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"No more interference": The response of Chinese intellectuals to United States China policy, 1945-1950. Item Type text; Dissertation-Reproduction (electronic) Authors Zhang, Hong. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 06:36:10 Link to Item http://hdl.handle.net/10150/187365 INFORMATION TO USERS This manuscript ,has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is depeDdent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedtbrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with smaIl overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
Chinese Popular Romance in Greater East Asia, 1937-1945 Chun-Yu Lu Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2016 Make Love and War: Chinese Popular Romance in Greater East Asia, 1937-1945 Chun-Yu Lu Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian Studies Commons, East Asian Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, Gender and Sexuality Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Lu, Chun-Yu, "Make Love and War: Chinese Popular Romance in Greater East Asia, 1937-1945" (2016). Arts & Sciences Electronic Theses and Dissertations. 800. https://openscholarship.wustl.edu/art_sci_etds/800 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Committee on Comparative Literature Dissertation Examination Committee: Lingchei Letty Chen, Chair Robert E Hegel, Co-Chair Rebecca Copeland Diane Lewis Zhao Ma Marvin Marcus Make Love and War: Chinese Popular Romance in “Greater East Asia,” 1937-1945 by Chun-yu Lu A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2016 St. Louis, Missouri © 2016, Chun-yu Lu Table of Content Acknowledgments ................................................................................................. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE PROSE POEM AND AESTHETIC INSIGHT: LU XUN’S YECAO DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas A. -
Linguistic Politeness in the Chinese Language and Culture
Whittier College Poet Commons Modern Languages Faculty Publications & Research 2020 Linguistic Politeness in the Chinese Language and Culture Horng-Yi Lee [email protected] Follow this and additional works at: https://poetcommons.whittier.edu/modlang Part of the Modern Languages Commons, and the Modern Literature Commons Recommended Citation Lee, H.-Y. (2020). Linguistic Politeness in the Chinese Language and Culture. Theory and Practice in Language Studies, 10(1), 1-9. http://dx.doi.org/10.17507/tpls.1001.01 This Article is brought to you for free and open access by the Faculty Publications & Research at Poet Commons. It has been accepted for inclusion in Modern Languages by an authorized administrator of Poet Commons. For more information, please contact [email protected]. ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 10, No. 1, pp. 1-9, January 2020 DOI: http://dx.doi.org/10.17507/tpls.1001.01 Linguistic Politeness in the Chinese Language and Culture Horng-Yi Lee Department of Modern Languages and Literatures, Whittier College, Whittier, CA, USA Abstract—This paper aims to explore the cultural foundations of polite speech and analyze its usage and practice in modern Chinese. A language mirrors the culture it is associated with. Grounded in the Chinese tradition and the teachings of Confucianism, the emphasis on rites, propriety and humility led to the development of polite language from the early imperial time. Because of the absence of related syntactic features, Chinese linguistic politeness is predominantly manifested on the lexical level. A rich array of decorous terms and expressions has been evolved accordingly to express courtesy or respect either verbally or in formal writing. -
YEAGER-DISSERTATION-2021.Pdf
Copyright by Benjamin Hudson Yeager 2021 The Dissertation Committee for Benjamin Hudson Yeager Certifies that this is the approved version of the following Dissertation: Knowledge Capital in Socialist China: The Political Interplay of Intellectuals, Cadres, and the Party-State, 1950-1959 Committee: Huaiyin Li, Supervisor Robert Oppenheim Mark Ravina Yoav Di-Capua Knowledge Capital in Socialist China: The Political Interplay of Intellectuals, Cadres, and the Party-State, 1950-1959 by Benjamin Hudson Yeager Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2021 Dedication For Sarah, who was there from the beginning to the end of my graduate school experience Acknowledgements A project the size of a dissertation would be impossible without a seemingly endless number of individuals. This includes, most obviously, Huaiyin Li, who has shepherded my career as a graduate student from beginning to end. His advise, mentorship, and willingness to casually discuss the ideas that led to this present work were invaluable. The rest of my committee—Robert Oppenheim, Mark Ravina, and Yoav Di-Capua—provided no less thoughtful feedback over the course of the project. A number of other professors at UT provided considerable support or career advice over the course of my time, including Nancy Stalker, Penne Restad, and Mark Metzler. As with many history graduate students, I am indebted to the massive behind-the-scenes enterprise undertaken by Marilyn Lehman and now Michael Schmidt. This work was also supported with a generous research fellowship provided by the University of Texas at Austin. -
View / Open Yang Oregon 0171A 11686.Pdf
GRAFTED IDENTITIES: SHREWS AND THE NEW WOMAN NARRATIVE IN CHINA (1910s-1960s) by SHU YANG A DISSERTATION Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2016 DISSERTATION APPROVAL PAGE Student: Shu Yang Title: Grafted Identities: Shrews and the New Woman Narrative in China (1910s-1960s) This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of East Asian Languages and Literatures by: Maram Epstein Chairperson Alison Groppe Core Member Roy Chan Core Member Bryna Goodman Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2016 ii © 2016 Shu Yang This work is licensed under a Creative Commons Arribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Shu Yang Doctor of Philosophy Department of East Asian Languages and Literatures September 2016 Title: Grafted Identities: Shrews and the New Woman Narrative in China (1910s-1960s) My dissertation examines the unacknowledged role of negative female models from traditional literature in constructing the modern woman in China. It draws upon literary and historical sources to examine how modern cultural figures resuscitated and even redeemed qualities associated with traditional shrews in their perceptions and constructions of the new woman across the first half of the twentieth century. By linking the literary trope of the shrew, associated with imperial China, with the twentieth-century figure of the new woman, my work bridges the transition from the late-imperial to the modern era and foregrounds the late-imperial roots of Chinese modernization. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, begnning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each orignal is also photographed in one œcposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zesb Road, Ann Arbor MI 48106-1346 USA 313/76M700 800/521-0600 LU XUN, AH Q, "THE TRUE STORY OF AH Q" AND THE NATIONAL CHARACTER DISCOURSE IN MODERN CHINA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State Universi té' By Paul Brendan Foster, B.S., M.A The Ohio State University 1996 Dissertation Committee: Approved by Hao Chang Xiaomei Chen Kirk A Denton, Advisor Advisor Eugene W. -
Linguistic Politeness in the Chinese Language and Culture
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Poet Commons (Whittier College) Whittier College Poet Commons Modern Languages Faculty Publications & Research 2020 Linguistic Politeness in the Chinese Language and Culture Horng-Yi Lee Follow this and additional works at: https://poetcommons.whittier.edu/modlang Part of the Modern Languages Commons, and the Modern Literature Commons ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 10, No. 1, pp. 1-9, January 2020 DOI: http://dx.doi.org/10.17507/tpls.1001.01 Linguistic Politeness in the Chinese Language and Culture Horng-Yi Lee Department of Modern Languages and Literatures, Whittier College, Whittier, CA, USA Abstract—This paper aims to explore the cultural foundations of polite speech and analyze its usage and practice in modern Chinese. A language mirrors the culture it is associated with. Grounded in the Chinese tradition and the teachings of Confucianism, the emphasis on rites, propriety and humility led to the development of polite language from the early imperial time. Because of the absence of related syntactic features, Chinese linguistic politeness is predominantly manifested on the lexical level. A rich array of decorous terms and expressions has been evolved accordingly to express courtesy or respect either verbally or in formal writing. In general, the lexicon of politeness can be classified into four major categories, namely, honorifics, humble language, courteous speech, and euphemisms. Index Terms—Chinese, politeness, honorifics, humble language, euphemisms, culture I. INTRODUCTION The presence of well-mannered citizens is an icon of a civilized society. To be polite is an attitude as well as a universal social norm. -
Buddha, Taoist Gods, Various Gods of Rivers, Mountains, Kitchens, and Ancestors, As Well As the Christian Gad When
Non-~onfucian Society in North China during the Seventeenth Century Yifeng zhao O A thesis submitted to the Paculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy. Department of Bistory and Classics Edmonton, Alberta Spring 1997 Acquisitions and Acquisitions et Bibiiognphic Services - semes biMiographiques The author has granted a non- L'auteur a accordé une licence non exclusive licence aiiowing the exclwe permettant à la Naîiod Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distni-bute or seii teproduite, prêter, distnibuer ou copies of his/her thesis by any means vendre des copies de sa thèse de and in any fonn or fomat, maljng qyelque manière.et sous cpelque this thesis available to interested forme que ce soit pour mettre des persons. exemplaires de cette thèse à la disposition des personnes intéressées. The author retains ownership of the L'auteur conserve la propriété du copwght in hider thesis. Neither &oit d'auteur qui protège sa thèse. Ni the thesis nor substantial extracts la thèse ni des extraits substantiels de fkom it may be printed or othewise celle-ci ne doivent êîre imprimés ou reproduced with the author's autrement reproduits sans son permission. autorisation. Canada To my parents This study examines the cultural characteristics of the rural commonets in northeni China during the 17th century. It argues that the rural conunoners formed a non-confucian society in which the state ideology, Confucianism, was not followed as a standard. The major religious character of such a non-Confucian society is pluralism, which was receptive to various religious influences. -
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UNIVERSITY OF CALIFORNIA Los Angeles Vocabularies of Violence: The Chinese Coolie Trade and the Constitutive Power of its Conceptual Vocabularies, 1847-1907 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Elizabeth Evans Weber 2015 ABSTRACT OF THE DISSERTATION Vocabularies of Violence: The Chinese Coolie Trade and the Constitutive Power of its Conceptual Vocabularies, 1847-1907 by Elizabeth Evans Weber Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2015 Professor Shu-mei Shih, Chair This project is concerned with the foreign-executed trade in contracted Chinese labor (the “coolie trade”) to the Americas that spanned from 1847-1876. The first part of the project explores the many violences that the coolie trade visited upon Chinese persons, whether those who were themselves directly victimized by the trade, or those who suffered more indirectly (persons whose families were torn apart, who lived in fear of kidnapping, or who were forced to contemplate the meaning of foreign-imposed racial hierarchies, commodification of racialized Chinese labor, and the general decline of late Qing China’s geopolitical position). As Chinese from a variety of backgrounds began to respond to and apprehend these traumatic violences, they gave rise to a set of “conceptual vocabularies”— including terminologies, subjectivities, conceptions of racial and geopolitical hierarchies, and understandings of servitude and personal liberty—that gave voice both to the ongoing traumas, and to the shock and simmering outrage that resulted therefrom. ii The second part of the project then details how nationalist authors writing in the early twentieth century were able to repurpose and manipulate these powerful, already-extant, shared vocabularies of violence in order to urge a crystallizing reading public to take an interest in the future of an endangered China.