Linguistic Politeness in the Chinese Language and Culture
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Lord Lyon King of Arms
VI. E FEUDAE BOBETH TH F O LS BABONAG F SCOTLANDO E . BY THOMAS INNES OP LEABNEY AND KINNAIRDY, F.S.A.ScoT., LORD LYON KIN ARMSF GO . Read October 27, 1945. The Baronage is an Order derived partly from the allodial system of territorial tribalis whicn mi patriarce hth h hel s countrydhi "under God", d partlan y froe latemth r feudal system—whic e shale wasw hse n li , Western Europe at any rate, itself a developed form of tribalism—in which the territory came to be held "of and under" the King (i.e. "head of the kindred") in an organised parental realm. The robes and insignia of the Baronage will be found to trace back to both these forms of tenure, which first require some examination from angle t usuallno s y co-ordinatedf i , the later insignia (not to add, the writer thinks, some of even the earlier understoode symbolsb o t e )ar . Feudalism has aptly been described as "the development, the extension organisatione th y sa y e Family",o familyth fma e oe th f on n r i upon,2o d an Scotlandrelationn i Land;e d th , an to fundamentall o s , tribaa y l country, wher e predominanth e t influences have consistently been Tribality and Inheritance,3 the feudal system was immensely popular, took root as a means of consolidating and preserving the earlier clannish institutions,4 e clan-systeth d an m itself was s modera , n historian recognisew no s t no , only closely intermingled with feudalism, but that clan-system was "feudal in the strictly historical sense".5 1 Stavanger Museums Aarshefle, 1016. -
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"No more interference": The response of Chinese intellectuals to United States China policy, 1945-1950. Item Type text; Dissertation-Reproduction (electronic) Authors Zhang, Hong. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 06:36:10 Link to Item http://hdl.handle.net/10150/187365 INFORMATION TO USERS This manuscript ,has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is depeDdent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedtbrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with smaIl overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
Chinese Popular Romance in Greater East Asia, 1937-1945 Chun-Yu Lu Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2016 Make Love and War: Chinese Popular Romance in Greater East Asia, 1937-1945 Chun-Yu Lu Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian Studies Commons, East Asian Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, Gender and Sexuality Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Lu, Chun-Yu, "Make Love and War: Chinese Popular Romance in Greater East Asia, 1937-1945" (2016). Arts & Sciences Electronic Theses and Dissertations. 800. https://openscholarship.wustl.edu/art_sci_etds/800 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Committee on Comparative Literature Dissertation Examination Committee: Lingchei Letty Chen, Chair Robert E Hegel, Co-Chair Rebecca Copeland Diane Lewis Zhao Ma Marvin Marcus Make Love and War: Chinese Popular Romance in “Greater East Asia,” 1937-1945 by Chun-yu Lu A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2016 St. Louis, Missouri © 2016, Chun-yu Lu Table of Content Acknowledgments ................................................................................................. -
Golnaz Nanbakhsh University of Edinburgh Politeness and Address Forms in Contemporary Persian: Thirty Years On
Golnaz Nanbakhsh University of Edinburgh Politeness and address forms in contemporary Persian: Thirty years on Abstract. This paper examines the correlation between language use (particularly address terms and pronouns), politeness norms, and social structure in contemporary Iranian society. The Persian system of address terms in post-revolutionary Iran was influenced by the Islamic ideology of the early 1979 Iranian revolution (Keshavarz 1988). These terms include extensive use of kinship terms such as bæradær ‘brother’ and xahær ‘sister’ in public domains, which clearly illustrate that influence. In an attempt to investigate the impact of the 1979 revolution on language use and politeness, the patterns of contemporary Persian address usage