*'*&&) -#(,!'$ +% -#( " åÿ JĬÃÀ²Ĭ¯~3áĈ3č SĬÈÍÃX\N T+\ĬĂčmj&ĬY3Ã*ģ©ÃÇāæoV dĬăĘÃĬüø dğ6éûěĂæġâð #ĬãeRA ħĬÏ·@æÎÉĬčñÿÿbR Ûg(ÔDĬă@ cª YÚÃč­¢ĚĬñÿÃ_ÛgàÞ¼Ĭ× ÓvÃ_ĬăċĊ?ÎÉģ©ÃBÌ dĬRhÃ;à ĕ¿³Vá4áNbRĂĬúāčĩ§ÃĬÆÃr¨k kÊ ÿĪ7{!G»ąæēEĬ!Ãõ]Û gĬMµ}Ĭ%Ãģ©5ZØĬÁïOÿ} ÿÈÍÃCY(Ĭq¬ÅÃixæī8Ĭ%tÃÈÍ XQĔQWĬręv@úā$(Ĭ®Đwô ĉK ÃX sñÿÃ[Ĭ¶ËÃ0æĬăNģ©č¦ ČĬy©ĥĎOĈ3äĬÿÿ$(®ĐÃÒÕĬ¶z¶|O Ğ"a¾Nà ÷´Āù 2020 j 3 ñ £þ9-'Ē1Ĭ/ µÈÍÝ^Ãĕ¿¹Vģ© ©òüĬ/µÈÍÝ^Ãĕ¿³Vģ© ©ò ü ĕ¿¹V ³0Ä9FfćÙR2<V#IĬ ĄQèĕ¿VĨ#I: ëuPìđÑ î Ĭ#I: ½)2l~ ĕ¿³Vģ© ³0Ä9Ffć/Ħ,Ġ¥ĭd`ý ó æĆ¥ BWV565 ÖÔLßoĄQèn¡ê,í Ģ¸°¸=ĭc`ýÑîĤĬHďĬ#I.: Ñ ©Ð ÖÔLßoun¤,UçĬ#IL:. Ĝėöĭĕ¿fćĄQèìđ½)2un¤, Abstract This thesis consists of two recital program notes. The two recitals are a Solo Recital for piano music and a Performance Recital for chamber music. The programs are listed as followingĭ 1. The Solo Recital J. S. Bach : Italian Concerto, BWV 971 L. v. Beethoven : Piano Sonata Op.53 F. ChopinĭBallade No.1, Op.23 Benjamin Lees : Fantasia 2. The Performance Recital J. S. Bach/ Max RegerĭToccata and Fugue in D minor BWV565 for Piano 4 hands L. v. Beethoven/ Franz Xaver ScharwenkaĭSymphony No.5 in c minor, Op.67 1st mvt. for Piano 4 hands A.DvořákSlavonic Dances Op.46 No.1 in C