IN the WINGS 4 P.M., Sunday, Feb

Total Page:16

File Type:pdf, Size:1020Kb

IN the WINGS 4 P.M., Sunday, Feb IN THE WINGS 4 p.m., Sunday, Feb. 16 Mélodies Françaises Marie-France Lefebvre, piano THOMAS W. BUSSE Edward Nelson, baritone Mélodies by Dutilleux, Poulenc and Duparc. FUND PRESENTS Location: Robert J. Werner Recital Hall Admission: FREE _____ 7 p.m. Sunday, Feb. 16 Pianopalooza IX Michael Chertock, director Celebrate the art of the piano with the ninth installment of this GERALD FINLEY, popular concert, showcasing CCM’s most spectacular student pianists, with special appearances by CCM’s faculty artists. Location: Corbett Auditorium baritone Tickets: $15 general, $10 non-UC students, UC students FREE. _____ JULIUS DRAKE, 3 p.m. Sunday, March 2 American Voices XV: John Adams’ El Niño piano CCM Philharmonia, Chamber Choir, Chorale and Cincinnati Children’s Choir Earl Rivers, conductor Featuring guest artists Michael Maniaci, Eric Jurenas and Steven Rickards, countertenors; and CCM Soloists The most significant American oratorio of the late 20th century, Adams’ El Niño retells the traditional biblical story of the birth of Jesus, incorporating poetry of Rosario Castellanos, Sor Juana Inés de la Cruz, Hildegard von Bingen, Gabriela Mistral, Vicente Huidobro and Rubén Dario, and selected passages from the Wednesday, February 5, 2014 Wakefield Mystery Plays, Martin Luther’s Christmas Sermon, Corbett Auditorium the Gospel of Luke and several Gnostic Gospels from the 8:00 p.m. Apocrypha. Location: Corbett Auditorium Tickets: $12 general, $6 non-UC students, UC students FREE. Supported by the Thomas W. Busse Trust For tickets and the latest performance information, please call the CCM Box Office at 513-556-4183, or visit us online at ccm.uc.edu. CCM has become an All-Steinway School through the kindness of its donors. A generous gift by Patricia A. Corbett in her estate plan has played a key role in making this a reality. Internationally acclaimed, Grammy and Juno-award-winning Canadian baritone Gerald Finley began singing as a chorister in Ottawa before completing his musical studies in the UK at the Royal College of Music, King’s College, Cambridge and the National Opera Studio. After his initial appearances at Glyndebourne in the Mozart baritone repertoire, he now PROGRAM appears in a variety of leading roles at the world’s opera houses. His Don Giovanni has been seen in Salzburg, Munich, Vienna, Prague, Rome, New York, Paris, Tel Aviv and Winterreise Franz Schubert London. He has created the lead roles in a number of major premières, including the role of Howard K. Stern in Anna Nicole at the Royal Opera House Covent Garden, J. Robert I. Gute Nacht (1797-1828) Oppenheimer in Doctor Atomic at the Metropolitan Opera, Harry Heegan in The Silver II. Die Wetterfahne Tassie at English National Opera, the title role in Fantastic Mr. Fox and Jaufre Rudel in L’amour de loin. His expanding dramatic repertoire include recent outstanding successes III. Gefrorne Tränen as Hans Sachs in Meistersinger at Glyndebourne and Iago in Otello with the LSO. In 2012, IV. Erstarrung he was honored by Opera Canada with a Ruby Award. V. Der