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 10, no.8, December 1974, p.505-512 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary: "The Clam-Digger: Capitol Island": A Robinson Sonnet Recovered Colby Library Quarterly 505 "THE CLAM-DIGGER: CAPITOL ISLAND": A ROBINSON SONNET RE,C'OVE,RED By RICHARD CARY n page 2 of The Reporter Monthly for April 26, 1890 ap O pears the following sonnet by Edwin Arlington Robinson not yet attributed to him in any bibliography or checklist. THE CLAM-DIGGER CAPITOL ISLAND There is a garden in a shallow cove Planted by Neptune centuries ago, Which Ocean covers with a thin, flat flow, Then falling, leaves the sun to gleam above Those oozy lives (which reasoning mortals love) Reposed in slimy silence far below The shell-strewn desert, while their virtues grow, And over them the doughty diggers rove. Then awful in his boots the King appears, With facile fork and basket at his side; Straight for the watery bound the master steers, Where giant holes lie scattered far and wide; And plays the devil with his bubbling dears All through the bounteous, ottoitic tide. R. In compiling his sturdy Bibliography 0/ Edwin Arlington Robinson (New Haven, 1936), Charles Beecher Hogan did record and reprint two other primigenial poems from this four page literary supplement of the Kennebec Reporter: "Thalia," March 29, 1890, as Robinson's first known publication of verse; "The Galley Race," May 31, 1890, as his second (at this point clearly to be reclassified third). -
Dinamiche Etniche, Tribali E Politiche in Afghanistan
Dinamiche etniche, tribali e politiche in Afghanistan n. 06 - gennaio 2010 a cura di Luca La Bella (Ce.S.I. Centro Studi Internazionali) OSSERVATORIO DI POLITICA INTERNAZIONALE Dinamiche etniche, tribali e politiche in Afghanistan n. 6 gennaio 2010 1 DINAMICHE ETNICHE, TRIBALI E POLITICHE IN AFGHANISTAN di Luca La Bella Fonte: elaborazione Ce.S.I. 2 SOMMARIO Introduzione p.3 Etnografia dell’Afghanistan p.4 Il panorama pashtun p.5 Le dinamiche nel mondo pashtun p.8 Il panorama tagiko p.15 Le altre componenti etniche p.20 La situazione nel settore italiano p.25 3 Introduzione La situazione afghana, caratterizzata da crescente instabilità politica - specie dopo la crisi elettorale che ha minato la legittimità di Karzai - e da un’insurrezione che dalle sue basi nel sud e nell’est del Paese si è ormai fermamente impiantata al nord e all’ovest, spinge gli attori internazionali alla ricerca di interlocutori locali affidabili, sia nell’ottica di trovare potenziali alternative a un governo impopolare e inefficace, sia nell’ottica di una possibile riconciliazione con quegli elementi dell’insurrezione più sensibili al dialogo. La sostenibilità delle operazioni militari e dei programmi di sviluppo e assistenza umanitaria alla popolazione dipende infatti dalla loro compatibilità con il tessuto etnico e tribale del Paese. Quanto più queste attività avvengono nel solco della cultura tribale e senza alterare gli equilibri etnici tradizionali tanto più esse avranno la possibilità di riuscire negli obiettivi prefissati. Al fine di armonizzare il rapporto degli attori internazionali (a livello politico, economico e militare) con le realtà afghane è necessario prendere in esame più dettagliatamente la composizione etnica e la struttura tribale dell’Afghanistan. -
“TELLING the STORY” Sources of Tension in Afghanistan & Pakistan: a Regional Perspective (2011-2016)
