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Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Interpretation of Mozart Concertos with an Historical View
Kurs: CA 1004 30 hp 2018 Master in Music 120 ECTS Institutionen för Klassisk musik Handledare: Katarina Ström-Harg Examinator: Ronny Lindeborg Mónica Berenguer Caro Interpretation of Mozart concertos with an historical view 1 Preface The basis of this research originally came from my passion for my instrument. I started to think about the importance of Mozart's concertos about 4 years ago, when I began taking orchestra auditions and competitions. A horn player will perform Mozart concertos through his entire musical career, so I think it is necessary to know more about them. I hope to contribute to knowledge for new and future students and I hope that they will be able to access to the content of my thesis whenever they need it. In fact, I may have not achieved my current level of success without a strong support group. First, my parents, who have supported me with love and understanding. Secondly there are my teachers, Katarina Ström-Harg and Annamia Larsson, each of whom has provided patient advices and guidance throughout the research process. Thank you all for your unwavering support. 2 Abstract This thesis is an historical, technical and stylistic investigation of Mozart horn concertos. It includes a description of Mozart’s life; the moment in his life where the concertos were developed. It contains information about Ignaz Leitgeb, the horn player who has a close friendship with Mozart. Also, the explanation of his technical characteristics of the natural horn and the way of Mozart deal with the resources and limitations of this instrument, as well as the way of the interpretation of these pieces had been facilitated by the arrival of the chromatic horn. -
Rehearing Beethoven Festival Program, Complete, November-December 2020
CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 Friends of Music The Da Capo Fund in the Library of Congress The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress (RE)HEARING BEETHOVEN FESTIVAL November 20 - December 17, 2020 The Library of Congress Virtual Events We are grateful to the thoughtful FRIENDS OF MUSIC donors who have made the (Re)Hearing Beethoven festival possible. Our warm thanks go to Allan Reiter and to two anonymous benefactors for their generous gifts supporting this project. The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress was created in 1992 by William Remsen Strickland, noted American conductor, for the promotion and advancement of American music through lectures, publications, commissions, concerts of chamber music, radio broadcasts, and recordings, Mr. Strickland taught at the Juilliard School of Music and served as music director of the Oratorio Society of New York, which he conducted at the inaugural concert to raise funds for saving Carnegie Hall. A friend of Mr. Strickland and a piano teacher, Ms. Hull studied at the Peabody Conservatory and was best known for her duets with Mary Howe. Interviews, Curator Talks, Lectures and More Resources Dig deeper into Beethoven's music by exploring our series of interviews, lectures, curator talks, finding guides and extra resources by visiting https://loc.gov/concerts/beethoven.html How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc Some videos will only be accessible for a limited period of time. -
2019 Preview Notes • Week Three