Lindenbaum Finley performs with all the major orchestras of the world, in oratorio and symphonic VI. Wasserflut repertoire, notably the New York Philharmonic, the Boston Symphony, London Symphony, the Concertgebouw and the Berlin Philharmonic. His album Arias in English with the VII. Auf dem Flusse London Philharmonic won the 2011 Juno Award. VIII. Rückblick Through Hyperion Records, his releases include a Gramophone Magazine Award-winning IX. Irrlicht album of Schumann’s Dichterliebe and two further Gramophone Awards for Songs by X. Rast Samuel Barber and Britten’s Songs and Proverbs, all with Julius Drake. He was nominated XI. Frühlingstraum as Gramophone’s Artist of the Year in 2006 and 2009. XII. Einsamkeit Features of this season include concerts and recitals throughout Europe, the Marriage of Figaro at the Met, Don Giovanni in Munich and Cosi fan tutte at the Salzburg Festival. XIII. Die Post He adds to his Wagner roles at Covent Garden as Amfortas in Parsifal. His recording XIV. Der greise Kopf projects with Julius Drake include Winterreise and a CD of Liszt songs with Hyperion. He XV. Die Krähe is a visiting Professor at the Royal College of Music and gives masterclasses whenever his performing schedule allows. XVI. Letzte Hoffnung XVII. Im Dorfe XVIII. Der stürmische Morgen The pianist Julius Drake lives in London and specializes in the field of chamber music, XIX. Täuschung working with many of the world’s leading artists, both in recital and on disc. XX. Der Wegweiser He appears at all the major music centres: in recent seasons concerts have taken him to the XXI. Das Wirtshaus Aldeburgh, Edinburgh, Munich, Schubertiade and Salzburg Music Festivals; to Carnegie Hall and Lincoln Centre, New York; Concertgebouw, Amsterdam and Philarmonie, XXII. Mut! Cologne; Châtelet and Musée de Louvre, Paris; La Scala, Milan, and Liceu, Barcelona; XXIII. Die Nebensonnen Musikverein and Konzerthaus, Vienna; and Wigmore Hall and BBC Proms, London. XXIV. Der Leiermann Julius Drake’s many recordings include a widely acclaimed series with Gerald Finley for Hyperion, for which the Barber Songs, Schumann Heine Lieder and Britten Songs and Proverbs have won the 2007, 2009 and 2011 Gramophone Awards; award-winning recordings with Ian Bostridge for EMI; and several recitals for the Wigmore Live label, with Lorraine Hunt Liebersen, Matthew Polenzani, Joyce Didonato and Alice Coote, among others. Julius Drake has now embarked on a major project to record the complete songs of Franz Liszt for Hyperion. The second disc in the series, with Angelika Kirchschlager, won the BBC Music Magazine Award for 2012. Highlights in his present schedule include a tour of the USA and Canada with Gerald Finley; a series of four Schumann concerts at the Concertgebouw in Amsterdam; a tour of Japan with Ian Bostridge and Angelika Kirchschlager; recordings with Sarah Connolly and Katarina Karneus; instrumental chamber music at the festivals of Delft, West Cork and Oxford; recitals in his own series at the historic Middle Temple Hall, London; and, to mark 30 years performing at London’s Wigmore Hall, a major series there entitled Julius Drake: Perspectives..