Major, Furiant No.2 in e minor, Dumka No.3 in A-Flat Major, Polka No.4 in F Major, Sousedská No.5 in A Major, Skočná No.6 in D Major, Sousedská No.7 in c minor, Skočná No.8 in g minor, Furiant Key wordsPiano, Bach, Beethoven, Chopin, Benjamin Lees, Dvořák. Ä« åÿI ñII éñIII Ä«IV ¹Vģ© ³0Ä1 ¹Vģ© ©òü3 ³Vģ© ³0Ä55 ³Vģ© ©òü57 >ܺ99 ĝ ( ) ¹Vģ©æ³Vģ©\±Ėp102 1C.*0)5 @ (1685-1750)F9)E 7.6F", 7.6F>, 7 .6F#, ?: (1770-1827)FB3D) ;!' 7.6F+/4", 7.6F-8, 7 .6F 4", $ <A (1810-1849)F7=& )E 2(' (1924-2010)F%) Recital Program J. S. Bach (1685-1750)FItalian Concerto, BWV 971 I. Allegro II. Andante III. Preso L. v. Beethoven (1770-1827)FPiano Sonata Op.53 I. Allegro con brio II. Adagio molto III. Allegretto moderato -Intermission- F. Chopin (1810-1849)FBallade No.1, Op.23 Benjamin Lees (1924-2010)FFantasia ˵ĸӊɽɓɽɌϿИ ƁрӺΏIJªÊĸɌ`÷ӹ3#! J. S. Bach : Italian Concerto, BWV 971 Ɓр̉Ǝ ӊɽ0ˬͦΑпƁȲ̍ƁрJohann Sebastian Bach, 1685-1750ӹ£̉ ȶӊɽ)Ŝӹ Ə ɔ Ȼ̉ȶξĦͧрEisenach)ӹɁŜ+̠ƒŋƁр̠ ˬϻŔƃ΋ƁрJohann Ambrosius Bach, 1645-1695Ɂ!ZũȐ˿Ƈӹ Ə H̠ʕϻѮ)ӹʆƏˬϻ4?ðё=ˬʕϻҼ=Ƹӹ̎H̠ҡͦΑªȲ ɟĴ(Johann Christoph, 1671-1721)ƉβļǁӫĴ(Ohrdruf)ӹΈΉȪȆHӊɽõ͚ ӛ˿ϱѰªȲɟĴ'ȪŨƁрҝ̧ɽĆ̠˓ĸĝ̺ӹ4ƉӓHϽ̬ȪĞ ЈΊ͚ӛ˿̠ѹ͆ӹɍȪŨƁр˓ĸĮ͈ɽĆØ͞ă̠`ɌǯŽ ̖ƁрÅ:ʏɂӹҡͦΑªȲɟĴƀͷɕtŐŋӹ͘$tʌĔƵ̊+ӹ Ɓрϼƺ'ΧşB͠&5ӹȌÜ5ǹ"ЕȪƇ̠ƣЪӹѴӵŭĠLueneburg ̠Κ͡Ĺ˭St. MichaelȪĞæýĒӹÖδȪĞ̠ӊɽ̉ʲØ7¼ӹϝʍʄɓő ΐå͈ӊɽر`ӹƞʩȌЀʉʰȰÁӹǻűHӓĜ̠̳Ч !