Minutes of 43Rd Meeting of CFPGS
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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Siddheshwari Devi Final Edit Rev 1
Siddheshwari Devi – The Queen of Thumri1 by Aditi Desai Kashi, Benares or Varanasi; the ancient spiritual centre of Hindustan, famous for its Ganga, its temples and ghats, pandits and pandas, had another more sensual side in its graceful yet throbbing sub-culture of music and dance. There was a time when for every devotee going to a temple to propitiate the gods there was another who, chewing his delicately flavoured paan, 1 Edited, updated and rewritten version based on: Original article written by Aditi Desai for The India Magazine, Aug. 1981, No. 9 would be strolling towards some singer’s or dancer’s house. In the Benares sunset, the sound of temple bells intermingled with the soul stirring sounds of a bhajan, a thumri, a kajri, a chaiti, a hori. And accompanying these were the melodious sounds of the sarangi or flute and the ghunghroos on the beat of the tabla that quickened the heartbeat. So great was the city’s preoccupation with music, that a distinctive style of classical music, rooted in the local folk culture, emerged and was embodied in the Benaras Gharana ( school or a distinctive style of music originating in a family tradition or lineage that can be traced to an instructor or region). A few miles from Benares, there is a village called Torvan, which appears to be like any other Thakur Brahmin village of that region. But there is a difference. This village had a few families belonging to the Gandharva Jati, a group whose traditional occupation was music and its allied arts. Amongst Gandharvas, it was the men who went out to perform while the women stayed behind. -
Changing Ideas of Freedom in the Indian Postcolonial Context
IDEALISM, ENCHANTMENT AND DISENCHANTMENT: CHANGING IDEAS OF FREEDOM IN THE INDIAN POSTCOLONIAL CONTEXT Yamini Worldwide, Colonial and Postcolonial Literature has represented processes of nation-formation and concepts of nationalism through experiments with forms of representation. Such experiments were quite predominant in the novel form, with its ability to incorporate vast spatial and temporal realities. Homi Bhabha’s Nation and Narration (2008) is a seminal volume discussing the innovations in the Twentieth Century Novel through a Postcolonial perspective and understanding these changes through the idea of National Literatures. The Cambridge Companion to Postcolonial Literary Studies (Neil Lazarus) and The Post-Colonial Studies Reader (Bill Ashcroft et al) present extensive discussions on the relationship between the politics of nation-formation and forms of fiction. In this article I offer a brief introduction to the evolution of the Hindi novel (1940s-1980s) with reference to the freedom movement and nationalist struggle in India. Benedict Anderson’s formulation regarding the significance of the genre of the novel in the process of nation-formation and Timothy Brennan’s concept of ‘The National Longing for Form’ published in Nation and Narration also establishes the novel as a genre representing, as well as creating, the Nation. Brennan writes It was the novel that historically accompanied the rise of the nations by objectifying the ‘one, yet many’ of the national life, and by mimicking the structure of the nation, a clearly bordered jumble of languages and styles… Its manner of presentation allowed people to imagine the special community that was the nation (Brennan, 2008: 49). Postcolonial theories have focussed on the relationship between realism and nationalism within the genre of the novel. -
Music Initiative Jka Peer - Reviewed Journal of Music