Recommended publications
  • Ian Bostridge with Julius Drake Ian Bostridge
    Ian Bostridge with Julius Drake Wednesday, February 14, 2018 at 8:00pm Pre-concert Talk at 7:00pm This is the 801st concert in Koerner Hall Ian Bostridge, tenor Julius Drake, piano ALL FRANZ SCHUBERT PROGRAM Wehmut, D. 772 Der Zwerg, D. 771 Nacht und Träume, D. 827 Der Musensohn, D. 764 An die Entfernte, D. 765 Am Flusse II, D. 766 Willkommen und Abschied, D. 767 Wandrers Nachtlied II, D. 768 An die Leier, D. 737 Am See II, D. 746 Im Haine, D. 738 Erlkönig, D. 328 INTERMISSION Goethe Lieder An den Mond I, D. 259 Nähe des Geliebten, D. 162 Nachtgesang, D. 119 Liebhaber in allen Gestalten, D. 558 Meeres Stille, D. 216 Auf dem See, D. 543b An Mignon, D. 161 Erster Verlust, D. 226 Ganymed, D. 544 An den Mond II, D. 296 Ian Bostridge Tenor Ian Bostridge’s international recital career takes him to the foremost concert halls of Europe, Japan, and North America, with regular appearances at the Salzburg, Edinburgh, Munich, Vienna, Schwarzenberg, and Aldeburgh festivals. He has had residencies at the Wiener Konzerthaus, Carnegie Hall New York, Het Concertgebouw Amsterdam, Luxembourg Philharmonie, London’s Barbican Centre, and Wigmore Hall. In opera, he has performed the roles of Tamino (Mozart Die Zauberflöte), Jupiter (Handel Semele), and Aschenbach (Britten Death in Venice) at English National Opera, Quint (Britten The Turn of the Screw), Don Ottavio (Mozart Don Giovanni), and Caliban (Adès The Tempest) for the Royal Opera House, Covent Garden, Don Ottavio at the Wiener Staatsoper, Tom Rakewell (Stravinsky The Rake’s Progress) at the Bayerische Staatsoper, Munich, and Quint at Teatro alla Scala, Milan.
    [Show full text]
  • LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
    LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’.
    [Show full text]
  • Temple Music January – July 2019
    World-class classical music in the heart of London’s historic legal quarter Temple Music January – July 2019 A season of concerts in the awe-inspiring venues of The Temple www.templemusic.org | 020 7427 5641 Tuesday 22 January 7pm Parliament Chamber, Inner Temple Julius Drake Masterclass With pianists and singers from the Guildhall School of Music and Drama For this masterclass Julius Drake will pass on his expertise to the very best vocal and piano students from one of this country’s leading conservatoires, whilst offering the audience a unique insight into the special partnership between singer and pianist. “Drake occupies a place as one of the most sought-after collaborative pianists… he is an ever-present, dynamic partner.” Washington Post £25 Includes interval drinks Thursday 14 February 7pm Temple Church Temple Song Love Songs Gemma Summerfield soprano Fleur Barron mezzo-soprano James Way tenor Julien van Mellaerts baritone Julius Drake piano Stacey Bartsch piano Brahms Liebeslieder Waltzes Op. 52 and Op. 65 Schumann Spanische Liebeslieder Op. 138 There could not be a more appropriate programme to mark St Valentine’s Day, recognised as a celebration of love for over five centuries. Both Brahms’ and Schumann’s love songs will be expertly delivered in the hands of these four exceptional young singers. “Julius Drake had a fantastic evening; with virtuosic ease, he blended the background colours around the main exhibit of an evening of song: the singing voice.” Der Standard £5 £15 £25 £35 £45 Thursday 28 February 7.30pm Temple Church Temple Church Choristers Temple Youth Choir Roger Sayer conductor Victoria O quam gloriosum | Duruflé Four Motets Sumsion They that go down to the sea in ships Ives Listen sweet dove | Mendelssohn Hear my prayer & Richte mich, Gott | Elgar Give unto the lord An hour-long delight of sublime choral music from the outstanding Choristers of Temple Church and the church’s blossoming Youth Choir.
    [Show full text]
  • September October
    SEPTEMBER OCTOBER 2019/20 SEASON wigmore-hall.org.uk 2 • SEPTEMBER-OCTOBER wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five price ranges: In Person ■ Stalls C – M Highest price 7 days a week: 10.00am - 8.30pm. ■ Stalls A – B, N – P 2nd highest price Days without an evening concert: ■ Balcony A – D 2nd highest price 10.00am - 5.00pm. No advance booking in the ■ Stalls BB, CC, Q – S 3rd highest price half hour prior to a concert. ■ Stalls AA, T – V 4th highest price ■ Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am - 7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am - 5.00pm. BB BB There is a non-refundable £4.00 administration CC CC A A charge for each transaction. B B C C D D Online: wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. There is a G G non-refundable £3.00 administration charge. H H I I J J K K Standby Tickets L L M M Standby tickets for students, senior citizens and N N the unemployed are available from one hour O O P P before the performance (subject to availability) Q Q with best available seats sold at the lowest price. R R S S REAR REAR NB standby tickets are not available for T STALLS STALLS T U U Lunchtime and Sunday Morning Concerts.