λâőŜťƁр̠±`ɂɚ¤˞L&$tɂɚӺņ̄ɂɚù̜ɂɚ ØϐʗҜɂɚ !ņ̄ɂɚ Ϝɵņ̠̄ņƛnjȲ˱˫Ĕ Ə ɔ҃ЛƁрȝOśơ̠͚ӛ˿õ ŚɽƇӹѬtΠZшL°Ü ȶěҞ̠̖ʅΕǥˢ'èƁр̠Ż`Ɂ˞̢ś ̀ǽĞШţɽɌӹLØĔå͈ӊɽɓ+˓ĸ͚ӛ˿δśơ͚ƩɽĒæ`Ѭɂ̠ ƁрƀͷɁéΟѼȚ̠͚ӛ˿ƇӹɂƊÜ҃«åč˓ĸӹH4Ü«ЉĮӊɽŜ̠ ӛɯƲӌӹ˱©ɁLӉ̇͘˞+ǂ̠ΏIJªӊɽӹ4ċʍƁрȤ;ЉĮΏIJª` ɌŜ̠`÷ʹ͚ӛ˿õIJҝ˿˓£ѬPŻ`bƺƁрțɕѕĮ̠α̎±`͎Ҥӹ Hɒ{IJ̠ƓҊ͚ӛ˿`÷4ɁĔѬʔɂɚǨŕǡ̠˫4϶ʜH˞̀ǽĞШ ´DŽȿӹƁʮɂJӊɽâáÂӺIJҰӹ2005)ӹ435 ЉҟɻӹƁʮ̠žÃáÂӺқ·ӹ1999)ӹ95 3 ţˁý³ӹdŀL΍̠æý;Ɍϓ͉̠Θ͋ӹBv˄ə̠āǎӹØΌҷ àȥǂäψ̠)nӊɽӹɁ£αȶƁр˞˫ǝ̉Ǩ}̠˳˷ˁý³ ͚ӛ˿˿ϟ£é̠Ɓрӹîƥ5ЉĮő̉δƁрőΐӹƁр4˞Ȫő±`5ӛ ˿ũɌҺңńķ˸ȪΤ̠Ż`̖ņ̄śơ̠ɽҡѹ)ӹƁрɕαqΧİΈO ѬtΠZӹ'ȱÐϒɽҡ̠ŋǩ+ӹȶɁƁрë˫ЛѝӹΖδņ̄śơʞ ϮӹʞŘƴù̜̝ű 8ù̜ɂɚ ѬtɂɁƁрɒāǎ̠ɂɚӹ Ə ɔӹŔø˱ù̜̠ɠļė˹ŋOô Ɓр˞Ŧų̠śơɽҡӹ˹ŋӬŪ϶ʜƁøШţȪĞӊɽӹȶɁƁрңńąЍĆ ɽ`÷ӹţ5ƓӡũȐ˿õҡ͖̠ĸӭɌÊĸɌdŀƁрɒϓé̠ӡƃ Ϡ̜ĠÊĸɌBrandenburg Concertos, BWV 1046-1051ӹЯš̠μưť˵ĸɽ Ć̠˱нϫ˼£cʍĭӹƁр±`ЉĮȪΤNJн̠`÷ӹdŀʹņƛƁр ̠ҙ˿ũɌҺClavier-Buchlein vor Wilhelm Friedemann Bachӹ+ʺϗ8Ο Ҋδ$ΟҊ̠±ǔɌInventions Sinfonia, BWV 772-801ӹ˞¨őΕǃƭ̠ĝɜɌ ̩ Ə ɔӹƁрȷϧͲɢӹłŋ̄Ӯ<ρρǹƀͷѹ)ӹ tɔƸӹƁ рŊӹџňƏїĽӦӊŔŇ̄ѻϙŇí˭ΣŊŅӆƊ΍ˑӹƁр4˞ łŋŔŇ̄ѻϙŇţ5ɜ˱ʒɌҺʹŔŇ̄ѻϙŇ̠ҙ˿ũɌҺ Clavier Buchlein vor Anna Magdalena BachĔѬèɂӹƁрtŋ4Ӛӄѹ B̠ӊɽijPӹƁрţ5!ɜҝ̧ɌҺʹHvӹѬҊ`÷͉˞ƎĖƷÝҙ˿Ɍ ҺThe Well-Tempered Clavier I, BWV 846-869ӹ+ɕ ӡ΀ΐӹ¤©L tЙϣfƕȇ§ӹÀǾ tIJЙõ tũЙƁр˞ʖ!tЙϣţ!