are compared with the social and political structure of the 1979 egalitarian ethos. Ten hours of spontaneous media conversation (candid camera and interviews) and 20 sociolinguistics interviews gathered in Iran are analysed. The interactional analysis reveals variation within the Persian address system leading to changes in linguistic and social structuring of language in contemporary Iran. Keywords: Address terms, politeness, variation, social and cultural revolution, Persian. Acknowledgments I would like to express my profound appreciation to Prof. Miriam Meyerhoff, and Dr. Graeme Trousdale, my PhD supervisors at the University of Edinburgh, for their persistent and insightful comments on the thesis on which this article is based. Whatever infelicities remain are of course my own responsibility. 1. Introduction Macro- and micro-sociolinguistic research indicates variations and changes in the address systems of many languages, including those with a T ‘informal you’ (French Tu) and V ‘formal you’ (French Vous) distinction (Brown and Gilman 1960). -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Korean Honorific Speech Style Shift: Intra-Speaker
KOREAN HONORIFIC SPEECH STYLE SHIFT: INTRA-SPEAKER VARIABLES AND CONTEXT A DISSERATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN EAST ASIAN LANGUAGES AND LITERATURES (KOREAN) MAY 2014 By Sumi Chang Dissertation Committee: Ho-min Sohn, Chairperson Dong Jae Lee Mee Jeong Park Lourdes Ortega Richard Schmidt Keywords: Korean honorifics, grammaticalization, indexicality, stance, identity ⓒ Copyright 2014 by Sumi Chang ii ACKNOWLEDGEMENTS No words can express my appreciation to all the people who have helped me over the course of my doctoral work which has been a humbling and enlightening experience. First, I want to express my deepest gratitude to my Chair, Professor Ho-min Sohn, for his intellectual guidance, enthusiasm, and constant encouragement. I feel very fortunate to have been under his tutelage and supervision. I also wish to thank his wife, Mrs. Sook-Hi Sohn samonim, whose kindness and generosity extended to all the graduate students, making each of us feel special and at home over the years. Among my committee members, I am particularly indebted to Professor Dong Jae Lee for continuing to serve on my committee even after his retirement. His thoughtfulness and sense of humor alleviated the concerns and the pressure I was under. Professor Mee Jeong Park always welcomed my questions and helped me organize my jumbled thoughts. Her support and reassurance, especially in times of self-doubt, have been true blessings. Professor Lourdes Ortega's invaluable comments since my MA days provided me with a clear direction and goal. -
Politeness and Language Penelope Brown, Max Planck Institute of Psycholinguistics, Nijmegen, the Netherlands
Politeness and Language Penelope Brown, Max Planck Institute of Psycholinguistics, Nijmegen, The Netherlands Ó 2015 Elsevier Ltd. All rights reserved. Abstract This article assesses the advantages and limitations of three different approaches to the analysis of politeness in language: politeness as social rules, politeness as adherence to an expanded set of Gricean Maxims, and politeness as strategic attention to ‘face.’ It argues that only the last can account for the observable commonalities in polite expressions across diverse languages and cultures, and positions the analysis of politeness as strategic attention to face in the modern context of attention to the evolutionary origins and nature of human cooperation. What Is Politeness? theoretical approach to the analysis of politeness in language can be distinguished. If, as many have claimed, language is the trait that most radi- 1. Politeness as social rules. To the layman, politeness is cally distinguishes Homo sapiens from other species, politeness a concept designating ‘proper’ social conduct, rules for is the feature of language use that most clearly reveals the speech and behavior stemming generally from high-status nature of human sociality as expressed in speech. Politeness individuals or groups. In literate societies such rules are is essentially a matter of taking into account the feelings of often formulated in etiquette books. These ‘emic’ (culture- others as to how they should be interactionally treated, specific) notions range from polite formulae like please and including behaving in a manner that demonstrates appropriate thank you, the forms of greetings and farewells, etc., to more concern for interactors’ social status and their social relation- elaborate routines for table manners, deportment in public, ship. -
