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Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Works Performed on Musical Club of Hartfort Programs by Musical Club of Hartford Members
WORKS PERFORMED ON MUSICAL CLUB OF HARTFORT PROGRAMS BY MUSICAL CLUB OF HARTFORD MEMBERS - SEPT 2014 thur MAR 2, 2017 ARRANGED ALPHABETICALLY BY COMPOSER, TITLE OF WORK 2017 2-Mar Guitar, Mandolin Acevedo Basileirinho Handler, Levesque 2017 2-Mar Guitar, Mandolin Acevedo Pedacinhos do Ceu Handler, Levesque 2016 28-Apr Guitar, Mandolin Acquavella Yutuma Handler, Levesque 2015 5-Nov Piano Albeniz Almeria (from the Rose Iberian Suite) 2015 24-Sep Piano Albeniz Suite Iberia, Book I III. Fete a Dieu en Garrido-Cid Seville (Corpus Christi en Sevilla) 2015 24-Sep Soprano, Piano, Allen, Virginia Fanfare to the Matteson, Garrido-Cid, 4 hands, Violin, Musical Club Duffy, V. Allen, *Gene Viola, Cello Chen, H. Walker 2016 8-Dec Mezzo-soprano, Andersson, Rice, I Know Him So Well, Fitzgerald, Matteson, Soprano, Piano Ulvaeus from Chess Gariddo-Cid 2017 12-Jan Hammer Anon., Spanish, Romanza Monstream, Mazza- Dulcimer, Guitar 19th cent. Dixon 2014 23-Oct Piano Trio Arensky Piano Trio No. 1 in D Cahoon, L. Kugelman, Minor Bard 2016 20-Mar 1 Piano, 4 Hands Arensky Six Children's 4. Waltz; 6. Fugue Switaj, Tan Pieces, Op. 34 on a Russian Theme 2015 22-Mar 2 Pianos, 4 Arensky Suite for Two Pianos, II. Valse Cahoon, D. Day Hands Op. 15 2016 14-Jan Contralto, Piano Arien Stormy Weather Girard, D. Fine 2016 20-Mar 1 Piano, 4 Hands Auric Five Bagatelles Switaj, Tan 2016 7-Apr Soprano, Piano Austin, Elizabeth A Birthday Bouquet 1. for your birthday M. Kennedy, E. Austin (1990) for high voice (e.e. commings) 2016 7-Apr Piano Austin, Elizabeth A Child's Garden of [12 pieces] Woodard (1-6), E. -
Songs and Chamber Music of Reynaldo Hahn and Francis Poulenc
Songs and Chamber Music of Reynaldo Hahn and Francis Poulenc ! In 2013 I was asked to curate a series of three concerts at the Brighton Festival and I chose to focus on the chamber music and songs of Poulenc and Hahn. !“Les chansons instrumentales” The series was partly a commemoration of the fiftieth anniversary of the death of Poulenc, and partly a study in the contrasting musical styles, and wholly a !celebration of French music. It was a wonderful opportunity to explore the relatively unknown chamber music and songs by Reynaldo Hahn, a composer that I have always admired and who’s compositional style I feel suits my artistic temperament. We had a wonderful time performing his songs, the epic piano quintet and charming piano quartet as well as some works for flute and piano, and flute, viola and !piano. The series was very popular with the audience, and we received a lot of feedback, especially to say how much the audience enjoyed the unusual !pieces by Hahn. Les Chanson Instrumentales: Part 1: Wednesday 15 May 2013 Partly a commemoration of the fiftieth anniversary of the death of Poulenc, partly a study in contrasting musical styles, and wholly a celebration of French music, this series of chamber concerts reunites many of the artists who began their careers in our Lunchtime concerts. Curated by the pianist James Baillieu, who made a big impression in last year’s Festival, it is a chance to explore the charm and originality of the French chamber music repertory. The Irish soprano Ailish Tynan is noted for the breadth of her repertory, and is a noted exponent of French song. -