    [Show full text]
  • 8980: Book of Travelers Gabriel Kahane Schubert's Winterreise Ian Bostridge and Julius Drake
    8980: Book of Travelers Gabriel Kahane Schubert’s Winterreise Ian Bostridge and Julius Drake February 2–4, 2018 Lydia Mendelssohn Theatre Ann Arbor UMS Song Remix: A Biennial Songfest CONTENT 8980: Book of Travelers 3 Gabriel Kahane Schubert’s Winterreise 21 Ian Bostridge and Julius Drake 2 8980: Book of Travelers Composed and Performed by Gabriel Kahane Friday Evening, February 2, 2018 at 8:00 Lydia Mendelssohn Theatre Ann Arbor 54th Performance of the 139th Annual Season Song Remix: A Biennial Songfest This evening’s performance is supported by Joel Howell and Linda Samuelson. Special thanks to Stanford Olsen, Scott Piper, Matthew Thompson, and the entire U-M Vocal Performance Department; and Matt Albert, Joel Howell, Jonathan Kuuskoski, Morgan Lamonica, Caitlin Taylor, and the Medical Arts Program for their participation in events surrounding this evening’s performance. 8980: Book of Travelers appears by arrangement with First Chair Promotions. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. 4 CREATIVE TEAM Composer and Performer / Gabriel Kahane Director / Daniel Fish Set & Video Design / Jim Findlay Lighting Design / Mark Barton Videography / Tamara Ober, Jim Findlay, Daniel Fish, Julia Frey Sound Engineer / Dave Sinko Producer / Nunally Kersh Stage Manager / Mary-Susan Gregson Associate Director / Jordan Fein Lighting Supervisor & Production Manager / Robert Henderson Assistant Video Designer / Julia Frey 8980: Book of Travelers is approximately 65 minutes in duration and is performed without intermission. 5 HOW THE AMTRAK DINING CAR COULD HEAL THE NATION by Gabriel Kahane On November 9, 2016, I boarded October, I bought a series of train the Lake Shore Limited, Amtrak’s tickets and decided that regardless overnight service from New York of the outcome, I would set off the to Chicago.
    [Show full text]
  • Whlive0025 Booklet
    CD Booklet Printers Pairs.qxd 09.08.2008 17:52 Page 2 WHLive0025 Made & Printed in England Gerald Finley bass-baritone Julius Drake piano Recorded live at Wigmore Hall, London, on 18 October 2007 Gerald Finley bass-baritone piano PYOTR ILYICH TCHAIKOVSKY 21.49 Julius Drake 01 Don Juan’s Serenade 02.54 song 02 It was in early spring 02.45 03 At the ball 02.39 04 By day or by night 03.39 05 The mild stars shone for us 03.37 06 Only one who knows longing 03.34 07 As over burning embers 02.18 Songs by Tchaikovsky MODEST MUSORGSKY Songs of Dances and Death 22.16 Musorgsky 08 Lullaby 05.35 and Ned Rorem 09 Serenade 04.42 10 Trepak 05.16 11 The Field Marshal 06.20 NED ROREM War Scenes 15.13 12 A Night Battle 05.07 13 Specimen Case 02.22 14 An Incident 02.03 15 Inauguration Ball 01.50 16 The real war will never get in the books 03.38 encores 17/18 announcement: CHARLES IVES Memories (A) and (B) 00.04 / 03.46 19/20 announcement: EINOJUHANI RAUTAVAARA Shall I compare thee? 00.23 / 02.03 21/22 announcement: WOLSELEY CHARLES The Green-Eyed Dragon 00.11 / 04.48 Total time: 70.39 PYOTR ILYICH TCHAIKOVSKY (1840–1893) Don Juan’s Serenade It was in early spring At the ball By day or by night The mild stars shone for us Only one who knows longing As over burning embers ‘The essential in vocal music’, insisted Tchaikovsky, ‘is truthful reproduction of emotion and state of mind.’ He was quick to defend himself against accusations of faulty word-setting or declamation: ‘I should not hesitate for an instant to sacrifice the literal to the artistic truth.
