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Old Norse Mythology — Comparative Perspectives Old Norse Mythology— Comparative Perspectives
Publications of the Milman Parry Collection of Oral Literature No. 3 OLd NOrse MythOLOgy — COMParative PersPeCtives OLd NOrse MythOLOgy— COMParative PersPeCtives edited by Pernille hermann, stephen a. Mitchell, and Jens Peter schjødt with amber J. rose Published by THE MILMAN PARRY COLLECTION OF ORAL LITERATURE Harvard University Distributed by HARVARD UNIVERSITY PRESS Cambridge, Massachusetts & London, England 2017 Old Norse Mythology—Comparative Perspectives Published by The Milman Parry Collection of Oral Literature, Harvard University Distributed by Harvard University Press, Cambridge, Massachusetts & London, England Copyright © 2017 The Milman Parry Collection of Oral Literature All rights reserved The Ilex Foundation (ilexfoundation.org) and the Center for Hellenic Studies (chs.harvard.edu) provided generous fnancial and production support for the publication of this book. Editorial Team of the Milman Parry Collection Managing Editors: Stephen Mitchell and Gregory Nagy Executive Editors: Casey Dué and David Elmer Production Team of the Center for Hellenic Studies Production Manager for Publications: Jill Curry Robbins Web Producer: Noel Spencer Cover Design: Joni Godlove Production: Kristin Murphy Romano Library of Congress Cataloging-in-Publication Data Names: Hermann, Pernille, editor. Title: Old Norse mythology--comparative perspectives / edited by Pernille Hermann, Stephen A. Mitchell, Jens Peter Schjødt, with Amber J. Rose. Description: Cambridge, MA : Milman Parry Collection of Oral Literature, 2017. | Series: Publications of the Milman Parry collection of oral literature ; no. 3 | Includes bibliographical references and index. Identifers: LCCN 2017030125 | ISBN 9780674975699 (alk. paper) Subjects: LCSH: Mythology, Norse. | Scandinavia--Religion--History. Classifcation: LCC BL860 .O55 2017 | DDC 293/.13--dc23 LC record available at https://lccn.loc.gov/2017030125 Table of Contents Series Foreword ................................................... -
Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2019 Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Comparative Literature Commons, Cultural History Commons, Disability Studies Commons, European History Commons, European Languages and Societies Commons, Folklore Commons, History of Religion Commons, History of Science, Technology, and Medicine Commons, Medieval History Commons, Medieval Studies Commons, Scandinavian Studies Commons, and the Social and Cultural Anthropology Commons Recommended Citation Lawson, Michael David, "Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia" (2019). Electronic Theses and Dissertations. Paper 3538. https://dc.etsu.edu/etd/3538 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia ————— A thesis presented to the faculty of the Department of History East Tennessee State University ————— In partial fulfillment of the requirements for the degree -
Towards a Typology of Absence in Old Norse Literature
Exemplaria Medieval, Early Modern, Theory ISSN: 1041-2573 (Print) 1753-3074 (Online) Journal homepage: http://www.tandfonline.com/loi/yexm20 Towards a Typology of Absence in Old Norse Literature Richard Cole To cite this article: Richard Cole (2016) Towards a Typology of Absence in Old Norse Literature, Exemplaria, 28:2, 137-160, DOI: 10.1080/10412573.2016.1151201 To link to this article: http://dx.doi.org/10.1080/10412573.2016.1151201 Published online: 27 Apr 2016. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=yexm20 Download by: [Harvard Library] Date: 27 April 2016, At: 08:08 EXEMPLARIA, Vol. 28 No. 2, March, 2016, 137–160 Towards a Typology of Absence in Old Norse Literature Richard Cole Harvard University, USA This essay accepts Patrick Fuery’s challenge to “get directly engaged in issues of typology” when considering absence. The powers of lost lovers, slain gods, and howling voids in Old Norse literature are anatomized according to the many phenomena denoted by the word “absence.” Demonstrating several species and differing degrees of absence, the essay also shows how each is created by a particular mechanism, and each tends towards specific emotional consequences. Each species of typology is illustrated with examples taken from Old Norse literature; yet its various types may well be applied beyond such contexts. KEYWORDS absence, Old Norse, Kormáks saga, Eyrbyggja saga, Snorra Edda, mythology, Gilles Deleuze. On the edge of the known world, Ívar Bárðarson travels around the deserted wastes of the Greenland colony, wondering what became of the thousands of souls who once lived there.1 On a moonlit night in an Icelandic dale, the monster slayer Grettir Ásmundarson Downloaded by [Harvard Library] at 08:08 27 April 2016 wrestles with his fear of the dark, tormented by visions of creatures that — as far as any other mortal knows — aren’t really there. -
