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Post-Rock, Chicago School, Jim O'rourke. Über Materialbehandlung in Der Avantgarde Der Populären Musik
Post-Rock, Chicago School, Jim O'Rourke. Über Materialbehandlung in der Avantgarde der populären Musik Magisterarbeit Universität Lüneburg, Juni 2006 Fakultät I – Bildungs-, Kultur- und Sozialwissenschaften (ehem. Fachbereich III – Angewandte Kulturwissenschaften) vorgelegt von: Tobias Ruderer (Matrikelnummer: 111517) Fasanenweg 5 21337 Lüneburg Tel. 04131-767561 [email protected] Erstgutachter: Dr. Rolf Großmann, Universität Lüneburg Zweitgutachter: Dr. Christian Bielefeldt, Universität Lüneburg Inhaltsverzeichnis Einleitung......................................................................................................................4 1. Theorie des musikalischen Materials.......................................................................8 1.1 Phänomenologische Besonderheiten der Vorstellung eines künstlerischen Materials.....8 1.2 Grundzüge von Adornos Materialtheorie.......................................................................11 1.2.a Materialveränderung als musikimmanenter Prozess...............................................11 1.2.b Der Zwang des Materials........................................................................................13 1.2.c Material und Gesellschaft.......................................................................................15 1.3 Kritik und Probleme des Materialbegriffs......................................................................18 1.4 Stil, Konstruktion, Technik.............................................................................................21 2. Material -
OBSERVER Vol
OBSERVER Vol. 8 No. 5 November 17, 1997 Page 1 SUNY President Bowen Facing Possible Firing Controversial women’s conference raises the hackles of conservatives; trustees will decide issue tomorrow Nate Schwartz A Dangerous Across Intersection scene of three collisions Abigail Rosenberg Page 3 Ottaway: Powerful Words Can Shake Up the World Article 19 of Human Rights Declaration focus of walk Nate Schwartz Failings of Kline Food Redressed by Reps Menu plans and quality control need work, Food Committee says Andy Varyu Page 4 Behold Y’alls: Variety of Lectures, Films, Theatre Await the Savvy Student Calendar of Events summarizes the good, the bad, and the ugly with astounding perspicuity and wit “Best Kept Secret” “Outed” by Expert on Contraception Report from Planned Parenthood Kyra Carr Page 5 “Total Theatre” at Bard: Pelleas and Melisanda an Integrated Arts Triumph Modern melding of drama, dance, and music renders tragedy fluid, hypnotic Eric Fraser The Zine Scene More Noted from the “Underground” Elissa Nelson and Lauren Martin Page 7 Album Review The Usual Atmospheric Stuff? Electronica Joel Hunt Page 8 Movie Review: Boogie Nights: Thirteen Inches of Family Values Abigail Rosenberg Cartoon Page 9 Jesus Christ Superstar: Do You Think You’re What They Say You Are? First Bard Musical in 20+ years plays to capacity audiences and standing ovations Caitlin Jaynes Page 10 Horoscope The Effects of the Moon Nicole DiSalvo Restaurant Review The Stabl-izing Force of Foster’s Stephanie Schneider Page 11 Education in South Africa Stifled by Agenda -
07Dossier De Presse Brian Wilson
CAPC musée d'art contemporain de Bordeaux 7 rue Ferrère, F-33000 Bordeaux T. +33-0-556 00 8165 - F. +33-0-556 44 1207 Dossier de presse If Everybody had an Ocean. Brian Wilson, une exposition 17 novembre 2007 – 9 mars 2008 Vernissage: 16 novembre 2007, 19 heures Commissaire : Alex Farquharson Trevor Bell, Billy Al Bengston, Peter Blake, Mel Bochner, John Cage, Brian Calvin, Vija Celmins, Russell Crotty, Thomas Demand, Kaye Donachie, Isa Genzken, Liam Gillick, Jeremy Glogan, Joe Goode, George Greenough, Rodney Graham, Richard Hawkins, Roger Hiorns, Jim Isermann, Sister Corita Kent, Roy Lichtenstein, John McCracken, Lee Mullican, Kaz Oshiro, Bruno Peinado, Raymond Pettibon, Richard Pettibone, Ken Price, Martial Raysse, Bridget Riley, Allen Ruppersberg, Ed Ruscha, Jim