© Copyright by Luziris Pineda Turi December, 2012
Total Page:16
File Type:pdf, Size:1020Kb
© Copyright by Luziris Pineda Turi December, 2012 WRITER MARÍA LUISA GARZA: PRECURSOR OF HISPANIC FEMENISM _______________ A Dissertation Presented to The Faculty of the Department of Hispanic Studies University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Luziris Pineda Turi December, 2012 WRITER MARÍA LUISA GARZA: PRECURSOR OF HISPANIC FEMENISM _______________ An Abstract of a Dissertation Presented to The Faculty of the Department of Hispanic studies University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Luziris Pineda Turi December, 2012 ABSTRACT The beginning of the twentieth century marked a period of change for women; many Mexican were affected by the Mexican Revolution, Temperance and modernity. María Luisa Garza, an exiled elite woman, wrote and traveled between Texas and Mexico during this time. This dissertation takes a closer look at her literary production as seen in La Época and El Heraldo de México along with two of her novels: La novia de Nervo and Tentáculos de fuego. In approaching her journalistic production, this work traces the historical roots of the crónica genre up to its incarnation in U.S. Spanish-language newspapers. There is also a consideration of how the author’s gender and choice of literary genre matter. The crónicas are treated to close-readings with regards to: womanhood, class, the Mexican Revolution and femininity. This dissertation also provides a context for Garza’s novels and exposes her literary liberty when self-publishing them. What discursive growth or differences are apparent in the novels as compared to the crónicas? Lastly, Garza’s activism is vital to understanding her and the research here highlights her community involvement. Finally, the work here initiates a discussion of the theoretical tools necessary for this archival recovery. The U.S. Hispanic archive is still being recovered and most scholars are working with makeshift theories constructed from archival theories of writers from the United States or elsewhere. This dissertation also explores a theoretical framework with which future scholars can guide their own work. Moreover, this dissertation proposes that both U.S Hispanic literary studies and Chicana feminist history would benefit from taking a closer look at the work of these women. By exploring Chicana categories of identification that limit the literary figures deemed relevant and by making use of the theories proposed by Emma Pérez and Chela Sandoval, women like Garza can then be considered pertinent to Chicana studies. The type of archival recovery done for this research is developing as more archives are found and scholars develop the theoretical tools necessary for the analysis of said archives. This dissertation presents one possible mode of recovery and analysis for María Luisa Garza and women like her. ACKNOWLEDGEMENTS My work in U.S. Hispanic literature was guided and encouraged by Dr. Nicolás Kanellos, or “el Profe,” as he is known to those of us lucky enough to work with him. His groundbreaking work with the Recovering the U.S. Hispanic Literary Heritage Project afforded me opportunities for research and travel that would have never occurred otherwise. I am indebted to Dr. Kanellos and the Recovery for their intellectual and financial support. My journey in literary studies began earlier in my university career. As a junior majoring in Biology at the University of Houston and hoping to become a Geneticist, I had the opportunity to take a Spanish class with Dr. Anadeli Bencomo. Through many meetings and conversations, she nurtured and affirmed my love for literature and encouraged my intellectual curiosity in the field. Since then, Dr. Bencomo has been a constant source of inspiration for the type of woman and professional I seek to be. I am also grateful to the other members of my committee: Dr. José Aranda, Dr. Guillermo de los Reyes, Dr. Pedro Gutiérrez and Dr. William Hogue. Specifically, Dr. De Los Reyes inspired me to pursue more challenging theoretical methods and offered priceless academic advice. Both Dr. Hogue and Dr. María González from the English Department guided my studies within the fields of feminism and literary theory while providing crucial guidance for my role in academia. Along with my committee, the Women’s Gender and Sexuality Studies program gave me the opportunity to work as a Graduate Assistant and granted me financial support for travel. WGSS also introduced me to a number of positive role-models: Jeanne Scheper, Mamta Accapadi, Lauran Kerr-Heraly and Elizabeth Gregory. These women not only offered academic support but also extended kindness and understanding that have proven crucial