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£þ9-'Ē1Ĭ/ µÈÍÝ^Ãĕ¿¹Vģ© ©òüĬ/µÈÍÝ^Ãĕ¿³Vģ© ©ò ü ĕ¿¹V ³0Ä9FfćÙR2 Ĝėöĭĕ¿fćĄQèìđ½)2un¤, Abstract This thesis consists of two recital program notes. The two recitals are a Solo Recital for piano music and a Performance Recital for chamber music. The programs are listed as followingĭ 1. The Solo Recital J. S. Bach : Italian Concerto, BWV 971 L. v. Beethoven : Piano Sonata Op.53 F. ChopinĭBallade No.1, Op.23 Benjamin Lees : Fantasia 2. The Performance Recital J. S. Bach/ Max RegerĭToccata and Fugue in D minor BWV565 for Piano 4 hands L. v. Beethoven/ Franz Xaver ScharwenkaĭSymphony No.5 in c minor, Op.67 1st mvt. for Piano 4 hands A.DvořákSlavonic Dances Op.46 No.1 in C Major, Furiant No.2 in e minor, Dumka No.3 in A-Flat Major, Polka No.4 in F Major, Sousedská No.5 in A Major, Skočná No.6 in D Major, Sousedská No.7 in c minor, Skočná No.8 in g minor, Furiant Key wordsPiano, Bach, Beethoven, Chopin, Benjamin Lees, Dvořák. Ä« åÿI ñII éñIII Ä«IV ¹Vģ© ³0Ä1 ¹Vģ© ©òü3 ³Vģ© ³0Ä55 ³Vģ© ©òü57 >ܺ99 ĝ ( ) ¹Vģ©æ³Vģ©\±Ėp102 1 C.*0)5 @ (1685-1750)F9 )E 7.6F", 7.6F>, 7 .6F#, ?: (1770-1827)FB3 D) ;!' 7.6F+/4", 7.6F-8, 7 .6F 4", $ Recital Program J. S. Bach (1685-1750)FItalian Concerto, BWV 971 I. Allegro II. Andante III. Preso L. v. Beethoven (1770-1827)FPiano Sonata Op.53 I. Allegro con brio II. Adagio molto III. Allegretto moderato -Intermission- F. Chopin (1810-1849)FBallade No.1, Op.23 Benjamin Lees (1924-2010)FFantasia ˵ĸӊɽɓ ɽɌϿИ ƁрӺΏIJªÊĸɌ`÷ӹ3#! J. S. 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Beethoven : Piano Sonata Op.53 гĮπ̉Ǝ ɽΚ ъǁƄυгĮπ(Ludwig van Beethoven, 1770-1827)˞Ýɂɚ щфʵ˔ɂɚ̠ғ϶ӊɽŜӹ͈ӗĮÁӹL>ӌɌõҙ˿ĸӭɌ˞Jϫˬϻ ͦΑ¡гĮπ(Johann van Beethoven, 1740-1792)ȶśơȝO̐Ӧӊɽҡ̠ Π¼ӹʕϻ̄Ӯ<̄ѻ˾Ň¢Ғр(Maria Magdalena Keverich, 1746-1787) ɁśơƜƇ̠ĽӹɁ!Zлǚ̠ĽNJ гĮπ̠ˬϻƶȼŬȪHƭĸҙ˿ӹYɁɕҐҏþӖ(ΪʚɋяHͷƊ ĔʿįťгĮπƻƔ%ǹтӹ϶гĮπĔHɖÙӇ°˓ĸӹŨγгĮπǕʕϻѼ ½ȶˬϻˬϻ!̪ƄəгĮπΧόɝ˱!