Jun/ Jul 2017/18 Season
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
La Voix Humaine: a Technology Time Warp
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 La Voix humaine: A Technology Time Warp Whitney Myers University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.332 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Myers, Whitney, "La Voix humaine: A Technology Time Warp" (2016). Theses and Dissertations--Music. 70. https://uknowledge.uky.edu/music_etds/70 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
La Voix Humaine
LA VOIX HUMAINE BARBARA HANNIGAN soprano et direction ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE BARBARA HANNIGAN CHANTE ET DIRIGE LA VOIX HUMAINE Après avoir interprété La Voix humaine dans la mise en scène de Krszysztof Warli- kowski à l’Opéra de Paris (2015, 2018), Barbara Hannigan imagine une nouvelle interprétation de « Elle », le personnage de Poulenc, cette fois dans le double rôle de chanteuse et de chef d’orchestre. Le vidéaste Denis Guéguin, qui travaille depuis 2003 avec Krszysztof Warli- kowski, se joint à la chanteuse à la faveur d’une production originale qui mêle projection vidéo en direct et film pré-enregistré ; on y voit le personnage, pris dans son propre fantasme, diriger l’orchestre. Cette performance télescope une mise en abîme sur le thème de la transformation, et une technique de direction d’orchestre peu orthodoxe qui accentue le drame psychologique. En préambule à ce drame lyrique, Barbara Hannigan dirige les Métamorphoses de Richard Strauss : la même « Elle », qui chante et dirige Poulenc, emmène le spectateur dans la réflexion de Strauss sur la transcendance, le passage d’un monde à l’autre. « Ce spectacle est l’aboutissement d’une vie en constante évolution, raconte Barbara Hannigan. “Elle” a été un rôle important pour moi au fur et à mesure de l’évolution de ma carrière, et nous voyons maintenant une “Elle” qui chante, une “Elle” qui dirige. Le thème de la transformation est présent tout au long du pro- gramme à plusieurs degrés, alors que nous sommes confrontés à des problèmes tels que le vieillissement, la détérioration, la décadence, la perte et la désintégra- tion. -
IN the WINGS 4 P.M., Sunday, Feb
IN THE WINGS 4 p.m., Sunday, Feb. 16 Mélodies Françaises Marie-France Lefebvre, piano THOMAS W. BUSSE Edward Nelson, baritone Mélodies by Dutilleux, Poulenc and Duparc. FUND PRESENTS Location: Robert J. Werner Recital Hall Admission: FREE _____ 7 p.m. Sunday, Feb. 16 Pianopalooza IX Michael Chertock, director Celebrate the art of the piano with the ninth installment of this GERALD FINLEY, popular concert, showcasing CCM’s most spectacular student pianists, with special appearances by CCM’s faculty artists. Location: Corbett Auditorium baritone Tickets: $15 general, $10 non-UC students, UC students FREE. _____ JULIUS DRAKE, 3 p.m. Sunday, March 2 American Voices XV: John Adams’ El Niño piano CCM Philharmonia, Chamber Choir, Chorale and Cincinnati Children’s Choir Earl Rivers, conductor Featuring guest artists Michael Maniaci, Eric Jurenas and Steven Rickards, countertenors; and CCM Soloists The most significant American oratorio of the late 20th century, Adams’ El Niño retells the traditional biblical story of the birth of Jesus, incorporating poetry of Rosario Castellanos, Sor Juana Inés de la Cruz, Hildegard von Bingen, Gabriela Mistral, Vicente Huidobro and Rubén Dario, and selected passages from the Wednesday, February 5, 2014 Wakefield Mystery Plays, Martin Luther’s Christmas Sermon, Corbett Auditorium the Gospel of Luke and several Gnostic Gospels from the 8:00 p.m. Apocrypha. Location: Corbett Auditorium Tickets: $12 general, $6 non-UC students, UC students FREE. Supported by the Thomas W. Busse Trust For tickets and the latest performance information, please call the CCM Box Office at 513-556-4183, or visit us online at ccm.uc.edu. -
Autobiography in Cocteau's and Poulenc's La Voix Humaine Keith Clifton