ӡ°ĸɌ δмɯ ƏƸӹƁр×ŕǡ͘8 $ϐʗҜɂɚ Ɓр˞5ЭŐŋȌÜɍĿ̠ȪΤӹiëϐʗҜΚˉ̄ȲȪĞ̏ЛӊɽȃŨ!Π ĔʍɚҤӹƁрЅ΀ΚɽҲȪŨő̉ӊɽ˽МØǹ"ЕɑȪĞţ`̀ǽ̠̋ ӊɽӹ±`IJҔȪĞӊɽӹÀì!̟Įӡ̠Ȫɓˁý³ӹdŀӹΚʕӏʈӹ` ÷8ĉ$Magnificat, BWV 243ͦΑÜҿɌӹ`÷8ĉ:Johannes Passion, BWV 245Ҭʍ0ĭӹƁрȝOIJőɽĒȃȔӹɂƊĔďöĀӠ˓£ӹ* (ţ5ЉĮ)nˁý³ӹdŀўʘˁý³ӹ`÷8!8Ӽer Hahn en neue ΋Ϡ͸ӹѴ`ɌŜ)̑áÂӺӯӹ1998)ӹ16 è°Њӹ18 è°Њӹ20 4 Oberkeet, BWV 211ɃƏ̠ƁрӹϺµңńϬѦӹǃӎȌÜǩϨʥ̛ӹĔɒƸ ̠`÷мɯ̠ϟϨӹ`÷!The Art of the Fugue, BWV 1080 ūɛŕ ǡ°ӹȶ ƏѮ)ӹ@Ə ʏ ÊĸɌ̠тˊδ̝ű ÊĸɌconcertoˊαǹ"Ȱ̠concertareӹϫ̻˪МӨ˪ 0ǔӹĔÅ )ͥɂ˞ɕĆɽVĸ̠Οɽ`÷ӹɒȼ£˼ȶΏIJªδǁčConcertoѬtéЋ ѷ̋ĔΟɽũęæĸδ͚ƩɽĒɽɌƯǘ%ӹӚ̻£ÊĸɌ̠ǔΏɁťΟҊӴ ΜĔ!ģ ƏӹLĆɽ˵ĸ̠ÊĸɌңń̝űӹťӊɽ¤ǡũIJĒӹȯ ͈ɽĆͱǡ̠˵ĸΎõȮt͚ƩɽĒ>ɑ˓ĸ )ͥƸɚӹ˵ĸΎǪѩ˕̎ă !ɽĆȝO˵ĸΕ̠ƯƤǨÛJ ɮȞ˯ʯӊɽѝťƁʮÊĸɌ̠̝ű¤˞ӹIJÊĸɌconcerto grossoӴĸ ÊĸɌ ripieno concertoØ˵ĸÊĸɌsolo concerto !IJÊĸɌconcerto grosso ̝űɒȼ̠ӹɁƁʮÊĸɌ±`̠IJŗÅ#Å)ͥɂӹ̝űѻ«Źŵӹ Y8Å)̠ͥ`ɌŜӹdŀƃʮр(Bloch)ʟnjņƛī(Vaughan Williams)L ȼɚ̠ƯƤǨ±`̠`÷4b̋ѬtéЋѬӗ`÷̠˓ĸȵƤȊÛ̠Ɂ>9љ ĸĝɜ%˓ĸ̠ͱæʀƤ˞ӹũęɽĆͱ͉˞͕ĸΎ(concertino)ӹδ͚Ͱɽ Ē͉˞΃ĸ(ripieno)ũɽĆͱ̠ɽĆȯҔIJͦĔ8DZ«DZ0ҤӹɒƊϸ̠ɽ ĆɁDZũȐ˿·%!tȯŌ[ӊΟҊӹIJĮ̎IJȐ˿IJҝ˿ȝOӹYɁ̖ ɂ̠ӊɽŜţ`IJÊĸɌɂӹ'!