ʁ̠£μӹ«åĕ˓£ӹ˞αſо ҚӹċʍƏƒɂ̠гĮπƓ1DZǨɕɂҤςĔΐũȐ˿δIJҝ˿ Ü«ˬϻ Ĉɯ̠ЅӹгĮπĔ ƏŬңÿH̠ӊɽ˓ĸ̉ʹӹĔ̓ұ̜á˓£ Əǽŭ̌(Christian Gottlob Neefe, 1748-1798)˞Ƈ ƏӹгĮπңńȝOśơ͚ӛ˿Ƈ̠¸˽ӹĔśơŻ`̠ɚҤӹϸ«ЉĮ ƴʪȾϫ˓̠ӊɽŜӹѬʔɚҤгĮπǮ«5!Z5ϿH̠з¸BӹύǁȲĘU ˫(Ferdinand von Waldstein, 1762-1823) ƏӹʷӒ(Joseph Haydn, 1732-1809)ЇþʪȾɂӹ̬ϸгĮπɩ;ȼɚ̠` ÷ӹĔʍɂʷӒŬ̫̖ʇкгĮπӹȶɁ҃ЛHÕ4ͧҵαſőΐ̖ɂɒѴ ̠ӊɽ˽МӹгĮπ4ңńǔЧ«αſ̠±`ΧµӹѴ±`̠Ƚ̥ɚӹĔѬɚ ҤHˊˊ'ȴĕ`£åƤåʁ̠ɽɌӹŬĔ8Å8ʏɂӹҾң5ʪȾӹ*ŘŰȶ ͧ Љҟɻӹ4ͧÝ̠ɽΚáÂӺқ·ӹ1999)ӹ134-135 Oxford Music Online, s.v. ‘‘Beethoven Ludwig Van,’’(by Douglas Johnson), www.oxfordmusiconline.com (accessed February 25, 2019). 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Five Centuries of Keyboard Music. New York: Dover Publications, 1972, 179. è°Њӹ180-181 è°Њӹ182 19 ̠ÇcũЙӹ`÷8Å#ӹ͘8ϣӹɌӡӚˢҋɕÎε̠ǖϼӹƸΕɁ!ӡʎЙ ʠͿ̠ȂΉ̠Ǚɣ (Adagio sostenuto)ӹKЎBӀ˭âĥɆ(Rellstab)ǓтĔ̂ īˇ%ʩκ̠ɔμӹʍƸŒiLɔ0éӏȶ) 8+ɚ ѬʔɚҤɁгĮπ±`̠ӦŵɚӹÐ4ɁB̉+̠σҿɚȳӬ̠ɽLJõ±`ӹ ȈΨ5Ýɽʳ̠ɌƤδõΟӹIJί̠ȠƫӊӌLر`ǯʨӹbƺӊɽĮʁЯ šY'Ɛ̠7ӹΗ̘4ĔʍɂɚʓϓгĮπ±`̠ǔDŽ гĮπŧӊɽƸJ̠Ʋӌ-϶ҋɁcαȶ+ɚ̠`÷ӹ4ңńȠIJ5ɽĆ;¬ ӊҔ̠ŧʗLØõΟ̠ЬÁӹ'ȴ̠Ƞƫӊɽϫѻ̠Χµӹbӊɽ£˼5˘˅̠ ӊӌ˚˟̠͛ĸδЯÑ̠õΟӹȫ̝£˛Ñ̠ӊɽǐǖδ̉ôµĔѬtҳʔ 4ŕǡ5ÅӡĸӭɌӹ¤©Ɂ`÷$Å!ӹ͘!β$ϣ(Op.31, No.1 -3)`÷: Å$(Op.53)`÷:Åĉ(Op.54)`÷:Å#(Op.57)`÷#Å(Op.78)` ÷#Å3(Op.79)`÷Å!(Op.81)ӹLØ`÷3Å(Op.90) Əŕǡ5͘$ϣτҸ>ӌɌ(Symphony No.3 in E flat major, Op.55 Eroica)ӹѬӡ£Bǔϫ̠ЈЃӹгĮπťŕ'̫ƍ̠ɽLJ>̗ӹЭӊɽï˼ҩ ̉×'Ŕ̠ӋƷӹ4b̋58Ǻŋδ$Ǻŋ̠>ɑЬÁӹЭȮӡ`÷ˑ5IJί ˚Ѵ̠ӛɯ Ə×ŕǡ5͘:ϣôѷ>ӌɌ(Symphony No.5 in c minor, Op.67 )ʍ ɂɚ4ŕǡ5ɒғ϶̠ӡҙ˿ĸӭɌ`÷ӹύǁȲĘӹ`÷:Å$(Waldstein Piano Sonata, Op.53)Ø˦ǐӹ`÷:Å#(Appassionata Piano Sonata, Op.57) Jϫ5ҙ˿`÷̠IJӦŵӹ4ЭĸӭɌ̠˽džɕ5IJ̠њЬ $Ƀɚ гĮπѴɃɚ±`ɂɚӹƏͦĉÅʏӹŕųȶαǢǓ±`̠)̑ӹ' ɁšɕӬʲ̉»̠»ΧӹΖɁGͭ¹µĕȋͬӊɽ̠ƿŁŕǡ5:ӡĸӭ Ɍӹ¤©Ɂ`÷!!(Op.101)`÷!(Op.106)`÷!3(Op.109)` ÷!!(Op.110)ӹLØ`÷!!!(Op.111)ĔѬtɂɚ̠ĸӭɌǨÀì̠ɽ ͓ӹҋɕϓмɯ-ӖδЬĸLØƑǓɌ̠ęǘӹшLƴ̠ƯƤδӛɯҋ̫̖̠ '!ʁӹ4ѩ˕Ɉ̻5ʵ˔ʳα̎Øšɕ˵˱tNJ̠ɌƤ è°Њӹ183 è°Њӹ183-188 20 ƏӹĊ«4̝ͧϫ͘#ϣ>ӌɌӹƺ«5Ύ̯ͳӮύ̠ʊóΟӹȌϓ ×ŕǡ͘ϣ>ӌɌ(Symphony No.8 in F major, Op.93) Ə4ŕǡ5͘ 3ϣæý>ӌɌ(Symphony No.9 in D minor, Op.125) Ə ɔ Ȼӹ&È Ӳ ¤ӹ4ͧ%͎ӀӁ>·ӹгĮπĔwëH̠ɥӔ Ѯ)°ӹƫIJ5̮̰Məϓij͎ӹȔι!ҷȀӔӹ̙Ѯȶ4ͧӹћ»ϑé 4ͧΎ̯Ö·ϕ̀ӹͲɢ5͢ư̠!̉ гĮπӊɽӛɯδ˱μ ŧгĮπcИӹĸӭɌƤ*'Ɂ!Ų'Ь̠ťӊɽĻɰɨ+ĔÝ-Ώɂ ɚ̠ĸӭɌ¯ɁťғӲȡĔ͘!ɽ͓ӹгĮπĔɃɚɂӹɁť͘!ɽ͓͞Áӹɽ ͓͝Ƌњͅ«ɒ̠ͯɽ͓*·LȠ4ťЬĸɌмɯѷ̋ĔĸӭɌ+ӹĮ ̠`ɌǩʨӹĨ·ӊɽҤ̠ŧʗNJӹLȳ̠Ӈвï˼Ĕӊɽ%4b̋IJί̠ õΟӹЭЙNJњȒӕ΄(α̎ˠǼɢӊĜ̠ǻű4Ɂ!IJ˱μӹHťҙ˿%ɹ Ӧδɹ[̠ӊĜӹ'҂ОĕťΕͲæĔ!