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“Am I Not of Those Who Reared / the Banner of Old Ireland High?” Triumphalism, Nationalism and Conflicted Identities in Francis Ledwidge’S War Poetry
Romp /1 “Am I not of those who reared / The banner of old Ireland high?” Triumphalism, nationalism and conflicted identities in Francis Ledwidge’s war poetry. Bachelor Thesis Charlotte Romp Supervisor: dr. R. H. van den Beuken 15 June 2017 Engelse Taal en Cultuur Radboud University Nijmegen Romp /2 Abstract This research will answer the question: in what ways does the poetry written by Francis Ledwidge in the wake of the Easter Rising reflect a changing stance on his role as an Irish soldier in the First World War? Guy Beiner’s notion of triumphalist memory of trauma will be employed in order to analyse this. Ledwidge’s status as a war poet will also be examined by applying Terry Phillips’ definition of war poetry. By remembering the Irish soldiers who decided to fight in the First World War, new light will be shed on a period in Irish history that has hitherto been subjected to national amnesia. This will lead to more complete and inclusive Irish identities. This thesis will argue that Ledwidge’s sentiments with regards to the war changed multiple times during the last year of his life. He is, arguably, an embodiment of the conflicting loyalties and tensions in Ireland at the time of the Easter Rising. Key words: Francis Ledwidge, Easter Rising, First World War, Ireland, Triumphalism, war poetry, loss, homesickness Romp /3 Table of contents Introduction ................................................................................................................................ 4 Chapter 1 History and Theory ................................................................................................... -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
The Annals of the Four Masters De Búrca Rare Books Download
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 142 Summer 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 142 Summer 2020 PLEASE NOTE 1. Please order by item number: Four Masters is the code word for this catalogue which means: “Please forward from Catalogue 142: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our cover illustration is taken from item 70, Owen Connellan’s translation of The Annals of the Four Masters. -
Irish Working-Class Poetry 1900-1960
Irish Working-Class Poetry 1900-1960 In 1936, writing in the Oxford Book of Modern Verse, W.B. Yeats felt the need to stake a claim for the distance of art from popular political concerns; poets’ loyalty was to their art and not to the common man: Occasionally at some evening party some young woman asked a poet what he thought of strikes, or declared that to paint pictures or write poetry at such a moment was to resemble the fiddler Nero [...] We poets continued to write verse and read it out at the ‘Cheshire Cheese’, convinced that to take part in such movements would be only less disgraceful than to write for the newspapers.1 Yeats was, of course, striking a controversial pose here. Despite his famously refusing to sign a public letter of support for Carl von Ossietzky on similar apolitical grounds, Yeats was a decidedly political poet, as his flirtation with the Blueshirt movement will attest.2 The political engagement mocked by Yeats is present in the Irish working-class writers who produced a range of poetry from the popular ballads of the socialist left, best embodied by James Connolly, to the urban bucolic that is Patrick Kavanagh’s late canal-bank poetry. Their work, whilst varied in scope and form, was engaged with the politics of its time. In it, the nature of the term working class itself is contested. This conflicted identity politics has been a long- standing feature of Irish poetry, with a whole range of writers seeking to appropriate the voice of ‘The Plain People of Ireland’ for their own political and artistic ends.3 1 W.B. -
Archipelagic Poetry of the First World War David Goldie for Well Over A