ŘȊ̋Ѭʁ̠ͱæĔɯƤƶ'Ѿƾ̠Ɓʮ ɂJ+ӹӊɽŜ̠ɽĆŔȇɕƶIJ̠ƭNJ 6 өŜLjƁрΏIJªÊĸɌ`÷3#!0ȋЄáËǟ̋̓ǯIJő̸īМȰӹ2013ӹ 11-12 ɞÙɲ̎ƁрΏIJªÊĸɌ BWV 971 ̬ƁʮɂɚÊĸɌ0̝űŧƁр̠ƲӌϟϨ őġ80 ɚ(2007)Ӻ15 8 Oxford Music Online, s.v. ‘‘Concerto Grosso,’’by (Michael Talbot), www.oxfordmusiconline.com (accessed September 15, 2018). ɶʣCӹӊɽâδʇкáÂӺ΍ɽӹ2001)ӹ126 5 8ӴĸÊĸɌripieno concerto ˠ˵ĸɽĆ̠ÊĸɌӹʡɕɽĆҤŧʗ̠ϫ˼ӹɁӥ!т˓ĸ̠ÊĸɌ $˵ĸÊĸɌ(solo concerto) ̎!Z˵ĸΕδ͚ƩɽĒæ`̠ÊĸɌӹ̝űѕƞӹ4Ʋӌɒ/Ѽ̠ƯƤӹɒ ¨̝űĕÄɁΏIJª̠ʪұ҆Bolognaӹ¨ɚ±`b̋ũϣ˞˵ĸɽĆӹċɽĆ ɼѰҪ¬ӹѩ˕̎ũȐ˿ÛJũϣǡ˞˵ĸϾμ Ɓрӊɽӛɯδ˱μ Ɓʮɂɚ̠ӊɽҋɁb̋ȯŌ[ӊbasso continuocï˼ӹмɯFugue 4Ɂ̖ɂƁʮғ϶̠ǯʨƁр±`̠˱ǀɕL&ƓӲӺŧZǩʨ̕ čӊɽϦæӊɽȋͬδy̋δɻΓ%Ɔ̠ӊɽqdž !ŧZǩʨ ѾƾÝӛɯStile anticoŧZţ`ӹмɯɌɁƁрĔÝӛɯ̠ϲӊ΅ӥ±`ɒ A̮̠ӊɽӹЬÁ̠͛ĸδЯš̠õНǖӹϫѻ£!͈ЭBӣν̠ϲҽδ͢΁ӹ ×pȂЭBӣĶ̠õН 8̕čӊɽϦæ Ɓр!̉+ƻɛҾңѹǁčӹYƊ«IJěƂȷϧ˓ĸӹʿȋЄΏIJª`ɌŜ Ӊ̇͘δʨč`ɌŜ̨ª̠ţ`ӛɯӹ±Ѱ£ųȶαſ4ÀìĮȰÁ̠ӛɯ $ӊɽȋͬδy̋ ĔƁр̠`÷+ӹҶͦà̬«Hy̋ǰϴȼɚ±`̠`÷y̋ӹĔƁʮ ɂɚ̠ӊɽɁӆƊɆѸ̠ӹ4ϝ̎ǰШȵƤőΐӊɽӹ̶͍ƗɆϠӉ̠̇͘` ÷ŰĮӹƊb̋HӊɽŜ̠`÷ǤɁȁαſ̠`÷·LȤ;rЂ 10 Oxford Music Online, s.v. ‘‘Concerto Grosso,’’(by Michael Talbot), www.oxfordmusiconline.com (accessed September 15, 2018). өŜLjƁрΏIJªÊĸɌ`÷3#!0ȋЄӹ15-17 6 ĉɻΓ%Ɔ̠ӊɽqdž ƁрɁtϡЖ̠ĝ̱ƹӹH̠ӊɽɁ˞%ƆǨ±`̠ӹҡɚĔȪɓŻ`ӹӂ϶ ˞ʖѳ̠̀ǽȐeȳ̠ƤӊɽӹÜҿȻ¯ӎ·ÜҿɌӹӖɡǃӎδΚͷõ̿ ӊɕҦӹʺϗ5ƮșɌmassÜҿɌpassionˁý³cantata̾³oratorioӹ `÷Ɗb̋ΚЌchoralǩʨӹ˞ĝ̺ȸƷc±`H±`ӊɽ̠Ƭ˟qdžӹŬ Ɂ϶ϝϓӊɽɻΓ%Ɔ ƁрӺΏIJªÊĸɌӹ`÷3#!0¤ɤ Ü«Ӊ̇͘ÊĸɌɌƤӛɯƲӌӹѬӡΏIJªÊĸɌ̎$tɽ͓ǨɼǡӹL& fɽ͓Иȿ¤ɤ !͘!ɽ͓ ͘!