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Debatni Program 27. Festivala Evropskog Filma

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POKROVITELJI PATRONS ap Vojvodina Republika Srbija pokrAjiNSKI SekretArijAT MINISTARStvo KUltUre I ZA KUltURU I JAVNO informisanjA informisanjE otvoreNI UNiverZitet GRAD SUBotiCA SUBotiCA OSNIVAČ FESTIVALA ORGANIZATOR I IZVRŠNI PRODUCENT FOUNDER OF THE FESTIVAL ORGANISER AND EXECUTIVE PRODUCER Septembar 12-18 2020 palicfilmfestival.com PALIĆ 2020 PALIĆ 2020 Neizvesnost prati naš Festival od njegovog nastanka. retke su godine kada smo Uncertainty has been following our Festival from its beginning. Rarely have we ever had Festivalu mogli u potpunosti da se posvetimo i ne mislimo šta će ga ugroziti, odnosno, a chance to dedicate ourselves to the Festival itself, without thinking about what could da li će ga uopšte biti. jeopardize it or would it be held at all. Početkom 90-tih, kada smo osnovali Festival, to nisu bili samo problemi koji su normalni kada uspostavljate nešto novo,već i činjenica da je on osnovan u vreme sankcija.Izašli In the early 90’s, when we started the Festival, those were not normal establishing problems, smo iz sankcija 1995. Godine, „videli svetlo na kraju tunela“, ali te godine Festival nije but we dealt with international sanctions. In 1995 we were free of sanctions, seeing the light održan, jer nije bilo dovoljno sredstava. Na samom kraju te dekade dočekala nas je at the end of tunnel, but the Festival wasn’t held because of the lack of funds. At the end of agresija NATO Alijanse i bombardovanje…Ipaksmo te 1999.godine,uprkos svemu, that decade in 1999 we faced NATO bombing… But despite aggression we organized, as we održali, kako smo ga nazvali, Festival kontinuiteta.Trajao je samo tokom jednog called it, Festival of Continuity. It lasted just for a weekend. vikenda. Sa novim milenijumom promenili smo koncept, koji traje i danas, posatali smo Festival We established new concept at the beginning of new millennium, we became European evropskog filma. Naročito je bio relaksirajući period posle potpisivanjam emoranduma Film Festival. Especially relaxing was the period after signing memorandum between između ministrastva kulture republike Srbije, Pokrajine Vojvodine i grada Subotice Serbian Ministry of Culture, Province of Vojvodina and Subotica’s Municipality, which was koji je predviđao, precizno, koliko ko od potpisnika odvaja sredstava za nesmetano precise about funding of the Festival. Unfortunately, like in many other things, for no good odvijanje Festivala. Na žalost, kao i kod mnogih stvari koje dobro funkcionišu, iz nama reason, this well functioning concept was soon abandoned. We found ourselves in crisis nepoznatih razloga odustalo se od tog uspešnog koncepta. Ponovo smo zapali u krizu koja je kulminirala pre tri godine. Bili smo veoma blizu 1995. godini i neodržavanju once again. We were very close to the decision similar to 1995 one. Festivala. This year’s Festival is endangered by two things. Ovu godinu karakterišu dve stvari koje su ugrozile Festival. The first one is, in our opinion, very strange decision made by Commission at the Ministry 6 Prva je, za nas, u najmanju ruku, veoma čudna odluka Komisije ministarstva kulture of Culture, to reduce our budget for 80%, at first. After many talks and negotiations they 7 da nam, godinama uobičajenu dotaciju smanji, u prvom trenutku, za 80%. Posle increased it, but it remained reduced for about 40%. Commission has legitimate right razgovora, ubeđivanja, objašnjavanja...dotacija je povećana u dva navrata. I pored to decide about budgeting, but we also have right to be informed about reasons for this European toga, na toj stavci zakinuti smo za četrdesetak posto. Legitimno je pravo Komisije da European donosi odluke po svom nahođenju, ali je i naše pravo da znamo zašto je, tako drastično, drastic reduction of only our funds among all other festivals with the same status. Film samo naš Festival iz grupe Festivala koji su imali ravnopravan status, zakinut