    [Show full text]
  • Elbphilharmonie & Laeiszhalle Hamburg
    ELBPHILHARMONIE & LAEISZHALLE HAMBURG JAHRESBERICHT 2018/19 ELBPHILHARMONIE & LAEISZHALLE HAMBURG JAHRESBERICHT 2018/19 1 INHALT BLICKE UND RÜCKBLICKE FINANZEN KONZERT- UND VERANSTALTUNGS- ÜBERSICHT 44 Festivals & Schwerpunkte 4 Vorwort der Geschäftsführung 33 Jahresabschluss 52 Residenzorchester 6 Volle Säle, tolle Klänge – 36 HamburgMusik gGmbH 56 Orchester- und Ensemblekonzerte Rückblick auf die Saison 2018/19 39 Elbphilharmonie und Laeiszhalle 61 Kammermusik, Recitals, Klavierabende, Orgel 18 Musikvermittlung Betriebsgesellschaft mbH 68 Oper, Chor, Messe, Oratorium, Arien- 22 Besucher und Liederabende 23 Sponsoren & Förderer 70 Jazz, Weltmusik 73 Pop & Rock, Elektronische Musik 75 Film & Musik 76 Show & Unterhaltung, Gespräch, Vortrag, Lesung 80 Sonstige Veranstaltungen, Zusatz- veranstaltungen 81 Kinder & Jugend, Mitmachen 84 Gremien und Team 88 Impressum / Fotonachweis 3 Vorwort Jochen Margedant und Christoph Lieben-Seutter Sehr geehrte Damen und Herren, die Konzertsaison 2018/19 war die erste, für die das Pro- Auch die Veranstaltungspartner der HamburgMusik wie ten und Besuchern erfuhr auch die Laeiszhalle. Diese Ent- gramm zu großen Teilen erst nach Eröffnung der Elbphil- die Konzertdirektion Dr. Goette und der NDR erweiter- wicklung ist besonders erfreulich, denn sie zeigt, dass die harmonie geplant wurde. Weil die Erfahrungen der ersten ten ihr Konzertangebot in der Elbphilharmonie. Das NDR Musikstadt Hamburg auch jenseits der Elbphilharmonie Monate Spielbetrieb bei der Programmierung einfließen Elbphilharmonie Orchester wusste
    [Show full text]
  • Songswithoutwords Juliusdrake Piano
    SONGS WITHOUT WORDS O N A I JULIUS DRAKE P ATM A Classique SONGS WITHOUT WORDS JULIUS DRAKE ROBERT SCHUMANN (1810-1856) CLAUDE DEBUSSY (1862-1918) [ALBUM FÜR DIE JUGEND OP . 68] [SUITE BERGAMASQUE ] 1 G Mignon 3:19 10 G Clair de Lune 6:03 2 G Melodie 1:05 FRANCIS POULENC (1899-1963) JOHANNES BRAHMS (1833-1897) [HISTOIRE DE BABAR ] [DREI INTERMEZZI OP . 117] 11 G Berceuse 1:50 3 G No. 1 in E flat major 5:43 LEOŠ JANÁCEK (1854-1928) FELIX MENDELSSOHN (1809-1847) [ON AN OVERGROWN PATH ] [LIEDER OHNE WORTE ] 12 G The Madonna of Frydek 3:08 4 G No. 12 in F sharp minor, Op. 30, No. 6, “Venezianisches Gondellied” 2:44 BÉLA BARTÓK (1881-1945) 5 G No. 18 in A flat major, Op. 38, No. 6, “Duetto” 3:06 [MIKROKOSMOS ] ROBERT SCHUMANN 13 G Melody 1:19 [KINDERSZENEN OP . 