“TELLING THE STORY” Sources of Tension in Afghanistan & Pakistan: A Regional Perspective (2011-2016) Emma Hooper (ed.) This monograph has been produced with the financial assistance of the Norway Ministry of Foreign Affairs. Its contents are the sole responsibility of the authors and do not reflect the position of the Ministry. © 2016 CIDOB This monograph has been produced with the financial assistance of the Norway Ministry of Foreign Affairs. Its contents are the sole responsibility of the authors and do not reflect the position of the Ministry. CIDOB edicions Elisabets, 12 08001 Barcelona Tel.: 933 026 495 www.cidob.org [email protected] D.L.: B 17561 - 2016 Barcelona, September 2016 CONTENTS CONTRIBUTOR BIOGRAPHIES 5 FOREWORD 11 Tine Mørch Smith INTRODUCTION 13 Emma Hooper CHAPTER ONE: MAPPING THE SOURCES OF TENSION WITH REGIONAL DIMENSIONS 17 Sources of Tension in Afghanistan & Pakistan: A Regional Perspective .......... 19 Zahid Hussain Mapping the Sources of Tension and the Interests of Regional Powers in Afghanistan and Pakistan ............................................................................................. 35 Emma Hooper & Juan Garrigues CHAPTER TWO: KEY PHENOMENA: THE TALIBAN, REFUGEES , & THE BRAIN DRAIN, GOVERNANCE 57 THE TALIBAN Preamble: Third Party Roles and Insurgencies in South Asia ............................... 61 Moeed Yusuf The Pakistan Taliban Movement: An Appraisal ......................................................... 65 Michael Semple The Taliban Movement in Afghanistan ....................................................................... -
Jennifer Rushworth
Jennifer Rushworth Petrarch’s French Fortunes: negotiating the relationship between poet, place, and identity in the sixteenth and nineteenth centuries This article reconsiders Petrarch’s French afterlife by juxtaposing a time of long-recognised Petrarchism — the sixteenth century — with a less familiar and more modern Petrarchist age, the late eighteenth and early nineteenth centuries. Of particular interest is how French writers from both periods understand and represent Petrarch’s associations with place. This variously proposed, geographically defined identity is in turn regional (Tuscan/Provençal) and national (Italian/French), located by river (Arno/Sorgue) and city (Florence/Avignon). I argue that sixteenth-century poets stress Petrarch’s foreignness, thereby keeping him at a safe distance, whereas later writers embrace Petrarch as French, drawing the poet closer to (their) home. The medieval Italian poet Francesco Petrarca (known in English as Petrarch, in French as Pétrarque) is the author of many works in Latin and in Italian, in poetry and in prose (for the most complete and accessible account, see Kirkham and Maggi). Since the sixteenth century, however, his fame has resided in one particular vernacular form: the sonnet. In his poetic collection Rerum vulgarium fragmenta, more commonly and simply known as the Canzoniere, 317 of the total 366 are sonnets. These poems reflect on the experience of love and later of grief, centred on the poet’s beloved Laura, and have been so often imitated by later poets as to have given rise to a poetic movement named after the poet: Petrarchism. In the words of Jonathan Culler, “Petrarch’s Canzoniere established a grammar for the European love lyric: a set of tropes, images, oppositions (fire and ice), and typical scenarios that permitted generations of poets throughout Europe to exercise their ingenuity in the construction of love sonnets” (69). -
English 201 Major British Authors Harris Reading Guide: Forms There
English 201 Major British Authors Harris Reading Guide: Forms There are two general forms we will concern ourselves with: verse and prose. Verse is metered, prose is not. Poetry is a genre, or type (from the Latin genus, meaning kind or race; a category). Other genres include drama, fiction, biography, etc. POETRY. Poetry is described formally by its foot, line, and stanza. 