DOCSLIB.ORG

Works Performed on Musical Club of Hartfort Programs by Musical Club of Hartford Members

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Works Performed on Musical Club of Hartfort Programs by Musical Club of Hartford Members WORKS PERFORMED ON MUSICAL CLUB OF HARTFORT PROGRAMS BY MUSICAL CLUB OF HARTFORD MEMBERS - SEPT 2014 thur MAR 2, 2017 ARRANGED ALPHABETICALLY BY COMPOSER, TITLE OF WORK 2017 2-Mar Guitar, Mandolin Acevedo Basileirinho Handler, Levesque 2017 2-Mar Guitar, Mandolin Acevedo Pedacinhos do Ceu Handler, Levesque 2016 28-Apr Guitar, Mandolin Acquavella Yutuma Handler, Levesque 2015 5-Nov Piano Albeniz Almeria (from the Rose Iberian Suite) 2015 24-Sep Piano Albeniz Suite Iberia, Book I III. Fete a Dieu en Garrido-Cid Seville (Corpus Christi en Sevilla) 2015 24-Sep Soprano, Piano, Allen, Virginia Fanfare to the Matteson, Garrido-Cid, 4 hands, Violin, Musical Club Duffy, V. Allen, *Gene Viola, Cello Chen, H. Walker 2016 8-Dec Mezzo-soprano, Andersson, Rice, I Know Him So Well, Fitzgerald, Matteson, Soprano, Piano Ulvaeus from Chess Gariddo-Cid 2017 12-Jan Hammer Anon., Spanish, Romanza Monstream, Mazza- Dulcimer, Guitar 19th cent. Dixon 2014 23-Oct Piano Trio Arensky Piano Trio No. 1 in D Cahoon, L. Kugelman, Minor Bard 2016 20-Mar 1 Piano, 4 Hands Arensky Six Children's 4. Waltz; 6. Fugue Switaj, Tan Pieces, Op. 34 on a Russian Theme 2015 22-Mar 2 Pianos, 4 Arensky Suite for Two Pianos, II. Valse Cahoon, D. Day Hands Op. 15 2016 14-Jan Contralto, Piano Arien Stormy Weather Girard, D. Fine 2016 20-Mar 1 Piano, 4 Hands Auric Five Bagatelles Switaj, Tan 2016 7-Apr Soprano, Piano Austin, Elizabeth A Birthday Bouquet 1. for your birthday M. Kennedy, E. Austin (1990) for high voice (e.e. commings) 2016 7-Apr Piano Austin, Elizabeth A Child's Garden of [12 pieces] Woodard (1-6), E. Music (12000-2015) Austin (7-12) 2016 7-Apr Baritone, Piano Austin, Elizabeth Lithuanian Lieder 1. The Jura; 2. The *Christopher Grundy, (Johannes Lithuanian Well; 3. E. Austin Bobrowski) Horses; 4. From the East 2016 7-Apr Recorder Austin, Elizabeth Sonata for Soprano Robin Recorder (1991) 2016 7-Apr Soprano, Piano Austin, Elizabeth The Heart's Journey M. Kennedy, E. Austin (Siegried Sasson) (1958) 2016 7-Apr Vocal Austin, Elizabeth The Road Not Taken Road Travelers Ensemble/Piano (Robert Frost) Ensemble (*Mark (premiere Child; *Martha Child, performance) Church, Douglas, *Lydia McClain, *Jane Penfield, *Joe Scott, *Tema Silk, *Howard Sprout); Banzhaf, director; Cahoon, accompanist 2016 7-Apr Soprano, Piano Austin, Elizabeth Three Rilke Lieder 1. Autumn Day; 2. M. Kennedy, E. Austin (1958) Autumn; 3. Lovesong 2015 5-Nov Cello Bach, J S Cello Suite No. 3 in Prelude *Amy Kang C Major, BWV 1009 2015 5-Nov Cello Bach, J S Cello Suite No. 4 in Prelude *Amy Kang E-flat Major, BWV 1010 2016 20-Mar 2 Pianos, 4 Bach, J S Concerto in C minor Bugbee, *Linda Hands for Two Pianos Pezzulo 2015 10-Dec Organ Bach, J S Prelude in G Major, Lemlein BWV 550 2014 6-Nov Organ Bach, J S Two Chorale In dir ist Freude ("In Hegarty Preludes Thee is Joy"); Nun freut euch, lieben Christen g'mein ("Rejoice now, Christan souls") 2015 16-Apr Harpsichord Balbastre Selected Pieces La D'Hericourt; La Curran Lugeac; La