Shaw, Fred Tomaselli, Jennifer West, Pae White, Isaac Witkin. Grande Nef du CAPC L’exposition If Everybody had an Ocean a pour fil conducteur la fascination qu’a exercé Brian Wilson, le mythique compositeur des Beach Boys, sur plusieurs générations d’artistes. Dans cette exposition, sa vie et sa musique sont un prisme à partir duquel on peut relire les développements de l’art depuis les années 60, en particulier dans sa relation à la culture populaire et au contexte social et urbain de la Californie. L’art devient aussi le moyen de reconsidérer les contradictions qu’il y a entre l’image populaire et lisse des Beach Boys et l’ambition musicale complexe et géniale de Brian Wilson. En se concentrant sur des oeuvres qui mélangent Pop Art, peinture abstraite, Minimalisme et Art Conceptuel– un phénomène récurrent dans l’art de la Côte Ouest – l’exposition questionne implicitement la pertinence de ces catégories historiques. -
B Ndry, Lombard Lit Title Role Greek Play Tense Moment in Electra
s f l n T f t B A R B A R A COLLGGG JOINT RALLY, PARADE TO b PRECEDE ’BIG GAME' WITH SAN DIEGO STATE COLLEGE L. XXV III SANTA BARBARA, CALIFORNIA, NOVEMBER 23, 1948 No. 20 'Scalp the Aztecs' Cry O f Saturday's Events ndry, Lombard Tense Moment In Electra Rehearsal Preceeding the long-awaited Gaucho-Aztec game that evening, a joint parade and rally will be held Saturday, No «»» vember 27, in which both Santa Barbara and San Diego stu lit Title Role dents will participate. This game will be the highlight of the season, and spirit should reach a high point before the game. With “Scalp the Aztecs” as the motto of the day’s events, Greek Play the parade will start at 4:30 pm. at Micheltorena and State Strets. By Gilbert C. Horne FrCfm there it will proceed down TOYNBEE VALUE hose who read the article in State to De la Guerra Plaza where Sunday’s Santa Barbara News- AESTHETIC, NOT the big rally will be held. Stu ss doubtless noticed that only dents, who are going to drive Electra was presented in pic- SCIENTIFIC HL mm cars in the parade, are asked to e form. Although it was prom- mmwf- decorate their cars with blue and “A value of Toynbee’s vol in the last issue-of the Gau- gold streamers. No students should umes lies in the realm of the that both Landry and Lom- wear red, because they are the d would be so featured, the ■ ¡ I aesthetic, not in that of sci Aztec colors. -
Synch/Unsynch
© Museum Tusculanum Press 2007 SYNCH/UNSYNCH Sven-Erik Klinkmann In the thriller Collateral (2004), Tom Cruise is a standing of the concept of synchronization, are the contract killer called Vincent. There is a scene de- work done by Adam (1990, 2004) and Grosz (1999, picting a shoot-out in a Korean night club in East 2004). Time can of course be understood from sev- Los Angeles. Filmed with hand-held cameras and eral different angles. Time can be seen from the accompanied by the noise of shooting and relentless point of view of compression, durability, movement, disco music, the space of the night club shoot-out pointedness, recurrence, speed, situatedness, etc. collapses as in a major catastrophe (or catastrophe A central proposition here is that the concept of movie) as we watch the scene. Bodies are thrown digital real time has proven to be something of an towards each other and onto the floor. But as much Archimedean fixation point, at the same time ab- as the scene depicts a powerful eruption of entropy, solute and relative, both fixed and forever flowing chaos, and cultural kinesthesis (see O’Dell 2004), into the becoming, into future. The “absolute real the scene can also be understood as an example of time” of digitality has enforced the concept of now cultural synchronization. At the same time as eve- and at the same time given cultural synchronization rything crumbles, the relentless and intoxicating a boost. As Gere (2004) has noted, ‘real time’ also rhythms of the dance music played in the night club stands for the more general trend towards instanta- actually seem to gather kinesthetic energy from the neity in contemporary culture, involving increasing shoot-out (Klinkmann 2005). -