Archipelagic Poetry of the First World War David Goldie For well over a century before the First World War, the British Army had played a significant role in cementing the Union of Great Britain and Ireland, offering escape, a way out of poverty, or the opportunity of adventure for young men from the impoverished regions and smaller nations of the United Kingdom. Scots and Irish soldiers in particular were mainstays of the Victorian army, at times almost outnumbering English soldiers in the ranks. In the twenty years leading up to the war many of the military’s decision-makers had significant Irish or Scottish connections. Several Commanders-in-Chief of the Army in this period, including Viscount Wolseley and Roberts, were Irish and another, Lord Kitchener, had been born in Ireland. The man responsible for building the modern army as the Secretary of State for War in the decade before the war, Viscount Haldane, was a Scot. The first commander of the British Expeditionary Force, Field Marshal Sir John French came from an old Anglo-Irish family and its second, Field Marshal Sir Douglas Haig, was a Scot. A smattering of key generals, such as General Sir Ian Hamilton, who commanded the Dardanelles campaign, were Scots or Irish: of the five wartime Chiefs of the Imperial General Staff two, General Sir Charles Douglas and Lieutenant General Sir James Wolfe-Murray, were Anglo-Scots and another, General Sir Henry Wilson, was an Ulsterman. The Army before and during the war was, then, perhaps one of the most fully integrated structures of the British state, and one in which the dominant ruling-class English voice was strongly inflected by the diverse accents of its Celtic fringes. -
Cultures of Commemoration 2016 Lecture
Rui Carvalho Homem (Universidade do Porto) Culturas da Comemoração: o Caso da Literatura Irlandesa FLUL, 15 de Março de 2016 ‘the reputation of a major writer can offer a glimpse into the contestations of history that have structured our understanding of the past and of ourselves’ John Nash, ‘“In the Heart of the Hibernian Metropolis”? Joyce's Reception in Ireland, 1900-1940’, Richard Brown (ed.), A Companion to James Joyce (Oxford: Blackwell, 2008). 108-122 (108). ‘memory is the scaffolding upon which all mental life is constructed (…) memory distortion (…) raises important issues regarding institutional and societal memory and how distortion at these levels relates to the function of individuals.’ Gerald D. Fischbach and Joseph T. Coyle, ‘Preface’, Daniel L. Schacter (ed.), Memory Distortion: how minds, brains, and societies reconstruct the past (Cambridge, Mass: Harvard U.P., 1995) ix-x ‘Halbwachs provided an extensive analysis of how social groups remember and perpetuate their collective pasts, with a strong emphasis on the distortions that are an inevitable part of collective memory (…) In addition, Halbwachs believed that social groups exert a profound influence on the content of individual memories, and help to create various illusions, condensations, and distortions’ Daniel L. Schacter, ‘Memory Distortion: History and Current Status’, Memory Distortion: how minds, brains, and societies reconstruct the past (Cambridge, Mass: Harvard U.P., 1995) Maurice Halbwachs (1877-1945) and ‘collective memory’: ‘social thought is essentially a memory and (...) its entire content consists only of collective recollections or remembrances. (...) among them, only those recollections subsist that in every period society, working within its present-day frameworks, can reconstruct’ Maurice Halbwachs, On Collective Memory, ed., translated, and introd. -
The Capuchin Annual and the Irish Capuchin Publications Office
1 Irish Capuchin Archives Descriptive List Papers of The Capuchin Annual and the Irish Capuchin Publications Office Collection Code: IE/CA/CP A collection of records relating to The Capuchin Annual (1930-77) and The Father Mathew Record later Eirigh (1908-73) published by the Irish Capuchin Publications Office Compiled by Dr. Brian Kirby, MA, PhD. Provincial Archivist July 2019 No portion of this descriptive list may be reproduced without the written consent of the Provincial Archivist, Order of Friars Minor Capuchin, Ireland, Capuchin Friary, Church Street, Dublin 7. 2 Table of Contents Identity Statement.......................................................................................................................................... 5 Context................................................................................................................................................................ 5 History ................................................................................................................................................ 5 Archival History ................................................................................................................................. 8 Content and Structure ................................................................................................................................... 8 Scope and content ............................................................................................................................. 8 System of arrangement .................................................................................................................... -
Chapter 1 Introduction: Making History?