Malesherbe: Ariette gracieuse & Air gay 2017 12-Jan Soprano, Piano Barber Hermit Songs V. The Crucifixion; *Christine Fote VIII. The Monk and Macaluso, Tanguay His Cat 2016 20-Mar 2 Pianos, 4 Barber Souvenirs, Op. 28 Bognar, Hegarty Hands 2016 29-Sep Piano Beethoven Piano sonata No. 23, I. Allegro Assai Paniyeva Op. 57 (Appassionata) 2015 5-Nov Piano, Clarinet, Beethoven Piano Trio in E-flat *Soohyung Yoo, Cello Major, Op. 38 Schonfeld, Benjamin 2016 6-Oct Clarinet, Piano Bellison, arr Four Hebraic Hebrew Dance, Op. Bernstein, Woodard Pictures in the 68, by Levenson; Klezmer Tradition The Maypole, by J. Weinberg 2016 28-Apr Piano Ben-Haim Sonatina for Piano Allegro grazioso Shapiro 2016 14-Jan Contralto, Jazz Berlin I've Got My Love to Girard, D. Fine, W. Ensemble Keep Me Warm Mayo, *Kirk Woodard, (Piano, Bass, *Peter Greenfogel, Drums, Tenor *Larry Girard Saxophone, Trumpet) 2015 9-Apr Soprano, Piano Berlioz Villanelle (text by Hammond, *Paul Theophile Gautier; Feyer translated by Isabella Parker 2015 9-Apr Soprano, Piano Bernstein I Hate Music Matteson, Garrido-Cid 2017 2-Mar Guitar, Mandolin Bettincourt Noises Cariocas Handler, Levesque 2014 6-Nov Soprano, Piano Bizet Habanera (from Fitzgerald, Robbins Carmen) 2015 9-Apr Soprano, Piano Bizet Pastoral (text by J.F. Hammond, *Paul Regnard; translated Feyer by Isabella Parker 2015 16-Apr Soprano, Violin, Boismortier Diane et Acteon: Marcuse, *Douglas B. Viola da gamba, Cantate a une voix et Johnson, Mazza- Harpsichord symphonie Dixon, Curran 2016 3-Nov Harpsichord, Boismortier Flute sonata in E A. Mayo, S. Allen, Flute, Viola de minor Mazza-Dixon Gamba 2015 23-Apr Flute/Bass Flute, Bolling Irlandaise Gilchrist, W. Mayo, D. Bass, Piano Fine 2014 23-Oct Soprano, Piano Bonds, arr. by You can Tell the Longmore, Carabillo World 2015 10-Dec Flute Quartet Booza D'ete a La Montagne IV. Ronde Gilchrist, *Acaia (1953) Farber-Krug, *Elizabeth Raynor, *Bethany Newton 2015 23-Apr Soprano, Piano Brahms Auf dem Kirchhoefe, Mardinly, Cahoon Op. 105, No. 4 2015 10-Dec Vocal Brahms Ave Maria Vocal Ensemble, R. Ensemble/Piano Henderson, Dir., D. Day 2016 6-Oct Clarinet, Piano Brahms Clarinet sonata in E- Allegro amabile Bernstein, Woodard flat Major, Op. 120, No. 2 2015 1-Oct Mezzo-soprano, Brahms Four Duets I. Die Nonne und Fitzgerald, Leslie, Tian Baritone, Piano der Ritter; IV. Der Jager und sein Liebchen (The hunter and his love) 2015 23-Apr Soprano, Piano Brahms Immer leiser wird Mardinly, Cahoon mein Schlummer, Op. 105, No. 2 2017 16-Feb 1 Piano, 4 Hands Brahms Liebeslieder Garrido-Cid, *Miguel Waltzes, Op. 52 (for Campinho piano, four hands) 2016 6-Oct Piano Trio Brahms Piano Trio, Op. 8 MacGougan, L. Kugelman, Benjamin 2017 12-Jan Saxophone, Brahms Sonata in F minor, Rose-Gibbs Duo Piano Op. 120, No. 1, (Rose, Gibb) trans. for saxaphone and piano 2016 28-Jan Mezzo-soprano, Brahms Two Songs, Op. 91 Gestillte Sehnucht; Knorr, Shrader, *Alan Viola, Piano for mezzo-soprano Geistliches Lurie and piano Wiegenlied 2015 23-Apr Soprano, Piano Brahms Wei Melodien zieht Mardinly, Cahoon es, Op. 105, No. 1 2016 20-Oct Soprano, Piano Brahms Ziegeunerlieder, Op. He, Zigeuner; Mardinly, Cahoon 103 Brauner Bursche fuhrt zum Tanze 2015 10-Dec Vocal Britten This Little