Camayal Ecológico
Ni es la primera, ni a buen seguro será la última. Reconocidos artistas del pop, la world music e incluso la clásica, han unido sus fuerzas para interpretar una serie de canciones atípicas en su repertorio, con el fin de ayudar a la Fundación Internacional para la Protección de la Selva Tropical (Rainforest Foundation). Sting, Rubén Blades, Elton John, Pavarotti, Madonna, Paul Simon, Tma Turner, Johimy Clegg, The Chieftains, James Taylor o Geoffrey Oryema, además de una serie de intérpretes clásicos recreando «El Carnaval de los animales» de Saint-Saëns, integran «Carnival!», el álbum benéfico de la temporada. Reunión de estrellas en torno o la protección de la selva tropica Camayal ecológico Javier Corral roe del rock‘n‘roll a un tipo que se casa con una segoviana diferencia de otros y que actúa en tu barrio cada discos de carácter dos por tres. Así las cosas, el altruista, al margen americano Paul Collins, aquel A de la promoción que formara junto a Peter Case añadida que se supone, «Cami- y Jack Lee los míticos The Ner ... <CCU«(Hmmmm val!» reúne interpretaciones . ' BXRiOICT ve^ el mismo que alcanzó un inéditas y con un nexo común. ' AMUNMQK ■manual■U0QMM éxito mundial con The Beat, La Fundación Internacional uxum tm iara acaba de grabar en directo un para la protección de la selva _ ttUIMM «nwaiMRiui.IMBtaSOI disco acústico en Segovia que trcMjical, fundada por Sting en ....i^TMNKHUM» se supone recorrerá medio 1989, cuenta con un álbum de mundo. ColHns recolecta hasta grabaciones únicas selecciona mum............. aMMKYomauaXCMBO diecinueve canciones a modo das por los propios artistas que de grandes éxitos, cantadas a en la mayoría de los casos han palo seco, unplugged o sea. -
Über Den Dächern Von Durham Generation
Kultur as Blöde mit der Genialität ist, dass sie wahrscheinlich nie ganz POP Dohne Tragik auskommt. Paddy McAloon, inzwischen 56 Jahre alt, gilt als einer der größten Songwriter seiner Über den Dächern von Durham Generation. Niemand schreibt so voll - endet und leichtfüßig. Und eigentlich ist auch die neue Single seiner Band Prefab Paddy McAloon gilt als einer der größten Songwriter. Der Brite Sprout das reine, rauschhafte Pop-Glück. ist halbblind, halbtaub und sieht aus wie der liebe Gott. „The Best Jewel Thief in the World“ heißt das Lied, mit aufstrebenden Gitarren - Doch er singt immer noch wie der junge Mann, der er einst war. akkorden und Polizeisirenen erzählt es die Geschichte des besten Juwelendiebs der Welt und wie er in der Euphorie des geglückten Raubs über die nächtlichen Dächer schleicht. Seit zwölf Jahren haben Prefab Sprout keine neuen Songs mehr veröffentlicht. Kaum jemand hat ihr Comeback erwartet. Paddy McAloon hört nicht mehr rich - tig. Vor einigen Jahren hatte er einen schweren Hörsturz. Wenn er seine Lieder hört, muss er sich das Störgeräusch weg - denken, das noch immer in seinen Ohren brummt wie eine aggressive Klimaanlage. Den Bass kriegt er nur noch auf der lin - ken Seite mit. Und laut darf er das, was er da produziert hat, auch nicht hören, weil er den Rest seines Gehörs verlieren könnte. Er kann nicht mehr reisen, nicht mehr live auftreten. Songs schreiben, das geht noch. Manchmal nimmt er sie auch auf, aber da wird es schon kompliziert. Ein warmer Spätsommertag in der Stu - dentenstadt Durham unweit der Grenze zu Schottland. McAloon ist in der Nähe aufgewachsen, sein Vater hat hier eine Tankstelle geführt, er selbst hat die Ge - gend nie wirklich verlassen. -
UF Graduate Behind Fraternity