VOL. 01 NO. 01 APRIL 2018 MUSIC INITIATIVE JKA PEER - REVIEWED JOURNAL OF MUSIC PUBLISHED,PRINTED & OWNED BY HIGHER EDUCATION DEPARTMENT, J&K CIVIL SECRETARIAT, JAMMU/SRINAGAR,J&K CONTACT NO.S: 01912542880,01942506062 www.jkhighereducation.nic.in EDITOR DR. ASGAR HASSAN SAMOON (IAS) PRINCIPAL SECRETARY HIGHER EDUCATION GOVT. OF JAMMU & KASHMIR YOOR HIGHER EDUCATION,J&K NOT FOR SALE COVER DESIGN: NAUSHAD H GA JK MUSIC INITIATIVE A PEER - REVIEWED JOURNAL OF MUSIC INSTRUCTION TO CONTRIBUTORS A soft copy of the manuscript should be submitted to the Editor of the journal in Microsoft Word le format. All the manuscripts will be blindly reviewed and published after referee's comments and nally after Editor's acceptance. To avoid delay in publication process, the papers will not be sent back to the corresponding author for proof reading. It is therefore the responsibility of the authors to send good quality papers in strict compliance with the journal guidelines. JK Music Initiative is a quarterly publication of MANUSCRIPT GUIDELINES Higher Education Department, Authors preparing submissions are asked to read and follow these guidelines strictly: Govt. of Jammu and Kashmir (JKHED). Length All manuscripts published herein represent Research papers should be between 3000- 6000 words long including notes, bibliography and captions to the opinion of the authors and do not reect the ofcial policy illustrations. Manuscripts must be typed in double space throughout including abstract, text, references, tables, and gures. of JKHED or institution with which the authors are afliated unless this is clearly specied. Individual authors Format are responsible for the originality and genuineness of the work Documents should be produced in MS Word, using a single font for text and headings, left hand justication only and no embedded formatting of capitals, spacing etc. -
YES BANK LTD.Pdf
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Durham Research Online
Durham Research Online Deposited in DRO: 05 August 2016 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Leante, Laura (2009) 'Urban Myth : bhangra and the dhol craze in the UK.', in Music in motion : diversity and dialogue in Europe. Bielefeld: Transcript Verlag, pp. 191-207. Further information on publisher's website: http://www.transcript-verlag.de/978-3-8376-1074-1/ Publisher's copyright statement: This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk (revised version – November 2008) 1 “Urban myth”: bhangra and the dhol craze in the UK Bhangra is believed to have originated in western Punjab (in today’s Pakistan) as a rural male dance performed to the rhythm of the dhol, a large double-headed barrel drum, to celebrate the spring harvest. -
Historical Places
Where to Next? Explore Jammu Kashmir And Ladakh By :- Vastav Sharma&Nikhil Padha (co-editors) Magazine Description Category : Travel Language: English Frequency: Twice in a Year Jammu Kashmir and Ladakh Unlimited is the perfect potrait of the most beautiful place of the world Jammu, Kashmir&Ladakh. It is for Travelers, Tourism Entrepreneurs, Proffessionals as well as those who dream to travel Jammu,Kashmir&Ladakh and have mid full of doubts. This is a new kind of travel publication which trying to promoting the J&K as well as Ladakh tourism industry and remove the fake potrait from the minds of people which made by media for Jammu,Kashmir&Ladakh. Jammu Kashmir and ladakh Unlimited is a masterpiece, Which is the hardwork of leading Travel writters, Travel Photographer and the team. This magazine has covered almost every tourist and pilgrimage sites of Jammu Kashmir & Ladakh ( their stories, history and facts.) Note:- This Magazine is only for knowledge based and fact based magazine which work as a tourist guide. For any kind of credits which we didn’t mentioned can claim for credits through the editors and we will provide credits with description of the relevent material in our next magazine and edit this one too if possible on our behalf. Reviews “Kashmir is a palce where not even words, even your emotions fail to describe its scenic beauty. (Name of Magazine) is a brilliant guide for travellers and explore to know more about the crown of India.” Moohammed Hatim Sadriwala(Poet, Storyteller, Youtuber) “A great magazine with a lot of information, facts and ideas to do at these beautiful places.” Izdihar Jamil(Bestselling Author Ted Speaker) “It is lovely and I wish you the very best for the initiative” Pritika Kumar(Advocate, Author) “Reading this magazine is a peace in itself. -
Master of Performing Arts (Vocal & Instrumental)
