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Alain Mueller Construire Le Monde Du Hardcore Terrains Des Sciences Sociales

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Alain Mueller Construire Le Monde Du Hardcore Terrains Des Sciences Sociales Terrains Alain Mueller des sciences Construire le monde du hardcore sociales Alain Mueller Construire le monde du hardcore Terrains des sciences sociales La collection « Terrains des sciences sociales » publie des travaux empiriques. Elle pri vilégie l’innovation dans les objets, les concepts et les méthodes. Son originalité consiste à faire dialoguer des terrains révélant les enjeux contemporains des sciences sociales. Son ambition est également de favoriser la mise en débat des controverses scientifiques et citoyennes actuelles. Comité éditorial Mathilde Bourrier, Département de sociologie, Université de Genève Sandro Cattacin, Département de sociologie, Université de Genève Eric Widmer, Département de sociologie, Université de Genève Comité scientifique Gérard Dubey, Institut Télécom Sud-Paris Georges Felouzis, Section des Sciences de l’Éducation, Université de Genève Cristina Ferreira, Haute École de Santé, Genève Dominique Joye, FORS, Université de Lausanne Emmanuel Lazega, Université Paris-Dauphine Mary Leontsini, Department of Early Childhood, National and Kapodistrian University of Athens Véronique Mottier, Institut des Sciences Sociales, Université de Lausanne Jacqueline O’Reilly, Brighton Business School, University of Brighton Serge Paugam, École des Hautes Études en Sciences Sociales, Paris Franz Schultheis, Soziologisches Seminar, Universität St. Gallen Marc-Henry Soulet, Chaire Sociologie, politiques sociales et travail social, Université de Fribourg Alain Mueller Construire le monde du hardcore Publié avec le soutien du Fonds national suisse de la recherche scientifique. Publié par Éditions Seismo, Sciences sociales et problèmes de société SA Zurich et Genève E-mail : [email protected] http://www.editions-seismo.ch Texte © L’auteur 2019 Couverture : Hannah Traber, St-Gall, photographie : Marion Schulze Cet ouvrage est couvert par une licence Creative Commons Paternité 4.0 licence internationale. ISBN 978-2-88351-082-1 (print) ISBN 978-2-88351-715-8 (PDF) Table des matières Remerciements 11 Introduction 13 La réalité du terrain en guise d’avant-goût : Yokohama 14 Arpenter les chemins et les lieux du monde du hardcore 18 Note sur le texte et l’hypertexte 20 Première partie Chronique d’un chantier ethnographique 21 À propos de la méthode 29 À propos des régimes d’écriture 32 À propos du hardcore : esquisse d’un portrait dynamique 33 Deuxième partie Le répertoire du hardcore : conventions et apprentissages 41 Chapitre 1 Une saynète en guise de porte d’entrée dans le monde pantopique 42 rhizomique du hardcore et dans ses conventions Les idées centrales de « conventions » et de « répertoire » comme 47 appareillage conceptuel heuristique Apprécier la dimension pantopique et rhizomique du hardcore 49 à l’aide des notions de conventions et de répertoire Chapitre 2 Le répertoire hardcore : conventions idéologiques et esthétiques 52 Les conventions idéologiques : message, valeurs et mythe fondateur 52 Les conventions esthétiques 80 Comprendre les conventions du hardcore et leur inscription dans une 87 logique de filiation : histoire et mythe fondateur Chapitre 3 Carrières hardcore : apprentissages, négociations et ajustements 91 Emi : carrière et engagement hardcore 91 Les événements déterminants à l’embrassement d’une carrière hardcore 96 et à la succession de ses étapes : entre coïncidence et intentionnalité Carrières hardcore au carrefour de la stratégie individuelle et de la 101 configuration du monde du hardcore : l’épreuve du collectif Carrières hardcore, stratégies individuelles et « capitalisme hardcore » 108 Troisième partie Arpenter les chemins, habiter les lieux du monde 111 du hardcore : agencement et circulation quasi globaux Chapitre 4 La circulation des personnes et des objets matériels 113 La circulation des personnes 113 La circulation des objets 117 Chapitre 5 Les lieux du hardcore 122 La ville 122 La salle de concert, lieu des hardcore shows 126 Les lieux de production musicale 128 Les magasins de disques 130 Le web 133 Les domiciles privés et les autres lieux du hardcore 135 Les « non-lieux » du hardcore 136 Chapitre 6 Conclusions générales : le monde pantopique rhizomique du harcore 144 Quatrième partie À propos des rapports entretenus entre hardcore 147 et monde social au sens large, ou comment être à la fois contre le monde et dans le monde Chapitre 7 Monde du hardcore et monde social au sens large : perméabilité des 149 frontières et travail de coopération Les acteurs humains et non humains travaillant à la fabrication 149 du hardcore Construire le hardcore ensemble : l’action collective comme 154 renversement paradigmatique Comment les liens entretenus entre le monde du hardcore et le 157 monde social se vivent, se narrent et se performent dans les trajectoires individuelles : l’exemple heuristique du récit de vie de Bill La gestion de la pluralité des régimes d’engagement 165 Chapitre 8 Des engagements multiples à l’identité hardcore : les processus de traçage 171 et de gestion des frontières du hardcore dans les trajectoires de vie De l’identité narrative : discours et stratégies de rationalisation 171 Les conséquences de l’engagement hardcore dans les autres registres 175 d’engagement et d’investissement Hardcore to the day that I die ? Mode de vie ou tranche de vie ? 