Notes CHAPTER 1 INTRODUCTION: MAKING HISTORY? 1. Irish Times, Weekend Section, September 3, 1994. 'Ceasefire' has sub sequently been reprinted in Longley's collection The Ghost Orchid (London: Jonathan Cape, 1995, p. 39). The poem continues Longley's discovery in the classics, and in Homer particularly, of passages and incidents pertinent to the present. His collection before The Ghost Orchid, Gorse Fires (London: Seeker & Warburg, 1991), also contains moving, freely translated excerpts which press upon events in the North of Ireland. 2. 'Ulysses, Order, and Myth', Selected Prose of T.S. Eliot, edited with an introduction by Frank Kermode (London: Faber, 1975), p. 177. 3. Modernisms: A Literary Guide (London: Macmillan, 1995), p. 167. 4. Transitions: Narratives in Modern Irish Culture (Manchester University Press, 1988), p. 9. 5. Jonathan Bardon, A History of Ulster (Belfast: Blackstaff Press, 1992), pp.662-90. 6. 'The Irish Writer', Davis, Mangan, Ferguson? Tradition and the Irish Writer, writings by W.B. Yeats and Thomas Kinsella (Dublin: Dolmen Press, 1970), p. 66. 7. Francis Ledwidge: Selected Poems (Dublin: New Island Books, 1992), p. 11. 8. Field Work (London: Faber, 1979), p. 60. 9. Station Island (London: Faber, 1984), p. 37. 10. 'An Ulster Twilight', Krino, No.5, Spring 1988, p. 100. 11. Dublin: The Dedalus Press, 1994; London: Anvil Press, 1993. In the poem 'Irish Cuttings' from the latter collection, O'Driscoll has written a horrific and modern version of the aisling or vision poem in which Ireland is described as a young maiden, as an old farmer is blown up by a booby-trapped bomb in a copy of Playboy (p. -
Trinity and the Rising Commemorating the 1916 Centenary Trinity and the Rising Commemorating the 1916 Centenary
Trinity and the Rising Commemorating the 1916 centenary Trinity and the Rising Commemorating the 1916 centenary Soldier and poet, Francis Ledwidge This booklet was produced by Katie Strickland Byrne in the Office of Public Affairs and Communications. TRInITy and The RIsIng CommemoRaTIng The 1916 CenTenaRy Contents John Boland 02 Introduction by the dean of Research eunan o’halpin 04 Lest we forget: Trinity College and the decade of Commemorations Jane ohlmeyer 07 an unstoppable process Ruth Barton 14 screening 1916 davis Coakley 16 small town – high walls estelle gittins 19 ‘all changed, changed utterly’: Commemorating the 1916 easter Rising at the Library of Trinity College dublin sarah smyth 21 Translations Iggy mcgovern 23 alliterations gerald dawe 24 an affirming Flame andrew o’Connell 26 Radio Rising Caoimhe ní Lochlainn 29 Trinity’s public engagement and media interest Patrick geoghegan 31 Vision for the future – appeal to the past page 01 TRInITy and The RIsIng CommemoRaTIng The 1916 CenTenaRy Introduction by the dean of Research Collected in this book, are reflections from leading academics and staff across our community. Eunan O’Halpin from the School of History outlines some of the events hosted by Trinity in the years leading up to 2016 that sought to look beyond the confines of the Rising and to place it in a broader historical context. Jane Ohlmeyer, director of the Trinity Long Room Hub Arts and Humanities Research Institute (TLRH), traces elements of this broader historical context in her analysis of how the Rising impacted on the British Empire, paying particular attention to how it was received in India, and notes the current day issues surrounding the fate of Northern Ireland in the wake of the recent Brexit vote. -
The Longman Anthology of British Literature Third Edition
The Longman Anthology of British Literature Third Edition David Damrosch and Kevin J. H. Dettmar General Editors VOLUME TWO THE ROMANTICS AND THEIR CONTEMPORARIES Susan Wolfson and Peter Manning THE VICTORIAN AGE Heather Henderson and William Sharpe THE TWENTIETH CENTURY Kevin J. H. Dettmar and Jennifer Wicke New York San Francisco Boston London Toronto Sydney Tokyo Singapore Madrid Mexico City Munich Paris Cape Town Hong Kong Montreal CONTENTS List of Illustrations xxxix Additional Audio and Online Resources xlv Preface xlvii Acknowledgments Iv The Romantics and Their Contemporaries 3 PERSPECTIVES -£^ ' The Sublime, the Beautiful, and the Picturesque 30 EDMUND BURKE 33 from A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful 33 WILLIAM GILPIN 40 from Three Essays on Picturesque Beauty, on Picturesque Travel, and on Sketching Landscape 41 MARY