2019 Preview Notes • Week Three Friday, July 26 at 8:00pm—Marlboro College Dining Hall Piano Trio in F Major, Op. 80 (1847) Three Songs from William Robert Schumann Shakespeare (1953) Born June 8, 1810 Igor Stravinsky Died July 29, 1856 Born June 17, 1882 Duration: approx. 30 minutes Died April 6, 1971 Last Marlboro performance: 2018 Duration: approx. 7 minutes Last Marlboro Performance: 2012 Schumann wrote three piano trios, and though the opus designations between Schumann’s first two trios span When Mitsuko Uchida announced her co-directorship of almost 20 numbers, the trios were both composed in the Marlboro Music with Jonathan Biss last summer, she same year. Schumann himself stated that the second quoted Shakespeare’s beloved comment on music from makes a “friendlier and more immediate impression” than Twelfth Night: “If music be the food of love, play on!” The the first, which was written in a “time of gloomy moods.” Bard’s references to music, throughout his plays as well as This trio in F Major romps through a version of sonata his poems, are many. In this collection of songs, form in the first movement, exuberantly exploring Stravinsky chose to set Sonnet VIII, Music to hear, Ariel’s unexpected keys and closing with enthusiasm. The lyrical song “Five Fathoms Deep” from The Tempest, and the second movement provides balance, and the third cuckoo’s song “When Daisies Pied” from Love’s Labour’s movement continues with a quirkily elegant, dance-like Lost. Stravinsky combines some tonal implications with sense of motion. The final movement draws on previous limited serialist techniques to illustrate each song, themes to conclude the piece with mounting excitement. -
Chamberworks a Musical Joke
presents ChamberWorks A Musical Joke Letitia Quante, violin David Horak, violin and viola Marcia Cassidy, viola John Dunlop, cello Patrick Kennelly, horn Michael Huang ’20, horn Sun, Jan 19, 1 pm Top of the Hop • Dartmouth College • 2020 ChamberWorks is a series of free concerts presented by the Hop and the Dartmouth Department of Music, showcasing the talent of faculty and special guests, and is made possible by support from the Griffith Fund. Program Horn Quartet in E flat Major, K. 407 Wolfgang Amadeus Mozart (1756–1791) I. Allegro II. Andante III. Rondo: Allegro Quartet in C major, Op. 33, no. 3 The Bird Joseph Haydn (1732–1809) I. Allegro Moderato II. Scherzo – Allegro III. Largo IV. Presto Ein Musikalischer Spass (A Musical Joke), K. 522 Wolfgang Amadeus Mozart I. Allegro II. Menuetto and trio III. Adagio cantabile IV. Presto Program Notes Horn Quintet in E flat major K. 407 Germany and Austria and earning a considerable salary Wolfgang Amadeus Mozart (1756-1791) during a brief stint with Haydn’s orchestra in Esterhazy. Unfortunately, recent scholarship has cast doubt on the Mozart’s works containing parts for the horn can broadly idea, long-cherished by horn players, that he retired from be put in two categories: those written for hornists playing to open a cheesemonger’s shop on the outskirts whose playing he knew and esteemed, and those who of Vienna. couldn’t be trusted. Of the first category, to which his Horn Quintet K. 407 belongs, most were written for his But even if those biographical details were unknown, friend Joseph Leitgeb (or Leutgeb). -
CD´S Mit Werken Von Und Mit Xaver, Philipp U. Walter Scharwenka
Scharwenka Stiftung Die Tonträger können nach Voranmeldung Bestandsverzeichnis abgehört bzw. ausgeliehen werden CD´s mit Werken von & mit Xaver, Philipp und Walter Scharwenka Scharwenka Bearbeiter: Stand: 30.09.2019 Verleger Xaver Scharwenka Unterhaltsame Klaviermusik CD 1 „Gärten im Frühling“: Volkmar Schwerdtner/ Hans- Polnische Nationaltänze op.3 Nr.1 bis 5 Georg Schwerdtner Weitere Kompositionen von Carl Czerny, Jean Philippe Ramenau, Walter Eigenverlag Niemann, Hans-Willy Bergen Interpret am Klavier: Hans-Georg Schwerdtner Aufn.-dat. 1957 - 1963 CD 2 „Concertino“: Kompositionen von Albrecht Rosenstengel, Karl-Heinz Köper, Ernst Fischer/ H.