& & -#(,! Hsueh, Yung-Jie Piano Recital Program Introduction
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*'*&&) -#(,!'$ +% -#( " åÿ JĬÃÀ²Ĭ¯~3áĈ3č SĬÈÍÃX\N T+\ĬĂčmj&ĬY3Ã*ģ©ÃÇāæoV dĬăĘÃĬüø dğ6éûěĂæġâð #ĬãeRA ħĬÏ·@æÎÉĬčñÿÿbR Ûg(ÔDĬă@ cª YÚÃč¢ĚĬñÿÃ_ÛgàÞ¼Ĭ× ÓvÃ_ĬăċĊ?ÎÉģ©ÃBÌ dĬRhÃ;à ĕ¿³Vá4áNbRĂĬúāčĩ§ÃĬÆÃr¨k kÊ ÿĪ7{!G»ąæēEĬ!Ãõ]Û gĬMµ}Ĭ%Ãģ©5ZØĬÁïOÿ} ÿÈÍÃCY(Ĭq¬ÅÃixæī8Ĭ%tÃÈÍ XQĔQWĬręv@úā$(Ĭ®Đwô ĉK ÃX sñÿÃ[Ĭ¶ËÃ0æĬăNģ©č¦ ČĬy©ĥĎOĈ3äĬÿÿ$(®ĐÃÒÕĬ¶z¶|O Ğ"a¾Nà ÷´Āù 2020 j 3 ñ £þ9-'Ē1Ĭ/ µÈÍÝ^Ãĕ¿¹Vģ© ©òüĬ/µÈÍÝ^Ãĕ¿³Vģ© ©ò ü ĕ¿¹V ³0Ä9FfćÙR2<V#IĬ ĄQèĕ¿VĨ#I: ëuPìđÑ î Ĭ#I: ½)2l~ ĕ¿³Vģ© ³0Ä9Ffć/Ħ,Ġ¥ĭd`ý ó æĆ¥ BWV565 ÖÔLßoĄQèn¡ê,í Ģ¸°¸=ĭc`ýÑîĤĬHďĬ#I.: Ñ ©Ð ÖÔLßoun¤,UçĬ#IL:. Ĝėöĭĕ¿fćĄQèìđ½)2un¤, Abstract This thesis consists of two recital program notes. The two recitals are a Solo Recital for piano music and a Performance Recital for chamber music. The programs are listed as followingĭ 1. The Solo Recital J. S. Bach : Italian Concerto, BWV 971 L. v. Beethoven : Piano Sonata Op.53 F. ChopinĭBallade No.1, Op.23 Benjamin Lees : Fantasia 2. The Performance Recital J. S. Bach/ Max RegerĭToccata and Fugue in D minor BWV565 for Piano 4 hands L. v. Beethoven/ Franz Xaver ScharwenkaĭSymphony No.5 in c minor, Op.67 1st mvt. for Piano 4 hands A.DvořákSlavonic Dances Op.46 No.1 in C Major, Furiant No.2 in e minor, Dumka No.3 in A-Flat Major, Polka No.4 in F Major, Sousedská No.5 in A Major, Skočná No.6 in D Major, Sousedská No.7 in c minor, Skočná No.8 in g minor, Furiant Key wordsPiano, Bach, Beethoven, Chopin, Benjamin Lees, Dvořák. Ä« åÿI ñII éñIII Ä«IV ¹Vģ© ³0Ä1 ¹Vģ© ©òü3 ³Vģ© ³0Ä55 ³Vģ© ©òü57 >ܺ99 ĝ ( ) ¹Vģ©æ³Vģ©\±Ėp102 1C.*0)5 @ (1685-1750)F9)E 7.6F", 7.6F>, 7 .6F#, ?: (1770-1827)FB3D) ;!' 7.6F+/4", 7.6F-8, 7 .6F 4", $ <A (1810-1849)F7=& )E 2(' (1924-2010)F%) Recital Program J. S. Bach (1685-1750)FItalian Concerto, BWV 971 I. Allegro II. Andante III. Preso L. v. Beethoven (1770-1827)FPiano Sonata Op.53 I. Allegro con brio II. Adagio molto III. Allegretto moderato -Intermission- F. Chopin (1810-1849)FBallade No.1, Op.23 Benjamin Lees (1924-2010)FFantasia ˵ĸӊɽɓɽɌϿИ ƁрӺΏIJªÊĸɌ`÷ӹ3#! J. S. 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