MASTER OF PERFORMING ARTS (VOCAL & INSTRUMENTAL) I SEMESTER Course - 101 (Applied Theory) Credits: 4 Marks: 80 Internal Assessment: 20 Total: 100 Course Objectives:- 1. To critically appreciate a music concert. 2. To understand and compare the ragas and talas prescribed for practical’s. 3. To write compositions in the prescribed notation system. 4. To introduce students to staff notation. Course Content:- I. Theoretical study of Ragas and Talas prescribed for practical and their comparative study wherever possible. II. Reading and writing of Notations of compositions Alap, Taan etc. in the Ragas and Talas with prescribed Laykraries. III. Elementary Knowledge of Staff Notation. IV. Critical appreciation of Music concert. Bibliographies:- a. Dr. Bahulkar, S. Kalashastra Visharad (Vol. 1 - 4 ). Mumbai:: Sanskar Prakashan. b. Dr. Sharma, M. Music India. A. B. H. Publishing Hoouse. c. Dr. Vasant. Sangeet Visharad. Hatras:: Sangeet Karyalaya. d. Rajopadhyay, V. Sangeet Shastra. Akhil Bhartiya Gandharva Vidhyalaya e. Rathod, B. Thumri. Jaipur:: University Book House Pvt. Ltd. f. Shivpuji, G. Lay Shastra. Bhopal: Madhya Pradesh Hindi Granth. Course - 102 (General Theory) Credits: 4 Marks: 80 Internal Assessment: 20 Total: 100 Course Objectives:- 1. To study Aesthetics in Music. 2. To appreciate the aesthetic aspects of different forms of music. Course Content:- I. Definition of Aesthetics and its Application in Music. II. Aesthetical principles of Different Haran’s. III. Aesthetical aspects of different forms of Music. a. Dhrupad, Dhamar, Khayal, Thumri, Tappa etc. IV. Merits and demerits of vocalist. Bibliographies:- a. Bosanquet, B. (2001). The concept of Aesthetics. New Delhi: Sethi Publishing Company. b. Dr. Bahulkar, S. Kalashastra Visharad (Vol. -
Mahabharata Tatparnirnaya
Mahabharatha Tatparya Nirnaya Chapter XIX The episodes of Lakshagriha, Bhimasena's marriage with Hidimba, Killing Bakasura, Draupadi svayamwara, Pandavas settling down in Indraprastha are described in this chapter. The details of these episodes are well-known. Therefore the special points of religious and moral conduct highlights in Tatparya Nirnaya and its commentaries will be briefly stated here. Kanika's wrong advice to Duryodhana This chapter starts with instructions of Kanika an expert in the evil policies of politics to Duryodhana. This Kanika was also known as Kalinga. Probably he hailed from Kalinga region. He was a person if Bharadvaja gotra and an adviser to Shatrujna the king of Sauvira. He told Duryodhana that when the close relatives like brothers, parents, teachers, and friends are our enemies, we should talk sweet outwardly and plan for destroying them. Heretics, robbers, theives and poor persons should be employed to kill them by poison. Outwardly we should pretend to be religiously.Rituals, sacrifices etc should be performed. Taking people into confidence by these means we should hit our enemy when the time is ripe. In this way Kanika secretly advised Duryodhana to plan against Pandavas. Duryodhana approached his father Dhritarashtra and appealed to him to send out Pandavas to some other place. Initially Dhritarashtra said Pandavas are also my sons, they are well behaved, brave, they will add to the wealth and the reputation of our kingdom, and therefore, it is not proper to send them out. However, Duryodhana insisted that they should be sent out. He said he has mastered one hundred and thirty powerful hymns that will protect him from the enemies. -
Rays of Brilliance Navaloor, Omr, Chennai Rays of Brilliance
RAYS OF BRILLIANCE NAVALOOR, OMR, CHENNAI RAYS OF BRILLIANCE EMAMI TEJOMAYA 044 - 40007070 1/4A, Rajiv Gandhi Salai (OMR), NAVALOOR, OMR, CHENNAI www.emamirealty.com/tejomaya Egattur, Chennai - 600 130. Call Landmark: Next to Navaloor toll plaza +91 9962978000 e-mail: [email protected] 7KH(PDPL*URXS Built on strong foundations. Built to last Founded in 1974, the Emami Group today is a diversified business conglomerate with a business valuation of more than Rs. 30,000 crore, employing 20,000 people with 6,25,000 retail outlets across over 60 countries. Emami Group - Subsidiaries Emami Agrotech - one of the largest edible oil companies in the country Emami Paper Mills - largest newsprint manufacturer in the country )RXQGHUVPHVVDJH¶ CRI Tips - 4th largest ball point tips manufacturer globally AMRI Hospitals Ltd - largest hospital chain in the private sector in “Your dreams come true and so do ours...” Frank Ross - largest pharmacy retail chain in West Bengal eastern India Emami Chisel Art - one of the largest contemporary art galleries of Starmark - largest book-cum-leisure store in West Bengal As the founders of Emami, we made a commitment to ourselves that the eastern India organization will exhibit values that are most important to our customers. Every interaction will be based on quality, transparency, customer focus and a commitment to delivery. Over the years, this is what has helped us Emami Realty: a pioneer in the real estate sector, with landmark creations in cultivate a mutually beneficial relationship for everyone associated with us. India & abroad covering over 3.6 crore sq. ft.* It is with this commitment that we bring to you the promise of a better Emami Group - New Ventures future through Emami Realty. -