The Male Construction of Empowered Female Identities in Old Norse Myth and Legend
Durham E-Theses The whirling wheel: the male construction of empowered female identities in Old Norse myth and legend VARLEY, DAVID,HUGH How to cite: VARLEY, DAVID,HUGH (2015) The whirling wheel: the male construction of empowered female identities in Old Norse myth and legend, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11057/ Use policy This work is licensed under a Creative Commons Attribution 3.0 (CC BY) Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 1 Abstract: PhD Thesis, Durham University 2014 The Whirling Wheel: The Male Construction of Empowered Female Identities in Old Norse Myth and Legend This thesis examines the body of medieval literature associated with Old Norse myth and legend. Though this is a diffuse corpus produced over a long span of time and from a wide geographical area, it is possible to establish connections between texts and to highlight certain recurring narrative patterns that are deeply entrenched in this literary tradition. The specific focus of the present study is to analyse the narrative patterns that characterise the interactions between male and female figures. It has long been understood that female figures tend to occupy carefully defined social roles in this body of literature, and much work has been done in assessing these. This thesis takes the unique approach of investigating whether these roles can be viewed, not as a product of the mentality of the writers of this literary material, but rather as a product of male characters within the literary narratives themselves. -
Norse Mythology: a Guide to the Gods, Heroes, Rituals, and Beliefs
Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs John Lindow OXFORD UNIVERSITY PRESS Norse Mythology This page intentionally left blank Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs John Lindow 3 3 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto and an associated company in Berlin Copyright © 2001 by John Lindow First published by ABC-Clio 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 First issued as an Oxford University Press paperback, 2002 198 Madison Avenue, New York,New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press Library of Congress Cataloging-in-Publication Data Lindow, John. [Handbook of Norse mythology] Norse mythology: a guide to the Gods, heroes, rituals, and beliefs / by John Lindow. p. cm. Includes bibliographical references and index. ISBN 0-19-515382-0 (pbk.: alk. paper) 1. Mythology, Norse. I.Title. BL860.L56 2001 293'.13—dc21 2001058370 10987654321 Printed in the United States of America on acid-free paper CONTENTS A Note on Orthography, xv 1 Introduction, 1 The Historical Background, 2 -
Fate and Cosmogony in Völuspá: Shaping History in a Moment1
Fate and Cosmogony in Völuspá: Shaping History in a Moment1 Declan Taggart IN CONTRAST to, say, the Christian religion that attenuated and eventually overwhelmed it, the pre-Christian tradition in Scandinavia seems never to have offered unconditional gratitude to the deities it recognized as its makers.2 Instead, Völuspá, the most expansive poem inflected by these customs to survive, appears to consistently associate imperfections in these divine smiths and their methods with natural and social corruption, and with the approach of Ragnarök, an inevitable, world-destroying conflagration. Therefore, after necessarily first establishing the specifics of the cosmogonic methods portrayed in Völuspá, this essay will reflect upon the philosophical underpinnings of this distinctive narrative of existence, focussing in particular on the relationship between the act of world-forging and the poem’s understanding of fate. It could be argued that the ambivalence congenital to this view of creation is derived from commonplace attitudes to crafting and craftsmen, and that this context therefore provides a pre-existing model by which to judge the success of the Æsir (the group of Old Norse deities principally dealt with here). However, due to the constraints imposed by the length of this discussion, this wider circumstance will be largely overlooked, except where relevant comparative examples have been footnoted. The shaping of the beings that inhabit this cosmography will be treated in a similar way, for the same reason, although it could be argued that complementary, possibly isomorphic, principles are elemental to these creations too. 1 This article was the runner-up of the Magnus Magnusson Essay Prize (2011). -