Babe ("A Vocal Ensemble, R. Ensemble/Piano Cermony of Carols") Henderson, Dir., D. Day 2015 5-Nov Piano, Cello Casals Cant des Ocells *Soohyung Yoo, (Song of the Birds) Benjamin 2017 2-Mar Cello, Piano Chopin Cello Sonata in G Allegro moderato; Bard, Woodard minor, Op. 65 Largo 2015 23-Apr Piano Chopin Nocturne in E minor, Cahoon Op. 72, No. 1 2015 29-Jan Piano Trio Chopin Piano Trio in G Niiler, M. Walker, H. minor, Op 8 Walker 2015 29-Jan Piano Chopin Prelude in C-sharp Robbins minor, Op. 45 2015 10-Dec Flute Quartet Christensen, arr by Deck the Halls Gilchrist, *Acaia Farber-Krug, *Elizabeth Raynor, *Bethany Newton 2015 10-Dec Vocal Clerea, arr by Celebrate this Day Vocal Ensemble, R. Ensemble/Piano, Liebergen Together Henderson, Dir., D. Drum Day, Duffy 2015 29-Jan Soprano, Piano Copland 12 Poems of Emily 3. Why do they shut *Claudia Silvernale, Dickenson me out of Heaven; Switaj 5. Heart, we will forget him; 8. When they come back; 10. I've heard an organ talk sometimes; 11. Going to Heaven 2015 29-Jan Soprano, Piano Copland Laura's song (from *Claudia Silvernale, the opera The Switaj Tender Land) 2016 14-Jan Piano Copland Piano variations Gardner (1930) 2014 9-Oct Flute, Violin, Couperin Concert royal III S. Allen, *Douglas Viola, (1722) Johnson, A. Mayo, Harpsichord, Mazza-Dixon Viola da gamba 2016 3-Nov Harpsichord, Couperin Concerts royaux: Le A. Mayo, Robin, Recorder, Viola premiere concert Mazza-Dixon de Gamba 2015 15-Oct Harpsichord Couperin La Terpsicore A. Mayo 2015 15-Oct Harpsichord Couperin Prelude to Concert Mayo, A. Royal III 2016 20-Oct Piano Debussy L'Isle joyeuse. L106 D. Day 2016 3-Nov Soprano, Piano Debussy Nuit d'etoiles Robinson, D. Day 2015 10-Dec Piano Debussy Prelude, Book 1, No. D. Day 10: La cathedrale engloutie (The Engulfed or Sunken Cathedral) 2016 28-Jan Saxophone, Debussy Rapsodie pour Gibbs, Rose Piano Orchestra et Saxophone (1903); trans. by E. Rousseau 2017 12-Jan Soprano, Piano Debussy Recitative and Lia's *Christine Fote Aria Macaluso, Tanguay 2016 20-Oct Piano Debussy Suite bergamasque, Claire de lune D. Day L75 2014 11-Dec Piano Dello Joio Piano Sonata S. Goldstein 2015 1-Oct Vocalists, DeLugg and Stein Orange Colored Sky Fitzgerald, Leslie, Trumpet, Piano Gwardyak 2016 28-Jan Mezzo-soprano, Duparc Soupir (Sighs) Knorr, *Alan Lurie Piano 2016 6-Oct Tenor, Piano Durufle Pie Jesus, from Child, Hegarty Requiem 2015 5-Nov Piano Trio Dvorak Piano Trio in G Cahoon, L. Kugelman, minor, Op 26 Bard 2016 20-Oct Soprano, Piano Dvorak Zigeunermelodien, 3. Rings ist der Mardinly, Cahoon Op. 55 Wald so stumm und still; 4. Als die alte Mutter 2015 10-Dec Vocal Eng. Carol, As It Fell Upn a Night Vocal Ensemble, R. Ensemble/Piano harmonized by Henderson, Dir., D. Davis Day 2015 1-Oct Flute, Piano Ewazen Flute sonata no. 1 Gilchrist, MacGougan 2016 3-Nov Flute, Piano Ewazen Flute sonata no. 1 1st movement Gilchrist, MacGougan (Allegro Leggiero) 2017 16-Feb Violin, Piano Falla Siete Canciones I. El Pano Moruno; Schrader, *Alan Lurie Populares Espanolas II. Nana; III. Cancion; IV. Polo; V. Asturiana; VI. Jota 2015 9-Apr Soprano, Piano Faure Notre Amour (text by Hammond, *Paul Armand Silvestre) Feyer 2015 15-Oct Soprano, Piano Faure Puisqu'ici-Bas Toute Robinson, D.