THE WOULD BE GENTLEMAN (Le Bourgeois Gentilhomme)
1 THE WOULD BE GENTLEMAN (Le Bourgeois Gentilhomme) by MOLIÈRE (Jean-Baptiste Poquelin, 1622-1673) Comedy-Ballet presented at Chambord, for the entertainment of the King, in the month of October 1670, and to the public in Paris for the first time at the Palais-Royal Theatre, 23 November 1670. The Cast Monsieur Jourdain, bourgeois. Madame Jourdain, his wife. Lucile, their daughter. Nicole, maid. Cléonte, suitor of Lucile. Covielle, Cléonte’s valet. Dorante, Count, suitor of Dorimène. Dorimène, Marchioness. Music Master. Pupil of the Music Master. Dancing Master. Fencing Master. Master of Philosophy. Tailor. Tailor’s apprentice. Two lackeys. Many male and female musicians, instrumentalists, dancers, cooks, tailor’s apprentices, and others necessary for the interludes. The scene is Monsieur Jourdain’s house in Paris. 2 ACT ONE SCENE I (Music Master, Dancing Master, Musicians) PUPIL: Hums while composing MUSIC MASTER: (To Musicians) Come, come into this room, sit there and wait until he comes. MUSIC MASTER: (To Pupil) Is it finished? PUPIL: Yes. MUSIC MASTER: Let’s see … It’s fine. DANCING MASTER: Is it something new? MUSIC MASTER: Yes, it’s a melody for a serenade that I asked him to compose, while we are waiting for our man to wake up. DANCING MASTER: May I see it? MUSIC MASTER: You’ll hear it, with the dialogue, when he comes. He won’t be long. DANCING MASTER: We’re both very busy these days. MUSIC MASTER: That’s true. Here we’ve found the kind of man we both need. This Monsieur Jourdain, with his dreams of nobility and elegance, is a nice source of income for us. -
Student Services
STUDENT SERVICES STUDENT SUPPORT SERVICES Student Support Services (SSS) is a collaborative program between the U.S. Department of Education and Holmes Community College. The goal of SSS is to increase the retention and graduation rates of its students and facilitate their transfer process to 4-year institutions. SSS serves 200 students on the Goodman campus and is committed to providing a supportive environment where participants will receive academic, personal, financial, transfer, and career counseling. To receive assistance students must be a U.S. citizen or permanent resident, enrolled at the Goodman Campus of HCC in a degree-seeking transfer program, and meet at least ONE of the following criteria: Be a first- generation college student (neither parent with whom you reside has a four-year degree; Have documented financial need (determined by federal guidelines); and/or Have a documented disability. All services are free to students. Those who are interested should complete an application. SSS is located in the lower level of McDaniel Hall on the Goodman Campus. DISABILITY SUPPORT SERVICES Holmes Community College through the Office of Disability Support Services (DSS) provides reasonable accommodations for students with disabilities. DSS verifies eligibility for accommodations and works with eligible students to develop and coordinate plans to provide those accommodations. DSS is committed to ensuring equal access to a quality education for qualified students with disabilities through the provision of reasonable academic accommodations and auxiliary aids which support the College standards and academic integrity. The Office of Disability Support Services is committed to creating a positive campus environment where students with disabilities are encouraged to pursue careers on the basis of personal interest and ability. -
Cross-Cultural Pragmatics: Honorifics in British English, Peninsular