za tako This problem we have somehow overcome. Film Festival značajna sredstva. The second problem cannot be solved by donations. Humanity has been fighting against Festival Palić Taj problem smo kako-tako prevazišli. Corona virus or COVID 19 for months now. We have all been experiencing fight against Palić 2020. Drugi problem ne mogu da reše nikakve dotacije. mesecima se čovečanstvo bori sa pošasti koju smo upoznali kao Koronu, pa Kovid19. Svi imamo iskustva koja govore da unknown enemy that takes human lives on the daily basis and that jeopardize the way of 2020. se borimo sa nepoznanicom koja svakodnevno odnosi ljudske živote i koja ugrožava life we used to live. Masks, social distancing, no gatherings of more than 500 then 100 and način života koji smo vodili do sada. maske, socijalna distanca, bez skupova na kojima finally 10 persons, whether they are indoors or outdoors. ima više od 500 pa 100 pa 10 ljudi, zavisno da li je na otvorenom ili zatvorenom prostoru. As I write this text, ambassadors of 27 EU countries removed Serbia from the list of countries U času kada nastaje ovaj tekst „Ambasadori zemalja članica EU 27 skinuli su Srbiju recommended for traveling outside of Schengen. If I understood well, hardly will anyone sa liste zemalja za koje je do sada važila preporuka za mogućnost putovanja preko spoljnih granica Šengena“. Ako dobro razumem teško će se neko usuditi da se uputi i dare to come to the region. Therefore we cannot count on one of the most important na ovu stranu. segments of the Festival – guests. Without them our Festival is nothing but a common film Zato, zbog pogoršane epidemiološke situacije mi ne možemo da računamo na jedan manifestation. izuzetno važan segment, a to su gosti. Bez njih Festival nema sve one kvalifikative koji We aren’t able to change anything of mentioned. We hope that this situation won’t last ga razlikuju od obične smotre filmova. too long and that this text in our catalog will be read by this year’s Festival guests, who are Teško je da tu mi kao Festival možemo nešto da promenimo. Ostaje nam nada da ova mera neće trajati dugo i da će ovaj tekst u našem katalogu moći da pročitaju gosti welcome as always. ovogodišnjeg Festivala kojima kao i uvek, ove godine posebno, želim dobrodošlicu. Radoslav ZELENOVIĆ, Radoslav ZELENOVIĆ, direktor Međunarodnog festivala evropskog filma director of International Festival of European Film Septembar 12-18 2020 palicfilmfestival.com 8 9 European European Film Film Festival ŽIRI FESTIVALA Festival Palić Palić 2020. 2020. FESTIVAL JURY Septembar 12-18 2020 palicfilmfestival.com GORAN RADovanović IGOR Ivanov Goran radovanović rođen je u Beogradu 1957. godine. Diplomirao je istoriju Igor Ivanov je makedonski filmski reditelj i scenarista rođen u skoplju, 1973. umetnosti na beogradskom Filozofskom fakultetu 1982. godine. Nakon Poznat je po filmovima BUGS, rP EVrETENO, SOBA SA KLAVIrOm… Njegovi stipendije Gete instituta, radio je kao pisac i režiser igranih i dokumentarnih su radovi prikazivani i nagrađivani na mnogim festivalima, uključujući filmova. Član je Evropske filmske akademije i Udruženja filmskih umetnika Berlinale, Locarno, Karlovy Vary, Chicago…. Trenutno radi na svom novom Srbije. radio je kao gostujući profesor na EICTV (međunarodna škola za film filmu HOmO. i televiziju), San Antonio de los Banos, Kuba, VGIK; moskva, Oberlin College, Ohio, SAD, ESAP - Escola Superior Artistica do Porto, Portugal, DFFB, Berlin, Nemačka. Takođe je bio mentor na radionicama koje je na brojnim filmskim Igor Ivanov is a Macedonian film director and screenwriter born in Skopje, in festivalima organizovao EDN (Evropska mreža dokumentarnih filmova). 