Load more

Recommended publications
  • Songs and Chamber Music of Reynaldo Hahn and Francis Poulenc
    Songs and Chamber Music of Reynaldo Hahn and Francis Poulenc ! In 2013 I was asked to curate a series of three concerts at the Brighton Festival and I chose to focus on the chamber music and songs of Poulenc and Hahn. !“Les chansons instrumentales” The series was partly a commemoration of the fiftieth anniversary of the death of Poulenc, and partly a study in the contrasting musical styles, and wholly a !celebration of French music. It was a wonderful opportunity to explore the relatively unknown chamber music and songs by Reynaldo Hahn, a composer that I have always admired and who’s compositional style I feel suits my artistic temperament. We had a wonderful time performing his songs, the epic piano quintet and charming piano quartet as well as some works for flute and piano, and flute, viola and !piano. The series was very popular with the audience, and we received a lot of feedback, especially to say how much the audience enjoyed the unusual !pieces by Hahn. Les Chanson Instrumentales: Part 1: Wednesday 15 May 2013 Partly a commemoration of the fiftieth anniversary of the death of Poulenc, partly a study in contrasting musical styles, and wholly a celebration of French music, this series of chamber concerts reunites many of the artists who began their careers in our Lunchtime concerts. Curated by the pianist James Baillieu, who made a big impression in last year’s Festival, it is a chance to explore the charm and originality of the French chamber music repertory. The Irish soprano Ailish Tynan is noted for the breadth of her repertory, and is a noted exponent of French song.
    [Show full text]
  • MARCH 2017 Director’S Introduction
    JANUARY – MARCH 2017 Director’s Introduction ©Frances Marshall Photography Receptive to life and death, and aware of the spiritual depths of both, Schubert probed the heart of the human condition in his unsurpassed, and almost certainly unsurpassable, output of 600-plus songs. Wigmore Hall’s Schubert: The Complete Songs series offers audiences the chance to experience the full range of this extraordinary creative achievement as it continues through 2017. Grammy-nominated pianist, bandleader and composer Vijay Iyer starts his Jazz Residency at Wigmore Hall. The American musician, born in 1971 in New York, has been described by Los Angeles Weekly as ‘a boundless and deeply important young star’ and by the Guardian as being ‘at a dizzying pinnacle of contemporary jazz multitasking’, verdicts reinforced by a string of awards and five-star reviews. Patricia Kopatchinskaja, our Artist in Residence, launches her Wigmore Hall series with the first of three concerts crafted to show the versatility, curiosity and wide musical passions of a true pioneer among today’s performers. The Moldovan-Austrian violinist is equally at home with period performance styles as she is when bringing contemporary compositions to life or casting fresh interpretative light on the most familiar of chamber works. Spread over the course of four seasons, Angela Hewitt: The Bach Odyssey gathers momentum with a concert devoted to Bach’s six French Suites. Angela Hewitt’s affinity for Bach flows naturally from Peter Dazeley her strong connection with the composer’s dance rhythms and from Paul Lewis’s pianism, eloquent and fully alive, is the result of a harmonious her exquisite feeling for lyrical phrasing, contrapuntal clarity and marriage between deep thinking about music and unrestrained physical sensitive articulation.