WOLLSTONECRAFT 46 from A Vindication of the Rights of Men 47 JANE AUSTEN 48 from Pride and Prejudice 48 from Northanger Abbey 49 MARIA JANE JEWSBURY 51 A Rural Excursion 51 IMMANUEL KANT 56 from The Critique of Judgement 56 JOHN RUSKIN 59 from Modern Painters 59 ANNA LETITIA BARBAULD 63 The Mouse's Petition to Dr. Priestley 63 On a Lady's Writing 65 Inscription for an Ice-House 65 To a Little Invisible Being Who Is Expected Soon to Become Visible 66 To the Poor 61 Contents Washing-Day 61 Eighteen Hundred and Eleven 69 RESPONSE John Wilson Croker: from A Review of Eighteen Hundred and Eleven 78 The First Fire 79 On the Death of the Princess Charlotte 81 CHARLOTTE SMITH 82 ELEGIAC SONNETS AND OTHER POEMS 83 To the Moon 83 "Sighing I see yon little troop at play" 83 • To melancholy. -
Leabharlann Naisiúnta Na Héireann
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 51 Michael Hartnett Papers (MSS 35,875-35,944) (Accession Nos. 4435, 4480, 4955) TABLE OF CONTENTS ACQUISITION AND ARRANGEMENT....................................................................... 3 I. PUBLISHED POEMS AND VERSE TRANSLATIONS ..........................................4 I.i. Anatomy of a Cliché.................................................................................................. 5 I.ii. Selected Poems......................................................................................................... 5 I.iii. Tao........................................................................................................................... 6 I.iv. Gipsy Ballads........................................................................................................... 6 I.v. The Retreat of Ita Cagney = Cúlú Íde....................................................................... 7 I.vi. A Farewell to English ..............................................................................................7 I.vii. Adharca Broic......................................................................................................... 8 I.viii. Maiden Street Ballad ........................................................................................... 10 I.ix. An Phurgóid...........................................................................................................10 I.x. The Ballad of Salad Sunday................................................................................... -
Publishing in Irish America: 1820-1922" Project That Is Being Undertaken by the CUNY Institute for Irish- American Studies
The electronic version of this text has been created as a part of the "Publishing in Irish America: 1820-1922" project that is being undertaken by the CUNY Institute for Irish- American Studies. Project: Publishing in fA Date Created: 12106/05 ObjcctlD: 000000071 Object Name: Anthology of Irish Verse Author: Padraic Colum Date Published: 1922 Publisher: Boni and Liveright Donor: Gerry Lee ANTHOLOGY OF IRISH VEItSE ANTHOLOGY OF IRISH VERSE EDITED WITH AN INTRODUCTION BY PADRAIC COLUM fit..., BONI AND LIVERIGHT NEW YORK 1922 ANTHOLOGY OF IRISH VERSE Copyright, 1922, by BONl & LIVElUGHT, INc. Published, March, 1922 Second Printing, September, 1922 Pri,.ttd i,. 'ht United Statts of Amtnca ACKNOWLEDGMENT For their generous permission to use poems from volumes published in this country, the Editor is indebted to: The Macmillan Co., for poems by A. E., James Stephens, W. B. Yeats. Messrs. Frederick Stokes, for poems by Thomas Kettle, Thomas Mac Donagh, Padraic Pearse and Joseph Plunkett. Messrs. Brentano, for poems by Francis Ledwidge. Messrs. Henry Holt for poems by Francis Carlin and Padraic Colum. Messrs. Funk & \Vagnalls for poems by Ethna Carbery. Mr. Mitchell Kennerley for poems by Dora Sigerson Shorter. Mr. B. W. Huebsch for poems by James Joyce. Miss Harriet Monroe for "On \Vaking," by Joseph Camp- bell, "The Apple Tree" by Nancy Campbell, "The Counsels of O'Riordon," by T. D. O'Bolger, published in "Poetry," Chicago. Mr. Seumas MacManus, for permission to use "Lullaby" ("Ballads of a Country Boy,': Dublin, M. H. Gill) ; Miss Eleanor Cox; And to Mr. Seumas O'Sheel, for permission to use "To a Dead Poet" and "He Whom a Dream Hath Possessed," TO GEORGE SIGERSON, POET AND SCHOLAR Two men of art, they say, were with the sons Of Mile,-a poet and a harp player, When Mile, having taken Ireland, left The land to his sons' rule; the poet was Cir, and fair Cendfind was the harp player.