MARCH 2017 Director’S Introduction
JANUARY – MARCH 2017 Director’s Introduction ©Frances Marshall Photography Receptive to life and death, and aware of the spiritual depths of both, Schubert probed the heart of the human condition in his unsurpassed, and almost certainly unsurpassable, output of 600-plus songs. Wigmore Hall’s Schubert: The Complete Songs series offers audiences the chance to experience the full range of this extraordinary creative achievement as it continues through 2017. Grammy-nominated pianist, bandleader and composer Vijay Iyer starts his Jazz Residency at Wigmore Hall. The American musician, born in 1971 in New York, has been described by Los Angeles Weekly as ‘a boundless and deeply important young star’ and by the Guardian as being ‘at a dizzying pinnacle of contemporary jazz multitasking’, verdicts reinforced by a string of awards and five-star reviews. Patricia Kopatchinskaja, our Artist in Residence, launches her Wigmore Hall series with the first of three concerts crafted to show the versatility, curiosity and wide musical passions of a true pioneer among today’s performers. The Moldovan-Austrian violinist is equally at home with period performance styles as she is when bringing contemporary compositions to life or casting fresh interpretative light on the most familiar of chamber works. Spread over the course of four seasons, Angela Hewitt: The Bach Odyssey gathers momentum with a concert devoted to Bach’s six French Suites. Angela Hewitt’s affinity for Bach flows naturally from Peter Dazeley her strong connection with the composer’s dance rhythms and from Paul Lewis’s pianism, eloquent and fully alive, is the result of a harmonious her exquisite feeling for lyrical phrasing, contrapuntal clarity and marriage between deep thinking about music and unrestrained physical sensitive articulation. -
Sonatas &Liebeslieder
Johannes BRAHMS Sonatas & Liebeslieder for cello and piano EMMANUELLE BERTRAND PASCAL AMOYEL FRANZ LISZT JOHANNES BRAHMS (1833-1897) Cello Sonata no. 1 op. 38 E minor / Mi mineur / e-Moll 1 | I. Allegro non troppo 14’45 2 | II. Allegretto quasi Menuetto 5’36 3 | III. Allegro 6’32 Six Love Songs / Six Chants d’amour / Sechs Liebeslieder * 4 | 1. Feldeinsamkeit op. 86 no. 2 3’28 5 | 2. Wie Melodien zieht es mir leise durch den Sinn op. 105 no. 1 1’46 6 | 3. Sapphische Ode op. 94 no. 4 1’59 7 | 4. Wiegenlied op. 49 no. 4 2’04 8 | 5. Liebestreu op. 3 no. 1 2’25 9 | 6. Minnelied op. 71 no. 5 2’49 10 | Immer leiser wird mein Schlummer op. 105 no. 2 * 4’2 Cello Sonata no. 2 op. 99 F major / Fa majeur / F-Dur 11 | I. Allegro vivace 8’49 12 | II. Adagio affettuoso 6’51 13 | III. Allegro passionato 7’29 14 | IV. Allegro molto 4’28 Hungarian Dance no. 1 * G minor / Sol mineur / g-Moll 15 | Allegro molto 3’09 Hungarian Dance no. 5 * F-sharp minor / Fa dièse mineur / fis-Moll 16 | Allegro 2’19 * transcriptions for cello and piano Emmanuelle Bertrand, cello Pascal Amoyel, piano Sonates de chambre Brahms et les voix du violoncelle Dans la magistrale Kammermusik de Brahms – vingt-quatre partitions sans rivales dans la seconde moitié du XIXe Confié aux meilleurs maîtres de Hambourg pour le piano et la composition, Johannes Brahms a été initié au cor et aux siècle – le violoncelle bénéficie de mémorables solos, tels ceux de l’Allegro initial du Premier Sextuor à cordes et de o instruments à cordes par son père, musicien autodidacte aux capacités multiples. -
September 2016 – July 2017