    [Show full text]
  • Sonatas &Liebeslieder
    Johannes BRAHMS Sonatas & Liebeslieder for cello and piano EMMANUELLE BERTRAND PASCAL AMOYEL FRANZ LISZT JOHANNES BRAHMS (1833-1897) Cello Sonata no. 1 op. 38 E minor / Mi mineur / e-Moll 1 | I. Allegro non troppo 14’45 2 | II. Allegretto quasi Menuetto 5’36 3 | III. Allegro 6’32 Six Love Songs / Six Chants d’amour / Sechs Liebeslieder * 4 | 1. Feldeinsamkeit op. 86 no. 2 3’28 5 | 2. Wie Melodien zieht es mir leise durch den Sinn op. 105 no. 1 1’46 6 | 3. Sapphische Ode op. 94 no. 4 1’59 7 | 4. Wiegenlied op. 49 no. 4 2’04 8 | 5. Liebestreu op. 3 no. 1 2’25 9 | 6. Minnelied op. 71 no. 5 2’49 10 | Immer leiser wird mein Schlummer op. 105 no. 2 * 4’2 Cello Sonata no. 2 op. 99 F major / Fa majeur / F-Dur 11 | I. Allegro vivace 8’49 12 | II. Adagio affettuoso 6’51 13 | III. Allegro passionato 7’29 14 | IV. Allegro molto 4’28 Hungarian Dance no. 1 * G minor / Sol mineur / g-Moll 15 | Allegro molto 3’09 Hungarian Dance no. 5 * F-sharp minor / Fa dièse mineur / fis-Moll 16 | Allegro 2’19 * transcriptions for cello and piano Emmanuelle Bertrand, cello Pascal Amoyel, piano Sonates de chambre Brahms et les voix du violoncelle Dans la magistrale Kammermusik de Brahms – vingt-quatre partitions sans rivales dans la seconde moitié du XIXe Confié aux meilleurs maîtres de Hambourg pour le piano et la composition, Johannes Brahms a été initié au cor et aux siècle – le violoncelle bénéficie de mémorables solos, tels ceux de l’Allegro initial du Premier Sextuor à cordes et de o instruments à cordes par son père, musicien autodidacte aux capacités multiples.
    [Show full text]
  • September 2016 – July 2017
    SEPTEMBER 2016 –JULY 2017 Director’s Introduction Frances Marshall Photography One of Britain’s foremost singers, Sarah Connolly, opens the Hall’s new season with regular duo partner Malcolm Martineau, leading listeners through a programme rich in emotional contrasts, poetic reflections and glorious melodies. The recital includes Mahler’s sublime Rückert Lieder, the impassioned lyricism of Berlioz’s Les nuits d’été, the exotic subtle narrative impressions of Debussy’s three Chansons de Bilitis, and a selection of Schumann songs. Mark Padmore’s vocal artistry and ability to extract every drop of emotion from poetic texts have secured his place among today’s finest recitalists. Morgan Szymanski, described by Classical Guitar magazine as ‘a player destined for future glories’ joins him on 12 September. Critical acclaim for Angela Hewitt’s Bach interpretations bears witness to the pianist’s extraordinary ability to connect physically and emotionally as well as intellectually with the dance rhythms and expressive gestures of the composer’s keyboard works. The Bach Odyssey will highlight all of this over the next four years. Canadian soprano Barbara Hannigan performs like a force of nature, captivating audiences with her artistry’s presence and expressive vitality. She joins the Calder Quartet, winner of the 2014 Avery Fisher Career Grant, for the world première of The sirens cycle by Peter Eötvös. Beethoven’s piano sonatas occupied forty years of his life. They offer insights into his development as artist and individual, and stand among the greatest of all his works. Igor Levit, now in his late 20s, drew critical superlatives to his debut recording of Beethoven’s late sonatas and has since established his reputation as a visionary interpreter of the composer’s music.
    [Show full text]
  • January 2017
    January 2017 Vijay Iyer INSIDE: Arcangelo Cuarteto Casals Alice Coote Julia Fischer Gould Piano Trio Angela Hewitt Elisabeth Leonskaja Soloists of Les Arts Florissants Igor Levit Nash Ensemble Vienna Piano Trio Roderick Williams and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats.
