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Debatni Program 27. Festivala Evropskog Filma

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Debatni Program 27. Festivala Evropskog Filma POKROVITELJI PATRONS ap Vojvodina Republika Srbija pokrAjiNSKI SekretArijAT MINISTARStvo KUltUre I ZA KUltURU I JAVNO informisanjA informisanjE otvoreNI UNiverZitet GRAD SUBotiCA SUBotiCA OSNIVAČ FESTIVALA ORGANIZATOR I IZVRŠNI PRODUCENT FOUNDER OF THE FESTIVAL ORGANISER AND EXECUTIVE PRODUCER Septembar 12-18 2020 palicfilmfestival.com PALIĆ 2020 PALIĆ 2020 Neizvesnost prati naš Festival od njegovog nastanka. retke su godine kada smo Uncertainty has been following our Festival from its beginning. Rarely have we ever had Festivalu mogli u potpunosti da se posvetimo i ne mislimo šta će ga ugroziti, odnosno, a chance to dedicate ourselves to the Festival itself, without thinking about what could da li će ga uopšte biti. jeopardize it or would it be held at all. Početkom 90-tih, kada smo osnovali Festival, to nisu bili samo problemi koji su normalni kada uspostavljate nešto novo,već i činjenica da je on osnovan u vreme sankcija.Izašli In the early 90’s, when we started the Festival, those were not normal establishing problems, smo iz sankcija 1995. Godine, „videli svetlo na kraju tunela“, ali te godine Festival nije but we dealt with international sanctions. In 1995 we were free of sanctions, seeing the light održan, jer nije bilo dovoljno sredstava. Na samom kraju te dekade dočekala nas je at the end of tunnel, but the Festival wasn’t held because of the lack of funds. At the end of agresija NATO Alijanse i bombardovanje…Ipaksmo te 1999.godine,uprkos svemu, that decade in 1999 we faced NATO bombing… But despite aggression we organized, as we održali, kako smo ga nazvali, Festival kontinuiteta.Trajao je samo tokom jednog called it, Festival of Continuity. It lasted just for a weekend. vikenda. Sa novim milenijumom promenili smo koncept, koji traje i danas, posatali smo Festival We established new concept at the beginning of new millennium, we became European evropskog filma. Naročito je bio relaksirajući period posle potpisivanjam emoranduma Film Festival. Especially relaxing was the period after signing memorandum between između ministrastva kulture republike Srbije, Pokrajine Vojvodine i grada Subotice Serbian Ministry of Culture, Province of Vojvodina and Subotica’s Municipality, which was koji je predviđao, precizno, koliko ko od potpisnika odvaja sredstava za nesmetano precise about funding of the Festival. Unfortunately, like in many other things, for no good odvijanje Festivala. Na žalost, kao i kod mnogih stvari koje dobro funkcionišu, iz nama reason, this well functioning concept was soon abandoned. We found ourselves in crisis nepoznatih razloga odustalo se od tog uspešnog koncepta. Ponovo smo zapali u krizu koja je kulminirala pre tri godine. Bili smo veoma blizu 1995. godini i neodržavanju once again. We were very close to the decision similar to 1995 one. Festivala. This year’s Festival is endangered by two things. Ovu godinu karakterišu dve stvari koje su ugrozile Festival. The first one is, in our opinion, very strange decision made by Commission at the Ministry 6 Prva je, za nas, u najmanju ruku, veoma čudna odluka Komisije ministarstva kulture of Culture, to reduce our budget for 80%, at first. After many talks and negotiations they 7 da nam, godinama uobičajenu dotaciju smanji, u prvom trenutku, za 80%. Posle increased it, but it remained reduced for about 40%. Commission has legitimate right razgovora, ubeđivanja, objašnjavanja...dotacija je povećana u dva navrata. I pored to decide about budgeting, but we also have right to be informed about reasons for this European toga, na toj stavci zakinuti smo za četrdesetak posto. Legitimno je pravo Komisije da European donosi odluke po svom nahođenju, ali je i naše pravo da znamo zašto je, tako drastično, drastic reduction of only our funds among all other festivals with the same status. Film samo naš Festival iz grupe Festivala koji su imali ravnopravan status, zakinut za tako This problem we have somehow overcome. Film Festival značajna sredstva. The second problem cannot be solved by donations. Humanity has been fighting against Festival Palić Taj problem smo kako-tako prevazišli. Corona virus or COVID 19 for months now. We have all been experiencing fight against Palić 2020. Drugi problem ne mogu da reše nikakve dotacije. mesecima se čovečanstvo bori sa pošasti koju smo upoznali kao Koronu, pa Kovid19. Svi imamo iskustva koja govore da unknown enemy that takes human lives on the daily basis and that jeopardize the way of 2020. se borimo sa nepoznanicom koja svakodnevno odnosi ljudske živote i koja ugrožava life we used to live. Masks, social distancing, no gatherings of more than 500 then 100 and način života koji smo vodili do sada. maske, socijalna distanca, bez skupova na kojima finally 10 persons, whether they are indoors or outdoors. ima više od 500 pa 100 pa 10 ljudi, zavisno da li je na otvorenom ili zatvorenom prostoru. As I write this text, ambassadors of 27 EU countries removed Serbia from the