Document généré le 26 sept. 2021 00:10 Canadian University Music Review Revue de musique des universités canadiennes Mots cachés: Autobiography in Cocteau's and Poulenc's La Voix humaine Keith Clifton Jean Cocteau: Evangelist of the Avant-garde Résumé de l'article Jean Cocteau : évangéliste de l’avant-garde L’opéra Dialogues des Carmélites de Poulenc a toujours été considéré comme le Volume 22, numéro 1, 2001 sommet de son œuvre opératique. Il est résulté d’une telle appréciation qu’on a négligé son dernier opéra, La Voix humaine, sur un livret de Cocteau, et que URI : https://id.erudit.org/iderudit/1014499ar l’élan qui a présidé à sa composition a été mal cerné. Musicalement, La Voix DOI : https://doi.org/10.7202/1014499ar humaine déploie un langage tonal complexe sans précédent dans l’arsenal de composition de Poulenc. Sans prétendre que Poulenc ait composé La Voix humaine par loyauté envers Cocteau, je soutiens plutôt que l’opéra représente Aller au sommaire du numéro la dernière tentative de Poulenc pour accepter son homosexualité. De nombreuses références mises en correspondance révèlent que l’opéra est un reflet de la vie émotive de Poulenc. L’emploi par Poulenc et Cocteau de Éditeur(s) manières efféminées propres aux gays renseigne sur l’œuvre et donne un aperçu de possibles significations sous-entendues. Un examen attentif de cette Canadian University Music Society / Société de musique des universités œuvre négligée jette un nouvel éclairage sur la personnalité tourmentée et canadiennes insaisissable de Poulenc. ISSN 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer cet article Clifton, K. -
Works Performed on Musical Club of Hartfort Programs by Musical Club of Hartford Members
WORKS PERFORMED ON MUSICAL CLUB OF HARTFORT PROGRAMS BY MUSICAL CLUB OF HARTFORD MEMBERS - SEPT 2014 thur MAR 2, 2017 ARRANGED ALPHABETICALLY BY COMPOSER, TITLE OF WORK 2017 2-Mar Guitar, Mandolin Acevedo Basileirinho Handler, Levesque 2017 2-Mar Guitar, Mandolin Acevedo Pedacinhos do Ceu Handler, Levesque 2016 28-Apr Guitar, Mandolin Acquavella Yutuma Handler, Levesque 2015 5-Nov Piano Albeniz Almeria (from the Rose Iberian Suite) 2015 24-Sep Piano Albeniz Suite Iberia, Book I III. Fete a Dieu en Garrido-Cid Seville (Corpus Christi en Sevilla) 2015 24-Sep Soprano, Piano, Allen, Virginia Fanfare to the Matteson, Garrido-Cid, 4 hands, Violin, Musical Club Duffy, V. Allen, *Gene Viola, Cello Chen, H. Walker 2016 8-Dec Mezzo-soprano, Andersson, Rice, I Know Him So Well, Fitzgerald, Matteson, Soprano, Piano Ulvaeus from Chess Gariddo-Cid 2017 12-Jan Hammer Anon., Spanish, Romanza Monstream, Mazza- Dulcimer, Guitar 19th cent. Dixon 2014 23-Oct Piano Trio Arensky Piano Trio No. 1 in D Cahoon, L. Kugelman, Minor Bard 2016 20-Mar 1 Piano, 4 Hands Arensky Six Children's 4. Waltz; 6. Fugue Switaj, Tan Pieces, Op. 34 on a Russian Theme 2015 22-Mar 2 Pianos, 4 Arensky Suite for Two Pianos, II. Valse Cahoon, D. Day Hands Op. 15 2016 14-Jan Contralto, Piano Arien Stormy Weather Girard, D. Fine 2016 20-Mar 1 Piano, 4 Hands Auric Five Bagatelles Switaj, Tan 2016 7-Apr Soprano, Piano Austin, Elizabeth A Birthday Bouquet 1. for your birthday M. Kennedy, E. Austin (1990) for high voice (e.e. commings) 2016 7-Apr Piano Austin, Elizabeth A Child's Garden of [12 pieces] Woodard (1-6), E. -
Hans Werner Henze Und Ingeborg Bachmann: Die Gemeinsamen Werke
Christian Bielefeldt Hans Werner Henze und Ingeborg Bachmann: Die gemeinsamen Werke Christian Bielefeldt, Dr. phil., Studium in Hamburg, Tätigkeit als Theatercellist, 1994 Gründung von TRE MODI, Ensemble für Alte und Neue Musik. 1998-2000 Stipendiat am DFG-Graduiertenkolleg »In- termedialität« (Siegen). Veröffentlichungen zu Neuer Musik und Filmmusik. Christian Bielefeldt Hans Werner Henze und Ingeborg Bachmann: Die gemeinsamen Werke Beobachtungen zur Intermedialität von Musik und Dichtung Der Abdruck von Zitaten aus dem unveröffentlichten Nachlass Inge- borg Bachmanns geschieht mit ausdrücklicher Erlaubnis der Erben, bei denen die Abdruckrechte gleichwohl verbleiben. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.ddb.de abrufbar. © 2003 transcript Verlag, Bielefeld Umschlaggestaltung: Kordula Röckenhaus, Bielefeld, unter Verwendung einer Partiturseite aus: Hans Werner Henze, Reinschrift der Musik zu Ingeborg Bachmanns Hörspiel »Die Zikaden« (1955/56), S. 1; © Sammlung Hans Werner Henze (Depositum Schott Musik International), Paul Sacher Stiftung, Basel Lektorat & Satz: Christian Bielefeldt Druck: Majuskel Medienproduktion GmbH, Wetzlar ISBN 3-89942-136-1 INHALT Vorwort 9 Biographisches 14 Zur Forschung 17 I. Konzepte von Intermedialität bei Henze und Bachmann 21 Erster Auftakt: Die Konstruktion der Überschreitung 27 Lacan. Sprache, Musik und das Genießen 31 Der Braunschweiger Vortrag: Henzes „geistige Rede der Musik“ 37 Zweiter Auftakt: Die menschliche Stimme 43 Barthes. Die Stimme und das Genießen 45 Musik und Dichtung: Die Intermedialität der Stimme 49 II. Ballettpantomime: Der Idiot 57 Musik aus der Hand der Trauer: Reihen- und Zitattechnik im Idioten 62 Intrada und Danse Nr. -
London's Symphony Orchestra
London Symphony Orchestra Living Music Thursday 12 May 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT: LEIF OVE ANDSNES Schumann Piano Concerto INTERVAL Beethoven Symphony No 9 (‘Choral’) Michael Tilson Thomas conductor Leif Ove Andsnes piano Lucy Crowe soprano London’s Symphony Orchestra Christine Rice mezzo-soprano Toby Spence tenor Iain Paterson bass London Symphony Chorus Simon Halsey chorus director Concert finishes approx 9.50pm Supported by Baker & McKenzie 2 Welcome 12 May 2016 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to tonight’s LSO performance BMW LSO OPEN AIR CLASSICS 2016 at the Barbican. This evening we are joined by Michael Tilson Thomas for his first concert since the The fifth annual BMW LSO Open Air Classics announcement of his appointment as LSO Conductor concert will take place on Sunday 22 May at 6.30pm. Laureate from September 2016, in recognition of Conducted by Valery Gergiev, the LSO will perform his wonderful music-making with the LSO and his an all-Tchaikovsky programme in London’s Trafalgar extraordinary commitment to the Orchestra. We are Square, free and open to all. delighted that his relationship with the LSO will go from strength to strength. lso.co.uk/openair This evening is the second concert in our LSO Artist Portrait series, focusing on pianist Leif Ove Andsnes. LSO AT THE BBC PROMS 2016 Following his performance of Mozart’s Piano Concerto No 20 on Sunday, he returns to play Schumann’s The LSO will be returning to this year’s BBC Proms at Piano Concerto. The Orchestra is also joined this the Royal Albert Hall for a performance of Mahler’s evening by the London Symphony Chorus, led by Symphony No 3 on 29 July. -
Ian Bostridge with Julius Drake Ian Bostridge
Ian Bostridge with Julius Drake Wednesday, February 14, 2018 at 8:00pm Pre-concert Talk at 7:00pm This is the 801st concert in Koerner Hall Ian Bostridge, tenor Julius Drake, piano ALL FRANZ SCHUBERT PROGRAM Wehmut, D. 772 Der Zwerg, D. 771 Nacht und Träume, D. 827 Der Musensohn, D. 764 An die Entfernte, D. 765 Am Flusse II, D. 766 Willkommen und Abschied, D. 767 Wandrers Nachtlied II, D. 768 An die Leier, D. 737 Am See II, D. 746 Im Haine, D. 738 Erlkönig, D. 328 INTERMISSION Goethe Lieder An den Mond I, D. 259 Nähe des Geliebten, D. 162 Nachtgesang, D. 119 Liebhaber in allen Gestalten, D. 558 Meeres Stille, D. 216 Auf dem See, D. 543b An Mignon, D. 161 Erster Verlust, D. 226 Ganymed, D. 544 An den Mond II, D. 296 Ian Bostridge Tenor Ian Bostridge’s international recital career takes him to the foremost concert halls of Europe, Japan, and North America, with regular appearances at the Salzburg, Edinburgh, Munich, Vienna, Schwarzenberg, and Aldeburgh festivals. He has had residencies at the Wiener Konzerthaus, Carnegie Hall New York, Het Concertgebouw Amsterdam, Luxembourg Philharmonie, London’s Barbican Centre, and Wigmore Hall. In opera, he has performed the roles of Tamino (Mozart Die Zauberflöte), Jupiter (Handel Semele), and Aschenbach (Britten Death in Venice) at English National Opera, Quint (Britten The Turn of the Screw), Don Ottavio (Mozart Don Giovanni), and Caliban (Adès The Tempest) for the Royal Opera House, Covent Garden, Don Ottavio at the Wiener Staatsoper, Tom Rakewell (Stravinsky The Rake’s Progress) at the Bayerische Staatsoper, Munich, and Quint at Teatro alla Scala, Milan. -