    [Show full text]
  • The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
    Sun, Jul 01, 2018 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 04:47 Bach Aria ~ Goldberg Variations, Andrei Gavrilov 04549 DG 453 901 028945390123 BWV 988 00:07:3243:15 Willan Symphony No. 2 in C minor, B. Edmonton 07501 CBC 5123 059582251232 74 Symphony/Mayer Records 00:52:17 06:28 Lauridsen O magnum mysterium The Bay Brass 09640 HM 807556 093046755669 01:00:1512:11 Smetana The Moldau ~ Ma Vlast (My Saint Louis 02175 Vox 9007 04716390072 Fatherland) Symphony/Susskind Unique 01:13:4118:51 Bach Partita No. 2 in C minor, BWV Martha Argerich 05525 Philips 456 700 028945670027 826 01:34:0225:11 Mozart Symphony No. 38 in D, K. 504 Berlin 04478 DG 447 416 028944741629 “Prague” Philharmonic/Bohm 02:00:4310:00 Debussy Prelude to the Afternoon of a Academy 01226 Philips 420 814 028942081420 Faun SMF/Marriner 02:12:1346:53 Sibelius Symphony No. 2 in D, Op. 43 Pittsburgh 03521 Sony 53 268 074645326825 Symphony/Maazel 03:00:3636:10 Rachmaninoff Symphonic Dances, Op. 45 London 10738 LSO Live 0688 822231168829 Symphony/Gergiev 03:38:1610:17 Vivaldi Flute Concerto in D, RV 90 "Il Antonini/Il Giardino 02347 Teldec 72367 090317326726 gardellino" Armonico Milan 03:49:4809:32 Moeran Overture to a Masque Ulster 07803 Chandos 8577 501468285772 Orchestra/Handley 7 04:00:5012:09 Mendelssohn Overture ~ A Midsummer Philharmonia/Marriner 00452 Philips 411 106 28941110626 Night’s Dream, Op. 21 04:14:1423:47 Beethoven String Quartet No. 2 in G, Op.
    [Show full text]
  • The Juilliard Manuscript Collection
    The Juilliard Manuscript Collection Composer Title Brief Description Arensky, Anton Scherzo, op. 8, for piano Fine autograph manuscript of the “Scherzo” Op. 8 for piano, signed (“Ant. Arensky”), in A major, written in black ink on three systems per page, each of two staves, with deletions, revisions and alterations, some bars represented only by numbers in repeated passages, dedication to Vassily Il’yich Safonov on first page of music. Bach, J. S. Cantata ‘Es ist ein trotzig und The lost manuscript of the transposed continuo part of the cantata ‘Es is ein trotzig und verzagt Ding’ BWV 176 verzagt ding’, BWV 176, from the original set of performing materials for the premiere in Leipzig on 27 May 1725. Bach, J.S. Choräle der Sammlung, Leipzig, 1765 C.P.E. Bach (Chorales from the C.P.E. Bach collection) Bach, J.S. Keyboard music, selections Clavier Übung bestehend in Praeludien… von Johann Sebastian Bach…Directore Chori (Clavier-Übung) Musici Lipsiensis. Opus 1, Leipzig, the author (“In Verlegung des Autoris”), Leipzig, 6 Partitas BWV 825-830 1731 Bach, J.S. St. Matthew Passion and First editions of the “St Matthew Passion” and the “St John Passion” in full score, Berlin, St. John Passion 1830, 1831. Bach, J.S. Kunst der Fuge First Edition, second issue [?], Leipzig, 1752 Barber, Samuel Antony and Cleopatra Autograph musical notebook with directions for cuts and alterations to Act II (sketches) Beethoven, Fidelio Important working manuscript of part of Fidelio, extensively revised by the composer, Ludwig van unsigned, being a scribal manuscript
    [Show full text]
  • Nomination List Sorted by Categories ICMA 2019 PDF Format
    Catalogue Title of CD/DVD Composer & Works Performing Artists Label Number EARLY MUSIC San Marco di Venezia: The Golden Age G. Gabrieli - Bassano - Merulo - A. Gabrieli L. Stewart, Les Traversées Baroques, E. Meyer Accent ACC24345 The Night of St. Nicholas La Reverdie Arcana A442 La barca del mio amore Gorzanis: Napolitane, Balle, Fantasie P. de Vittorio, La Lyra, B. Zuljan Arcana A450 Co’l dolce suono Arcadelt - Layolle - Willaert - Ganassi - Segni - Fogliano - U. Hofbauer, Ensemble Arcimboldo, T. Hirsch Audite 97731 Berchem - Ortiz Nova Sonet Harmonia Anon.: Gaude felix parens Yspania + Ymnum nove leticie + Ensemble Discantus, B. Lesne Bayard Musique 308 556.2 Terribilis es locus iste et al. Ockeghem: Requiem - de La Rue: Requiem Diabolus in Musica, A. Guerber Bayard Musique 308 475.2 Mya Senhor Velida: Medieval Lais & Anonymous: Plainte de la Vierge au pied de la croix + Malandança, F.Luengo Brilliant Classics 95689BR Cantigas From France & Spain Recordare + Lai de Notre Dame - Alfonso X: Santa Maria loei + Nembre-sse-te Madre de Deus + Virgen Madre gloriosa Marenzio: Il pastor fido La Pedrina, F. S. Pedrini Claves 50-1814 Zefiro Spira: Italian Renaissance Frottole & Bisan - Caprioli - Jublin - Kieffer - Tromboncino - Verdelot G. Jublin, P. Kieffer Claves 50-1803 Improvisations Fons Luminis. Codex las Huelgas Various anonymous works Ensemble Gilles Binchois, D. Vellard Evidence Classics EVCD051 Cipriano de Rore: Portrait of the Artist as a Rore: L'ineffabil bontà del Redentore + Era il bel viso suo L.C.Trulls, F.Rycker, Graindelavoix, B.Schmelzer Glossa GCDP32114 Starved Dog qual'esser suole + Convien ch'ovunque sua sempre cortese + Come la notte ogni fiammella è viva - Verdelot: Queste non son più lagrime - Morlaye: Non son io che pai' in viso etc.
