Pietas: Gods, Family, Homeland, Empire
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IMPERIAL EXEMPLA Military Prowess, Or Virtus, Is but One Quality That
CHAPTER FOUR IMPERIAL EXEMPLA Military prowess, or virtus, is but one quality that characterized an efffec- tive emperor. Ideally, a ‘good’ emperor was not just a competent general but also displayed other virtues. These imperial virtutes were propagated throughout the Roman Empire by means of imperial panegyric, decrees, inscriptions, biographies, and coins.1 On coinage in particular, juxtaposi- tions of AVG or AVGG with the virtue and/or the imperial portrait on the obverse would connect the virtues mentioned on the reverses directly with the emperor(s). Not all emperors emphasized the same virtues on their coinage. For example, Elagabalus seems not to have felt the need to stress virtus, whereas his successor Severus Alexander did try to convince the Roman people of his military prowess by propagating it on his coins. The presence or absence of particular virtues on coins issued by diffferent emperors brings us to the question as to whether an imperial canon of virtues existed. But before elaborating on this, the concept ‘virtue’ must be clarifijied.2 Modern scholars investigating imperial virtues on coinage consider vir- tues to be personifijications with divine power – in other words, deifijied abstractions or, as Fears puts it, ‘specifijic impersonal numina’.3 For many, the terms ‘personifijication’ and ‘virtue’ are interchangeable.4 Indeed, vir- tues can be considered personifijications. Yet, not all personifijications are 1 Noreña, “The communication of the emperor’s virtues”, p. 153. 2 ‘But if one is to compare coins with other sources, particularly philosopically inspired ones (i.e. in talking of the virtues of the ideal statesman) it is vital to distinguish what is a virtue and what is not’, A. -
Huygens on Translation
HUYGENS ON TRANSLATION Theo Hermans 1 The tercentenary of the death of Constantijn Huygens (1596-1687) presents a convenient occasion to trace the views held by this versatile and multilingual writer on the subject of translation. A first inventory of Huygens' pronouncements on the matter is all that will be attempted here. The choice of Huygens is not dictated by commemorative considerations alone. Both the contemporary appreciation of his work as a translator – notably of John Donne – and the fact that, as in Vondel's case, some of Huygens' comments on translation are echoed and occasionally challenged by other translators, indicate that his approach to the subject is sufficiently central to be treated as a point of reference. 2 Huygens' extraordinary gifts as a linguist are well known, as is the fact that he began to write poems in Latin at the age of 11 and in French at 16, two years before he tried his hand at Dutch verse. It has been calculated that of the more than 75,000 lines of verse in Worp's edition of Huygens' Collected Poems, 64.3% are in Dutch, 26.4% in Latin and 8.7% in French, with Italian, Greek, German and Spanish making up the remaining 0.6% (Van Seggelen 1987:72). His skill as a multilingual versifier can be breathtaking: in one of his more playful polyglot moods he presents his friend Jacob van der Burgh with an "Olla podrida" poem, dated 11 March 1625, with lines in Dutch, Latin, Greek, Italian, French, Spanish, German and English (Ged. II: 111-13). -
" a Great and Lasting Beginning": Bishop John Mcmullen's
22 Catholic Education/June 2005 ARTICLES “A GREAT AND LASTING BEGINNING”: BISHOP JOHN MCMULLEN’S EDUCATIONAL VISION AND THE FOUNDING OF ST. AMBROSE UNIVERSITY GEORGE W. MCDANIEL St. Ambrose University Catholic education surfaces as a focus and concern in every age of the U.S. Catholic experience. This article examines the struggles in one, small Midwestern diocese surrounding the establishment and advancement of Catholic education. Personal rivalries, relationship with Rome, local politics, finances, responding to broader social challenges, and the leadership of cler- gy were prominent themes then, as they are now. Numerous historical insights detailed here help to explain the abiding liberal character of Catholicism in the Midwestern United States. n the spring of 1882, Bishop John McMullen, who had been in the new IDiocese of Davenport for about 6 months, met with Father Henry Cosgrove, the pastor of St. Marguerite’s (later Sacred Heart) Cathedral. “Where shall we find a place to give a beginning to a college?” McMullen asked. Cosgrove’s response was immediate: “Bishop, I will give you two rooms in my school building.” “All right,” McMullen said, “let us start at once” (The Davenport Democrat, 1904; Farrell, 1982, p. iii; McGovern, 1888, p. 256; Schmidt, 1981, p. 111). McMullen’s desire to found a university was not as impetuous as it may have seemed. Like many American Catholic leaders in the 19th century, McMullen viewed education as a way for a growing immigrant Catholic population to advance in their new country. Catholic education would also serve as a bulwark against the encroachment of Protestant ideas that formed the foundation of public education in the United States. -
Heads Or Tails