ɽ͓ЙNJ˞ F IJЙӹ ǺӹϷĸɽ͛ɌƤritornello formƁрһˢʡɕ ĔɽШɿІɽɌѯƖӹYfˤƁʮɂɚÊĸɌ0Ҥ̠ɽ͓ѯƖ˞DžǙDžӹ ʍɽ͓˞DžɣAllegroѯƖˠМõΟǤЙNJӹҋͻΆ-ӖLű˼ɽɌŝӹѫ ц̠ǐͼμưЯš ͘!΃ĸɽʔӺ͘ ũ͛ żǩ͘!Ǻ-õƩңńӹ˞ϫ˼ɽĒ΃ĸ̠ʚ¿ӹƁрb̋ƬforteӊҔȓң ƕƌb̋a͘ ũ͛ӹŀШd!b͘ũ͛ӹŀШd8c͘ ũ͛ӹ ŀШd$ӹ$͈ͫɡӹѷ̋IJҔʀѴǩʨд͏΃ĸɽʔˢΖĔ͘ ũ͛ӹ LʀѴӊę˞-ӹżǩ[ӊƩƷ!̪LųӊCӊ˞ѓǂӹЭȮtӊɽɕIJ̠˕Ƭ °Ѵǖӹ̪«͘ ũ͛ǪĊ«-õƩ̠õΟ ɶʣCӹӊɽâδʇкӹ144 è°Њӹ143 7 Шd! ƁрΏIJªÊĸɌӹ`÷3#!͘!ɽ͓ӹ͘ ũ͛ӹͫɡ a Шd8 ƁрΏIJªÊĸɌӹ`÷3#!͘!ɽ͓ӹ͘ ũ͛ӹͫɡ b Шd$ ƁрΏIJªÊĸɌӹ`÷3#!͘!ɽ͓ӹ͘ ũ͛ӹͫɡ c ͘!˵ĸɽʔӺ͘ ũ͛ ЙNJ˞FIJЙ͘ ũ͛CIJЙ͘ ũ͛FIJЙӹ-Ӗ̎ӦӊΟҊC ӊ+Ƭ(mf)Ѵӹ͘ żǩȂΉӊ͸ȂFӊӹŀШdĉ ӻ̪«͘ żǩȂΉӊ͸ȂCӊӹњCIJЙӻ͘ ũ͛ӹӦӊδ+ӊΟҊLƎϧƖ% ϧʀѴӹδ0°żǩ˞Ҽӊ̠΅Ɩï˼'èӊӌӹŀШd: 8 Шdĉ ƁрΏIJªÊĸɌӹ`÷3#!͘!ɽ͓ӹ͘ ũ͛ Шd: ƁрΏIJªÊĸɌӹ`÷3#!͘!ɽ͓ӹ͘ ũ͛ ͘8΃ĸɽʔӺ͘ ũ͛ ЙNJ˞CIJЙ͘ ũ͛FIJЙ͘ ũ͛BbIJЙ͘ ũ͛dũ Й͘ ũ͛ӹLCIJЙӊҳƉӹ̴Ɋ̠њЙ«FBbIJЙӹӂʫǔżǩҖ Ȍ̠ʴɉƖӹŀШd ͘ ũ͛ӹњdũЙӹҼǩ̠ӊӊ͗ɕwƲ ҦjӹŀШd# ͘ ũ͛ӹƬЙӦӊD͘ ũ͛ӹb̋ʀѴǩʨӹ ãǩ$ƖҼӊѴϧ͘ ũ͛ӹͲɢĔdũЙ-õƩ Шd ƁрΏIJªÊĸɌӹ`÷3#!͘!ɽ͓ӹ͘ ũ͛ 9 Шd# ƁрΏIJªÊĸɌӹ`÷3#!͘!ɽ͓ӹ͘ ũ͛ ͘8˵ĸɽʔӺ͘ ũ͛ ɽÞńȶżǩdũЙӊҳӹãǩӃӊtrillƉṃ̠цñNJ͘ ũ͛ӹ· $Å8¤ӊ͗ӹXϯӝӊȨɧӹ̴ũ̠ӊ͗ӹÚë&ϧʀѴӹ*њBbIJЙIͪӹ ŀШd Шd ƁрΏIJªÊĸɌӹ`÷3#!͘!ɽ͓ӹ͘ũ͛ ͘$΃ĸɽʔӺ͘ ũ͛ ЙNJ˞BbIJЙӹʍɽʔ̠Џґӹǃӎ!ʚòǡ'Ҥȴѕ˱©̠Ɂ͘ ũ͛ӹŀШd3 Ӄӊӊę&ϧ8ƖʀѴǩʨï˼͘ ũ͛ӹżǩ ΟҊ˞ӑČ[ӊƯƤӹƬЙFIJЙųõͰ̠Ơű Шd3 ƁрΏIJªÊĸɌӹ`÷3#!͘!ɽ͓ӹ͘ ũ͛ 10 ͘$˵ĸɽʔӺ͘ ũ͛ żǩ[ӊΟҊL$ƖҼӊȂΉ&ϧӹŀШdÅ ШdÅ ƁрΏIJªÊĸɌӹ`÷3#!͘!ɽ͓ӹ͘ ũ͛ ͘ĉ΃ĸɽʔӺ͘ ũ͛ ЙNJ˞BbIJЙCIJЙӹ*ͲɢĔCIJЙ-õƩ% ͘ĉ˵ĸɽʔӺ͘ ũ͛ ЙNJ˞CIJЙFIJЙ͘ ũ͛ӹ͘ ũ͛·'èȶ-Ӗ̠ȸƷӹ΍ʴ ɉ̠ϫ˼ ͘:΃ĸɽʔӺ͘ ũ͛ ˠМĔЙNJǤɁͫɡӹҋɁδ͘!