-G. Schwerdtner, Julius Jacobsen, Lothar Mikuliez, Fried Walter Interpreten: Sabine Schwerdtner und Hans-Georg Schwerdtner Verleger Xaver Scharwenka Pianowerke 4: Polnische Tänze op. 47 Nr. 1 bis 4, Zwei Klavierstücke op. 65, Hyperion London 1975/ 2003 Six Waltzes op. 28, Variationen über ein Thema von C. H. Nr. 1 bis 13 op.57, LC 7533 CDH 55134 Drei Klavierstücke op. 86, Zwei Erzählungen am Klavier op. 5 Interpret: Seta Tanyel Aufn.-dat. 1975 Diese CD gibt es auch in einer anderen Cover- Version. Verleger Philipp Scharwenka Sonate op. 106; Carillion LC 8233 Außerdem: Robert Fuchs: Sechs Phantasiestücke op. 117, Sonate für Violine und Piano op. 86, Interpreten: Joachim Krist (viola), Michael Krist (piano) Aufn.-dat. 1988 Diese CD ist in zwei verschiedenen Cover- Versionen im Bestand vorhanden Verleger Xaver Scharwenka Polish Dance op.3 No.1; Lyrita SRCD.216 Weiterhin Johann Sebastian Bach: Toccata and Fugue d-moll (BWV 565); Frédéric Chopin: Marche funèbre (from Piano Sonata No.2 b-moll); Enrique Granados: Spanish Dance (No.5 Andaluza); Edvard Grieg: Funeral March; Claude Debussy: La Cathédrale engloutie (Preludes, Book 1 No.10); Aufn.-dat. -
Songs and Chamber Music of Reynaldo Hahn and Francis Poulenc
Songs and Chamber Music of Reynaldo Hahn and Francis Poulenc ! In 2013 I was asked to curate a series of three concerts at the Brighton Festival and I chose to focus on the chamber music and songs of Poulenc and Hahn. !“Les chansons instrumentales” The series was partly a commemoration of the fiftieth anniversary of the death of Poulenc, and partly a study in the contrasting musical styles, and wholly a !celebration of French music. It was a wonderful opportunity to explore the relatively unknown chamber music and songs by Reynaldo Hahn, a composer that I have always admired and who’s compositional style I feel suits my artistic temperament. We had a wonderful time performing his songs, the epic piano quintet and charming piano quartet as well as some works for flute and piano, and flute, viola and !piano. The series was very popular with the audience, and we received a lot of feedback, especially to say how much the audience enjoyed the unusual !pieces by Hahn. Les Chanson Instrumentales: Part 1: Wednesday 15 May 2013 Partly a commemoration of the fiftieth anniversary of the death of Poulenc, partly a study in contrasting musical styles, and wholly a celebration of French music, this series of chamber concerts reunites many of the artists who began their careers in our Lunchtime concerts. Curated by the pianist James Baillieu, who made a big impression in last year’s Festival, it is a chance to explore the charm and originality of the French chamber music repertory. The Irish soprano Ailish Tynan is noted for the breadth of her repertory, and is a noted exponent of French song. -
MUSICIAN BIOGRAPHIES Bernard Mindich Bernard Lisa-Marie Mazzucco
CENTER FOR THE PERFORMING ARTS AT PENN STATE ONSTAGE ANI KAVAFIAN, violin Bernard Mindich DAVID SHIFRIN, clarinet MIHAI MARICA, cello , viola TARA HELEN O’CONNOR, flute PAUL NEUBAUER YURA LEE, viola Lisa-Marie Mazzucco Bernard Mindich Lisa-Marie Mazzucco ARNAUD SUSSMANN, violin © 2007 NyghtFalcon All Rights Reserved Today’s performance is sponsored by Tom and Mary Ellen Litzinger COMMUNITY ADVISORY COUNCIL The Community Advisory Council is dedicated to strengthening the relationship between the Center for the Performing Arts and the community. Council members participate in a range of activities in support of this objective. Nancy VanLandingham, chair Mary Ellen Litzinger Lam Hood, vice chair Bonnie Marshall Pieter Ouwehand William Asbury Melinda Stearns Patricia Best Susan Steinberg Lynn Sidehamer Brown Lillian Upcraft Philip Burlingame Pat Williams Alfred Jones Jr. Nina Woskob Deb Latta Eileen Leibowitz student representative Ellie Lewis Jesse Scott Christine Lichtig CENTER FOR THE PERFORMING ARTS AT PENN STATE presents The Chamber Music Society of Lincoln Center Tara Helen O’Connor, flute David Shifrin, clarinet Ani Kavafian, violin Arnaud Sussmann, violin Yura