SEPTEMBER 2016 –JULY 2017 Director’s Introduction Frances Marshall Photography One of Britain’s foremost singers, Sarah Connolly, opens the Hall’s new season with regular duo partner Malcolm Martineau, leading listeners through a programme rich in emotional contrasts, poetic reflections and glorious melodies. The recital includes Mahler’s sublime Rückert Lieder, the impassioned lyricism of Berlioz’s Les nuits d’été, the exotic subtle narrative impressions of Debussy’s three Chansons de Bilitis, and a selection of Schumann songs. Mark Padmore’s vocal artistry and ability to extract every drop of emotion from poetic texts have secured his place among today’s finest recitalists. Morgan Szymanski, described by Classical Guitar magazine as ‘a player destined for future glories’ joins him on 12 September. Critical acclaim for Angela Hewitt’s Bach interpretations bears witness to the pianist’s extraordinary ability to connect physically and emotionally as well as intellectually with the dance rhythms and expressive gestures of the composer’s keyboard works. The Bach Odyssey will highlight all of this over the next four years. Canadian soprano Barbara Hannigan performs like a force of nature, captivating audiences with her artistry’s presence and expressive vitality. She joins the Calder Quartet, winner of the 2014 Avery Fisher Career Grant, for the world première of The sirens cycle by Peter Eötvös. Beethoven’s piano sonatas occupied forty years of his life. They offer insights into his development as artist and individual, and stand among the greatest of all his works. Igor Levit, now in his late 20s, drew critical superlatives to his debut recording of Beethoven’s late sonatas and has since established his reputation as a visionary interpreter of the composer’s music. -
Neoclassicism 8 Copy
THREE NEOCLASSICAL COMPOSITIONS FOR VIOLIN AND PIANO: STRAVINSKY’S DUO CONCERTANTE, PROKOFIEV’S VIOLIN SONATA NO. 2 IN D MAJOR, AND POULENC’S VIOLIN SONATA OP. 119 by JONG AH MOON (Under the Direction of Levon Ambartsumian) ABSTRACT In the early part of the twentieth century, the Neoclassical style was a strong influence on violin works by composers such as Igor Stravinsky, Francis Poulenc, and Sergei Prokofiev. Through a recording project and an accompanying document, I will introduce distinctive styles of Neoclassical violin music within three works: Stravinsky’s Duo concertante (1932), Prokofiev’s Violin Sonata No. 2 in D Major, Op. 94 bis (1943), and Poulenc’s Violin Sonata, Op. 119 (1942-1943). Through the performance and discussion, I explore ways to interpret these works in light of their Neoclassical elements. INDECX WORDS: Neoclassicism, Neoclassical violin music, Igor Stravinsky, Sergei Prokofiev, Francis Poulenc, Duo concertante, Violin Sonata No. 2, Violin Sonata Op. 119. THREE NEOCLASSICAL COMPOSITIONS FOR VIOLIN AND PIANO: STRAVINSKY’S DUO CONCERTANTE, PROKOFIEV’S VIOLIN SONATA NO. 2 IN D MAJOR, AND POULENC’S VIOLIN SONATA OP. 119 by JONG AH MOON B. Mus., Ewha Womans University, South Korea, 2006 M.M., New England Conservatory, 2008 A Document Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2013 © 2013 Jong Ah Moon All Rights Reserved THREE NEOCLASSICAL COMPOSITIONS FOR VIOLIN AND PIANO: STRAVINSKY’S DUO CONCERTANTE, PROKOFIEV’S VIOLIN SONATA NO. 2 IN D MAJOR, AND POULENC’S VIOLIN SONATA OP. -
Strings: 6/18/09 4:05 PM Page 249 HAL LEONARD249 STRINGS