1. Foot. Iambic, trochaic, dactylic, etc. 2. Line. Monometer, dimeter, trimeter, tetramerter, Alexandrine, etc. 3. Stanza. Sonnet, ballad, elegy, sestet, couplet, etc. Each of these designations may give rise to a particular tradition; for example, the sonnet, which gives rise to famous sequences, such as those of Shakespeare. The following list is taken from entries in Lewis Turco, The New Book of Forms (Univ. Press of New England, 1986). Acrostic. First letters of first lines read vertically spell something. Alcaic. (Greek) acephalous iamb, followed by two trochees and two dactyls (x2), then acephalous iamb and four trochees (x1), then two dactyls and two trochees. Alexandrine. A line of iambic hexameter. Ballad. Any meter, any rhyme; stanza usually a4b3c4b3. Think Bob Dylan. Ballade. French. Line usually 8-10 syllables; stanza of 28 lines, divided into 3 octaves and 1 quatrain, called the envoy. The last line of each stanza is the refrain. Versions include Ballade supreme, chant royal, and huitaine. Bob and Wheel. English form. Stanza is a quintet; the fifth line is enjambed, and is continued by the first line of the next stanza, usually shorter, which rhymes with lines 3 and 5. Example is Sir Gawain and the Green Knight. -
Table of Contents
Table of Contents Where in the World? Introduction to Selections and Research Focus .................. 1 The Art of Translation by Khaled Mattawa ................................ 2 UNIT ONE The Americas The Literature of the Americas by Kimberly Koza Harris ..................... 4 Literary Map of the Americas ...................................... 6 An American Classic: Aztec Creation Story ..................... 8 Oral Traditions Aztec Creation Story traditional story ................... 9 Literary Lens: Juxtaposition Focus on Research: Summarize Findings ................... 14 The Literature of Canada ...................................... 15 N Saul Bellow Herzog novel .................................... 16 Literary Lens: Interior Monologue Focus on Research: Quote Sources ...................... 19 Margaret Atwood At the Tourist Centre in Boston short story ............. 20 Literary Lens: Tone Focus on Research: Conduct a Survey .................... 23 N Alice Munro Day of the Butterfly short story ....................... 24 Literary Lens: Theme Focus on Research: Use a Variety of Sources ................ 35 The Literature of Mexico ...................................... 36 Juan Rulfo You Don't Hear Dogs Barking short story ............... 37 Literary Lens: Imagery Focus on Research: Generate Questions ................... 41 N Octavio Paz Two Bodies poem ................................ 42 Literary Lens: Metaphor Focus on Research: Develop a Thesis Statement.............. 44 Carlos Solórzano Crossroads: A Sad Vaudeville drama ................. -
The Races of Afghanistan
4 4 4 4 /fi T H E A C ES O F A F G H A N I STA N , A BRIEF ACCOUNT OF TH E PRINCIPAL NATIONS HA TH A C U RY IN BITING T O NT . ”fi — Q ~ v n o Q ‘ A “ 0 - H B EL L EW M J O . W . S URGEO N A R , L A T E 0N S P E C I A L P O L I T I C A L D U T Y A T KA B UL . L C ALCUTTA C K E S P N K A N D C C . T H A R, I , T R U BN E C O NV . R C O . LONDON : R AND . ; THACKE AND "" M D C C C L " . A ll ri h ts r served " g e . ul a u fi N J 989“ Bt u21 5 PR IN T D B Y T R A C KE R S P IN K E , , PR EF A C E. T H E manuscript o f t he fo llo wing bri e f a c c o unt o f t he ra c es of Af ha s a wa s w e n a t Kab u fo r th e g ni t n ritt l , m os ar a f er the d u e s o f t he d a we e o e r a nd a t t p t, t ti y r v , o d n e rva s o f e sure fr m o ffic a bus ess h t h e d i t l l i o i l in , wit vi ew t o it s t rans mi ss i o n t o Engl a nd fo r p ubli c a ti o n b ut fa n as d e w t o a c o se and b e n o b e d lli g ill it r l , i g lig o n tha t a c c o unt t o l ea ve Ka bul fo r In di a o n s i ck ' e ve m u o se c ou d no t b e c a d o ut . -
Ottava Rima and Novelistic Discourse