Lee, viola Paul Neubauer, viola Mihai Marica, cello 7:30 p.m. Thursday, November 20, 2014 Schwab Auditorium The performance includes one intermission. This presentation is a component of the Center for the Performing Arts Classical Music Project. With support from The Andrew W. Mellon Foundation, the project provides opportunities to engage students, faculty, and the community with classical music artists and programs. Marica Tacconi, Penn State professor of musicology, and Carrie Jackson, Penn State associate professor of German and linguistics, provide faculty leadership for the curriculum and academic components of the grant project. -
September 2016 – July 2017
SEPTEMBER 2016 –JULY 2017 Director’s Introduction Frances Marshall Photography One of Britain’s foremost singers, Sarah Connolly, opens the Hall’s new season with regular duo partner Malcolm Martineau, leading listeners through a programme rich in emotional contrasts, poetic reflections and glorious melodies. The recital includes Mahler’s sublime Rückert Lieder, the impassioned lyricism of Berlioz’s Les nuits d’été, the exotic subtle narrative impressions of Debussy’s three Chansons de Bilitis, and a selection of Schumann songs. Mark Padmore’s vocal artistry and ability to extract every drop of emotion from poetic texts have secured his place among today’s finest recitalists. Morgan Szymanski, described by Classical Guitar magazine as ‘a player destined for future glories’ joins him on 12 September. Critical acclaim for Angela Hewitt’s Bach interpretations bears witness to the pianist’s extraordinary ability to connect physically and emotionally as well as intellectually with the dance rhythms and expressive gestures of the composer’s keyboard works. The Bach Odyssey will highlight all of this over the next four years. Canadian soprano Barbara Hannigan performs like a force of nature, captivating audiences with her artistry’s presence and expressive vitality. She joins the Calder Quartet, winner of the 2014 Avery Fisher Career Grant, for the world première of The sirens cycle by Peter Eötvös. Beethoven’s piano sonatas occupied forty years of his life. They offer insights into his development as artist and individual, and stand among the greatest of all his works. Igor Levit, now in his late 20s, drew critical superlatives to his debut recording of Beethoven’s late sonatas and has since established his reputation as a visionary interpreter of the composer’s music. -
Chamber Music
New Mozart Edition VIII/19/2 Quintets with Wind Instruments WOLFGANG AMADEUS MOZART Series VIII CHAMBER MUSIC WORK GROUP 19: STRING QUINTETS AND QUINTETS WITH WIND INSTRUMENTS SECTION 2: QUINTETS WITH WIND INSTRUMENTS PRESENTED BY ERNST FRITZ SCHMID 1958 International Mozart Foundation, Online Publications III New Mozart Edition VIII/19/2 Quintets with Wind Instruments Neue Mozart-Ausgabe (New Mozart Edition)* WOLFGANG AMADEUS MOZART The Complete Works BÄRENREITER KASSEL BASEL LONDON En coopération avec le Conseil international de la Musique Editorial Board: Dietrich Berke Wolfgang Plath Wolfgang Rehm Agents for BRITISH COMMONWEALTH OF NATIONS: Bärenreiter Ltd. London BUNDESREPUBLIK DEUTSCHLAND: Bärenreiter-Verlag Kassel SWITZERLAND and all other countries not named here: Bärenreiter-Verlag Basel As a supplement to each volume a Critical Report (Kritischer Bericht) in German is available The editing of the NMA is supported by City of Augsburg City of Salzburg Administration Land Salzburg City of Vienna Konferenz der Akademien der Wissenschaften in der Bundesrepublik Deutschland, represented by Akademie der Wissenschaften und der Literatur Mainz, with funds from Bundesministerium für Forschung und Technologie, Bonn and Bayerisches Staatsministerium für Unterricht und Kultus Ministerium für Kultur der Deutschen Demokratischen Republik Bundesministerium für Unterricht und Kunst, Vienna * Hereafter referred to as the NMA. The predecessor, the "Alte Mozart-Edition" (Old Mozart Edition) is referred to as the AMA. International Mozart Foundation, Online Publications IV New Mozart Edition VIII/19/2 Quintets with Wind Instruments CONTENTS Editorial Principles ……………..