΃ĸŕ̫èӹŕȮ̠˼ 8͘8ɽ͓ ЙNJ˞dũЙӹ ǺӹϧɣAndanteƁрÜ«Ӊ̇͘ũȐ˿ÊĸɌӛɯ̠Ʋ ӌӹɽɌύӮ΍ӹXBΟ˵ĸλ̠ȸƷ͘8ɽ͓żǩ̡b̋¤ӊ͗c͸Ȃ ȂΉ[ӊbasso continuoӹ͌Ř̠Vĸӊęӹǭ˓ϓÊĸ̠ϾμӹδãǩȸƷӦ е̠˱н̫9ŧʗӹЭɽɌï˼ͭή̠ǐǖϫ˼ ͘!ʔӺ͘ ũ͛ ЙNJdũЙFIJЙ͘ ũ͛ӹтń̠$ũ͛д͏ɌȂΉ[ӊVĸӹèӊ ÚϷĔDӊӹLƎϧ$ƖҼӊѴϧӹŀШdÅ! ͘ũ͛~̓ĔVͪӹ Ċ«dũЙIͪ͘ũ͛ȮӥΖЁӹȸƷà¤˞ͪѴыѴӗcИ 11 ȿӹͪѴȵӇӹ&ϧͪѴà̋˕ƪcϫѻӹ%ϧͪѴà̋˕Ƭcϫѻɽ Ɍӹƭ£ŀʈýλ̠ȸƷыѴȵӇӹǃӎb̋ɍĮȃά̠µҔcƬЙҡӊȸƷӹ bƺżãǩVĸï˼'èDzȑӒȅ̠ǐͼ ШdÅ! ƁрΏIJªÊĸɌӹ`÷3#!͘8ɽ͓ӹ͘ ũ͛ ͘ ũ͛ӹЙNJ˞FIJЙӹżǩ:Ɩƾ̅&ϧ͘ ũ͛żǩ[ӊï˼ £ҁҥ̠ӊӌӹ͸ȂCӊӹ˧Ѱ£̾̈́ǖӹãǩύӮ̠$Å8¤ӊ͗ϯӝĸӹť ȸƷȎβ͘ ũ͛ɒӦӊC0ƸӹȸƷ&ϧӹӊҔ˂ƪӊμЬɈӹ̪«͘ ũ͛Ċ«-ӊ ͘8ʔӺ͘ ũ͛ ЙNJ˞dũЙӹͫɡδ͘!ʔ̫èӹȸƷΟҊѷ̋5ȉ̓ӊͷѹӊ%&ҍ ӊ͘ żǩ[ӊӹF˞:Ɩƾ̅&ϧ͘ ũ͛ӹ[ӊƬЙųӊAӊӹ β͘ ũ͛˞DIJЙIJ$õƩӹŀШdÅ8 ӹЭɽɌï˼ӣāǖ ШdÅ8 ƁрΏIJªÊĸɌӹ`÷3#!͘8ɽ͓ӹ͘ ũ͛ 12 ŮĸӺ͘ ũ͛ ЙNJ˞dũЙӹYƁрÐb̋DIJЙIJ$õƩӹï˼ӟӊΆɾ̠Ůĸӹɒͯ͘ ũ͛LȉʴӊƠű«dũЙ-ӊӹȮtɽ͓ÍЦ5Ɓʮ̖ɂ̠ӊɽӛɯӹύ ӮʶВ͢Ž͢Š̠ӊɽ΍őμư $͘$ɽ͓ ͘$ɽ͓ЙNJ˞FIJЙӹǺӹljɣPresoӹɌƤδ͘!ɽ͓!ʁb̋Ϸĸɽ ͛ɌƤ ͘!΃ĸɽʔӺ͘ ũ͛ ЙNJ˞FIJЙӹ¤ǡIJɽÞ͘ũ͛͘ ũ͛͘ ũ͛żǩ[ӊ ΟҊb̋Ɩӊ͆ӹLĉӊӊęӹϝ̎ĐːĸδȴĸӹЭӊɽ̠сëɍ·ṃӹ ĨˀцñӹŀШdÅ$ ͘ ũ͛Lƪĸ£ĊΟȨɧ ШdÅ$ ƁрΏIJªÊĸɌӹ`÷3#!͘$ɽ͓ӹ͘ ũ͛ 13 ͘!˵ĸɽʔӺ͘ ũ͛ ЙNJ˞FIJЙCIJЙ͘ ũ͛ӹʖĉũ͛˞!ÞӹΟҊ>Ȓӹƭĸ£'èƬ ƪ̠ŧʗ͘ ũ͛ӹʖũ͛!Þӹżǩ[ӊ8ƖʀѴï˼Ưǡ&ϧȸƷ F-E-Dӹ(żãǩ&ϧӊҳŧýӹŀШdÅĉ ͘ ũ͛ӹʖũ͛!Þӹ ʀѴï˼ ШdÅĉ ƁрΏIJªÊĸɌӹ`÷3#!͘$ɽ͓ӹ͘ ũ͛ ѹҢӺ͘ ũ͛ ЙNJ˞CIJЙӹL#ͪõƩ&ϧͪѴӹũ͛˞!ɽÞӹ[ӊΟҊC→B→Aӹ ŀШdÅ: 14 ШdÅ: ƁрΏIJªÊĸɌӹ`÷3#!