Heads or Tails Representation and Acceptance in Hadrian’s Imperial Coinage Name: Thomas van Erp Student number: S4501268 Course: Master’s Thesis Course code: (LET-GESM4300-2018-SCRSEM2-V) Supervisor: Mw. dr. E.E.J. Manders (Erika) 2 Table of Contents List of Figures ............................................................................................................................ 5 Figure 1: Proportions of Coin Types Hadrian ........................................................................ 5 Figure 2: Dynastic Representation in Comparison ................................................................ 5 Figure 3: Euergesia in Comparison ....................................................................................... 5 Figure 4: Virtues ..................................................................................................................... 5 Figure 5: Liberalitas in Comparison ...................................................................................... 5 Figure 6: Iustitias in Comparison ........................................................................................... 5 Figure 7: Military Representation in Comparison .................................................................. 5 Figure 8: Divine Association in Comparison ......................................................................... 5 Figure 9: Proportions of Coin Types Domitian ...................................................................... 5 Figure 10: Proportions of Coin Types Trajan ....................................................................... -
ROMAN POLITICS DURING the JUGURTHINE WAR by PATRICIA EPPERSON WINGATE Bachelor of Arts in Education Northeastern Oklahoma State
ROMAN POLITICS DURING THE JUGURTHINE WAR By PATRICIA EPPERSON ,WINGATE Bachelor of Arts in Education Northeastern Oklahoma State University Tahlequah, Oklahoma 1971 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 1975 SEP Ji ·J75 ROMAN POLITICS DURING THE JUGURTHINE WAR Thesis Approved: . Dean of the Graduate College 91648 ~31 ii PREFACE The Jugurthine War occurred within the transitional period of Roman politics between the Gracchi and the rise of military dictators~ The era of the Numidian conflict is significant, for during that inter val the equites gained political strength, and the Roman army was transformed into a personal, professional army which no longer served the state, but dedicated itself to its commander. The primary o~jec tive of this study is to illustrate the role that political events in Rome during the Jugurthine War played in transforming the Republic into the Principate. I would like to thank my adviser, Dr. Neil Hackett, for his patient guidance and scholarly assistance, and to also acknowledge the aid of the other members of my counnittee, Dr. George Jewsbury and Dr. Michael Smith, in preparing my final draft. Important financial aid to my degree came from the Dr. Courtney W. Shropshire Memorial Scholarship. The Muskogee Civitan Club offered my name to the Civitan International Scholarship Selection Committee, and I am grateful for their ass.istance. A note of thanks is given to the staff of the Oklahoma State Uni versity Library, especially Ms. Vicki Withers, for their overall assis tance, particularly in securing material from other libraries. -
The Communication of the Emperor's Virtues Author(S): Carlos F
The Communication of the Emperor's Virtues Author(s): Carlos F. Noreña Reviewed work(s): Source: The Journal of Roman Studies, Vol. 91 (2001), pp. 146-168 Published by: Society for the Promotion of Roman Studies Stable URL: http://www.jstor.org/stable/3184774 . Accessed: 01/09/2012 16:45 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society for the Promotion of Roman Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Roman Studies. http://www.jstor.org THE COMMUNICATION OF THE EMPEROR'S VIRTUES* By CARLOS F. NORENA The Roman emperor served a number of functions within the Roman state. The emperor's public image reflected this diversity. Triumphal processions and imposing state monuments such as Trajan's Column or the Arch of Septimius Severus celebrated the military exploits and martial glory of the emperor. Distributions of grain and coin, public buildings, and spectacle entertainments in the city of Rome all advertised the emperor's patronage of the urban plebs, while imperial rescripts posted in every corner of the Empire stood as so many witnesses to the emperor's conscientious administration of law and justice. -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
Ten Years of Winter: the Cold Decade and Environmental
TEN YEARS OF WINTER: THE COLD DECADE AND ENVIRONMENTAL CONSCIOUSNESS IN THE EARLY 19 TH CENTURY by MICHAEL SEAN MUNGER A DISSERTATION Presented to the Department of History and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2017 DISSERTATION APPROVAL PAGE Student: Michael Sean Munger Title: Ten Years of Winter: The Cold Decade and Environmental Consciousness in the Early 19 th Century This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of History by: Matthew Dennis Chair Lindsay Braun Core Member Marsha Weisiger Core Member Mark Carey Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2017 ii © 2017 Michael Sean Munger iii DISSERTATION ABSTRACT Michael Sean Munger Doctor of Philosophy Department of History June 2017 Title: Ten Years of Winter: The Cold Decade and Environmental Consciousness in the Early 19 th Century Two volcanic eruptions in 1809 and 1815 shrouded the earth in sulfur dioxide and triggered a series of weather and climate anomalies manifesting themselves between 1810 and 1819, a period that scientists have termed the “Cold Decade.” People who lived during the Cold Decade appreciated its anomalies through direct experience, and they employed a number of cognitive and analytical tools to try to construct the environmental worlds in which they lived. Environmental consciousness in the early 19 th century commonly operated on two interrelated layers. -
A BRIEF HISTORY of ANCIENT ROME a Timeline from 753 BC to 337 AD, Looking at the Successive Kings, Politicians, and Emperors Who Ruled Rome’S Expanding Empire