.he ndeu a ne _ti A decade in sound . APPLAUSE Vols beat 2) short-handed Gators .16 THURSDAY, JANUARY 18. UF graduate murdered behind fraternity By MIKE BRUSCELL \% it 'I A ,nc.IIt I III, wAr litir awthe ra r Alligator Writ n .U~e s elw~ 1w1 ilsi 1 e Xt 1n I sIt(,w 1 1 the i s A orner I student died Wtdnesdav \['I the .,iir~iim w'[ wi l ItHd 1 1o1 11 1 11 1 I i -las morning several hours alter he was Shot in 'rietds I)f .anId 1 1Th IoI o What tI II 11xtvI n th1I I 1 x 'I e lie lace during an argument neaT a .rat r xh ch1 r L ir 1hind k ar a iell s id I'i Was m r I(: 'A ill inly house, Gamesville police said pulled p behmI dthei Ithe J.irrt I LTT 1 1 'uspec ts, dest ribed by po- ld, t, ,L tiI li 4 Ronald Worth Willis, 21, died at 928 a m ]nnh1:1 11, e r I e I 1 [ice dS two black males ap- d I' at Alachua General Hospilal WilIswas sho 'roxtim ately feettall with otherthe oth irt i a il'Ar Alphl kI n ani I [ ' s f\t I e by an suspect unknown from an estimated large b dds, left their dark ini thr (iii by onei stlsjie( I I| otl t ] Nm , 1 1 To , ;),,]I I Ntlp two to three feetaway, police spokeswoman colored dcar and approached ocher susper shut Wills wiih a lIt Sadie Darnell said Will' Car His friends are Willis chrome hand gun Boll s, is An 1 1[ 1 L mPI t Mu td Shortly after2 a n , Wilhis dropped off two not be ing identified because no suspect ran to the ar and drove awAv, Darncillsul riends at their car behind the PITKappa have ITbeen arrested The men and Wills Willis friend, who waS nilt mtIir4'dl, dit4A ,t Murder r ITT Alpha fraternity house on the 1900 block of Clinic plan caters to women Infirmary director agrees to separate-care proposal By MIKE CARR Abigatcr Wrti r After six wceIs Ii toniplan]oit , ptot[ (: Col II)To laitlah1 C.C I w nI('-. -
R'n'r Master Pages
CO NTINEN TA LDRIFT Eddie Cooney explores some of the fine music being made outside the UK. Passport, please … nyone travelling through France last tendency to eccentricity but she adds deep Man and given creative freedom, they have In 2003 he was cast aside by Universal and summer cannot fail to have been vibrant colour to the music scene and is a produced a peach of an album and, ironically, looked all washed up only to form his own Atouched in some way by the music of precious French treasure. their most commercially viable product. The record label, tour extensively throughout Spain new darling of the French music industry, ZAZ opening ‘Alles Schreit’ begins with an ethereal and release his best album to date, the intimate (www.myspace.com/zazofficiel). The single WIR SIND HELDEN (www.wirsindhelden.com) vocal passage that is suddenly interrupted by and sparse classic Kamikazes Enamorados ᗂᗂᗂᗂᗂ . ‘Je Veux’ has been the ubiquitous hit of the release their fourth studio album Bring Mich Jesus And Mary Chain-like guitars and it is so His three albums since include a wonderful live summer and the debut eponymous album Nach Haus ᗂᗂᗂᗂᗂ (REKLAMATION RECORDS) obvious that everything has changed forever. set, Ajuste De Cuentas ᗂᗂᗂᗂᗂ and 2007’ s Avería ᗂᗂᗂᗂᗂ (PLAY ON/SONY) is a sensational and after a near three-year break since the Fotos have also written their best songs to Y Redención Nº 7 astonishingly poised release. The album mixes preceding Soundso ᗂᗂᗂᗂᗂ . The band reckons date, with the insanely catchy ‘Mauer’ and ᗂᗂᗂᗂ , which twin French the time has been spent in quality parenthood, the melodically similar but almost threatening topped Rolling traditions of going to gigs, learning new instruments and ‘Feuer’ having the potential to be massive hits. -
Settimanale Di Migros Ticino Finezza E Genialità
Finezza e genialità Paddy McAloon, genio misconosciuto del pop inglese, offre la riedizione rimasterizzata del suo più trascurato capolavoro / 28.01.2019 di Benedicta Froelich Uno degli aspetti più frustranti della scena rock internazionale risiede senz’altro in quel triste fenomeno che, da parecchi anni a questa parte, vede molti dei nomi più artisticamente interessanti soccombere davanti alle regole del mercato e dello star system, e sparire così nell’ombra ben prima del tempo, senza aver ottenuto i legittimi riconoscimenti. Accade perciò che un genio indiscusso come l’angloirlandese Paddy McAloon – classe 1957, mente e voce della band dei Prefab Sprout – rimanga a tutt’oggi perlopiù sconosciuto al grande pubblico. Nonostante il suo gruppo abbia beneficiato di un discreto successo a cavallo tra gli anni 80 e 90 grazie a brani pop accattivanti quali The King of Rock’n’Roll e Hey Manhattan!, i maggiori capolavori di songwriting da lui firmati (come Jordan: The Comeback e Andromeda Heights) non sono mai stati compresi o apprezzati fino in fondo dalle masse; e il