to my success, and shared wisdom I will take with me into the next phase of my career. During my studies I was fortunate to be surrounded by amazing friends and colleagues. Ana-María Medina and María Teresa Vera-Rojas became my sisters through our shared coffee shop moments, hours studying, meetings, traveling and emotional support. Other important colleagues-turned-friends who played an important role in my life and career include: Siân White, Lucas Jimenez, Cecilia Marrugo, Sarah Ohmer, Ramiro Juárez and Sara Mason. They created a support network for me that enabled me to develop ideas, express doubts and celebrate successes. I would like to thank my family, whose sacrifices and constant support influenced the woman and academic I am today. My dad, José T. Pineda, provided a shining example of excellent work ethic and honesty. His twelve hours shifts seven days a week and his commitment to providing for me so as to guarantee my success will never been forgotten. My mom, Laura A. Luna, showed me how to love unconditionally and encouraged me to dream big dreams. Her ability to balance her career and motherhood influence my own aspirations as a woman. My brother, José Pineda, constantly challenged my views and research by asking the questions that needed to be asked and pushing me beyond my comfort zone; our long talks have been essential for developing the way I think about my work. I have also admired his passion and vision for influencing our community in a positive way. I am grateful for the love and support of my extended family in Houston, and of my family in Honduras and Argentina, whose presence was felt even at a distance. Lastly, I am fortunate to have begun and completed my graduate studies with Jonathan Turi at my side, as my best friend and spouse. To have someone to share my life with, who believes in me and encourages me, has enabled me to excel. My success is a reflection of Jonathan’s love and support during long hours writing, many conferences and academic duties. His willingness to walk by side during this journey has made possible the achievement of this goal. These acknowledgements remind us all that our work is never the product of an individual. I am only as great as the people who surround me and who have supported me. This dissertation is as much theirs as it is mine. I am humbled and grateful. TABLE OF CONTENTS Abstract……………………………………………………………………………………v Acknowledgements………………………………………………………………………vii Introduction………………………………………………………………………………..1 Theory and Methodology……………………………………………………………….…2 Chapter Summaries………………………………………………………………………..4 María Luis Garza: The Life of a Mujer de Talento……………………………………….7 1.0 Creando Lazos: Chicana Studies and Mexican Feminism in the United States, 1910-1940...............................................................................................................14 1.1 Introduction…………………..…………..………………………………14 1.2 A Brief History: Chicana Feminism and the Chicano Movement……….18 1.3 Chicano Studies: A Process of Redefinition……………………………..21 1.4 A New Kind of History………………………………………………..…29 1.5 Against Monolithic Chicana Feminism: Class Issues……………………35 1.6 Will the True Feminist Please Stand Up?..................................................42 1.7 Chicana Feminism’s Opposing Views…………………………………...47 1.8 Conclusion……………………………………………………………….50 2.0 It’s a Man’s Genre: Chronicling a Female Cronista’s Work……...……………..52 2.1 Genealogy of the Crónica………………………………………………..52 2.2 Women and the Press…………………………………………………….60 2.3 Genre and Gender: On Being a Female Cronista……………………..…64 2.4 Dialectical Strategies: Crónicas and Themes……………………………74 2.5 Social Class: Working for the Working…………………………….……77 2.6 Loreley’s Revolution…………………………………………………….83 2.7 Feminist Femininity: La mujer de talento……………………………….86 2.8 Conclusion……………………………………………………………….97 3.0 Mexican Nationalism through Revolution and Temperance: Two Novels by María Luisa Garza…………………………………..…………………………………………..99 3.1 Historical Context: The Twentieth Century Mexican Novel…………….99 3.2 The Personal as Revolutionary: La novia de Nervo as a Novel of the Mexican Revolution………………………………………………………….…………104 3.3 Tentáculos de fuego: Temperance, Naturalism and Gender……………132 3.4 Conclusion……………………………………………………………...149 4.0 Beyond the Written Word: María Luisa Garza’s Social Activist Legacy……...151 4.1 Introduction……………………………………………………………..151 4.2 The Written Word as Weapon: Miguel Ceniceros……………………...151 4.3 The Death Penalty and a Mexican Immigrant: The Case of Pedro Sánchez…………………………………………………………………………155 4.4 Altruism, Patriotism and La Cruz Azul Mexicana……………………...157 4.5 Feminism and the Pan American Round Table………………………...165 4.6 The Mexican Flag in Baltimore, Maryland……………………………..168