Rome: A Virtual Tour of the Ancient City A BRIEF HISTORY OF ANCIENT ROME A timeline from 753 BC to 337 AD, looking at the successive kings, politicians, and emperors who ruled Rome’s expanding empire. 21st April, Rome's Romulus and Remus featured in legends of Rome's foundation; 753 BC mythological surviving accounts, differing in details, were left by Dionysius of foundation Halicarnassus, Livy, and Plutarch. Romulus and Remus were twin sons of the war god Mars, suckled and looked-after by a she-wolf after being thrown in the river Tiber by their great-uncle Amulius, the usurping king of Alba Longa, and drifting ashore. Raised after that by the shepherd Faustulus and his wife, the boys grew strong and were leaders of many daring adventures. Together they rose against Amulius, killed him, and founded their own city. They quarrelled over its site: Romulus killed Remus (who had preferred the Aventine) and founded his city, Rome, on the Palatine Hill. 753 – Reign of Kings From the reign of Romulus there were six subsequent kings from the 509 BC 8th until the mid-6th century BC. These kings are almost certainly legendary, but accounts of their reigns might contain broad historical truths. Roman monarchs were served by an advisory senate, but held supreme judicial, military, executive, and priestly power. The last king, Lucius Tarquinius Superbus, was overthrown and a republican constitution installed in his place. Ever afterwards Romans were suspicious of kingly authority - a fact that the later emperors had to bear in mind. 509 BC Formation of Tarquinius Superbus, the last king was expelled in 509 BC. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Writing in the Street: The Development of Urban Poetics in Roman Satire Permalink https://escholarship.org/uc/item/7x66m4vs Author Gillies, Grace Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Writing in the Street: The Development of Urban Poetics in Roman Satire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Grace Gillies 2018 © Copyright by Grace Gillies 2018 ABSTRACT OF THE DISSERTATION Writing in the Street: The Development of Urban Poetics in Roman Satire by Grace Gillies Doctor of Philosophy in Classics University of California, Los Angeles, 2018 Professor Amy Ellen Richlin, Chair My dissertation examines Roman imperial satire for its relationship with non-elite street culture in the Roman city. I begin with a lexicon of sites and terms related to Roman concepts of disgust in the city, as they appear in the satiric sources I am working with. Then, in my next four chapters, I work chronologically through the extant satires to show how each author reflects or even appropriates practices from Roman street culture. Satirists both condemn parts of the city as disgusting—the parts and people in them who ignore social and cultural boundaries—and appropriate those practices as emblematic of what satire does. The theoretical framework for this project concerns concepts of disgust in the Roman world, and draws primarily on Mary Douglas (1966) and Julia Kristeva (1982). The significance of this work is twofold: (1) it argues that satire is, far from a self-contained elite practice, a genre that drew heavily on non-elite urban ii culture; (2) that it adds to a fragmentary history of Roman street culture. -
The Female Body in Latin Love Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository The Female Body in Latin Love Poetry Erika Zimmermann Damer A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics. Chapel Hill 2010 Approved by: Sharon James, advisor. James O’Hara, reader. Alison Keith, reader. Paul Allen Miller, reader. Eric Downing, reader. i © 2010 Erika Zimmermann Damer ALL RIGHTS RESERVED ii ABSTRACT ERIKA ZIMMERMANN DAMER: The Female Body in Latin Love Poetry (Under the direction of Sharon James) This dissertation seeks to rethink the female body in Latin love elegy in its aesthetic and political significance, and argues that the sexualized body creates poetic subjectivity. It juxtaposes close readings of the elegies of Tibullus, Propertius, and Ovid alongside contemporary theorizations of the female body found in Irigaray, Kristeva, and Grosz. By expanding critical focus to encompass all the women of elegy, this dissertation demonstrates a surprising ambivalence towards the female body in a genre that claims to celebrate female beauty, and offers a new view of elegy’s role within Roman conceptions of gender, sexuality, bodies, and empire. Chapter one offers a brief introduction to contemporary feminist theories of the body as well as an overview of critical literature on the elegiac body. Chapter two examines Lucretius’ diatribe against love, Horace Epodes 8 and 12, and the Augustan marital legislation as major background for elegy’s female body. -
Bodies of Knowledge: the Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Geoffrey Shamos University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Shamos, Geoffrey, "Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600" (2015). Publicly Accessible Penn Dissertations. 1128. https://repository.upenn.edu/edissertations/1128 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1128 For more information, please contact [email protected]. Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Abstract During the second half of the sixteenth century, engraved series of allegorical subjects featuring personified figures flourished for several decades in the Low Countries before falling into disfavor. Designed by the Netherlandsâ?? leading artists and cut by professional engravers, such series were collected primarily by the urban intelligentsia, who appreciated the use of personification for the representation of immaterial concepts and for the transmission of knowledge, both in prints and in public spectacles. The pairing of embodied forms and serial format was particularly well suited to the portrayal of abstract themes with multiple components, such as the Four Elements, Four Seasons, Seven Planets, Five Senses, or Seven Virtues and Seven Vices. While many of the themes had existed prior to their adoption in Netherlandish graphics, their pictorial rendering had rarely been so pervasive or systematic.