15] 14 G Like a Folksong 0:57 6 G No. 12 Kind im Einschlummern 2:12 15 G Melody in the Mist 1:27 16 G Notturno 1:45 FRANZ SCHUBERT (1797-1828) [MOMENTS MUSICAUX D. 780] BENJAMIN BRITTEN (1913-1976) 7 G No. 2 Andantino in A flat major 6:57 [HOLIDAY DIARY OP . 5] 17 G Night 5:57 FRANZ LISZT (1811-1886) | FRANZ SCHUBERT 8 G Der Doppelgänger 4:26 EDVARD GRIEG (1843-1907) [LYRIC PIECES VOL 3] 9 G Erotik 2:41 he pieces on this disc all take me back to The 18-year-old composer had yet to write any songs, but he had already met the love my childhood.
    [Show full text]
  • Schubert's: Winterreise
    Schubert’s: Winterreise: A highly selective survey of the discography by Ralph Moore "Come to Schober's today and I will play you a cycle of terrifying songs; they have affected me more than has ever been the case with any other songs." (Schubert’s words in 1827 as recalled by his close friend Joseph von Spaun) "You have to be haunted by this cycle to be able to sing it.” (Elena Gerhardt, celebrated German mezzo-soprano Lieder specialist) Strange though it may seem to us now, habituated as we are to the genre, Schubert virtually invented the song-cycle as an art form and indeed his achievement has not been surpassed since. His Winterreise is for the Lieder singer the Everest of Romantic song cycles and arguably the greatest of its kind. It is the product of a remarkable combination of the talents of two young German-speaking artists (Schubert being Austrian), both geniuses: one a poet, the other a composer and both doomed to a premature death when barely into their thirties. Beethoven might have shown Schubert the way with songs such as “Adelaide” and “An die ferne Geliebte”, presumably serving as models for Die schöne Müllerin and Winterreise, but lovely as they are, they have nothing of the breadth and scale of Schubert’s grim psychological narrative, a setting of twenty- four poems by Wilhelm Müller charting the mental and physical journey of a young man plunged into despair by unrequited love. Suffused with the same hyper-Romantic sensibility which characterises Goethe’s – and, subsequently, Massenet’s - Werther, Winterreise exploits and sustains the literary device of pathetic fallacy by reflecting the desolation of the protagonist’s soul in a musical and textual depiction of a bleak winter landscape.