76164 7 Classical_Strings: 6/18/09 4:05 PM Page 249 HAL LEONARD249 STRINGS 250 Violin Instruction 307 Cello with Various 253 Solo Violin Literature Instruments by Composer 309 Double Bass Instruction 274 Solo Violin Collections 309 Solo Double Bass 276 Violin Duets Literature by Composer 279 Violin Trios 311 Double Bass with Various 279 Instruments Violin Ensembles 312 280 Violin with Various String Duos Instruments 313 String Trios 282 Viola Instruction 317 String Quartets 283 Solo Viola Literature 327 String Quintets by Composer 328 String Sextets 288 Viola Collections 329 Piano Trios 289 Viola Duos & Ensembles 332 Piano Quartets 289 Viola with Various 333 Piano Quintets Instruments 333 String Ensembles 289 Viola d’Amore 336 Solo Harp Literature 289 Viola da gamba by Composer 290 Cello Instruction 338 Harp Ensembles 291 Solo Cello Literature 339 Harp with Various by Composer Instruments 304 Solo Cello Collections 339 Cimbalom 305 Cello Duos 306 Cello Ensembles 2009-2010 CLASSICAL MUSIC CATALOG 76164 7 Classical_Strings: 6/18/09 4:05 PM Page 250 250 VIOLIN INSTRUCTION BERIOT, CHARLES DE ______50326680 Practical Method, Book 3 ______50326200 Method for Violin, Part 1 Unaccompanied Spanish/English. Schirmer ED1277 .............................$9.95 Schirmer ED1005 ..........................................................$9.95 ______50326690 Practical Method, Book 4 ______50091100 Violin Method Part 1 Ricordi RER802 .....................$24.95 Spanish/English. Schirmer ED1278 .............................$9.95 ______50326700 Practical Method, -
January 2017
January 2017 Vijay Iyer INSIDE: Arcangelo Cuarteto Casals Alice Coote Julia Fischer Gould Piano Trio Angela Hewitt Elisabeth Leonskaja Soloists of Les Arts Florissants Igor Levit Nash Ensemble Vienna Piano Trio Roderick Williams and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats. -
The Juilliard Manuscript Collection
The Juilliard Manuscript Collection Composer Title Brief Description Arensky, Anton Scherzo, op. 8, for piano Fine autograph manuscript of the “Scherzo” Op. 8 for piano, signed (“Ant. Arensky”), in A major, written in black ink on three systems per page, each of two staves, with deletions, revisions and alterations, some bars represented only by numbers in repeated passages, dedication to Vassily Il’yich Safonov on first page of music. Bach, J. S. Cantata ‘Es ist ein trotzig und The lost manuscript of the transposed continuo part of the cantata ‘Es is ein trotzig und verzagt Ding’ BWV 176 verzagt ding’, BWV 176, from the original set of performing materials for the premiere in Leipzig on 27 May 1725. Bach, J.S. Choräle der Sammlung, Leipzig, 1765 C.P.E. Bach (Chorales from the C.P.E. Bach collection) Bach, J.S. Keyboard music, selections Clavier Übung bestehend in Praeludien… von Johann Sebastian Bach…Directore Chori (Clavier-Übung) Musici Lipsiensis. Opus 1, Leipzig, the author (“In Verlegung des Autoris”), Leipzig, 6 Partitas BWV 825-830 1731 Bach, J.S. St. Matthew Passion and First editions of the “St Matthew Passion” and the “St John Passion” in full score, Berlin, St. John Passion 1830, 1831. Bach, J.S. Kunst der Fuge First Edition, second issue [?], Leipzig, 1752 Barber, Samuel Antony and Cleopatra Autograph musical notebook with directions for cuts and alterations to Act II (sketches) Beethoven, Fidelio Important working manuscript of part of Fidelio, extensively revised by the composer, Ludwig van unsigned, being a scribal manuscript -
Nomination List Sorted by Categories ICMA 2019 PDF Format
