Barry Trotter Done Gone: the Perils of Publishing Parody,” Which Was Held at the 2002 ALA Annual Conference, in Atlanta, Georgia, on June 17
ISSN 0028-9485 November 2002 Vol. LI No. 6 Following are edited speeches from the program “Barry Trotter Done Gone: The Perils of Publishing Parody,” which was held at the 2002 ALA Annual Conference, in Atlanta, Georgia, on June 17. introductory remarks by Margo Crist Good afternoon, and welcome to our program “Barry Trotter Done Gone: The Perils of Publishing Parody.” I am Margo Crist, chair of the ALA’s Intellectual Freedom Committee. We are pleased to present this program in conjunction with the Association of American Publishers and the American Booksellers Foundation For Free Expression. I’d “Barry Trotter like to take a moment to introduce our co-sponsors. Judith Platt is Director of AAP’s Freedom to Read Program and Chris Finan is President of the American Booksellers done gone”: Foundation for Free Experssion. Our distinguished panel this afternoon is made up of Michael Gerber, Bruce Rich, and Wendy Strothman, who will discuss the art of parody, the legal issues and publishing deci- perils of sions involved in publishing parody, and how the publication—and challenge to—The Wind Done Gone have affected the publishing environment. publishing Michael Gerber, author of Barry Trotter and the Unauthorized Parody, will begin by providing a history and framework for our discussion. Michael is a life-long humorist and has been widely published with commentaries and humor appearing in The New Yorker, parody The Atlantic Monthly, Esquire, The Wall Street Journal, and numerous other publications. He also has written for PBS, NPR and Saturday Night Live. While at Yale University, where he graduated in 1991 in history, Michael resurrected The Yale Record, America’s oldest college humor magazine.
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