Ottava Rima and Novelistic Discourse Catherine Addison In “Discourse in the Novel,” Mikhail Bakhtin goes to some lengths to dis- tinguish novelistic from poetic discourse. And yet, as noted by Neil Roberts (1), he uses a poetic text, Alexander Pushkin’s Eugene Onegin, as one of his prime examples of novelistic discourse (Bakhtin 322–24, 329). Bakhtin’s theory is that poetic genres are monologic, presupposing “the unity of the language system and . of the the poet’s individuality,” as opposed to the novel, which is dialogic, “heteroglot, multivoiced, multi- styled and often multi-languaged.” (264–65). This paper contends that, by Bakhtin’s own criteria, some verse forms are especially well designed for novelistic discourse. The form chosen for particular scrutiny is ottava rima, a stanza that has been used for narrative purposes for many cen- turies, originating in the Italian oral tradition of the cantastorie (Wilkins 9–10; De Robertis 9–15). Clearly, ottava rima could not have originated as an English oral form, for it requires too many rhymes for this rhyme-poor, relatively uninflected language. Using a heroic line—in Italian the hendecasyllabic, in English the iambic pentameter—the stanza’s rhyme scheme is ABABABCC. Thus it resembles the English sonnet in a sense, for it begins with an alternating structure and concludes with a couplet that is alien to both the rhymes and the rhyme pattern that precede it. As with this type of sonnet, a potential appears for a rupture in the discourse between the alternating structure and the couplet. Alternating verse tends to lean forward not to the next line but JNT: Journal of Narrative Theory 34.2 (Summer 2004): 133–145. -
Counterinsurgency and Ethnic/Sectarian Rivalry in Comparative Perspective: Soviet Afghanistan and Contemporary Iraq
Anton Minkov, Counterinsurgency and Ethnic/Sectarian Rivalry 1 Counterinsurgency and Ethnic/Sectarian Rivalry in Comparative Perspective: Soviet Afghanistan and Contemporary Iraq Anton Minkov, Ph.D Centre for Operational Research and Analysis Defence Research and Development Canada 101 Colonel By Dr Ottawa, ON K1A 0K2 [email protected] Dr. Anton Minkov is Defence Scientist / Strategic Analyst with the Centre for Operational Research and Analysis (CORA), part of Defence Research & Development Canada (DRDC). Currently, Anton is assigned to Strategic Joint Staff - Directorate of Strategic Operations Analysis, Department of National Defence, Canada. Anton has a PhD in Islamic history (McGill University). His book Conversion to Islam in the Balkans was published in 2004 by Brill Academic Publishers (Leiden). His recent work includes studies on the Soviet counterinsurgency and development practices in Afghanistan, US efforts in Iraq and a conceptual assessment framework for the impact of demographics on security and regime stability in the Middle East. ABSTRACT: To address the question of whether the current state building and counterinsurgency strategies in Afghanistan and Iraq are capable of bringing stability in the persisting environment of inter-ethnic/sectarian conflict in these countries, this paper looks at the insurgency against the Soviet troops in Afghanistan and the pro-Moscow regime in Kabul during the 1980s. It concludes that the preconditions for the development of the same chaotic and fragmented political landscape experienced by Afghanistan after the withdrawal of Soviet troops are in place in Iraq. As a result of common ground conditions of ethnic/sectarian diversity and protracted irregular warfare, the approaches to the challenges of nation building and counterinsurgency efforts in Soviet Afghanistan and contemporary Iraq parallel each other. -
How the Villanelle's Form Got Fixed. Julie Ellen Kane Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1999 How the Villanelle's Form Got Fixed. Julie Ellen Kane Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kane, Julie Ellen, "How the Villanelle's Form Got Fixed." (1999). LSU Historical Dissertations and Theses. 6892. https://digitalcommons.lsu.edu/gradschool_disstheses/6892 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been rqxroduced from the microfilm master. UMI films the text directfy firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiice, vdiile others may be from any typ e o f com pater printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e g., maps, drawings, charts) are reproduced by sectioning the original, b^innm g at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.