1973. He is known for films BUGS, UPSIDE DOWN, THE PIANO ROOM… His works have been screened and awarded at many festivals, including Berlinale, Locarno, Goran Radovanović was born in Belgrade in 1957. He graduated art history Karlovy Vary, Chicago Film Festival…. He is currently working on his new film from Belgrade’s Faculty of Philosophy in 1982. After he attended a scholarship HOMO. awarded by Goethe Institute, he has worked as writer and director of both feature and documentary films. He is a member of the European Film Academy and Film Artists Association of Serbia. He worked as guest professor at EICTV (International Film and Television School), San Antonio de los Banos, Cuba, VGIK; Moscow, Oberlin College, Ohio, USA, ESAP - Escola Superior Artística do Porto, Portugal, DFFB, Berlin, Germany. He also acted as a tutor at workshops 10 organized at nomerous film festivals by EDN (European Documentary Network). 11 European European Film MICHELLE CareY Film Festival Festival Palić mišel Keri je berlinska filmska selektorka koja radi za međunarodni filmski Palić 2020. festival u roterdamu a kao savetnica i za Njujorški filmski festival. Urednik je 2020. i filmskog sajtaSenses of Cinema. Pre toga, od 2011. do 2018., bila je umetnički direktor međunarodnog filmskog festrivala u melburnu kao i selektor za melburn sinematek od 2002. do 2018. Takođe, radila je za Australijski centar pokretnih slika, rImT univerzitet i Filmski festival u Adelaidu. 2017., od strane francuske vlade, dodeljen joj je orden za umetnost i književnost. Michelle Carey is a Berlin-based film programmer for the International Film Festival Rotterdam and advisor for the New York Film Festival. She is also an editor at the film website Senses of Cinema. Previously she was Artistic Director of the Melbourne International Film Festival from 2011-2018 and a Programmer for the Melbourne Cinémathèque 2002-2018. She has also worked at the Australian Centre for the Moving Image, RMIT University and Adelaide Film Festival. In 2017 she was recipient of the Chevalier de l’ordre des arts et des lettres from the French Government. Septembar 12-18 2020 palicfilmfestival.com 12 13 European European Film Film Festival FIPRESCI ŽIRI Festival Palić Palić 2020. 2020. FIPRESCI JURY Septembar 12-18 2020 palicfilmfestival.com Anton SIDORENKO VÍCtor PAZ MORANDEIRA Anton Sidorenko je novinar i filmski kritičar rođen um insku u Belorusiji 1978. Viktor Paz morandeira je novinar, kritičar i selektor.
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    TEHNOLOGIJA NARODU! TEHNOLOGIJA TECHNOLOGY TO THE PEOPLE! THE TO TECHNOLOGY TEHNOLOGIJA NARODU! TECHNOLOGY TO THE PEOPLE! FILM I VIDEO U VOJVODINI FILM AND VIDEO IN VOJVODINA MSUV.ORG Novi Sad, 2017. TEHNOLOGIJA NARODU! TECHNOLOGY TO THE PEOPLE! FILM I VIDEO U VOJVODINI FILM AND VIDEO IN VOJVODINA Tehnologija narodu! Film i video u Vojvodini Dizajnerka izložbe / Exhibition Designer Technology to the People! Film and Video in Vojvodina Mirjana Dušić-Lazić 19.02–14.04.2013. Producent / Producer Muzej savremene umetnosti Vojvodine Jovan Jakšić Museum of Contemporary Art Vojvodina Dunavska 37, Novi Sad Menadžer multimedije / Multimedia Manager Marko Ercegović Autori koncepcije izložbe i kustosi / Authors of the exhibition concept and curators Tehnička podrška / Technical Support Aleksandar Davić, Gordana Nikolić Pajica Dejanović, Đorđe Popić 4 Aleksandar Davić FILM U VOJVODINI Film je u svojoj, više od jednog veka dugačkoj, istoriji prevalio dugačak put popločan tehnološkim inovacijama koje su ga do druge decenije XXI veka postupno, ali neminovno uvele u svet digitalnih medija. Taj put bez povratka prožet je čestim osvrtanjima i pitanjima šta se menja, a šta ostaje isto. Već sada je izvesno da će digitalne tehnologije pre kraja ove decenije u potpunosti istisnuti celuloidni film iz tehnološkog lanca koji vodi od kamere do projekcionog aparata. Film, ili bolje rečeno tehnologija pokretnih slika, je usred izuzetno dinamične tehnološke revolucije, čije posledice su sveobuhvatne i odnose se, kako na proces proizvodnje pokretnih slika tako i na načine distribucije i prezentacije. Nasuprot tome, sadržaj i forma u kojoj se taj sadržaj prezentuje slede logiku svoje evolucije koja, svakako, koristi tehničke inovacije, ali se u mnogo većoj meri razvija nezavisno i pre svega pod uticajem kreativnih umova koji tehniku koriste za stvaranje pokretnih slika.