    [Show full text]
  • Gerald Finley Bass-Baritone Julius Drake Piano
    Gerald Finley bass-baritone Julius Drake piano Michael Mofidian bass-baritone Jâms Coleman piano Saturday 24 April 2021 6.00pm Leeds Town Hall PROGRAMME Michael Mofidian and Jâms Coleman - Momentum Artists Brahms Vier ernste Gesänge Denn es gehet dem Menschen Ich wandte mich O Tod, wie bitter bist du Wenn ich mit Menschen und mit Engelzungen redete _________________________________________________ Gerald Finley and Julius Drake Schubert Die Schöne Müllerin Das Wandern Wohin? Halt Danksagung an den Bach Am Feierabend Der Neugierige Ungeduld Morgengruß Des Müllers Blumen Tränenregen Mein Pause Mit dem grünen Lautenbande Der Jäger Eifersucht und Stolz Die liebe Farbe Die böse Farbe Trockne Blumen Der Müller und der Bach Des Baches Wiegenlied Leeds Lieder Concert Season 2020-21 Momentum Programme Michael Mofidian bass-baritone Jȃms Coleman piano Johannes Brahms (1833-1897) Vier ernste Gesänge - Four Serious Songs Denn es gehet dem Menschen For that which befalleth the sons of men... Denn es gehet dem Menschen wie dem Vieh; For that which befalleth the sons of men befalleth wie dies stirbt, so stirbt er auch; beasts, as the one dieth, so dieth the other; und haben alle einerlei Odem; yea, they have all one breath; und der Mensch hat nichts mehr denn das Vieh: so that a man hath no preeminence above a beast: denn es ist alles eitel. for all is vanity. Es fährt alles an einem Ort; es ist alles von All go unto one place; all are of the dust Staub gemacht, und wird wieder zu Staub. and all turn to dust again. Wer weiß, ob der Geist des Menschen aufwärts Who knoweth the spirit of man that goeth upward, fahre, und der Odem des Viehes unterwärts and the spirit of the beast that goeth downward to unter die Erde fahre? the earth? Darum sahe ich, daß nichts bessers ist, denn Wherefore I perceive that there is nothing better, daß der Mensch fröhlich sei in seiner Arbeit, than that a man should rejoice in his own works; denn das ist sein Teil.
    [Show full text]
  • Culminating in a Concert at the Holywell Music Room on Saturday 29 October As Part of the 2016 Festival
    Residential Mastercourse for Singers & Pianists Sunday 23 October – Saturday 29 October 2016 culminating in a concert at the Holywell Music Room on Saturday 29 October as part of the 2016 Festival led by Wolfgang Holzmair with guest tutors including Matti Hirvonen, Richard Stokes, Robert Holl, and Julius Drake Course fee £475 per person Includes All tuition: a minimum of 11 coaching sessions per duo Admission to Oxford Lieder Festival concerts 8 nights’ accommodation and all meals www.oxfordlieder.co.uk “ A wonderful opportunity for talented young musicians to immerse themselves in the world of song ” Sarah Walker CBE The Oxford Lieder Festival The Oxford Lieder Festival is now in its fifteenth year, and is firmly established as one of the most prestigious song festivals in Europe. Since 2002, Oxford has heard thousands of songs at hundreds of recitals, given by many of the world’s most sought-after artists as well as the finest of a new generation of exciting young talent. 2014’s Festival, The Schubert Project, featured the UK’s first ever complete performance of Schubert’s songs alongside a host of other works and cultural events, and won the Royal Philharmonic Society’s prestigious ‘Chamber Music & Song’ award. This year’s Festival undertakes another unique survey of a complete song output: The Schumann Project will be one of the biggest ever celebrations of the music of Robert and Clara Schumann, with performances of all their songs surrounded by an exciting schedule of events that place the works against a rich cultural backdrop. “ Something unbelievable is happening in Oxford … it could prove one of the definitive musical experiences of your life.
    [Show full text]
  • Ian Bostridge Julius Drake
    THE GERTRUDE CLARKE WHITTALL FOUNDATION iN tHE LIBRARY oF CONGRESS IAN BOSTRIDGE JULIUS DRAKE Saturday, February 7, 2015 ~ 2 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building In 1935 Gertrude Clarke Whittall gave the Library of Congress five Stradivari instruments and three years later built the Whittall Pavilion in which to house them. The GERTRUDE CLARKE WHITTALL FOUNDATION was established to provide for the maintenance of the instruments, to support concerts (especially those that feature her donated instruments), and to add to the collection of rare manuscripts that she had additionally given to the Library. "LIKE" us at facebook.com/libraryofcongressperformingarts www.loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Saturday, February 7, 2015 — 2 pm THE GERTRUDE CLARKE WHITTALL FOUNDATION iN tHE LIBRARY oF CONGRESS IAN BOSTRIDGE, TENOR JULIUS DRAKE, PIANO • Program FRANZ SCHUBERT (1797-1828) Winterreise, D.
    [Show full text]