Re-Evaluating Literature and Folklore in Icelandic Archaeology
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 Handbook for the Deceased: Re-Evaluating Literature and Folklore in Icelandic Archaeology Brenda Nicole Prehal The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4134 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] HANDBOOK FOR THE DECEASED: RE-EVALUATING LITERATURE AND FOLKLORE IN ICELANDIC ARCHAEOLOGY by BRENDA PREHAL A dissertation submitted to the Graduate Faculty in Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York. 2021 © 2020 BRENDA PREHAL All rights reserved. ii Handbook for the Deceased: Re-evaluating Literature and Folklore in Icelandic Archaeology by Brenda Prehal This manuscript has been read and accepted for the Graduate Faculty in Anthropology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Thomas McGovern Chair of Examining Committee Date Jeff Maskovsky Executive Officer Supervisory Committee: Timothy Pugh Astrid Ogilvie Adolf Frðriksson THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Handbook for the Deceased: Re-Evaluating Literature and Folklore in Icelandic Archaeology by Brenda Prehal Advisor: Thomas McGovern The rich medieval Icelandic literary record, comprised of mythology, sagas, poetry, law codes and post-medieval folklore, has provided invaluable source material for previous generations of scholars attempting to reconstruct a pagan Scandinavian Viking Age worldview. -
Introduction
Hávamál (English translation) Introduction The present Hávamál version still lacks two kinds of commentaries. At first, I have not yet been able to include Mrs. Jackson’s brillant ideas relative to « definition lists». For two, although I indeed signaled Óðinn’s abilities to introspection, I only begin to foresee his aptitude at handling his own unconscious. C. Jung calls this aptitude ‘introversion’, a behavior as risky as shooting a self-aimed arrow. Hávamál, together with other poetry and myths will provide information to our search for ancestral and contemporary mankind’s unconscious, as described in the fourth section of this site: Modern and Old Norse Archetypes. The sections of Hávamál My feeling is that the whole of Hávamál is one solid buidling (be it built by one or several poets) that links together a collection of relatively small units dealing with manifold aspects of life. This explains why I found twenty rooms available in the poem. What I propose here is not really another translation. It is rather a commentary and a discussion of its possible meanings. This discussion is more properly an attempt at a reconstruction of the several meanings that this text could carry for a Heathen of the, say, tenth century. As in any other reconstruction, humility is in order here since we are simply doing our best to reconstruct as honestly as we are able to. This approach often leads to see Hávamál under a new light the four main directions of which are as follows. 1. Many stanzas allude to magic and these allusions are mostly ignored by academic translators. -
The Havamal - Sayings of the High One Free Download
THE HAVAMAL - SAYINGS OF THE HIGH ONE FREE DOWNLOAD Henry Adams Bellows | 96 pages | 23 Apr 2014 | Abela Publishing | 9781909302631 | English | Sandhurst, United Kingdom Hávamál - Sayings of the High One Alyson marked it as to-read Jan 16, The half wit does not know that gold Makes apes of many men: One is rich, one is poor There is no blame in that. Washed and fed, one may fare to the Thing: Though one's clothes be the worse for Wear, None need be ashamed of his shoes or hose, Nor of the horse he owns, Although no thoroughbred. He who has travelled can tell what spirit governs the men he meets. He welcomes the The Havamal - Sayings of the High One who has enough provisions Short are the sails of a ship, Dangerous the dark The Havamal - Sayings of the High One autumn, The wind may veer within five days, And many times in a month. To ensure we are able to help you as best we can, please include your reference number:. We aim to show you accurate product information. Jasmin Martin marked it as to-read Oct 10, Out of stock. That he knows nothing at all. This is especially powerful, given its Dark Age context. It is best for man to be middle-wise, Not over cunning and clever: The learned man whose lore is deep Is seldom happy at heart. Customer Reviews. The The Havamal - Sayings of the High One, itself a combination of numerous shorter poems, is largely gnomicpresenting advice for living, proper conduct and wisdom. -
Transgressive Women in Old Icelandic Heroic and Mythological Literature, and in Saxo Grammaticus’ Gesta Danorumdanorum