тèɂ˓ĸѷ̋͞ă̠ӊɽͫɡδ ǂ̾ͲæӹbƺгĮπ̠`÷ɕ'àǷˎ̠ĕZӹǡ˞ʐâ%ɒғ϶̠ӊɽ͜ гĮπύǁȲĘ0±`Φɇ ѬɁгĮπ±`+ɚɂ̠é`ƻѬɂɚңńӹгĮπ̠ĸӭɌƤɯůЬƺɍ IJӡŒɓЭ͘8-ӖΎ+̠-Ӗȯ̩Ĩ·ӹ*(ɓĔï̻ҊɂŬʹ6IJƋƖ ̠̝űӻ̝űҊ4ɓңńĨҡӹΖ(ɓͱǡtȿӚ̠ÄģӹõΟ4ɓIJƋ|Ҿ ɽ͓̠-ЙNJӻŮĸ4ɓшϓĨҡӹѬ;ǐƯҋɁ!£˼Ĕ+ɚĸӭɌ+ Ѭӡҙ˿ĸӭɌӹ`÷:Å$ύǁȲĘ(Waldstein)ӹɁH+ɚɂɚɒғ϶ ̠`÷0!ӹͦȶ Ə±`ӹ˸ʹαſ̠ĿÙӹʪϵ͡<£ё̠ύǁȲĘ U˫ӷFerdinand von Waldstein, 1762-1823ӸӹѬӡĸӭɌδU˫̠ҦΞɍɁˠδ zʗ̠гĮπĔŜҌʪȾɂŬГЧH5ӹċȻƸΧĔ4̝ͧűӍªӹõύ ǁȲĘU˫»̋́BҦj̫¸ɕҦHĔţʹгĮπ̠ð©q+ɐИӺĔǢĿ è°Њӹ189-192 ϠӹѴ`ɌŜ)̑ӹ29 ƱʾɴӹгĮπҧĮР̠ӊɽúőáÂӺΞͷӹ2009)ӹ99-142 ӦКӊɽR²ũͱӹa'à'̳Ѻ̠гĮπ 100 ӡͷ±`Øȧ7ӹ178 ´Ѕ˙ӹгĮπҙ˿ĸӭɌϿИáÂӺijèӹ1967)ӹ62 21 Ù̠ϳ¸&ӹaťΧƻʷӒǩ+ӓÜ«όɝ˱̠̾͢ 4ċʍĔ4̝ͧűÅ ƏƸӹгĮπ¨ć«ǡ¶̠ˏñӹLѬӡ̷͐°ɚ`÷ӛɯ̠µ`ӹĊġʹύǁ ȲĘU˫LϫѻǖУ0ǔ гĮπĔѬɂɚ̠ҙ˿ţ`ӛɯɓɕѬӰIJƋƖ̠њЬӹ4õHж&!áȳƤ ҙ˿ɕҦӹѬáξøǁ(Erard)ϱ̠ȳƎáҙ˿ӹӊĜʗη˿ŤIJЉĮΧƭĸ: tÉ̠Ɩ*(ɕȳƤ̠ɫӊь̆(una corda)4·%ѬӡĸӭɌCIJЙȿA ̠ЙNJӹЭȮáҙ˿ĔDžѯĕƭĸ&ӹX1̝£5̞˦̠οӹ4ċʍѬӡĸӭ ɌЭʨčB͉˞ɅĸӭɌ(L’ Aurore)ӹŬįɃњ«̞Ʉɂ̠ͽЬÁ! ʁӹЭгĮπĔѬӡĸӭɌ+ӹȋͬȳ˿̠ӊμõɍӦ̠ӊĜ гĮπӺҙ˿ĸӭɌ`÷:Å$ ύǁȲĘ0¤ɤ ͘!ɽ͓ ɕʲµ̠Džɣ(Allegro con brio)ӹCIJЙӹ ǺӹĸӭɌƤ(Sonata Form) ï̻Ҋ͘ũ͛ ЙNJ˞CIJЙEIJЙ͘ ũ͛͘!-Ӗ̎t»ʄǨͱǡӹ¤©Ɂ»ʄaӹ ˞!Ѳ,̠¤ӊ͗ȭȜõƩӻ»ʄbӹ˞ҨӲ&ϧӊęӹŀ ШdÅ3 ͘ ũ͛ӹ˞»ʄa̠ЬƯӹ̎¤ӊ̠͗ģ˲õƩњ˞Ťӊ̠͗¤ȫõƩӹ bӊɽɍ·ʲ˖ƫµЬIJӹɕʴ»ǖ͘ ũ͛ӹãǩ!Ѳ,̠DžѯӊΎ żǩë%ë&̠¤Ͽӹ-ӊųӊ̠>ɑӹpȂȂΉ[ӊ˞Bӊӹŀ Шd8 Å ͘ ũ͛ӹżǩƖë%¤ϿȸƷӹãǩʀQӹŀ Шd8Å! 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϶ӊę˞¤ϿõƩVĸӹЭӊɽʴ»ӹƭĸΕ4ǃӎȂӊɽ̠°Ѵǖãǩ¯ L:ѲӊÉӊҳӊęˀĨȸƷμưӹȖҎϓ˕Ƭ̠ƭĸȵƤӹɽÞ!Þʗ!Þɍ Ƭ˟ΣŘĕϫѻ£cӹŀ ШdĉÅ3 ͘ ũ͛ӹǐͼњ˞ƎӅ 45 ШdĉÅ3 ϛ҇͘!ϣȩ7Ɍ`÷8Å$ӹ͘ ũ͛ A'ʔ͘ ũ͛ ЙNJ˞ g ũЙӹͫɡˊαȶ͘ ũ͛ӹŀ Шd:Å ͘ ũ͛ӹ˕ Ƭ̠ǩʨbƺǐͼ Μ˚»ӹŀ Шd:Å! ͘ ũ͛ӹ̎ӊҳӊ ęͱǡũ͛ѲȌÞѴŮĸ Шd:Å ϛ҇͘!ϣȩ7Ɍ`÷8Å$ӹ͘ ũ͛ Шd:Å! ϛ҇͘!ϣȩ7Ɍ`÷8Å$ӹ͘ ũ͛ Ůĸ͘ ũ͛ ЙNJ˞ g ũЙӹ Ǻʪ˜ʱˈ̠̠ljɣ (Presto con fuoco)͘ ũ͛ӹǧ³ƫµIJӹɽÞ4њЬ˞ҡͽɳӹãǩӊĜȐӦӹЭӊɽɕϓ'ŔŘδ ͻˆǖ͘ ũ͛ӹãǩ!Ѳ,%ϧÉӊҳӊęѴϧ͘ ũ͛ӹ Ҽǩӊҳ%ϧӹѯƖδӊҔ%̠ŧʗƬ˟ӹŀ Шd:Å8 ͘ ũ͛ӹ ҼǩLƖÚë̠ÉӊҳӊęͲɢȮɌӹŀ Шd:Å$ 46 Шd:Å8 ϛ҇͘!ϣȩ7Ɍ`÷8Å$ӹ͘ ũ͛ Шd:Å$ ϛ҇͘!ϣȩ7Ɍ`÷8Å$ӹ͘ ũ͛ 47 ˻ȿªȲӺƑǓɌ Benjamin Lees : Fantasia ªȲ̉Ǝ ˻ȿªȲ(Benjamin Lees, 1924-2010)˞člȲӊɽ`ɌŜӹĔHƶũ ̠ɂxӹªȲŬõˬʕ!тȕ«čӹ*ѭѹ͟ӹ˶ƺ5čʘёPªȲ Ĕ·ª̿ŭ<(California)ȌÜȪΤӹHĔčђҲ+ɗƳƸӹĔ8Å!