178 Carrière ou épisode identitaire ? Gestion du temps et rationalisation de l’engagement atemporel Chapitre 9 La « hardcorification » des objets 182 De la singularisation à la hardcorification 182 Les failles de la hardcorification : les objets hardcore en tant 185 que palimpsestes Hardcorification et capitalisme hardcore 186 Chapitre 10 La « hardcorification » des lieux et des situations : l’exemple du concert, 189 ou l’installation d’un cadre particulier Le pit et ses conventions 190 Chapitre 11 En guise de conclusion : plus la connexion est forte, plus la construction 195 de l’autonomie est possible Cinquième partie Comment se raconte et se bricole l’identité hardcore 199 au quotidien ? Négociations de sens et construction quotidienne des sens d’appartenance Chapitre 12 Monde du hardcore et activités identitaires : négociations de sens et 202 assemblages multiples de catégories-référents hétérogènes Nommer c’est classer : inventaires des registres identitaires et modalités 202 de leurs assemblages quotidiens Comprendre les processus identitaire : l’éclairage ethnométhodologique 207 Prendre en considération tous les acteurs qui participent aux 210 activités identitaires Le penchant des hardcore kids à privilégier les processus de doing being 211 hardcore au profit de la mobilisation des autres registres 7 Chapitre 13 Doing being hardcore : la fabrication des frontières du collectif et 213 l’application des forces cohésives La fabrication des frontières du hardcore par opposition au monde 213 social au sens large, au système, à la société La fabrication des frontières du hardcore par opposition aux 216 autres subcultures La logique paradoxale des concerts : une routinisation des processus 221 de doing being hardcore Chapitre 14 Undoing being hardcore : la relativisation des frontières subculturelles 223 et l’application de forces hétérogénéisantes Doing being hardcore vs doing being ethnic : entre globalizing strategies 223 et localizing strategies Doing being hardcore vs doing being gendered : la délicate question 231 du genre Doing being hardcore vs doing being working class : hardcore 235 et milieux sociaux Conclusion 237 Références bibliographiques 240 Discographie 249 Glossaire des principaux termes vernaculaires 251 8 Table des figures et des illustrations Figures Figure 1 : Le monde pantopique rhizomique du hardcore (MPR) 145 Figure 2 : Le monde du hardcore dans sa représentation 154 diagrammatique et son arrimage à un réseau plus étendu, représentant le monde social au sens large, nécessaire à sa survie Figure 3 : Les segments reliant le monde du hardcore au monde social 156 au sens large subissent un travail de coupure symbolique Figure 4 : Le travail de coupure et ses conséquences 180 Illustrations Illustration 1 : Scott, chanteur de Terror, harangue la foule lors du concert 17 du groupe à Yokohama : “You know you’re my only family, it’s so good to be a hardcore kid !” Illustration 2 : Arrivée au Ché Café 35 Illustration 3 : xDestroy Babylonx sur la scène du Wall à Shinjuku 45 Illustration 4 : Les couvertures des deux premiers exemplaires du 55 fanzine Bringin’It Down Illustration 5 : Le booklet de Terror, version anglaise et traduction japonaise 56 Illustration 6 : Deux exemples de mise en scène de la violence dans 67 l’iconographie des disques, à gauche (Mushmouth, 1998), et des t-shirts des groupes, à droite Illustration 7 : Un exemple de flyer annonciateur de concert revendiquant 78 la lutte contre le néonazisme au travers de slogans et du logo “Let’s Fight White Pride” et les logos “Good Night White Pride” et “Let’s Fight White Pride” Illustration 8 : Le flyer de la tournée mondiale du groupe de 114 Boston Have Heart Illustration 9 : La carte des pays dans lesquels ont tourné les groupes 115 FC Five et CDC Illustration 10 : La carte des visiteurs du portail Myspace de Seventh Star 137 Illustration 11 : La carte des visiteurs du blog I love Mosh 138 9 Illustration 12 : Bill sur le front, montrant fièrement un produit de la 166 marque d’aliments végétaliens qui le fournit Illustration 13 : L’entrée du club WALL à Shinjuku, Tokyo, où j’ai assisté 190 au concert de xDestroy Babylonx ; ou comment le traitement matériel du lieu facilite le basculement vers un moment particulier Illustration 14 : Le sticker
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