list of countries U času kada nastaje ovaj tekst „Ambasadori zemalja članica EU 27 skinuli su Srbiju recommended for traveling outside of Schengen. If I understood well, hardly will anyone sa liste zemalja za koje je do sada važila preporuka za mogućnost putovanja preko spoljnih granica Šengena“. Ako dobro razumem teško će se neko usuditi da se uputi i dare to come to the region. Therefore we cannot count on one of the most important na ovu stranu. segments of the Festival – guests. Without them our Festival is nothing but a common film Zato, zbog pogoršane epidemiološke situacije mi ne možemo da računamo na jedan manifestation. izuzetno važan segment, a to su gosti. Bez njih Festival nema sve one kvalifikative koji We aren’t able to change anything of mentioned. We hope that this situation won’t last ga razlikuju od obične smotre filmova. too long and that this text in our catalog will be read by this year’s Festival guests, who are Teško je da tu mi kao Festival možemo nešto da promenimo. Ostaje nam nada da ova mera neće trajati dugo i da će ovaj tekst u našem katalogu moći da pročitaju gosti welcome as always. ovogodišnjeg Festivala kojima kao i uvek, ove godine posebno, želim dobrodošlicu. Radoslav ZELENOVIĆ, Radoslav ZELENOVIĆ, direktor Međunarodnog festivala evropskog filma director of International Festival of European Film Septembar 12-18 2020 palicfilmfestival.com 8 9 European European Film Film Festival ŽIRI FESTIVALA Festival Palić Palić 2020. 2020. FESTIVAL JURY Septembar 12-18 2020 palicfilmfestival.com GORAN RADovanović IGOR Ivanov Goran radovanović rođen je u Beogradu 1957. godine. Diplomirao je istoriju Igor Ivanov je makedonski filmski reditelj i scenarista rođen u skoplju, 1973. umetnosti na beogradskom Filozofskom fakultetu 1982. godine. Nakon Poznat je po filmovima BUGS, rP EVrETENO, SOBA SA KLAVIrOm… Njegovi stipendije Gete instituta, radio je kao pisac i režiser igranih i dokumentarnih su radovi prikazivani i nagrađivani na mnogim festivalima, uključujući filmova. Član je Evropske filmske akademije i Udruženja filmskih umetnika Berlinale, Locarno, Karlovy Vary, Chicago…. Trenutno radi na svom novom Srbije. radio je kao gostujući profesor na EICTV (međunarodna škola za film filmu HOmO. i televiziju), San Antonio de los Banos, Kuba, VGIK; moskva, Oberlin College, Ohio, SAD, ESAP - Escola Superior Artistica do Porto, Portugal, DFFB, Berlin, Nemačka. Takođe je bio mentor na radionicama koje je na brojnim filmskim Igor Ivanov is a Macedonian film director and screenwriter born in Skopje, in festivalima organizovao EDN (Evropska mreža dokumentarnih filmova). 1973. He is known for films BUGS, UPSIDE DOWN, THE PIANO ROOM… His works have been screened and awarded at many festivals, including Berlinale, Locarno, Goran Radovanović was born in Belgrade in 1957. He graduated art history Karlovy Vary, Chicago Film Festival…. He is currently working on his new film from Belgrade’s Faculty of Philosophy in 1982. After he attended a scholarship HOMO. awarded by Goethe Institute, he has worked as writer and director of both feature and documentary films. He is a member of the European Film Academy and Film Artists Association of Serbia. He worked as guest professor at EICTV (International Film and Television School), San Antonio de los Banos, Cuba, VGIK; Moscow, Oberlin College, Ohio, USA, ESAP - Escola Superior Artística do Porto, Portugal, DFFB, Berlin, Germany. He also acted as a tutor at workshops 10 organized at nomerous film festivals by EDN (European Documentary Network). 11 European European Film MICHELLE CareY Film Festival Festival Palić mišel Keri je berlinska filmska selektorka koja radi za međunarodni filmski Palić 2020. festival u roterdamu a kao savetnica i za Njujorški filmski festival. Urednik je 2020. i filmskog sajtaSenses of Cinema. Pre toga, od 2011. do 2018., bila je umetnički direktor međunarodnog filmskog festrivala u melburnu kao i selektor za melburn sinematek od 2002. do 2018. Takođe, radila je za Australijski centar pokretnih slika, rImT univerzitet i Filmski festival u Adelaidu. 2017., od strane francuske vlade, dodeljen joj je orden za umetnost i književnost. Michelle Carey is a Berlin-based film programmer for the International Film Festival Rotterdam and advisor for the New York Film Festival. She is also an editor at the film website Senses of Cinema. Previously she was Artistic Director of the Melbourne International Film Festival from 2011-2018 and a Programmer for the Melbourne Cinémathèque 2002-2018. She has also worked at the Australian Centre for the Moving Image, RMIT University and Adelaide Film Festival. In 2017 she was recipient of the Chevalier de l’ordre des arts et des lettres from the French Government. Septembar 12-18 2020 palicfilmfestival.com 12 13 European European Film Film Festival FIPRESCI ŽIRI Festival Palić Palić 2020. 2020. FIPRESCI JURY Septembar 12-18 2020 palicfilmfestival.com Anton SIDORENKO VÍCtor PAZ MORANDEIRA Anton Sidorenko je novinar i filmski kritičar rođen um insku u Belorusiji 1978. Viktor Paz morandeira je novinar, kritičar i selektor.
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