Naomi Bennett Peace Unwoven: Transgressive Women in Old Icelandic Heroic and Mythological Literature, and in Saxo Grammaticus’ Gesta DanorumDanorum.... A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature. School of English, Film, Theatre and Media Studies. Victoria University of Wellington 2009 Acknowledgements A great deal of thanks goes to my supervisor, teacher and mentor, Dr Christine Franzen, for introducing me to Old Icelandic literature, and for her constant enthusiasm and encouragement. Thank you so much for all your time and effort, and your belief in me. Thanks also to my long-suffering office-mates, Saskia Voorendt, Lujan Herrera and Sonia Johnson, for the time spent street-watching, coffee drinking and musing about literature. It has been fun! Thanks especially to my family and to my husband Tom. Without your patience and love this thesis would never have happened. Naomi Bennett, June 2009. ii Abbreviations and Referencing Abbreviations Due to the number of texts referred to in this thesis, after the first citation a short title is used in the text (see below). Texts Short titles Fornaldarsögur Ásmundar saga kappabana Asmund Bósa saga ok Herrauðs Bosi and Herraud Egils saga einhenda ok Ásmundar berserkjabana Egil and Asmund Eireks saga víðdförla Eirek Frá Fornjóti ok hans ættmönnum Fornjoti Friðþjófs saga ins frœkna Fridthjof Gautreks saga Gautrek Gríms saga loðinkinna Grim Shaggy-Cheek Göngu-Hrólfs saga Gongu-Hrolf Hálfdanar saga -
The Adaptability of Myth in Old Norse and Finnish Poetry
The Adaptability of Myth in Old Norse and Finnish Poetry Clive Tolley I In 1817, K. A. Gottlund wrote in a review in the Svensk Literaturtidning:1 Thus the youth of Finland, writers who care more about the products of their fatherland (for in this respect little may be expected of their elders), should try to cherish and nurture the literature of their homeland — in whatever field of work should help in their endeavour! They would encounter passages such as they would search for in vain in foreign literature — indeed, the reviewer will go so far in his claim, that if it should be desired to gather the ancient folk-poems and to form from them an orderly whole, be it an epic, a drama, or whatever, it would be possible for a new Homer, an Ossian, or a Nibelungenlied to arise; and a Finnish nationhood would awake, famed for the lustre and glory of its own particularity, conscious of itself, the admiration of contemporaries and aftercomers, made fair by its own aura. The reviewer asserts that in his view he has never used his time better than in sacrificing it to the gathering of the incomparable remains of the songs and poems of our forefathers, poems which contain so much philosophy and beauty. 1 No. 25, 21.6.1817, p. 394. I have translated from the Finnish translation cited in Kaukonen 16. 498 11th International Saga Conference 499 Elias Lönnrot probably never read these words, but within a few years he had realized Gottlund’s desire. By publishing the Kalevala in 1835 he not only won fame for himself as Finland’s Homer, but also provided the nation with a symbolic focus for its growing self-awareness. -
The Implications of Knowledge Acquisition in Hávamál and Sigrdrífumál
Hugvísindasvið The Implications of Knowledge Acquisition in Hávamál and Sigrdrífumál A multidisciplinary approach to Eddic Wisdom Poetry Ritgerð til M.A.-prófs Carlos Osvaldo Rocha September 2012 Háskóli Íslands Íslensku- og Menningardeild Medieval Icelandic Studies The Implications of Knowledge Acquisition in Hávamál and Sigrdrífumál A multidisciplinary approach to Eddic Wisdom Poetry Ritgerð til M.A.-prófs Carlos Osvaldo Rocha Kt. 161184-4549 Leiðbeinandi: Jóhanna Katrín Friðriksdóttir September 2012 Table of Contents 1. Introduction ................................................................................................................... 2 1.1 Wisdom in poetry .................................................................................................. 4 2. Defining wisdom and wisdom poetry ........................................................................... 8 2.1 Eddic wisdom poetry .......................................................................................... 13 2.2 Different kinds of knowledge ............................................................................. 18 2.2.1 Terminological definitions ......................................................................... 19 2.2.2 Theoretical definitions ............................................................................... 21 3. Composition of Eddic wisdom poetry ........................................................................ 26 3.1 Oral Tradition ....................................................................................................