Catalogue Title of CD/DVD Composer & Works Performing Artists Label Number EARLY MUSIC San Marco di Venezia: The Golden Age G. Gabrieli - Bassano - Merulo - A. Gabrieli L. Stewart, Les Traversées Baroques, E. Meyer Accent ACC24345 The Night of St. Nicholas La Reverdie Arcana A442 La barca del mio amore Gorzanis: Napolitane, Balle, Fantasie P. de Vittorio, La Lyra, B. Zuljan Arcana A450 Co’l dolce suono Arcadelt - Layolle - Willaert - Ganassi - Segni - Fogliano - U. Hofbauer, Ensemble Arcimboldo, T. Hirsch Audite 97731 Berchem - Ortiz Nova Sonet Harmonia Anon.: Gaude felix parens Yspania + Ymnum nove leticie + Ensemble Discantus, B. Lesne Bayard Musique 308 556.2 Terribilis es locus iste et al. Ockeghem: Requiem - de La Rue: Requiem Diabolus in Musica, A. Guerber Bayard Musique 308 475.2 Mya Senhor Velida: Medieval Lais & Anonymous: Plainte de la Vierge au pied de la croix + Malandança, F.Luengo Brilliant Classics 95689BR Cantigas From France & Spain Recordare + Lai de Notre Dame - Alfonso X: Santa Maria loei + Nembre-sse-te Madre de Deus + Virgen Madre gloriosa Marenzio: Il pastor fido La Pedrina, F. S. Pedrini Claves 50-1814 Zefiro Spira: Italian Renaissance Frottole & Bisan - Caprioli - Jublin - Kieffer - Tromboncino - Verdelot G. Jublin, P. Kieffer Claves 50-1803 Improvisations Fons Luminis. Codex las Huelgas Various anonymous works Ensemble Gilles Binchois, D. Vellard Evidence Classics EVCD051 Cipriano de Rore: Portrait of the Artist as a Rore: L'ineffabil bontà del Redentore + Era il bel viso suo L.C.Trulls, F.Rycker, Graindelavoix, B.Schmelzer Glossa GCDP32114 Starved Dog qual'esser suole + Convien ch'ovunque sua sempre cortese + Come la notte ogni fiammella è viva - Verdelot: Queste non son più lagrime - Morlaye: Non son io che pai' in viso etc. -
BARTOK in CONTRAST My Other Address
BARTOK IN CONTRAST my other address Full service apartment hotels in central locations across Australia Stay 3 nights or more and save up to 25%* Image: Adina Apartment Hotel Coogee *Conditions apply Thursday 6 February, 7:00pm Melbourne Recital Centre Saturday 8 February, 2:00pm & 6:30pm Sydney Opera House Sunday 9 February, 6:00pm Newcastle Art Gallery BARTOK IN CONTRAST Francis Poulenc Sonata for Clarinet and Piano Béla Bartók Contrasts for Clarinet, Violin and Piano Dmitri Shostakovich Violin Sonata in G major Aram Khachaturian Trio for Clarinet, Violin and Piano This performance will last approximately 90 minutes without interval. Acknowledgment of Country Omega Ensemble acknowledges the traditional custodians of the lands on which we perform. We pay respect to the Elders both past and present, and extend that respect to all Aboriginal and Torres Strait Islander Australians. 4 MUSIC NOTES Francis Poulenc (1899–1963) Sonata for Clarinet and Piano COMPOSED IN 1962 I. Allegro tristamente (allegretto) II. Romanza (très calme) III. Allegro con fuoco (très animé) Like those of his countryman Claude Debussy, the French composer Francis Poulenc Francis Poulenc’s last works are an unfinished set of sonatas – in this case for flute, clarinet and oboe, each with piano. Poulenc’s earliest chamber works were infused with the slightly sardonic tones of neo-classicism which characterised much of the music written by the group known as Les Six in France between the world wars. The late works maintain something of the deceptively simple character of such works, and retain the classical three movement design, but are at the same time deeply expressive.