ʏɂӹѴ Ë·źIJőδø˭ϵâϖȰȲ(Halsey Stevens, 1908-1989)ØʉȲ˱Ì ŭχ(Ernest Kanitz, 1829-1904)őΐ`Ɍӹ*́&δĂʥŔʬ˭(George Antheil , 1900-1959)őΐťѠĉƏ ªȲ˶ƺ'è̠˴őҕӹbHΧİĔʉʰŻ`d ŀӺ1953 ƏӹH˶ƺ5ƦʮŃĝҕɓ˴ӹ1954 ƏӹªȲ˶ƺ5ÝɮʷŃ˴őҕ ªȲ̠̩ɿɁ'Ü̖ɂʴϧ̠čӛ˗ƲӌӹΖ¹µ±Ѱαſ̠ӊɽӛɯHѼ ҾЉĮč`ɌŜőΐ̠őϨ+ǂӹΖȶ 1954-1955 ƏØ 1957-1961 ƏӹŰ\Ĕ ʨč̠ļ˭Ȼʤ̒ӵɯϘ(Longpont sur Orge)1955-1956 ƏŰ\Ĕ4ͧ(Vienna) LØ 1956-1957 ƏŰ\Ĕр˭ќĝ(Helsinki)196 ƏӹªȲƉϓЉĮǡ˥δK BÍаʿ®̠`÷ѡĊčӹ*Ĕ̀́͘ӊɽőҫõ̢ͨͦêőҫӹɏøӒőɭ õφϊ<ӊɽőҫӹȪő`Ɍδӊɽ ªȲӊɽӛɯδ˱μ ʍӡƑǓɌ˞ªȲȶ Ə̠±`ӹʌɁHβʉʰőΐɂǨţ̠`÷H̠ ӊɽɜнɁL͵̠ǩʨ̝űӹ̦Ҕ'Ü̖ɂ̠°ϩɽʳƲӌӹӛɯɁ͌Ř( !γNJ H̠±`˱μӹÀǾӺLÉӊЬÁȠűЙNJͤ͵'Нõӊˊα$õ Ʃ̠Ͳɼˁɷ̠ɽÞʔϒšɕŧZ̠μưLØ-Ӗӕ΄ғϲɌƤȵӇӹÀ ǾӺ$ʔƤѤȸɌØĸӭɌƤӹYѬ;ɌƤ4˞5ϫѻHtB̠±`ӂʜΖɕ ǨЬɍ 61 Oxford Music Online, s.v. ‘‘Benjamin Lees,’’(by Niall O’Loughlin), www.oxfordmusiconline.com (accessed March 19, 2019). 62 Hyung Bae Kim, ‘‘The solo piano works of Benjamin Lees published from 1956 to 1976” (D.M.A ., Peabody Inst. of the Johns Hopkins Univ., Peabody Consv. of Music, 1981), 1. è°Њӹ3 48 ªȲĔH̠ӊɽǡ˥ɚҤӹpȂ'Ü̖ɂʴϧőʳ̠ƲӌӹˢΖӹHÐŧȳÝ -Ώ̠ɺdžʿǖεцHϝ̎η̠±`ǯŽӹ˶ƺ5ɍĮ̠ȍ¬δõНӹ*( Ǯ«5ϫѻαſǐǖ̠tB˵˱ȵƤªȲГ˞H̠ӊɽ̝űÜ«ĉt-϶ŲӇ ƲӌӺ!͵̠>ӌɽǯϨӹ8Ɓ˭Ǭ(Béla Bartók, 1881-1945)̠ĈХӛ ɯӹ$ɆӦώĴ(Sergey Prokofiev, 1891-1953)̠Пȵʨӹĉâ˱ǹʝȲ ĝIgor Stravinsky, 1882-1971ȳÝ-Ώ˱Ř̠`ɌǩʨѬ;ƲӌĤѰ5ªȲ Ĕӊɽ±`%̠tNJӹLĈХdzǐ̾Ķδуˢ̠ǩʨ±` ѬӡƑǓɌӹ L'èӊɽƯǘ̠ͱ΅ΖǡӹѯƖЬÁljk×͐ˢӹӊɽ̠тSЬÁIJǺŋ4 '~њЬӹЙNJ̫̖ĕʀͣӹˑƑǓNJõӣāӊɽ'ȴĕȣõέΩ&ӹɕ ϓˊˊ'ȴ̠»µõµҔǖӹŬΡғҕųӊɽλ'~ĕЬĸӹѬ͈ЬĸɁɕѹ ˃̠ӹʖʔӊɽ4ɕϓ'è̠ĢɇӹˑµҔ̠ǖϼӹʪ˜ʱˈ̠тSӹKBɕ ϓʿ®̠̾̈́ǖɜɽɌ̠ͲɼӹȊ̋ǿƯɌƤ(Arch Form)ӹABCB'A' ªȲӺƑǓɌ0¤ɤ A ʔ͘ ũ͛ ѯƖ˞ljѯ̠Džɣ(Allegro Giusto)ӹЙNJ˞ e ũЙӹ ǺӹɌ+ѷ̋Ƭ˟̠͛ ĸӊęӹbBǖϼ˦ǐĺȥɽɌ!ңń̠ҼǩӴĸ%ϧӊҳLҨӲ͛ĸδ Åĉ¤ӊ͗Ĩ·͛ĸЬÁӹŀ Шd:Åĉ ͘ ũ͛ӹ-ӖȤ̎żǩï ˼ӹŀ Шd:Å: ͘ ũ͛ӹãǩb̋ːĸ(glissando)Ĩˀӊɽӛцӹ ŀ Шd:Å ͘ ũ͛ӹżǩLƖӊęĨˀӊɽ̠΅Ɩ è°Њӹ5 è°Њӹ7 49 Шd:Åĉ ªȲӹƑǓɌӹ͘ ũ͛ Шd:Å: ªȲӹƑǓɌӹ͘ ũ͛ Шd:Å ªȲӹƑǓɌӹ͘ ũ͛ B ʔ͘ ũ͛ ѯƖ˞͇Ǚ(Poco Meno)ӹδ A ʔɁŕ'!ʁ̠ɌӛӹãǩLdzǐ̠Ɩӊ õƩęǘͱǡª̋ÉӊӊęЭӊɽŲŲğ̗ӹЙNJɁ̫̖̠ʀͣӹšɕʈýNJ δБНǖ͘ ũL$Ѳӊӊę˞ͫɡӹĨˀӊɽ̠ıƑӹŀ Шd:Å# ͘ ũ͛ӹŀèǫȜɽĆλ̠ӊӌȨɧӹЭӊɽȥӧ(ϱѰ£ͻˆǖӹƯǡ Ӭȿ̠ŧʗӹŀ Шd:Å ͘ ũ͛ӹ-϶̠-Ӗ͛ĸ»ʄ!ʆĕ £˼ӹ0Ƹӹª̋Tʋ͗LØ˕ǙӹЭӊӌњ˞ѕŞӅӹ˞0Ƹ̠ C ʔӛɯ` ˞ҘҮ 50 Шd:Å# ªȲӹƑǓɌӹ͘ ũ͛ Шd:Å ªȲӹƑǓɌӹ͘ ũ͛ C ʔ͘ ũ͛ ѯƖ˞͇Ǚ(Poco Meno Mosso)ӹƯƤ%ѕα̎ӹµƖ%̠ЬÁ4ʗѕЯšӹ ɕϓǜǠÎε̠ӊɽӛцãǩ¯Ɂª̋Éӊӊężǩ¯˞͌Č̠õƩLØ Ɩӊ˞VĸӹbӊɽΡтcɍ·̾̈́͘ ũ͛ӹ·Éӊҳ$ѲӊҨ Ӳ͛ĸӹѯƖ%¯ʗѕljkӹŀ Шd:Å3 ͘ ũ͛ӹ-Ӗʆ£˼ӹ ãǩ¯LõƩȵƤЭӊӌ%̠΅ƖѕЯÑӹɕϓҡɽÞ̠dzǐӛɯӹŀ Шd Å ͘ ũ͛ӹL%ϧÉӊҳͪѴƠűӹїŽ(ƬƪŧʗȿӚӹŀ Шd Å! 51 Шd:Å3 