͘$ɽ͓ӹ͘ ũ͛ ͘8΃ĸɽʔӺ͘ ũ͛ ЙNJ˞CIJЙӹδ͘!΃ĸɽʔ̠ͫɡŕ̫è ͘8˵ĸɽʔӺ͘ ũ͛ ЙNJ˞FIJЙBbIJЙ͘ũ͛dũЙ͘ ũ͛ӹ¤ϿõƩ˞-϶ͫɡ ͘$΃ĸɽʔӺ͘ ũ͛ ЙNJ˞dũЙCIJЙ͘ ũ͛FIJЙ͘ũ͛BbIJЙ͘ũ͛d ũЙ͘ũ͛ӹŀШdÅ ͘ ũ͛ӹŠҺ̠њЙ̓ǔӊμЬ ÁҖȌӹβ͘ ũ͛ӹdũЙɌЙũӊҳ%ϧï˼-Ӗ ШdÅ ƁрΏIJªÊĸɌӹ`÷3#!͘$ɽ͓ӹ͘ ũ͛ 15 ͘$˵ĸɽʔӺ͘ ũ͛ ЙNJ˞CIJЙaũЙ͘ ũ͛ӹb̋¤ϿõƩӹЙNJњ«aũЙӹ*Lų# õƩƠҡũ͛ɽÞӹŀШdÅ# ШdÅ# ƁрΏIJªÊĸɌӹ`÷3#!͘$ɽ͓ӹ͘ ũ͛ ͘ĉʔ΃ĸɽʔӺ͘ ũ͛ ЙNJ˞aũЙFIJЙ͘ ũ͛ӹӊҳ%ϧӹĊ«aũЙ-õƩ%ӹȶ͘ ũ͛њ«FIJЙӹŀШdÅ ШdÅ ƁрΏIJªÊĸɌӹ`÷3#!͘$ɽ͓ӹ͘ ũ͛ ͘ĉʔ˵ĸɽʔӺ͘ ũ͛ ЙNJ˞BbIJЙCIJЙ͘ ũ͛FIJЙ͘ ũ͛ӹLĉũ͛˞!ɽÞ ѹҢӺ͘ ũ͛ ЙNJ˞FIJЙӹδ͘ ũ͛ѹҢͫɡŕ̫è 16 ͘:΃ĸɽʔӺ͘ ũ͛ δ͘!΃ĸɽʔŕȮ˼ 17 гĮπӺҙ˿ĸӭɌ`÷:Å$ ύǁȲĘ L. v. Beethoven : Piano Sonata Op.53 гĮπ̉Ǝ ɽΚъǁ͸ƄυгĮπ(Ludwig van Beethoven, 1770-1827)˞Ýɂɚ щфʵ˔ɂɚ̠ғ϶ӊɽŜӹ͈ӗĮÁӹL>ӌɌõҙ˿ĸӭɌ˞Jϫˬϻ ͦΑ¡гĮπ(Johann van Beethoven, 1740-1792)ȶśơȝO̐Ӧӊɽҡ̠ Π¼ӹʕϻ̄Ӯ<̄ѻ˾Ň¢͸Ғр(Maria Magdalena Keverich, 1746-1787) ɁśơƜƇ̠ĽӹɁ!Zлǚ̠ĽNJ гĮπ̠ˬϻƶȼŬȪHƭĸҙ˿ӹYɁɕҐҏþӖ(ΪʚɋяHͷƊ ĔʿįťгĮπƻƔ%ǹтӹ϶гĮπĔHɖÙӇ°˓ĸӹŨγгĮπǕʕϻѼ ½ȶˬϻˬϻ!̪ƄəгĮπΧόɝ˱!ʁ̠£μӹ«åĕ˓£ӹ˞αſо ҚӹċʍƏƒɂ̠гĮπƓ1DZǨɕɂҤςĔ΀ΐũȐ˿δIJҝ˿ Ü«ˬϻ Ĉɯ̠Ѕ΀ӹгĮπĔ ƏŬңÿH̠ӊɽ˓ĸ̉ʹӹĔ̓ұ̜á˓£ Əǽŭ̌(Christian Gottlob Neefe, 1748-1798)˞Ƈ ƏӹгĮπңńȝOśơ͚ӛ˿Ƈ̠¸˽ӹĔśơŻ`̠ɚҤӹϸ«ЉĮ ƴʪȾϫ˓̠ӊɽŜӹѬʔɚҤгĮπǮ«5!Z5ϿH̠з¸BӹύǁȲĘU ˫(Ferdinand von Waldstein, 1762-1823) ƏӹʷӒ(Joseph Haydn, 1732-1809)ЇþʪȾɂӹ̬ϸгĮπɩ;ȼɚ̠`