    [Show full text]
  • George Enescu's Concertstück for Viola and Piano
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 George Enescu's Concertstück for viola and piano: a theoretical analysis within the composer's musical legacy Simina Alexandra Renea Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Renea, Simina Alexandra, "George Enescu's Concertstück for viola and piano: a theoretical analysis within the composer's musical legacy" (2011). LSU Doctoral Dissertations. 389. https://digitalcommons.lsu.edu/gradschool_dissertations/389 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. GEORGE ENESCU’S CONCERTSTÜCK FOR VIOLA AND PIANO: A THEORETICAL ANALYSIS WITHIN THE COMPOSER’S MUSICAL LEGACY A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts In The School of Music by Simina Alexandra Renea B.M., National University of Music, Bucharest (Romania), 2000 M.M., Southeastern Louisiana University, 2005 December, 2011 To my parents, LUMINITA and LUCRETIU ii ACKNOWLEDGEMENTS To my best friends Emanuela Lacraru, Lloyd Thomas, Hannah‐Phyllis Urdea‐Marcus, Vasil Cvetkov, and Irina Cunev, for your help and moral support. To Matthew Daline, for encouraging me to work on this monograph’s topic and guiding me through the research process.
    [Show full text]
  • Ralph Votapek Music by Ginastera, Poulenc, Szymanowski & Piazzolla Ralph Votapek Music by Ginastera, Poulenc, Szymanowski and Piazzolla
    Ralph Votapek Music by Ginastera, Poulenc, Szymanowski & Piazzolla Ralph Votapek Music by Ginastera, Poulenc, Szymanowski and Piazzolla Alberto Ginastera (1916-1983) Alberto Evaristo Ginastera was born in Buenos Aires, April 11, 1916. From early childhood he showed interest in music, beginning formal studies when he was seven years old. At twelve he entered the Conservatorio Williams, eventually entering the National Conservatory of Music where his teachers included Athos Palma and Jose Andre. His first mature work, the score for the ballet Panambi, was also the first he allowed to survive. The suite from the ballet was premiered in 1937 and the complete ballet was intro- duced at the Teatro Colon in 1940. Primitive in its rhythms and modern harmonies, the score constantly reveals the composer’s interest in a national Argentine idiom. During this time he also wrote the wonderful piano work, Danzas Argentinas. In 1938 he graduated with honors from the National Conservatory. In 1941 he was commissioned the ballet Estancia, and his first symphony, Sinfonia Portena followed in 1942. In 1942 he received a Alberto Ginastera Guggenheim Fellowship and he visited the United States. World War II inspired his Twelve American Preludes for piano and the Elegiac Symphony (1944), dedicated to those who “died for freedom.” From 1945-1947 he lived in New York. In 1948 he became director of the conservatory of the province of Buenos Aires in La Plata. In 1948 he completed another important work — his first string quartet. Ginastera’s Piano Sonata No.1 (1952) and the Variaciones Concertantes (1953) followed. Because of his pronounced anti-Fascist sentiments, Ginastera became increasingly suspect in Argentina dur- ing the Peron regime.