ªȲӹƑǓɌӹ͘ ũ͛ ШdÅ ªȲӹƑǓɌӹ͘ ũ͛ ШdÅ! ªȲӹƑǓɌӹ͘ ũ͛ B'ʔ͘ ũ͛ ѯƖ˞͇Dž(Più Mosso)ӹ[ӊΟҊLõƩï˼ӹӊɽ̠сëѕɕͻƫ̠ʚʙ ɕϓЀǯɌӛɯ̠ɽʔӹƬΖɕµ̠Ʒ»ǖ͘ ũ͛ӹLÉӊҳDžѯӊ Ύ`˞ѹҢ͘ ũ͛ӹ˞ B ʔ̠ͫɡӹŀ ШdÅ8 ͘ ũ͛ӹª̋ғӊ̠ęǘӹbӊɽˑ5»µõӨ˪NJӹҼǩLIJ$Ɩ̠ӊ͆΅Ɩӹ 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(R (1685-1750)Y3T8 (1873-1916)[d 'ON/4GQ8 BWV565 1ED .F* P"I (1770-1827))6JKU>;>2 (1850-1924)[c 'OBMW4Z SZ B 9A 1ED .F * , +)7 (1841-1904)[30$H4Z B X[C #O )& BX[e 'O -: B X[Ab #O <H4 B X[F #O L!JH4 BX[A #O @CH4 BX[D #O L!JH4 B X[c 'O @CH4 BX[g 'O )& Performance Recital Program J. S. Bach (1685-1750)/ Max Reger (1873-1916)[Toccata and Fugue in D minor BWV565 for Piano 4 hands L. v. Beethoven (1770-1827)/ Franz Xaver Scharwenka (1850-1924)[ Symphony No.5 in c minor, Op.67 1st mvt. for Piano 4 hands -Intermission- A. Dvořák (1841-1904)Slavonic Dances Op.46 No.1 in C Major, Furiant No.2 in e minor, Dumka No.3 in A-Flat Major, Polka No.4 in F Major, Sousedská No.5 in A Major, Skočná No.6 in D Major, Sousedská No.7 in c minor, Skočná No.8 in g minor, Furiant Ƚþκȃǚ ȃǔ̝̰ Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565 Ƶ˄ʼÙƊ˝Ś J. S. Bach/ Max RegerϣToccata and Fugue in D minor BWV565 for Piano 4 hands ̟ ̴̲Ļ͎ɾQÊǎϢī$1ɾĬǍ?ɾʧχɩκȃQÊĻ͎Ĩʧχɩɾɒ ŽǍŏˍ ͟ĒϢĨʧχɩɾQǔŊ-Ϳ$ΙǃäϢ{ɰɾ˞̽/·B̰Ǎ ŧʧχɩ"Ɖőʞ?ƉQɾʧχɩǔ$jOƯ{ƉǜQÊɾ ø;Ϣ¨ SãQ˞ȃǔƆøΐɩǔǎϢʧχɩ>ɐǍ?QǔɾǸè Ļ͎̥÷ʧχɩǔϢ ΗċŊ-ͿǍśœ˩ɳ%pDɻƧƐĸɾ̞Ɛǔ (Toccata)þǔ(Prélude)ƆňŹǔ(Fantasia)ϢƠQǔØ̸ǜ̙ɾ͊ǹ ǔ(Fuge){(ǙA;^˧ɉ;´ɾȃǔϢĬǍĻ͎Dž 1709 ŇƉQɾd Ī ̱̞Ɛǔˬ͊ǹǔ(Toccata & Fuge in d minor, BWV565 )ͭύȃǔϢκȃʶ ǨϗnjɠɜϢpȼƈůϢãʧχɩɾ8ˊ#Ϣǜ̀ΧbęøɾκΉřɍĨ ȘϢÃɦn˒%÷Ȇůɾκȃ ¹ƍʕúǁè(Leopold Anthony Stokowski, 1882-1977)/ħĻ͎ͭύχɩǔƵ˄ƄɰɾʧŖȃǔϢͱǕɌ˽ϙɾ˞ λϢÛȐ˞¿ø× ǥȃǔʻȂϢɌÙø;ŋþʣ Īʨ̞Ɛǔʣ Īʨ͊ǹʣ ĪʨB¯ʻǪȃȕʣ ĪʨT̰nj ͼ˔řϢĻȥrȃǔ͈ǭ¸ϣΎˋϢ1999)Ϣ136-137 ĿʿϢĻËʧχɩκȃ¸ϣ&ɵǀɛϢ1996)Ϣ25-26 ¾̦Ϣ139-142 ͼ˔řϢĻȥrȃǔ͈ǭ¸ϣΎˋϢ19991)Ϣ139 Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565 Ƶ ˄ʼÙƊ˝Śȃǔǭ ŋþʣ Īʨ Bd Ī̱5ʵÇŖϢ˅ƀä(Adagio)ƓΗŋńϢǜ̀Ƃϓ¯ϛǒɾ˞λɜ ɾǍȗ ƕκʢ¯FȎʢɾŏΔϢA;įŰϢ̀κȃpȼŘϢĆ ̺U +ς/ŧϑ˪Mħͥ!]wŎɾκçŚþ!ȊϢǙţdɷã D ø̱ɿ¥ äʸȎ ̺U Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Ī ʨ ̞Ɛǔʣ Īʨ ̱ůɌ d Ī̱ϢǙŮǬ(Prestissimo)Ϣǜ̀¨˭ͰŎŬͰ%˩ɳɊƐɾκȃ śœv˞;ΫƊϟþϢB¡yκʢʺƄɾ!