………………………………………………..…….. VI Foreword………….…………………….………………………………………….…… VII Facsimile: Entry relating to the Clarinet Quintet in A KV 581 from the work catalogue in Mozart’s own hand XIV Facsimile: Title page of the first printing of the Clarinet Quintet in A KV 581………………………………… XIV Facsimile: First page of the autograph for a fragment of a Clarinet Quintet in B b KV App. -
Neoclassicism 8 Copy
THREE NEOCLASSICAL COMPOSITIONS FOR VIOLIN AND PIANO: STRAVINSKY’S DUO CONCERTANTE, PROKOFIEV’S VIOLIN SONATA NO. 2 IN D MAJOR, AND POULENC’S VIOLIN SONATA OP. 119 by JONG AH MOON (Under the Direction of Levon Ambartsumian) ABSTRACT In the early part of the twentieth century, the Neoclassical style was a strong influence on violin works by composers such as Igor Stravinsky, Francis Poulenc, and Sergei Prokofiev. Through a recording project and an accompanying document, I will introduce distinctive styles of Neoclassical violin music within three works: Stravinsky’s Duo concertante (1932), Prokofiev’s Violin Sonata No. 2 in D Major, Op. 94 bis (1943), and Poulenc’s Violin Sonata, Op. 119 (1942-1943). Through the performance and discussion, I explore ways to interpret these works in light of their Neoclassical elements. INDECX WORDS: Neoclassicism, Neoclassical violin music, Igor Stravinsky, Sergei Prokofiev, Francis Poulenc, Duo concertante, Violin Sonata No. 2, Violin Sonata Op. 119. THREE NEOCLASSICAL COMPOSITIONS FOR VIOLIN AND PIANO: STRAVINSKY’S DUO CONCERTANTE, PROKOFIEV’S VIOLIN SONATA NO. 2 IN D MAJOR, AND POULENC’S VIOLIN SONATA OP. 119 by JONG AH MOON B. Mus., Ewha Womans University, South Korea, 2006 M.M., New England Conservatory, 2008 A Document Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2013 © 2013 Jong Ah Moon All Rights Reserved THREE NEOCLASSICAL COMPOSITIONS FOR VIOLIN AND PIANO: STRAVINSKY’S DUO CONCERTANTE, PROKOFIEV’S VIOLIN SONATA NO. 2 IN D MAJOR, AND POULENC’S VIOLIN SONATA OP. -
Strings: 6/18/09 4:05 PM Page 249 HAL LEONARD249 STRINGS
76164 7 Classical_Strings: 6/18/09 4:05 PM Page 249 HAL LEONARD249 STRINGS 250 Violin Instruction 307 Cello with Various 253 Solo Violin Literature Instruments by Composer 309 Double Bass Instruction 274 Solo Violin Collections 309 Solo Double Bass 276 Violin Duets Literature by Composer 279 Violin Trios 311 Double Bass with Various 279 Instruments Violin Ensembles 312 280 Violin with Various String Duos Instruments 313 String Trios 282 Viola Instruction 317 String Quartets 283 Solo Viola Literature 327 String Quintets by Composer 328 String Sextets 288 Viola Collections 329 Piano Trios 289 Viola Duos & Ensembles 332 Piano Quartets 289 Viola with Various 333 Piano Quintets Instruments 333 String Ensembles 289 Viola d’Amore 336 Solo Harp Literature 289 Viola da gamba by Composer 290 Cello Instruction 338 Harp Ensembles 291 Solo Cello Literature 339 Harp with Various by Composer Instruments 304 Solo Cello Collections 339 Cimbalom 305 Cello Duos 306 Cello Ensembles 2009-2010 CLASSICAL MUSIC CATALOG 76164 7 Classical_Strings: 6/18/09 4:05 PM Page 250 250 VIOLIN INSTRUCTION BERIOT, CHARLES DE ______50326680 Practical Method, Book 3 ______50326200 Method for Violin, Part 1 Unaccompanied Spanish/English. Schirmer ED1277 .............................$9.95 Schirmer ED1005 ..........................................................$9.95 ______50326690 Practical Method, Book 4 ______50091100 Violin Method Part 1 Ricordi RER802 .....................$24.95 Spanish/English. Schirmer ED1278 .............................$9.95 ______50326700 Practical Method,