    [Show full text]
  • Francis Poulenc
    FRANCIS POULENC COMPLETE CHAMBER WORKS www.conchord.co.uk London Conchord Ensemble CD 1 SONATA FOR CELLO AND PIANO (1940/1948) CD 2 SEXTET FOR PIANO, FLUTE, OBOE, CLARINET, BASSOON AND HORN (1932/1939) [1] Allegro ~ Tempo di Marcia 5’56 [1] Allegro vivace ~ Très vite et emporté 7’46 [2] Cavatine ~ Très calme 6’36 [2] Divertissement ~ Andantino 4’46 [3] Ballabile ~ Très animé et gai 3’26 [3] Finale ~ Prestissimo ~ Subito très lent 5’58 [4] Finale ~ Largo, tres librement ~ Presto subito ~ Largo 6’56 [4] UN JOUEUR DE FLUTE BERCE LES RUINES (1942) 1’07 SONATA FOR VIOLIN AND PIANO (1943) VILLANELLE FOR PICCOLO (PIPE) AND PIANO (1934) [5] Allegro con fuoco 6’24 [5] Modéré 2’04 [6] Intermezzo ~ Très lent et calme 5’39 [7] Presto tragico ~ Strictement la double plus lent 5’18 SONATA FOR HORN, TRUMPET AND TROMBONE (1922) [6] Allegro moderato ~ Grazioso 3’54 SONATA FOR FLUTE AND PIANO (1957) [7] Andante ~ Très lent 3’02 [8] Allegretto malincolico 4’08 [8] Rondeau ~ Animé 1’50 [9] Cantilena ~ Assez lent 3’57 SARABANDE FOR SOLO GUITAR (1960) [10] Presto giocoso 3’26 [9] Molto calmo e melanconico 3’30 SONATA FOR OBOE AND PIANO (1962) SONATA FOR TWO CLARINETS (1918) [11] Elegie ~ Paisiblement 5’03 [10] Presto 1’50 [12] Scherzo ~ Très animé 3’56 [11] Andante ~ Très lent 2’37 [13] Deploration ~ Très calme 4’08 [12] Vif ~ Vite avec joie 1’57 SONATA FOR CLARINET AND PIANO (1962) SONATA FOR CLARINET AND BASSOON (1922) [14] Allegro tristamente ~ Très calme ~ Tempo allegretto 5’33 [13] Allegro ~ Très rythmé 1’48 [15] Romanza ~ Très calme 5’01 [14] Romance ~ Andante très doux 3’03 [16] Allegro con fuoco ~ Très animé 3’20 [15] Finale ~ Très animé ~ Andante 3’08 78’50 [16] ÉLÉGIE FOR HORN AND PIANO 9’08 (IN MEMORY OF DENNIS BRAIN) (1957) TRIO FOR PIANO, OBOE AND BASSOON (1926) [17] Lent ~ Presto 5’06 [18] Andante con moto 3’24 [19] Rondo ~ Très vif 3’03 69’05 CREDITS FOREWORD Poulenc’s chamber music is a joy to record, particularly for a chamber ensemble like ours, that has developed from a core group of wind players.
    [Show full text]
  • B (S20) LISTENING LOG: E—L PETER EBEN Laudes Earliest Work
    20 B♭ (S ) LISTENING LOG: E—L PETER EBEN Laudes Earliest work on the CD by Czech avant garde organist. Atonal, dissonant, but deals with recognizable motives and gestures. Somewhere there’s a Gregorian theme. There are four movements, the first is agitato. The second begins with extreme low and high pitches, loud rhythmic middle. The third has a weird mute stop. The fourth begins pianissimo, isolated notes on lowest pedals. (Mh17) Hommage à Buxtehude Good-humored toccata, then fantasy on a repeated note motif. Dissonant but light. (Mh17) Job Mammoth 43`organ work in 8 movements, each headed by a verse from Job. The strategy resembles Messiaen`s, but the music is craggier and I suspect less tightly organized. (1) Destiny: Job is stricken. Deep pedals for terror, toccata for agitation. (2) Faith: The Lord gives and takes away: Flutes sound the Gregorian Exsultet interrupted by terrible loud dissonance – agitation has turned to trudging, but ends, after another interruption, with muted Gloria. (3) Acceptance: After another outcry, Job is given a Bach chorale tune, “Wer nur den lieben Gott,” a hymn of faith – wild dissonances followed again by chorale. (4) Longing for Death: a passacaglia builds to climax and ends in whimpering ppp. (5) Despair and Resignation: Job`s questioning and outbursts of anger, followed by legato line of submission. (6) Mystery of Creation: eerie quiet chords and flutings, crescendo – rapid staccato chords, accelerando as if building anger – block chords fortissimo – solo flute question. (7) Penitance and Realization: Solo reed with ponderous pedal – chattering, hardly abject! – final bit based on Veni Creator.
    [Show full text]