ͲκϢɲκ˓"̋κ ëʉϢkǍȻήɧ˰äÀơͳϢʾł®ãŮͰɾȃȕʝɐdȎϢͰŎ Υů˩ɳϢª$ȩûκȃɾȩǓŎϢİɦ̞Ɛǔɾɜ͋ȐǎɾFȎʢ /ǒʐǕø˥ΉɾT˨Ϣ̀ήɧ͐Ȼ͐øϢpȼɒŷřɍɾƈůϢ Ć ̺U3 B˽ϙɾ̑ϊþʻǪϑɃϢdɷãʣ Īʨɾ d Ī̱+Ç Ŗʣ ĪʨϢLjŢˬΈ̘κ A κ8ǘ˚ƄϢcϑκɾIJȊžϢ̀κȃ òĨȘůϢɱɰǕřɍɾȩžϢƖˍdɷã d Ī̱ɾijÇʹ"ϢĆ ̺U ! ʣ ĪʨϢv˞;BíɝÇʹ(Block chord)¯ƼÇŖ(Broken chord) cˊŎ"ɾ̿Ϣ̄ɳκœκ˓ɾëʉϢΦ̅LjŢ˃Ϣ țÅƄɾ ̓ͱnjφɾĨȘƹǯϢǙţʻǪȃ¶dɷãij.ÇŖϢĆ ̺U Ù ʣ ĪʨϢʣ ;ˬʣ3;¾ǎϟþϢv˙BʃĹyŎɾκ ʗϢSȃǔɊƐɾƐĸǕřɍϢ΄΅κȃɾŷ˂ˬκΉϢ͞ɑɾ˞ λʻǪ̞ƐǔϢĆ ̺U5 ̺U3 Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Ī ʨ ̺U! Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Īʨ ̺UÙ Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Īʨ ̺U5 Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ ĪʨϢʣ ;ˬʣ3; ʃĹyŎɾκʗ ͊ǹʣ Īʨ ͊ǹǍ̔κκȃśœ(ϢǙϠø%ʻȂˉ̔ɾˊϐϢħ+ςͪ͵$ ¾ɾ˞;ϢŨŋȿͳäÃɦϢņ̍ͷěäc̱ʊʛ˙ħȐȕƄ a ȕʣ Īʨb ȕʣ Īʨc ȕʣ ĪʨT̰nj a ȕʣ Īʨ ̱ůɌ d Ī̱g Ī̱ʣ Īʨd Ī̱ʣ Īʨg Ī̱ʣ Ī ʨϢ+ςɌĻȥr}æɾκæœLjŢ(line within a line)ϢĆ ̺Uy ʣ ĪʨϢɌ͵ΕȃȕϢκç$ǃÀ"ŏİϢ̀+ςɦ+ςʻǪţϢĻ͎ ɲ+ςȉħȃ¶ŏİʣ ĪʨϢ̿Ƅ!˞;ĨLϢ$ǃSɲκˬƞ ɷκɾƊȢĦQϢȂƄ ȕĪĮ˞(Codetta)ʻǪ͊ǹʣ ȕϢĆ ̺U ̺Uy Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Īʨ ̺U Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Īʨ b ȕʣ Īʨ ̱ůɌ F ø̱d Ī̱ʣ Īʨ c Ī̱ʣ Īʨʣ Īʨ̱ů͡ ΛWø̱"ϢB Ͳ)ɾκɌ͵ΕϢ$ǃɾȅͳϢκΉǜ̀njφɾĨȘϢ Ɩˍʣ Īʨ̀+ςɦϢĆ ̺Uw ʣ ĪʨϢɲȅͳκ "̋wŎκB¯ΰκɾDŽœÃɦϢ˞λȪøϢĆ ̺U. ̺Uw Ļ͎/ώrǁίǹϣd Ī̱̞Ɛǔˬ͊ǹ BWV565Ϣʣ Īʨ ̺U. 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DvořákSlavonic Dances Op. 46 ũŕǦrɰņ ėǫĤăȣũũŕǦr(Antonín Leopold Dvořák, 1841-1904)̭ɰDžƛ rɾtƓαýúǁ(Nelahozeves)?ɾɕ̛Ȣ̈ʣɪrũŕǦr(Frantisek Dvořák, 1814-1894)ǍΑ" ΙLJŌ~ˡŌɾ˗ΚƯ̑ėď¹ϝćr(Anna Zdenek, 1820-1882)ǍLÑ˲Ąɾ͉ĉ˲ȖϢĨĕĒɾƻˢεłΈ̚ˢǜw ]ĪĕϢũŕǦrãĠƝ̋˗øũŕǦrŧĪĬĨκȃǜ̀Ɇ«ɾ˭͑Ϣ/ İɦεɾκȃù͊ɹǎãɕ̛ɾLJŌ(Ϣǎłǜ 6κȃĠͳϢ˛ɇ ʁDz#ϢũŕǦrĨĪƣɩǽ?ʥȃÖɱɰ1Óą¡ȒǎϢãɕ̛ɾLJŌ ̒ɌτĜ^ȽþʪÔɾȃǔϢ͍Ŧ1$īƜ˞Ϣ̀ũŕǦrãκȃɬð(Ŏ͵ ʠŇ ŇϢũŕǦrɾɕ̛Ź͙̀ɌΔĒɾũŕǦrˌƏĠǿϢĪĖɸǿ ţĬ̀?ƪ˸ȥĭǁ(Zlonice)ˬ˫˫˸*ĭr(Zdeněk)¾NϢĖ˕ũ̯Bǣ TʾÎϢξVƠ³ığǿɾĖť̠ˆϢK Ū żŹǡκȃɻİɾϢ À LʧχɩĿϢėǫĤǧǗ(Antonín Liehmann, 1808-1879)Ė˕ʧχɩΌ ɩ¯(ƣɩ ŇϢũŕǦrƛr¥ǺĭΆ(Česká Kamenice)ϢÀȢǟ˸ιr(Franz Hancke, 1786-1858)Ė˕ũǀʧχɩˬΌɩ ŇţϢ ŇϢũŕǦrɾ˫ ˫ˬǧǗ˗ĿÀɕ̛̰Ǟ,#Ϣ̀ũŕǦrͳsļƓǹʧχɩĖǶ(Prague Organ School)Ĭ̾ãĖǢΙϢ?