lungo silenzio discografico della band – infine interrotto dalla pubblicazione dell’ottimo Let’s Change the World with Music (2009) – ha fatto dello schivo e sfuggente Paddy una sorta di guru della scena rock, da molti salutato come la «primula rossa» del cantautorato anglosassone. Eppure, nonostante la sua assenza dai riflettori, McAloon è ancora in grado di riservare autentiche sorprese: lo dimostra la riedizione rimasterizzata di questo I Trawl the Megahertz, lavoro solista originariamente pubblicato nel 2003 – in un momento in cui l’artista aveva del tutto perduto la vista a causa di un distacco di ambo le retine e, costretto a casa dall’improvvisa invalidità, trovava conforto nell’ascoltare talk show radiofonici. -
Mp3tag File Overview 2011-02-08
Mp3tag File Overview 2011-02-08 Title: You'll Loose A Good Thing Artist: Barbara Lynn Album: You'll Loose a Good Thing Year: 1962 Track: Genre: Oldies Comment: #8 on Billboard Hot 100 Title: Jobriath Artist: David Bowie Album: Unreleased Album (2000) Year: 2000 Track: Genre: Classic Rock Comment: Title: Freelove [Flood remix] Artist: Depeche Mode Album: Freelove Year: Track: Genre: Comment: Title: Jobriath Artist: Scott Walker & David Sylvian Album: Unreleased Album (2000) Year: 2000 Track: Genre: Classic Rock Comment: Title: La Femme D'Argent Artist: Air Album: Q - 1998-BEST Year: 1998 Track: 01 Genre: Rock Comment: Encoded by FLAC v1.1.2a with FLAC Frontend v1.7.1. Ripped by TCM Title: The State I Am In Artist: Belle And Sebastian Album: Tigermilk Year: 1996 Track: 01 Genre: Pop Comment: Track 1 Title: Lovely Day Artist: Bill Withers Album: Menagerie Year: 1977 Track: 01 Genre: Soul Comment: Title: Upp, Upp, Upp, Ner Artist: bob hund Album: bob hund Sover Aldrig [live] Year: 1999 Track: 01 Genre: Rock Comment: Encoded by FLAC v1.1.2a with FLAC Frontend v1.7.1. Ripped by TCM Title: Lloyd, I'm Ready To Be Heartbroken Artist: Camera Obscura Album: Sonically Speaking - vol. 29 Year: 2006 Track: 01 Genre: Pop Comment: Track 1 Title: Hands On The Wheel Artist: China Crisis Album: Warped By Success Year: 1994 Track: 01 Genre: Pop Comment: Track 1 Title: Geno Artist: Dexy's Midnight Runners Album: Let's Make This Precious [The Best Of] Year: 2003 Track: 01 Genre: Pop Comment: Track 1 Title: Walk On By Artist: Dionne Warwick Album: Dionne Sings Dionne Year: Track: 1 Genre: Comment: Title: Protection Artist: Massive Attack Album: Protection Year: 1994 Track: 01 Genre: Trip-Hop Comment: Encoded by FLAC v1.1.2a with FLAC Frontend v1.7.1. -
Prefab Sprout Rard 401 Turntable on a 30Mm Treble Layered Crossings
Thanks to bisonrav for sharing these tracks Silver Plus interconnects, Russ Andrews mains at Dime. cables, M-Audio Audiophile 192 high quality 113db soundcard, Cool Edit Pro sound editor “Almost” ultimate quality Pre-FM copy of software. All for a neutral, uncoloured sound. this BBC recording. A new transfer using ab- solutely top end equipment of the BBC tran- Second Source: Torrent #301210. Runs a little scription disk, which would have been perfect fast, lineage unknown but a good 16/44100 if side 2 hadn’t been a bit worse for wear with transfer mostly. scratches and quite a number of problems. Side 1 is straight off the vinyl (up to Lions), Third Source: master tape of German broadcast. Side 2 has had a fair amount of restoration Nakamichi CR2E->Sweex A/D->44100/16 work using a couple of other sources to infill damaged sections including the last version Processing: of this uploaded to Dime (torrent 301210) and a master recording of a German broadcast No restoration to “side 1” (up to and including from another copy of this disk. Lions). 192K/24 transfer converted to 16bit 44100 using SOX in high quality mode. Lineage: Side 2: 2nd and 3rd sources converted to 192K Main transfer, service provided by an ebay using SOX, inverted and channel swapped to seller, “classicalrecords”. match main transfer. Source 2 used to patch a very short glitch in Wicked Games, quiet parts Recorded at 32bit resolution 192kHz sampling in Goodbye Lucille #1 and When Love Breaks rate and converted to 24bit 192kHz PCM Down.