La Voix Humaine Digital Premiere Oct
Francis Poulenc La Voix HumaIne Digital Premiere Oct. 24, 2020 | 7:30pm 2020–2021 DIGITAL SEASON REIMAGINED FOR THE SCREEN CANADA’S ONLY 5-TIME WINNER OF WINERY OF THE YEAR Since 1981, Mission Hill Family Estate has pioneered British Columbia’s Okanagan Valley as a premium wine making region. Founded by Proprietor Anthony von Mandl, the iconic family-owned winery is known as Canada’s only 5-time winner of the Winery of the Year Award by WineAlign Canada. Guests can experience international award-wining wines and indulge in an epicurean adventure all while enjoying the panoramic views of mountains, lakes, and vineyards. MISSIONHILLWINERY.COM Francis Poulenc La Voix HumaIne Tom Wright, General Director Jonathan Darlington, Music Director Emeritus CONTENTS VO Administration and Ticket Centre 6 Cast & Creative 19 Behind the Scenes The Michael and Inna O’Brian Centre for Team Vancouver Opera 21 Patron Information 1945 McLean Drive 7 Production Team Vancouver, BC, V5N 3J7 22 VO Board & Staff Administration 8 Synopsis T: 604 682 2871 F: 604 682 3981 9 Notes from the Creative Team VO Ticket Centre Sponsored by Mission Hill Family Estate T: 604 683 0222 10 Biographies [email protected] www.vancouveropera.ca 15 Opera in Context 16 Opera Allsorts Vancouver Opera acknowledges that we work and perform on the unceded and traditional territory of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Publication Manager Vincent Wong Design & Layout Annie Mack Vancouver Opera is a professional company. It operates under the jurisdiction of Canadian Actors’ Equity Association, Vancouver Musicians’ Association, and IATSE, and is a member of OPERA America and Opera.ca 2020–2021 DIGITAL SEASON Privacy Vancouver Opera is committed to REIMAGINED FOR THE SCREEN protecting your privacy. -
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’. -
The Creation HEASTON SPENCE ROSE
Haydn The Creation HEASTON SPENCE ROSE Houston Symphony Chorus Houston Symphony Andrés OROZCO-ESTRADA The Creation (Die Schöpfung) Sung in German Music by Joseph Haydn (1732-1809) Text by Gottfried van Swieten (1733-1803) CD 1 Part I 1 Introduction: Die Vorstellung des Chaos 7. 58 2 Aria (Uriel): Nun schwanden vor dem heiligen Strahle 3. 54 3 Recitativo (Raphael): Und Gott machte das Firmament 1. 59 4 Chorus (Gabriel): Mit Staunen sieht das Wunderwerk 1. 58 5 Recitativo (Raphael): Und Gott sprach: Es sammle sich 0. 32 das Wasser 6 Aria (Raphael): Rollend in schaumenden Wellen 3. 53 7 Recitativo (Gabriel): Und Gott sprach: Es bringe die Erde 0. 32 Gras hervor 8 Aria (Gabriel): Nun beut die Flur das frische Grün 5. 07 9 Recitativo (Uriel): Und die himmlischen Heerscharen 0. 12 10 Chorus: Stimmt an die Saiten 2. 03 11 Recitativo (Uriel): Und Gott sprach: Es sei’n Lichter 0. 38 12 Recitativo (Uriel): In vollem Glanze steiget 2. 53 13 Chorus (Gabriel, Uriel, Raphael): Die Himmel erzählen 4. 12 die Ehre Gottes Part II Part III 14 Recitativo (Gabriel): Und Gott sprach: Es bringe das Wasser 0. 28 8 Recitativo ( Uriel): Aus Rosenwolken bricht 4. 15 15 Aria (Gabriel): Auf starkem Fittige schwinget sich 7. 15 9 Chorus (Adam, Eva): Von deiner Güt’, o Herr und Gott 9. 06 16 Recitativo (Raphael): Und Gott schuf große Wallfische 2. 23 10 Recitativo (Adam und Eva): Nun ist die erste Pflicht erfüllt 2. 11 17 Terzetto (Gabriel, Uriel, Raphael): In holder Anmut steh’n 4. 18 11 Duetto (Adam and Eva): Holde Gattin! Dir zur Seite 7.