Ė˕ɾʕʁÁƿēMκÇ˞̱͡¨ ˭ĨLˬ͊ǹũŕǦrĖ˕ģΤƐ̌ˬκȃɨ̴ɾ¼Ϣ/Ơ̞̥÷µ }κȃQÊϢǕsėǫĤΜǏɜ(Anton Apt)ƗƧɾ˜̖̖˹7¤ǚ(St. Cecilia Society)ʧŖȃâϢȽþ(ƣɩũŕǦrãȃâ(ϢƠ̞̥÷QǔĠɾ QÊϢĆ͆÷˵(Ludwig van Beethoven, 1770-1827)Ĕũɗο(Felix Mendelssohn, 1809-1849)ǁȣɗ(Louis Spohr, 1784-1859)ˮǗ(Robert Alexander Schumann, 1810-1856)Ɠú(Joachim Raff, 1822-1882)Ç˽ǹʲ ̥ΒȁϢÞșȃȨɾ˱Ɗ¸ϣΎˋϢ2000)Ϣ16-17 (Wilhelm Richard Wagner, 1813-1883)ʥϢ/Ė˕š÷ʧŖȃâɾʆ̹ũŕ Ǧr/ãĖǶǝ°ɥũɗ(Karel Bendl)ɾ¤#ϢƴΩ1øΉɾˇ̺Ϣưİ?Ĩ κȃʆ̹ɾ1̝ ŇϢũŕǦrBʣ3¿ɾƄˈDžĖǶɸǿ ŇõǤϢũŕǦrs¥ɗʕĊǦr(Karel Komzák, 1823-1893)ɾ˯͗ ȃΡϢãϋόÇ˯ǚ"ȽþϢƄɌ ¿(ƣɩȽþĠ ŇϢʕĊǦrȃΡ ¢ǹɌÞʞΞʧŖȃâϢũŕǦrɌȃâĪƣɩύŀϢȐǎǢɾȃâΗċȽ þũÞȢÞÇ˔øȌQÊ ŇϢ¹Ϛîʲ(Bedřich Smetana, 1824- 1884)ƠCƗƧϢȽþ͐T͐÷ɾƛrˬǁƓúQǔĠɾQÊϢũŕǦr/ÛȐ Âƴ̥÷µ}ȫȾǎǢɾQÊϢŧ(ɡŦQ"ɾγž?ΗċQ ʮ QÊϢĆaĪ̱Ŗȃ5Έþ(Quintet in a minor, Op.1) Aø̱ŖȃÙΈ þ(String Quartet in A Major, Op.2)ʣ ̉8λǔ(Symphony No.1 in c minor, Op.3 Zlonické zvony)ʣ3̉8λǔ(Symphony No.2 in B-Flat Major, Op.4)¯ȌΜɗŕίũ(Alfred)ʥϢͭ6QÊ(Ϣɏ̴ǍŧĪ̙ȅƆɻİ ø̙ȅɾκȃśœϢåȯ³˼Ǧɜ͆÷˵ĔũɗοˮǗÇ˽ǹʲɾκ ȃŝλ ŇϢέΗ1ÞʞΞʧŖȃâţϢɌũŕǦrɰȬ(ɾ͡ƚϞ ŇϢQɼĴɾţÕ˙^(The Heirs of the White Mountain Op.30)ȱÍϢ ʾύȽɻ̎ţϢɡŦą̧ ŇϢˬfɾ˞ȃĠϢėďÿβɫǵĎ(Anna Čermáková, 1854-1931)ȑsʔéϢ/Ơ#1˜ΜͶGɜ(St. Adalbert)ƻéʧχ ɩĿɾ˟LϢ/ɡŲăäƷō̤ǜɾÞt̆̌ĠɟΊϢBʣ!̉8λ ǔ(Symphony No.3 in E-Flat Major, Op.10)ÇʣÙ̉8λǔ(Symphony No.4 in d minor, Op.13)¯˶ŅĞtȃǔÀĥǴČÌƣɴ̳ϢΣŇ/ξɡŦͭʤɟ Ί ŇϢũŕǦr̺Ħ1ƬƓʿ73ΈÍ(Moravian Duets, Op.20)ϢŎɴ̳ ɟĖΊϢɹǎļƓĊǁǍÞĠɟĖΊČÌǚɾ̐, Ϣεłȋ͈ͭύǔ ĒϢΟ1ĥǴͮ͵ɟΊöϢͻ=ʷʼɘÎ̖Ċˑr(Fritz Simrock, 1838- 1901)Ϣ³ą̧ /XS̖ĊˑrÀũŕǦrČ̡QǁƓú˯ǔ(Slavonic 8 Oxford Music Online, s.v. ‘‘Dvořák Antonín Leopold,’’(by Klaus Döge), www.oxfordmusiconline.com (accessed Aug20, 2019). ǮmϢQǔĠ¿̝̰ɤ̅ɘ¸ϣ˒ȃϢ1999)Ϣ9-11 10 Klaus Döge‘‘Dvořák Antonín Leopold.’’ . ̥ΒȁϢÞșȃȨɾ˱ƊϢ17 12 Klaus Döge‘‘Dvořák Antonín Leopold.’’ . ͺ·ɮͩŐ̀Ϣ̖Ȥκȃɽʕuǖ 6 ɚȦκȃ͢}"¸ϣϚrϢ1996)Ϣ104-105 Dances Op.46)ϢǕãũÞɾì "̏Ȁ́ƤϢũŕǦrŧȐƄɌ:̽ÞΤɾ κȃĠ ŇϢũŕǦrˬ̖ĊˑrʫːÇʱϢ¾ż?ɘ{ƉǜκȃQ ÊϢΥţǁƓú˯ǔ(Slavonic Dances Op.72)¨ͤͰɘÏ&ϢΗÐ1ũŕǦr ͺÀÞΤ˯¸ɾʣ ȑϢ/̀;^̬̹ũŕǦrκȃɾla ŇϢ̶ʿˑˬnɗ(Novello, Ewer & Co.)ɘʑɘ˜ȖŶȌ(Stabat Mater)ϢĂĚ1ũŕǦrɌΈ̗QǔĠɾʚÝèʎͭ;QÊ/ãø˷ľÞ˞ ¿ø×ϢͭǢΙũŕǦrͱ̣˷Þ.