  • From ʽnewsreelʼ to ʽtv Newsʼ in Serbia Udc 791.229.1

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    FACTA UNIVERSITATIS Series: Visual Arts and Music Vol. 5, No 2, 2019, pp. 137 - 144 https://doi.org/10.22190/FUVAM1902137V Review paper FROM ʽNEWSREELʼ TO ʽTV NEWSʼ IN SERBIA UDC 791.229.1 :94 (497.11) Marija Vujović, Anka Mihajlov Prokopović University of Niš, Faculty of Philosophy, Niš, Republic of Serbia Abstract. Prior to becoming the most dominant cultural product of the modern age, the film began its history as a journalistic concept. The first films made by the brothers Auguste and Louis Lumière in the late 19th century were documentaries. The first film made at the beginning of the 20th century in Serbia was also a type of a newsreel, a documentary. Some of the first cinema owners and cinematographers were journalists. This paper explains the development of documentary film in Serbia, which, in addition to being a film genre, also became a television genre in the second half of the 20th century. The goal of this paper is to show the development path starting from the first feature film and newsreel, to television news - one of the most frequent TV programs of the moment – by using the example of Serbia. Key words: documentary, newsreel, television, TV news INTRODUCTION Studies conducted worldwide show that television is still the most dominant mass medium1. The combination of image and sound was and still is most appealing to audiences who believe more in what they see than what they read or hear. Danica Acimovic quotes scientific evidence and claims that, ―… people remember longest what they see; more than what they feel and hear‖ (Aćimović 2004, 9).
  • Revue De Presse

    Revue De Presse

    SAÏD BEN SAÏD PRÉSENTE LOUIS ANNA GARREL MOUGLALIS ?4 =4?BHF<8 UN FILM DE PHILIPPE GARREL MUSIQUE ORIGINALE DE JEAN-LOUIS AUBERT REVUE DE PRESSE AU CINÉMA LE 4 DÉCEMBRE 2013 Programmation Presse Capricci Films Agnès Chabot 01 83 62 43 75 01 44 41 13 48 [email protected] [email protected] SOMMAIRE PRESSE QUOTIDIENNE LE MONDE - Une, Critique et Interview de Philippe Garrel LIBERATION - Critique et Interview de Philippe Garrel HUMANITÉ - Critique LES ECHOS - Critique LE PARISIEN - Critique PRESSE HEBDOMADAIRE LES INROCKS - Une, Critique et Interviews de Philippe Garrel et Anna Mouglalis TÉLÉRAMA - Critique NOUVEL OBSERVATEUR - Critique TELE CINE OBS - Critique et Interview de Philippe Garrel MAGAZINE DU MONDE - Interview d'Anna Mouglalis POLITIS - Critique ELLE - Sommaire et Interview de Louis Garrel ELLE - Une journée avec Esther Garrel GRAZIA - Interview de Louis Garrel MARIANNE - Critique JALOUSIE - Critique L'EXPRESS STYLE - Portrait d'Anna Mouglalis PRESSE MENSUELLE CAHIERS DU CINEMA - Critique POSITIF - Critique TROIS COULEURS - Critique, Interview de Philippe et Louis Garrel, Interview de Willy Kurant TRANSFUGE - Critique et Interview de Louis Garrel CHRONIC'ART - Critique FICHES DU CINEMA - Critique OBESSION - Portrait d'Anna Mouglalis SOFILM - Critique VOGUE - Critique UGC ILLIMITE - Critique STUDIO - Critique PREMIÈRE - Critique PRESSE EN LIGNE TELERAMA - Portrait de Philippe Garrel TELERAMA - OEIL POUR OEIL - Débat critique LA CROIX - Critique LA VIE - Critique TÉMOIGNAGE CHRÉTIEN - Critique SLATE - Critique CRITIKAT
  • 26 Turisticki Svet 83

    26 Turisticki Svet 83