DEPARTAMENT DE FILOLOGIA ANGLESA I DE GERMANÍSTICA Cross-Cultural Pragmatics: Honorifics in British English, Peninsular Spanish and Ukrainian Treball de Fi de Grau/ BA dissertation Author: Kateryna Koval Supervisor: Sònia Prats Carreras Grau d’Estudis Anglesos/Grau d’Estudis d’Anglès i Francès June 2019 ACKNOWLEDGEMENTS I would first like to thank my tutor, Sònia Prats Carreras, who helped me to choose the topic for my dissertation as well as to develop it. Additionally, I would like to acknowledge Yolanda Rodríguez and Natalya Dychka, who both provided me with valuable advices concerning the use of honorifics in Spanish and Ukrainian, respectively. TABLE OF CONTENTS Abstract ........................................................................................................................ 1 1. Introduction .............................................................................................................. 2 2. Cross-cultural and Politeness pragmatics ................................................................... 4 2.1. The cultural approach to pragmatics................................................................... 4 2.2. Characteristics of politeness ............................................................................... 5 3. Pronouns of address and honorific titles .................................................................... 8 4. Hofstede’s Cultural Dimensions Theory .................................................................. 11 5. Comparison ............................................................................................................ -
Date Title Author Jan-07 Intuition Allegra Goodman Feb-07 on The
Date Title Author Jan-07 Intuition Allegra Goodman Feb-07 On the Road Jack Kerouac Mar-07 The Tender Bar J.R. Moehringer Apr-07 The Omnivore's Dilemma Michael Pollan May-07 Persuasion Jane Austen Jun-07 Life of Pi Yann Martel Jul-07 Devil in the White City Erik Larson Aug-07 Little Children Tom Perotta Sep-07 The Lost Painting Jonathan Harr Oct-07 An Inconvenient Truth Al Gore Nov-07 Empire Falls Richard Russo Jan-08 One Thousand White Women James Fergus Feb-08 Loving Frank Nancy Horan Mar-08 Sweet and Low: a family story Rich Cohen Apr-08 Away Amy Bloom May-08 Eat, Pray, Love Melissa Gilbert Jun-08 The Thirteenth Tale Diane Setterfield Jul-08 The Glass Castle Jeanette Walls Aug-08 the Handmaid's Tale Margaret Atwood Sep-08 House of Sand and Fog Andre Dubus III Oct-08 The Devil Came on Horseback Gretchen Steidle Jan-09 Three Cups of Tea Greg Mortenson Feb-09 City of Thieves David Benioff Mar-09 The Painted Veil W. Somerset Maugham Apr-09 The Space Between Us Thrity Umrigar May-09 River of Doubt Candace Millard Jun-09 Suite Francaise Irene Nemirovsky Jul-09 Belong to Me Marisa de los Santos Aug-09 People of the Book Geraldine Brooks Sep-09 Girl with the Dragon Tattoo Stieg Larsson Oct-09 How We Decide Jonah Lehrer Nov-09 Among the Missing Dan Chaon Dec-09 Last Night at the Lobster Stewart O'Nan Jan-10 Guernsey Literary & Potato Peel Pie Society Mary Ann Shaffer Feb-10 Beautiful Boy David Sheff Mar-10 The Great Gatsby F. -
Titles – a Primer
Titles – A Primer The Society of Scottish Armigers, INC. Information Leaflet No. 21 Titles – A Primer The Peerage – There are five grades of the peerage: 1) Duke, 2) Marquess, 3) Earl, 4) Viscount and 5) Baron (England, GB, UK)/Lord of Parliament (Scotland). Over the centuries, certain customs and traditions have been established regarding styles and forms of address; they follow below: a. Duke & Duchess: Formal style: "The Most Noble the Duke of (title); although this is now very rare; the style is more usually, “His Grace the Duke of (Hamilton), and his address is, "Your Grace" or simply, "Duke” or “Duchess.” The eldest son uses one of his father's subsidiary titles as a courtesy. Younger sons use "Lord" followed by their first name (e.g., Lord David Scott); daughters are "Lady" followed by their first name (e.g., Lady Christina Hamilton); in conversation, they would be addressed as Lord David or Lady Christina. The same rules apply to eldest son's sons and daughters. The wife of a younger son uses”Lady” prior to her husbands name, (e.g. Lady David Scot) b. Marquess & Marchioness: Formal style: "The Most Honourable the Marquess/Marchioness (of) (title)" and address is "My Lord" or e.g., "Lord “Bute.” Other rules are the same as dukes. The eldest son, by courtesy, uses one of his father’s subsidiary titles. Wives of younger sons as for Dukes. c. Earl & Countess: Formal style: "The Right Honourable the Earl/Countess (of) (title)” and address style is the same as for a marquess. The eldest son uses one of his father's subsidiary titles as a courtesy.