Indian Dance Drama Tradition
Imperial Journal of Interdisciplinary Research (IJIR) Vol-3, Issue-4, 2017 (Special Issue), ISSN: 2454-1362, http://www.onlinejournal.in Proceedings of 5th International Conference on Recent Trends in Science Technology, Management and Society Indian Dance Drama Tradition Dr. Geetha B V Post-Doctoral research fellow, Women Studies Department, Kuvempu University, Shankarghatta, Shimoga. Abstract: In the cultures of the Indian subcontinent, for its large, elaborate make up and costumes. The drama and ritual have been integral parts of a elaborate costumes of Kathakalli become the most single whole from earliest recorded history. The recognized icon of Kerala. The themes of the first evidences of ritual dance drama performances Kathakali are religious in nature. The typically occur in the rock painting of Mirzapur, Bhimbetka, deal with the Mahabarat, the Ramayana and the and in other sites, which are various dated 20,000- ancient Scriptures known as the puranas. 5000 bce. The ancient remains of Mohenjo-Daro Kuchipudi dance drama traditions hails from and the Harappa (2500-2000 bce) are more Andhrapradesh. BhamaKalapam is the most definitive. Here archeological remains clearly popular Dance-Drama in Kuchipudi repertoire point to the prevalence of ritual performance ascribed to Siddhendra Yogi. The story revolves involving populace and patrons. The Mohenjo – round the quarrel between satyabhama and Daro seals, bronze fegurines, and images of priest Krishna. and broken torsos are all clear indications of dance In this paper I am dealing with Yakshagana dance as ritual. The aspects of vedic ritual tradition drama tradition. I would like to discuss this art closest to dance and drama was a rigorous system form’s present scenario. -
Annual Report 2018-2019
ANNUAL REPORT 2018-2019 STATE POLLUTION CONTROL BOARD, ODISHA A/118, Nilakantha Nagar, Unit-Viii Bhubaneswar SPCB, Odisha (350 Copies) Published By: State Pollution Control Board, Odisha Bhubaneswar – 751012 Printed By: Semaphore Technologies Private Limited 3, Gokul Baral Street, 1st Floor Kolkata-700012, Ph. No.- +91 9836873211 Highlights of Activities Chapter-I 01 Introduction Chapter-II 05 Constitution of the State Board Chapter-III 07 Constitution of Committees Chapter-IV 12 Board Meeting Chapter-V 13 Activities Chapter-VI 136 Legal Matters Chapter-VII 137 Finance and Accounts Chapter-VIII 139 Other Important Activities Annexures - 170 (I) Organisational Chart (II) Rate Chart for Sampling & Analysis of 171 Env. Samples 181 (III) Staff Strength CONTENTS Annual Report 2018-19 Highlights of Activities of the State Pollution Control Board, Odisha he State Pollution Control Board (SPCB), Odisha was constituted in July, 1983 and was entrusted with the responsibility of implementing the Environmental Acts, particularly the TWater (Prevention and Control of Pollution) Act, 1974, the Water (Prevention and Control of Pollution) Cess Act, 1977, the Air (Prevention and Control of Pollution) Act, 1981 and the Environment (Protection) Act, 1986. Several Rules addressing specific environmental problems like Hazardous Waste Management, Bio-Medical Waste Management, Solid Waste Management, E-Waste Management, Plastic Waste Management, Construction & Demolition Waste Management, Environmental Impact Assessment etc. have been brought out under the Environment (Protection) Act. The SPCB also executes and ensures proper implementation of the environmental policies of the Union and the State Government. The activities of the SPCB broadly cover the following: Planning comprehensive programs towards prevention, control or abatement of pollution and enforcing the environmental laws.