Ȋ ŇϢũŕǦrͻ³˪DZǮŽȃ ʧŖȃâϢȽ˩ĺɾQÊϢ͵̀ˉūɾɰȧ ŇϢũŕǦrƮCʳʱÞĠκȃĖΞ(National Conservatory of Music)ɾΞ ΔͭǍɳ LĢǜɾʳʱψÊÎ;,ĉɤtɜáG(Jeanette M. Thurber, 1850-1946)Dž ŇƉʞɾĖΞϢĽǠ̄ɳ LÞΤʆ¿ɾκȃɵ;ôTò ͭƉĖΞɾ¿Ǡ ũŕǦrʾ͵ŭ˘ţϢʦƃ1ͭν˟ϢDžŇǛÐʗ ˒ÞLJ˒ǢΙϢũŕǦr/ĘƄ1ʣ.̉8λǔ(Symphony No.9 in e minor, Op.95)Ϣ²¿Ɍǂ&ɵ(The New World)Ϣħŭŷź±ƃãQÊ( ŇϢũŕǦrˬáGɾ¼ʱǢţϢȝĚ$ˍCϢ'ΈÚƸϢÚ ļƓǹκȃΞCƻϢʂŇƋ©CãǙţɾͭŊŇΙϢũŕǦr/ħ QΈŪƶãȌˬ8λ̨"ϢςǨø÷ǸƯșȌƟΩ˙¥ίɗ˴ǥ(Karel Erben, 1811-1870)ƛrʓ̪Ƹ2ƉƵĦƄɾƺ2̨ãȌDŽζϢϖϔˬ ɜ(The Devil and Kate, Op.112)ˬβ˻¥(Rusalka, Op.114)/ǍǙƄɾQ ÊŇϢ¢ǹɌļƓǹκȃΞΞΔϢăÞƷōǕ͌ˬʸ͙̻Ξ̻Ì ˟ ũŕǦrǙţɰÆɾŊŇϢ$ǃɾQϢBȌΜʬĈ(Armida)ɌǙţɾ Q Ň ǛϢÛ(χ˚ͯ&Ϣ:Ň ȒϢãƿ˾¾ˤɾ̼γ#ϢũŕǦr ̏ė́ãļƓǹɾŕïɪƓũxñ(Vyšehrad)ϢΔŰãPɗîɭ(Vltava)ȡɶ 9ņϢũŕǦrșljȃȨɾf@̎¸ϣ&ɵǀɛϢ2001)Ϣ12-13 ŤNjuũŕǦrʣ 8λǔ,ʊʛˬƗƧ̩·¸ɈĿʩøĖκȃʮʋô̴ǀϢ 2016Ϣ8 ˺ˢđũŕǦrώ¬¥˯ǔQÊ5¡y,ǭˬ̩·͜<øĖκȃʮʋô̴ǀϢ 2017Ϣ13 ¾̦Ϣ14 9ņϢũŕǦrșljȃȨɾf@̎Ϣ18-19 19 Klaus Döge‘‘Dvořák Antonín Leopold.’’ . ̥ΒȁϢÞșȃȨɾ˱ƊϢ48-50 ũŕǦrκȃχǹˬɜ˳ ũŕǦrɾκȃ2ǿͳİɾ¡˅ƀϢΪɐã3¡ȒπĬQ̥÷QÊϢ Kǣ³ʅʁϢ ʂ̬̹1ļƓĊǁţŷƋƀƀɾ̿͡ũŕǦrɾκȃ Ǎħȣ̖ʬ7ș̷ɾ˯ǔϢʹɲãQ(ǢɾκȃQǍB˼Ǧɜ͆÷ ˵ĔũɗοˮǗÇ˽ǹʲɾQǔƐȢāɲã˩ĺɾQǔ(ã?ɾκȃQ Ê(ϢLjŢ˃ǻʨþæſϢͿǜ̀ɠɜɾɜ˳LjŢDŽζϢ?³ˮGɜɾ ŝλϢǜ̀LjŢn˒ɾ˃ǻũŕǦrƉQɾLjŢϢʘžÉźϢB5˞κ Ī̱κʇLjŢˬʇȃ¶Tʝφ+ςϢ̀κ˳n˒ȤȸdzÇ͋ȇn ΨϢ%|ǜʍʏțɾ˽ϙκλ21ʨþ"ɾʹɲ/¡ȧɀȍȃ%̿÷ʡϢ ?ħΈκɾLˏƶ˪ŗƕϢBřɍɾκʨþ̊sQÊ(̱͡ƊȢ/͛Ɍ àɂĐ͡Ϣ̱ů¯Ç˞"ɾΠϢ˩ɐȇģϢ$ʈŷcQϢǜ̀êģȱǑĘƾ ɾʺˊǰȂũŕǦrɾQÊ(Ϣǜ̀Ɇ«ɾșljκȃ˳ŜϢ?ʾł²ǨȣĽ ʬ7șljɾ˯ǔˬLjŢϢª$ʂƠƑ̕ˬȅEϢ˚ǍħșljʶǨ(ɾʭʓɜ ͋Ϣʻ¼˩ĺɾQ̊sǔ̱(ϢİɦĨʒÞɾɒŽˬ͇ɢϢ̀ȗ;QÊͿ ʃɹǜɆͽșljțŰɾɠχǹ÷̿ɾκ˳ˬpȼȍȃɾțȚϢŁTŔ;s ɾƹǯ ũŕǦrǁƓú˯ǔ,Qˣǐ ǁƓú˯ǔΩǍũŕǦrDž ˬ Ň̺ĦɾΌɩÙƊ˝ŚQÊ˯ǔϢ Ɍʣ ΩQÊ Op.46(B83)ˬʣ3ΩQÊ Op.72(B147)vāʺǔϢBwύɌ ʺϢuāzǜ¡yύQγžT˩ǁƓúhʽɾ˯͗ʨþϢpȼȣ̖ʬ7 ș̷χÄɌΌɩ˝ŚƉQϢK³ļƓĊǁə˯ǔΩ(Hungarian Dances)ɾγžɅɻ˚ʭŪƵ˄Ϣ/ƃɘÎ̗ȜQ1ʧŖȃɘϢɘţȯɡ ą̧ʣ ΩǍũŕǦrã!¡yȒǎƉĦɾQÊϢǍ?Ƥ¿u&ɵɾƄ¿ Q ǁƓú˯ǔɌǩͣș,ΙƉȩhɾ˯ǔϢǔχĘuǍǸƯ˯ǔʭʓˬǁ ƓúșΙχǹƉ̊Γ˚ƄɾQϢȞǜŔɲș̷ʶǨϢǔ(pȼn˒ɾLjŢˬ ͼ˔řϢ̖Ȥκȃ¹(¸ϣuκϢ1988)Ϣ161 ǾȠ<Ϣκȃ¹ˬȋ͈(¸ϣ˒ȃϢ2001)Ϣ316-317 ͺ·ɮͩŐ̀Ϣ̖Ȥκȃɽʕuǖ 6 ɚȦκȃ͢}"Ϣ102 ̮;ɾϕϢpİɦǁƓúșljĀƶɾȧˬɒŷϢ ̱ů"ɾ̿/¡͂ Ģʣ!ύˬʣyύã˝Śȃ̺(Ϣξŋ4ʃĨ̱Ϣˬʧʹȃɘ$¾ ũŕǦ rjɲ1ǁƓúșΙκȃɾɠɜʨþϢ̺ĦijDž˩ĺɾQ?BʇĪƒ ŷ%ȫȾɾůǹTpɻƧˬQϢ ?ƃɲͭ6˯ǔɾʨþϢBȤȸɠɜɾů ǹLjŢˬÇ˞TƢĦ÷Ά÷čɾșljɜůãͭā˯ǔ̒ϢũŕǦrBŕė (Furiant)̇ï˸¥˯ǔ(Sousedská)ǹʕ{ʲ(Skočná)ʥȣĽʬ7ɾ@̎ů˯ ǔϢÆ¿ã»ύ˯ǔ(Ϣİɦȗύ˯ǔ$¾ɾχͅϢA;ž³?ǂɾș lj˯ǔɾɆ«˳Ŝ ǮmϢQǔĠ¿̝̰ɤ̅ɘϢ64-65 25 Wikipedia, 2019, " Slavonic Dances." 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