    Hotel za odmor i - biznis MONS Hotel & Apartments nalazi se u samom centru Zlatibora, u blizini jezera. Sa svojim modernim enterijerom, raznovrsnim sadržajem i najvišim nivoom usluge, MONS predstavlja pravo mesto za odmor i uživanje svih generacija. Pored 21 smeštajne jedinice, hotel sadrži i café restoran, SPA centar, teretanu, dečiju igraonicu i FUN zonu. Novo u ponudi hotela je moderna kongresna sala opremljena najsavremenijom tehnologijom. Klimatizovan prostor, elegantnog enterijera pruža razne pogodnosti za održavanje svih poslovnih događaja. Kapacitet sale je do 40 mesta i fleksibilna je za najrazličitije postavke. Gostima je na raspolaganju računar, ozvučenje, flip chart, kao i najsavremenija interaktivna smart tabla sa projektorom, zahvaljujući kojoj će svaki kongres ili seminar biti vrlo efikasan i produktivan. Sala je pokrivena brzim internetom, a po potrebi mogu se potpuno besplatno koristiti i usluge štampanja, kopiranja i faksa. Svim učesnicima sastanka nudimo i raznovrstan izbor kvalitetne, zdrave hrane i pića, koja će upotpuniti dobar utisak o hotelu, a boravak učiniti vrhunskim zadovoljstvom. Prenesite svoje sastanke u MONS Hotel & Apartments i - spojite posao i odmor! Ćaldov put bb | 31315 Zlatibor | Srbija Tel: +381 31 848-005 | Fax: +381 31 848-008 www.mons-zlatibor.com | [email protected] Raskoš pod sjajem 5 zvezdica! nogo dobrih hotela je u Novom Sadu, ali samo se jedan izdvaja! Ne samo zbog maksi- NOMINACIJA ZA SVETSKU KLASU Mmalnih pet zvezdica koje u Srbiji ima samo nekoliko hotela, već i zbog modernog ekste - Sa ponosom obaveštavamo da je rijera i jedinstvenog enterijera, u skladu sa najprefinjenjim estetskim merilima i najvišim svetskim Prezident Hotel***** nominovan standardima. za prestižnu nagradu – 2017 Reč je o otmenom i luksuznom hotelu „Prezident“, smeštenom na izuzetnoj lokaciji: centar World Luxury Hotel Awards! „Srpske Atine“ je gostima na dohvat ruke, a od „Novosadskog sajma“ deli ga samo 100 m! Ho- tel raspolaže sa 50 vrlo modernih, komfornih soba i apartmana, u kojima može da se smesti više od 100 gostiju.
  • PERSONS • of the YEAR • Muslimthe 500 the WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2018 •

    PERSONS • of the YEAR • Muslimthe 500 the WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2018 •

    PERSONS • OF THE YEAR • MuslimThe 500 THE WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2018 • MuslimThe 500 THE WORLD’S 500 MOST INFLUENTIAL MUSLIMS • 2018 • C The Muslim 500: 2018 Chief Editor: Prof S Abdallah Schleifer The World’s 500 Most Influential Muslims, 2018 Deputy Chief Editor: Ms Farah El-Sharif ISBN: 978-9957-635-14-5 Contributing Editor: Dr Tarek Elgawhary Editor-at-Large: Mr Aftab Ahmed Jordan National Library Deposit No: 2017/10/5597 Editorial Board: Dr Minwer Al-Meheid, Mr Moustafa Elqabbany, and Ms Zeinab Asfour © 2017 The Royal Islamic Strategic Studies Centre 20 Sa’ed Bino Road, Dabuq Researchers: Lamya Al-Khraisha, Moustafa Elqabbany, PO BOX 950361 Zeinab Asfour, and M AbdulJaleal Nasreddin Amman 11195, JORDAN http://www.rissc.jo Consultant: Simon Hart All rights reserved. No part of this book may be reproduced Typeset by: M AbdulJaleal Nasreddin or utilized in any form or by any means, electronic or me- chanic, including photocopying or recording or by any in- formation storage and retrieval system, without the prior written permission of the publisher. Views expressed in The Muslim 500 do not necessarily re- flect those of RISSC or its advisory board. Set in Garamond Premiere Pro Printed in The Hashemite Kingdom of Jordan Calligraphy used throughout the book provided courtesy of www.FreeIslamicCalligraphy.com Title page Bismilla by Mothana Al-Obaydi • Contents • page 1 Introduction 5 Persons of the Year—2018 7 Influence and The Muslim 500 9 The House of Islam 21 The Top 50 89 Honourable Mentions 97 The 450 Lists 99 Scholarly